Arts & Entertainment
Sundance to include LGBTQ panels by Outfest

LA’s Outfest has been hosting a famous Queer Brunch at the Sundance Film Festival for years, but this year the organization has announced plans to expand its presence there for the first time in more than a decade.
The world-renowned LGBTQ Film Festival announced Tuesday that it was launching the Outfest House @ Sundance, an afternoon of celebration and education for festival alumni, community and fans of cinema. Celebrating the LGBTQ films at Sundance, Taking place in the heart of the festival at Kimball Terrace (675 Main Street in Park City, Utah), it will offer a program of panels and discussions with industry professionals, exploring the history, politics, and purpose of queer cinema.
The panels include:
THE PAST AND FUTURE OF QUEER CINEMA
A panel discussion moderated film critic and scholar B. Ruby Rich, who almost three decades ago coined the term “New Queer Cinema” to describe the 90s wave of boundary-pushing filmmaking from queer artists like Cheryl Dunye, Gregg Araki, and Isaac Julien. She will lead a discussion with filmmakers whose work spans that 30 year period, as well as talents who represent the future of queer filmmaking. Panelists include filmmaker Andrew Ahn (“Spa Night,” “Driveways”), producer Christine Vachon (“Go Fish,” “Boys Don’t Cry,” Sundance 2020 selection “Shirley”), and filmmaker Tom Dolby (“Last Weekend,” “The Artist’s Wife,” Executive Producer, “Call Me By Your Name”).
THE POLITICS OF QUEERNESS
This one is described by Oufest as follows: “Existing as an out member of the LGBTQIA+ family, and putting our stories onscreen, are inherently political acts. There is virtually no country on Earth where the basic rights of our community are not consistently up for debate in the political sphere, and ensuring our voices continue to be heard in that debate through queer storytelling and activism unites the talent on this panel.” The conversation will include queer filmmakers, actors, and activists featured in Sundance 2020 films, moderated by Zackary Drucker. Among the participants are Levan Akin and Levan Gelbakhiani (director and lead actor, respectively, “And Then We Danced”), and Jen Richards (actor, HBO’s “Mrs. Fletcher,” Netflix’s “Tales of the City”).
THE FULL RAINBOW: CENTERING UNDER-REPRESENTED QUEER VOICES
Exploring the topic of visibility in today’s media landscape, this panel will include discussion of both the strides that have been made with intersectional representation on screen and the long road still ahead to achieve true parity. As Outfest puts it, “On the heels of yet another #OscarsSoWhite, we ask: how do we make it past the gatekeepers to have our stories seen and heard?” Queer and trans artists and filmmakers representative of underserved communities will candidly discuss authentic storytelling, their experiences working in the industry, and how opportunities have changed in the past few years. Moderated by Tre’vell Anderson, the panelists will include Justin Simien and Angel Lopez (both of Sundance 2020 selection “Bad Hair,” and Dear White People), Rain Valdez (“Razor Tongue,” “Why Women Kill,” “Transparent”), and Wilson Cruz (“My So-Called Life,” “Star Trek: Discovery,” “Visible: Out on Television”), with possible “surprise guests” teased in the lineup.
The Outfest House @ Sundance has WarnerMedia as House Sponsor and the Los Angeles Times as Media Sponsor. Lyft, Adobe, Storyblaster, Post Hub and Vybes are the Event Sponsors, and Rava Wines is featured as well.
The programming is presented in partnership with Apple TV Plus’ “Visible: Out on Television.”
The Sundance Film Festival happens in Park City, UT, January 23 – February 2. Outfest House@ Sundance will follow the Outfest Queer Brunch (10am-12:30pm) from 2-5:30pm on January 26.
For more details visit the Outfest website.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
