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New doc ‘Hilma af Klint’ reclaims female artist’s place in history

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Hilma af Klint (Image courtesy Kino Lorber/Zeitgeist FIlms)

For most of the last century, art scholars generally credited Bauhaus artist Wassily Kandinsky with creating the first paintings of the abstract movement around 1911.

As it turns out, they were wrong – a Swedish artist named Hilma af Klint had quietly become the world’s first abstract artist five years earlier, before the term even existed, and by the time of Kandinsky’s first effort had already produced a considerable body of abstract work.

How did this important contribution to art history manage to go unnoticed by critics and historians for so many years? It’s not at all surprising, really – Hilma af Klint was a woman, and therefore, to the male-dominated art world of the early 20th century, irrelevant.

Now, her life and work is being explored in a new documentary from German director Halina Dyrschka. “Beyond the Visible – Hilma af Klint” introduces film audiences to a visionary trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, created a series of huge, colorful, sensual works that were without precedent in the world of painting.

According the the film’s official description, it’s a “course-correcting documentary” that not only covers the artist’s biographical details, but “investigates the role accorded to women in art history and reveals how and why Hilma af Klint was scandalously denied the status of a pioneer of modern art,” as it tells the story of how her art was “rediscovered” and unveiled to a modern audience that was ready to finally give her the recognition she deserved.

Director Dyrschka says the documentary – her first feature, though she has directed several shorts – was first sparked when she read a 2013 article about af Klimt, and was fascinated by the idea of such a monumental figure being obscured by history. A few months later, she went to an exhibition of the artist’s work, and she was hooked.

“I was standing in the middle of a hall surrounded by Hilma af Klint’s ‘Ten Largest, altogether 25 meters of paintings, 3.60 meters high,” she says. “And beyond the paintings – a whole world. But why have they been kept from me so long? I almost felt personally insulted when I read that this was a new discovery and the paintings have been hidden for decades.”

“The Swan No. 17” by Hilma af Klint (Image courtesy Stiftelsen Hilma af Klints Verk).

She started her research “immediately afterward,” she says, and was surprised by what she learned about the artist.

“Here was a woman who consequently followed her own path in life,” she says. “Despite all restrictions, Hilma af Klint explored the possibilities that go beyond the visible. She knew that she was doing something important not only for herself but for many people.”

“It is more than time to tell the untold heroine stories,” Dyrschka adds. “This is a film about a truly successful life – a woman who was not dependent of the opinion of others, and kept on going her very unique way of living and working.

“Hilma af Klint’s oeuvre goes even beyond art because she was looking for the whole picture of life,” the director concludes. “And with that she comes close to the one question: What are we doing here?”

“Beyond the Visible – Hilma af Klint” will premiere in the US with an April 10th opening in New York, with other cities to follow.

You can watch the trailer below.

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Puerto Rico

Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga

Puerto Rican activist celebrates half time show

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Bad Bunny performs at the Super Bowl halftime show on Feb. 8, 2026. (Screen capture via NFL/YouTube)

Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.

Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.

“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”

La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.

“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”

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Drag

PHOTOS: Drag in rural Virginia

Performers face homophobia, find community

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Four drag performers dance in front of an anti-LGBTQ protester outside the campus of James Madison University in Harrisonburg, Va. (Blade photo by Landon Shackelford)

Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.

(Washington Blade photos by Landon Shackelford)

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Books

New book explores homosexuality in ancient cultures

‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome

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(Book cover image courtesy of Bloomsbury)

‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages

Nobody likes you very much.

That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.

When he was a teenager, Harry Tanner says that he thought he “was going to hell.”

For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”

Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”

Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.

In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”

Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”

Says Tanner, “all is not what it seems.”

So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.

Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.

While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.

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