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Queer history becomes ‘Visible’ on new Apple TV docuseries

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Image courtesy Apple TV+

At a time when television is setting new records in terms of onscreen recognition for LGBTQ identities and issues, it might be easy – especially for the younger among us – to forget that it wasn’t always that way.

There was a time, not long ago, when one might never even know LGBTQ people existed based on what they saw on TV. Such figures as Liberace and Paul Lynde, who are now seen as representing a sort of queer proto-visibility with their flamboyant onscreen personas, passed in their day as straight to the majority of their viewing public, incredible as it may seem to us now; and Stonewall, now widely known as one of the most significant moments in the struggle for LGBTQ equality, was never mentioned in a single network news broadcast when it happened, a mere 50 years ago.

Partly because of the television industry’s suppression of all things queer during most of its history, most of LGBTQ history has long been invisible, preserved only in the memories of those who took part, and in greater danger of being lost forever with the passing of each succeeding generation.

Fortunately, embedded within the story of television itself is an entire narrative revealing the queer history that was taking place right before the eyes of millions of viewers, even as it was happening – and thanks to “Visible: Out on Television,” a new 5-part mini-docuseries debuting this weekend on Apple TV+, it’s a history that is now being told, out, proud and queer.

Created by Emmy-nomiinated filmmakers Ryan White and Jessica Hargrave, the series investigates the importance of television as an intimate medium that has shaped the American conscience – and illuminates how the LGBTQ movement has shaped television. It combines archival footage, interviews with key players from the movement and the screen, and narrations by community icons Janet Mock, Margaret Cho, Asia Kate Dillon, Neil Patrick Harris and Lena Waithe, to explore themes such as invisibility, homophobia, the evolution of the LGBTQ character, and coming out in the television industry.

Each hour long episode focuses on an era in the timeline of television history, paralleling the evolution of queer representation in the medium with the cultural history that was occurring around it.

*DISCLAIMER: SPOILERS BELOW

The first installment, titled “The Dark Ages,” gives us a chilling look at an era that surely exemplifies what the slogan “Make America Great Again” was meant to evoke in the minds of a nostalgic older generation – at least, those among them that had been privileged enough to ignore its inequality and injustices. We are reminded that the first mention of the word “homosexual” came in the televised Army-McCarthy hearings of 1954, during discussions about the security risks posed by LGBTQ government employees whose “deviant” lifestyle presumptively made them vulnerable to manipulation by Communist agents; that during the 1960s, the news media, including respected CBS anchor Mike Wallace, hosted “experts” of the day who propounded the belief that homosexuality was a curable psychological disorder; and that Lance Loud, the first openly homosexual person to appear on television when he was part of “An American Family,” the docuseries that followed his household for thirteen weeks in 1973, was demonized and vilified by a press that called him “leechlike” and described him as “an evil flower.” In each case, it’s impossible to ignore the echoes of similar homophobic rhetoric that has resurged during the Trump era.

Yet in the same hour, we are also shown the signs of hope that blossomed in the midst of all this darkness, through the gradual foothold that was made by an LGBTQ presence on television, from the non-stereotypical gender presentation of coded characters like Sheila Kuehl’s Zelda on “The Many Adventures of Dobie Gillis” and Lynde’s Uncle Arthur on “Bewitched,” to the groundbreaking depictions of openly queer people on Norman Lear’s “All in the Family.” The episode ends with the glimmer of an even brighter future that appeared with the emergence of openly gay Harvey Milk as a substantial political figure.

That we know all too well how his story ends gives us all the more reason to want to binge watch straight through each of these five excellent episodes.

With insight and commentary from familiar contemporary figures (such as Wanda Sykes and Wilson Cruz, both of whom are also executive producers, along with director White), historic queer icons (like Ellen DeGeneres and Bruce Vilanch), and lesser-known voices from the early days of LGBTQ activism, “Visible” presents a thoughtful, emotionally resonant, clearly focused, and deeply informative look at queer history as it fought its way into mainstream consciousness through a powerful medium that still connects us all. It’s a must-see event for LGBTQ audiences who thirst for knowledge about the community’s past, yes – but also for anyone who wants to gain an understanding of how representation on TV works to shape the culture surrounding it, as well as why it matters.

The show drops on Apple TV+ on Friday, February 14. You can watch the trailer below.

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Sports

Jason Collins dies at 47

First openly gay man to actively play for major sports team battled brain cancer

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Jason Collins (Washington Blade file photo by Michael Key)

Jason Collins, the first openly gay man to actively play for a major professional sports team, died on Tuesday after a battle with brain cancer. He was 47.

The California native had briefly played for the Washington Wizards in 2013 before coming out in a Sports Illustrated op-ed.

Collins in 2014 became the first openly gay man to play in a game for a major American professional sports league when he played 11 minutes during a Brooklyn Nets game. He wore jersey number 98 in honor of Matthew Shepard, a gay college student murdered outside of Laramie, Wyo., in 1998.

Collins told the Washington Blade in 2014 that his life was “exponentially better” since he came out. Collins the same year retired from the National Basketball Association after 13 seasons.

Collins married his husband, Brunson Green, in May 2025.

The NBA last September announced Collins had begun treatment for a brain tumor. Collins on Dec. 11, 2025, announced he had Stage 4 glioblastoma.

“We are heartbroken to share that Jason Collins, our beloved husband, son, brother and uncle, has died after a valiant fight with glioblastoma,” said Collins’s family in a statement the NBA released. “Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar.  We are grateful for the outpouring of love and prayers over the past eight months and for the exceptional medical care Jason received from his doctors and nurses. Our family will miss him dearly.”

NBA Commissioner Adam Silver said Collins’s “impact and influence extended far beyond basketball as he helped make the NBA, WNBA, and larger sports community more inclusive and welcoming for future generations.”  

“He exemplified outstanding leadership and professionalism throughout his 13-year NBA career and in his dedicated work as an NBA Cares Ambassador,” said Silver. “Jason will be remembered not only for breaking barriers, but also for the kindness and humanity that defined his life and touched so many others.”

“To call Jason Collins a groundbreaking figure for our community is simply inadequate. We truly lost a giant today,” added Human Rights Campaign President Kelley Robinson in a statement. “He came out as gay — while still playing — at a time when men’s athletes simply did not do that. But as he powerfully demonstrated in his final years in the league and his post-NBA career, stepping forward as he did boldly changed the conversation.”

“He was and will always be a legend for the LGBTQ+ community, and we are heartbroken to hear of his passing at the young age of 47,” she said. “Our hearts go out to his family and loved ones. We will keep fighting on in his honor until the day everyone can be who they are on their terms.”

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PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

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'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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