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A non-binary Cuban artist is born again in Spain

Nonardo Perea suffered persecution in his homeland

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Nonardo Perea (Photo courtesy of Nonardo Perea)

Nonardo Perea lives in Michel’s body. He uses it at will to be vulgar, angelic or diabolical, male or female. Nonardo can be whatever he wants. Michel, shy and withdrawn, hides behinds that alter ego that lends him his face and hands to show the world his claims as an artist.

Nonardo is an invention that comes to life in photographs, video art, performances, stories, installations, journalistic articles, ceramics, and whatever other format is possible, since Nonardo long ago lost any limits. His mind lost that ability as he reinvented himself as an empirical artist, as no one ever gave him the opportunity to attend art school.

He has been greatly misunderstood, mainly because his pieces overflowed with eroticism and Cuba is still too prudish to appreciate his queer art and his other works the regime has labeled as “politically incorrect.” Michel and Nonardo were discriminated against by society and the dictatorship that governs the country and represses anyone who does not agree with its dogmas.

Nonardo nevertheless overcame those barriers and began creating, without anyone’s guidance. He was first a writer and received some tools once he graduated from the Onelio Jorge Cardoso Literary Training Center in Havana. He won several competitions, such as the 2017 Franz Kafka Prize for his work “Los amores ejemplares” and the 2012 Félix Pita Rodríguez Prize for the novel “Donde el diablo puso la mano.”

In the visual arts, where he is usually very restless, he won the third prize for photography at the GendErotica Festival for “La casa por la ventana 2014” with his Vulgarmente Clásica project. He participated in the Bienal 00, organized by independent artists, with his “En la cama con Nonardo” project and presented Vulgarmente Clásica at Madrid’s La Neomudéjar Museum in 2019.

Nonardo belongs to the San Isidro Movement, a group of independent artists and intellectuals who fight for a democratic Cuba. That battle has also been fought through his art and in pursuit of LGBTQ rights, such as marriage and adoption rights for same-sex couples, and an end to gender violence that remains a problem on the island.

Nonardo Perea used his art to highlight his opposition to Cubans voting on whether same-sex couples should have the right to marry. (Photo courtesy of Nonardo Perea)

Due to his work and political activism for a truly democratic Cuba, Nonardo suffered police harassment and Cuban state security agents threatened him with jail. Fearing for his life, he took refuge in Spain, a country where he feels he has been reform and from which he speaks with the Washington Blade.

WASHINGTON BLADE: Those who follow your art on social networks and off of them know you as Nonardo, but few know that your real name is Michel. How and why was Nonardo Perea born?

NONARDO PEREA: I remember starting my writing career and I needed another name that was not so common. I did a big search and I didn’t like any of them. I wanted a unique name if possible. One afternoon I was sitting in the living room of my house with my father and I told him about the need for a name. It was he who proposed Nonardo. At first it sounded a bit ugly to me, but then with Perea it seemed a little better. It had strength. I liked it because it began with “no”, denial, and was followed by “nardo”, flower, that is, Nonardo had a lot to do with me. Since then I started using it for all of my work, both literary and audiovisual.

BLADE: How does your artistic training take into account that you are an empirical creator?

PEREA: My artistic creation from the beginning was always very complicated, taking into account that I had to abandon my studies at an early age for inclusion reasons, so I have no academic training; then add to that that I am a very obvious gay. At one point in my teens I was seen as a person who was too feminine. The fact of looking like a woman was a problem when trying to fit in a macho and homophobic society. Where I first tried to break through was in writing. I started by attending literary workshops, where I won several contests quite quickly. I was never exempt from criticism and rejection of the themes that my narrations addressed, which almost always focused on LGBTQ issues and dirty realism. Many times I felt that being the way I am made many uncomfortable. But despite the rejections and bad times that I lived in various periods of my life, I continued doing narrative, and I also began to write articles about social issues for the Havana Times digital newspaper. Then, over time, I had the opportunity to apply to a video journalism workshop in Prague organized by the People in Need organization, and thanks to a woman I love very much, Clara González, who saw some potential in me, I was accepted to participate in the course, in which I learned some video editing, and received help with equipment that helped me to start doing audiovisual work with better quality. All my creative works have been done empirically, and above all I am an artist who works based on improvisation.

BLADE: You have ventured into artistic genres as different as writing, journalism and acting. How do you define yourself as an artist and why?

PEREA: I am a person who cannot be inactive. I spend every day of my life thinking about doing something new. Sometimes I have so many things on my mind, and the fact that I can’t do everything I want to do makes me feel a bit frustrated. I have no words to define myself, I can only say that in some way my creative processes have helped me to cope with the life that I had to live, everything I have done and do has served as a way of escape from reality and everyday life, I could no longer live without creating.

BLADE: In a recent interview you precisely declared that your art was a process of liberating yourself. What exactly do you free yourself from when you create?

PEREA: I free myself from the day-to-day, the everyday, my fears and censorship.

BLADE: In most of your visual works you work with your own image. Why?

PEREA: I use myself as an artistic object because in Cuba I lived in solitude for a long time. I somehow isolated myself and created a space of comfort in my home, a place where I felt more free. The confinement somehow helped me to stay away from society that did not tire of making me feel bad about my obvious homosexual condition in much of my youth. My literary proposals and art in general, on the other hand, were not taken into account. I always perceived that most people underestimated me, and proposing someone to collaborate with me on erotic photographs without receiving anything in return was complicated, and still is. I have control over my body. If I want to undress in a photo or in a video, even if I feel sorry, I strip myself of complexes and do it. If I want to take a photograph that is too vulgar, I also do it. I do not have to request permission from anyone to do so. I don’t put up barriers. I take a risk, then I think that they say what they want. I understand that I am doing a job where I express my personal and social problems, as a human being.

BLADE: You identify yourself as an androgynous person. How many difficulties has that brought you considering that you have lived most of your life and developed your work in Cuba, a country where macho and homophobic ideals still predominate?

PEREA: I consider myself a non-binary androgynous person, because I do not identify with any sex. I can feel at ease as a girl as well as a boy. I have no problem with male or female pronouns. I do not like to victimize myself, but I can tell you that the road has been very difficult, and it has been not only for me, but for many other gays and lesbians who have chosen not to hide their sexual identity in their lives and have had to fight against the world. Being who I am in Cuba has not helped me much in terms of being able to be recognized for my work, but being who I am has helped me to strengthen myself and to understand that I do not need the approval of any institution to continue creating. I am a Cuban artist and like it or not, a large part of my work was created in Cuba.

BLADE: Many Cuban artists prefer to separate their creations from politics and even refuse to give their true judgment on the situation on the island. However, your work has a high dose of activism against the dictatorship and in defense of LGBTQ rights. What consequences, professional and personal, has being an artist labeled by the Cuban regime as “counterrevolutionary” brought you?

PEREA: The main consequence is that I had to go into exile; leave the country where I was born, abandon my mother and family, my friends, my dogs and a lifetime. But I think it had to be that way. There was no other way than to say goodbye, because under no circumstances was I going to allow my creative processes to stop, and above all I was going to continue doing my activism. I know that perhaps I was not going to be able to withstand so much pressure from state security agents, who wanted me to collaborate with them to expose my colleagues from the San Isidro Movement. If I returned to Cuba right now, I don’t know what my life would have been like from that moment on. If being a counterrevolutionary means saying what I think, and being in favor of oppressed minorities, and being against a dictatorship that has left Cuba and its people in a nameless misery for 61 years, then I am a counterrevolutionary and with great honor. I have nothing for which to thank that country, where I was always seen as a freak, and what little I got was thanks to my effort and dedication, because while in Cuba I received criticism and obstacles for everything, for this reason they are collecting what they sowed with me, they do not expect roses from me.

BLADE: In Cuba, to be accepted as part of the official LGBTQ movement you have to share the ideology of the dictatorship, the same one that put equal marriage to a popular vote and represses independent activists. In your opinion, what are the dangers of “politicizing” the struggle of the Cuban gay movement?

PEREA: The danger is in seeing how it becomes politicized. While in Cuba, I never stopped going to the marches staged by CENESEX (the National Center for Sexual Education) and I will not forget how Mariela Castro (CENESEX’s director and the daughter of former Cuban President Raúl Castro) herself politicized those mini-carnival marches with slogans in favor of the five spies imprisoned in the Empire (a reference to the U.S.), and with cries of “socialism yes and homophobia no.” I do not remember seeing any gay or lesbian carrying a sign demanding equal marriage, or demanding freedoms, or a law against gender violence. It is really pathetic considering that the system itself is the number one cause of the persistence of homophobia and constant abuse of people from the community, mainly transgender people, in Cuba, a country where your rights are constantly violated, either because of race or sexual orientation. Those marches were politicized by CENESEX itself in favor of a supposed socialism, which has never worked and will never work because that is a hybrid between communism and underdeveloped capitalism, and we all know that it is nothing other than a dictatorship, and of the crudest in history because it has managed to last for 61 years. If Mariela Castro and all her loyal followers politicize the march for their benefit, I don’t see why the community cannot independently arm its own fight in favor of the most basic rights of the LGBTQ community in Cuba.

IDAHOT, International Day Against Homophobia and Transphobia, Havana, Cuba, gay news, Washington Blade
A march in support of the International Day Against Homophobia and Transphobia the National Center for Sexual Education organized in Havana on May 14, 2016. (Washington Blade photo by Michael K. Lavers)

BLADE: In what way has the forced exile that you have faced in Spain changed your work?

PEREA: Right now I continue to do what I want to do, regardless of being in Spain. I still feel that I am in Cuba. My vision as an artist has not changed much. I’ve only been here a year and seven months, although I believe that wherever I am, in some way my work will be linked to that of the island because I have not yet cut that umbilical cord that links me to the place where I was born and took my first steps. It is true that one acquires other mechanisms of creation and invoicing in the work while abroad, but at the moment I do not think that the focus of my work has changed much because of being in another country. Of course, here in Europe there are other problems that I may be able to take advantage of, but be that as it may, they will be appreciated from the perspective of an exiled Latin American artist.

BLADE: On a personal level, what has it been like to be a gay immigrant in Europe?

PEREA: I am very grateful for Spain, mainly for Madrid, which is the place where I have lived since I arrived in 2019. At the moment, I have not felt discriminated against because of my sexual orientation or because I am a foreigner. I have received emotional and legal support from the NGO Rescate, which welcomed me and where I have received the care that I never had in my own country. With all the social and political problems that may exist, it is in this country where I have somehow been able to know what true freedom is.

BLADE: What can we expect from Nonardo Perea in the near future?

PEREA: I am in another difficult moment in my life right now, because I cannot find a job, and I do not receive any money for my artistic work, so what I do is for the love of art and because I cannot stop building my own world. The COVID situation has managed to make things more difficult, not only for me but for everyone, but taking into account that I am an exile and that I have been here for a short time, it is very complicated. Even so, I eventually continue to make video art for the Vulgarmente Clásica audiovisual project, which I have been doing for several years. And more recently I started with a new project, “Maricón Tropical: Living in Madrid”, this one is a bit more comprehensive not to call it ambitious because I insert various artistic manifestations: Performance, audiovisual, literature, drawing and photography, and it is focused on my new life as an exile in Madrid, everything seen from a self-referential point of view, as are almost all my proposals.

BLADE: If you had to create a work that describes your life right now, what would it be like?

PEREA: I consider that my life, my true life, has started now, what it was before was not. For the purposes I was born on March 19, 2019, when I set foot in Spain. All the past is left behind. I want to imagine that the past was a bad dream. My “Maricón Tropical: Living in Madrid” project is a work that somehow reflects that past, which is unfortunately impossible to forget and it is also good that people know what that other life was like, but I focus more on the present, my current problems as a person who faces a new life as an adult who feels like a newborn. I can only tell you that my life’s work is in progress.

Part of Nonardo Perea‘s “Maricón Tropical: Living in Madrid” series (Photo courtesy of Nonardo Perea)
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Sports

DC Aquatics Club swimmers reflect on world title win

Team took 125 gold medals en route to breaking 72 DCAC records

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The District of Columbia Aquatics Club sent 42 swimmers to the International Gay & Lesbian Aquatics world championships in Palm Springs, Calif. (Photo courtesy DCAC)

The District of Columbia Aquatics Club sent 42 swimmers to the International Gay & Lesbian Aquatics (IGLA) world championships in Palm Springs, Calif., in April on a mission to capture their first world title since 2013.

It was a long road back to international competition for the DCAC swimmers after the disruption of training and travel brought on by the worldwide pandemic.

When the team returned from IGLA in Melbourne, Australia in March of 2020, their training pools were closed, and all competitions were canceled.

By May they had established a training site in the South River in Annapolis where they swam until November of that year. Eventually, pools began to reopen, and the team was faced with battling for training time in COVID-restricted pools.

Following the postponement of the 2022 Gay Games in Hong Kong, the IGLA community scrambled to put together a competition in Palm Springs that would be hosted in tandem by West Hollywood Aquatics and the Long Beach Grunions. 

DCAC’s swimmers in Palm Springs consisted of a mix of veterans and rookies ranging in age from 22 to 76 years old. Each swimmer was eligible to enter five individual events and three relay events.

With 67 teams in attendance, DCAC jumped out to an early lead on day one in the large team category with West Hollywood Aquatics and San Francisco Tsunami in close pursuit. 

Despite the disqualifications of two of their winning relays for early takeoffs, DCAC held on to their lead over the remaining three days to claim their first world title in nine years.

Three DCAC swimmers, Grant Casey, Carmen Robb and Jerry Frentsos, won gold in all five of their individual events. In total, the team won 125 gold, 66 silver and 35 bronze medals en route to breaking 72 DCAC team records.

Addison Winger was a first time IGLA swimmer and hadn’t competed in 12 years. He had heard the tales from past IGLAs and wanted to join in on the fun.

“It was a great experience to compete for DCAC at an international competition. I had never been in a championship meet before where you go through the process of tapering, shaving, and suiting up in tech gear,” says Winger. “The relays were amazing, and I enjoyed taking advice and feedback from our coaches to incorporate into future races. It was also great spending quality team with my teammates outside of the pool.”

Olivia Kisker had competed with DCAC at IGLA Melbourne in 2020 and was looking forward to traveling with her team again.

“Even though the days were long at the pool, we still had time for Joshua Tree, the gondolas and all that Palm Springs has to offer,” Kisker says. “I love traveling and doing it with your teammates provides a setting for bonding and getting to know people better. I also enjoyed competing against my teammate Sarah. It’s like a friendship and a rivalry.”

Craig Franz restarted his post-COVID competitive swimming at IGLA Palm Springs and went on to a training camp and open water race in Hawaii this past month.

“The whole thing about this team is relationships and sharing swimming as a common denominator. The swim competitions legitimize building relationships and supporting each other in healthy ways,” say Franz. “Palm Springs felt like a more relaxed setting, and we needed this meet to rebuild the team. It provided a nutritional base for what we are about – swimming and friendships.”

Sarah Padrutt had not competed since 2019 and all the talk about past IGLAs prompted her to attend for the first time.

“I had so much fun, and it was cool having people cheering and being supported by teammates,” Padrutt says. “It was also a nice wakeup call, a reminder of how much I like competing. I like the pressure of racing and being on relays with my team. It was a very positive experience.”

Charles Cockrell has been a Masters swimmer for decades and is the chair of the Legislation Committee for United States Masters Swimming. He came out in 2019 and these championships marked his first time competing at IGLA.

“I wanted to compete at a swim meet that was a combination of the LGBTQ community and the sport of swimming. It was a fun, accepting and engaging environment,” says Cockrell. “The takeaway was that everyone was enjoying themselves and it was nice to be gathered together in a queer space. There was an atmosphere of camaraderie, and it was great being attached to a big team like DCAC.”

Coming up next for DCAC is the United States Masters Swimming Nationals in Richmond in August. Next year, the team will travel to London for the 2023 IGLA world championships to be held in the London Olympic Pool.

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Out & About

10 LGBTQ events this week

See more than just the fireworks in the days ahead

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From movie nights to dance parties, there is a lot to do in the region this week. (Washington Blade photos by Michael Key)

Below are our picks for some of the most fun and creative things to do this week in D.C. that are of special interest to the LGBTQ community.


MNSkating’s Pride Too!

Monday, June 27
7:30 p.m.
Laurel Skating Center
9890 Brewers Court
Laurel, Md.
Facebook | Meetup

Join the Monday Night Skaters for a Pride-themed skating party in Laurel, Md. on Monday.


Queen of the Capital at Adams Morgan Movie Nights

Tuesday, June 28
8-11 p.m.
Adams Morgan Soccer Field
Facebook

The Adams Morgan Partnership BID will be showing “Queen of the Capital” from local documentary maker Josh Davidsburg.


Pride Night at Frederick Keys

Wednesday, June 29
6-9 p.m.
Nymeo Field at Harry Grove Stadium
21 Stadium Drive
Frederick, Md.
Facebook | Tickets

Join Pride on the Patio for a night of baseball as the Frederick Keys hold Pride Night sponsored by the Frederick Center.


LGBTQ Families Discussion & Beer Tasting

Wednesday, June 29
7-8 p.m.
Aslin Beer Company
847 South Pickett Street
Alexandria, Va.
Facebook | Tickets

Rainbow Families will have an informal discussion about such topics as coming out, celebrating your child’s identity, being a good ally in the workplace and more . . . followed by a beer tasting! No charge, but donations will be taken.


First Friday LGBTQ+ Social with GoGayDC

Friday, July 1
7-9 p.m.
The Commentary (in the Westin)
801 North Glebe Road
Arlington, Va.
Facebook | Eventbrite

Join GoGayDC for a monthly social gathering in Ballston.


Drag Race All-Stars Viewing Party

Friday, July 1
7-9 p.m.
JR.’s Bar
1519 17th Street, N.W.
Facebook

Get together with other Drag Race super fans for an evening viewing party hosted by Citrine.


Outdoor Movie Night

Friday, July 1
8:30-10:30 p.m.
Stead Park
1625 P Street, N.W.
Facebook

Bring your blanket and catch a movie on the big screen at Stead Park.


FireWerk with DJ Chord

See more than just the fireworks in the days ahead

Friday, July 1
9 p.m.
AquaGrill Reho
57 Baltimore Avenue
Rehoboth Beach, Del.
Facebook 

Kick off Independence Day weekend in Rehoboth with a no cover dance party at AquaGrill.


Zodiac Drag Contest

Zodiac Drag Contest (Blade file photo by Michael Key)

Sunday, July 3
8 p.m.
Freddie’s Beach Bar
555 23rd Street S
Arlington, Va.
$5 cover
Facebook

The monthly amateur drag competition returns to Freddie’s on Sunday. Check out the new talent (or try it out yourself).


Flashy 4th of July Weekend

Sunday, July 3 – Monday, July 4
10 p.m.
Flash
645 Florida Aveune, N.W.
$30
Facebook | Eventbrite

Celebrate Independence Day with a Flashy 4th of July on the dance floor of Flash.


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Photos

PHOTOS: Loudoun Pride

LGBTQ community celebration held at Claude Moore Park in Sterling, Va.

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Loudoun County, Va. elected officials gather on the main stage at Loudoun Pride on Saturday. (Washington Blade photo by Michael Key)

The first Loudoun Pride was held at Claude Moore Park in Sterling, Va. on Saturday, June 26.

(Washington Blade photos by Michael Key)

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