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2021 Queer Women of Washington
Celebrating voices of change in D.C.
The Washington Blade, in partnership with the Mayor’s Office of LGBTQ Affairs and the Office of Women’s Policies and Initiatives, is proud to present our annual Queer Women of Washington.
Here we celebrate some of the city’s many inspiring queer women who are the voices of change from a diverse group of industries. Nominations came from our readers; that list was then trimmed to the queer women profiled here.
Rewatch the Queer Women of Washington Awards presented by DC Department of Health HERE.
Meg Metcalf
Occupation: Library of Congress (Librarian & Collection Specialist, Women’s, Gender, & LGBTQIA+ Studies)
Where do you live? Ward 5
What does being a queer woman in Washington, D.C. mean to you?
Being a non-binary queer femme in Washington, D.C. has given me an unparalleled opportunity to influence the way cultural memory institutions document and remember LGBTQIA+ life, history, and cultures in our nation’s capital and beyond. What happens in D.C. resonates nationally and globally, so it’s a wonderful place to live and work as a librarian, activist and advocate.
Michele Zavos
Occupation: Zavos Law
Where do you live? Ward 5
What does being a queer woman in Washington, D.C. mean to you?
I identify as a lesbian, as I have my entire adult life. That identification to me means a certain way of looking at the world, as a woman who loves and prioritizes women.
D Magrini
Occupation: Whitman-Walker Health
Where do you live? Ward 3
What does being a queer woman in Washington, D.C. mean to you?
A native Washingtonian proudly being myself.
Yvette Scorse
Occupation: Communications Director, ByteBack
Where do you live? Ward 6
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in Washington, D.C. is about more than embracing and enjoying my own identity and love openly. It’s about celebrating other LGBTQ+ people, about nurturing a safe and welcoming environment for my colleagues, and it’s about putting equity and inclusion first in our community. I’m proud to be among a group of diverse, strong, creative, inspiring queer women in D.C.
Tiera Craig
Occupation: The DC Center
Where do you live? Ward 3
What does being a queer woman in Washington, D.C. mean to you?
I am a proud Black combat service disabled veteran lesbian professional committed to the LGBTQ community and passionate about All Things Lesbian. I strive to represent, educate, encourage, and empower members of the community in any way necessary. Being a queer woman in Washington, D.C. means that I have a greater opportunity to affect change on a micro and a macro level. It means that I am in a position to have my finger on the pulse of transformation in policy. It also means that I am a part of the dopest community in the country!
Sunu P. Chandy
Occupation: Legal Director, National Women’s Law Center
Where do you live? Ward 3
What does being a queer woman in Washington, D.C. mean to you?
While we are lucky to be queer women in D.C. given all of our local legal protections for LGBTQ individuals, we also need to push the U.S. Senate to pass the Equality Act so that our rights in this country don’t depend on our zip code. We also need to keep organizing and advocating for social justice across the areas of our lives here in D.C. too. I am excited to keep building, alongside so many terrific comrades, toward gender justice, racial justice, disability justice, immigration justice and more.
Cee Smith
Occupation: Color Wheel Capital
Where do you live? Ward 5
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in D.C. means that I’m a part of a small but mighty percentage of the population that’s known to overcome despite the disparities. It means working daily to advance a community I believe in.
Heidi Ellis
Occupation: Founder, HME Consulting & Advocacy
Where do you live? Ward 6
What does being a queer woman in Washington, D.C. mean to you?
My identity has always been my compass as I’ve navigated different spaces throughout my upbringing, education, and career. For me, it’s not about only being a woman, or queer, or Black, or Latinx. I am all of those things. The experiences I have occupying space as a woman with an intersectional lens dictate my priorities when allocating some of my most precious resources, including time, money, and my mental capacity. I am dedicated to building coalitions and improving systems that will ultimately lead to liberation for the most marginalized members of our community. I feel inspired living in Washington, D.C., as we are uniquely able to see the progress, and sadly the failures, of our government and the power structure. Local culture and history also inspire me. D.C. is a treasure trove of historical events and stories that influence our community, and I hope to continue learning while adding to the rich history.
Charlotte Cleveland
Occupation: American College of Surgeons
Where do you live? DMV Area
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in Washington, D.C. means being a part of a profoundly embracive, proud, diverse, and welcoming community. By nature, it means I get to be both national and local. We live at the epicenter of American politics, which can be an ugly and treacherous space to exist as a queer person and we see the progress, and failures, of our government in real-time. This allows me to use my voice and uplift the voices of others to advocate for change. On the local level, D.C. is one of the queerest cities in America and I can unabashedly be my queer self every day.
Morgan Butler
Occupation: Public Allies DC
Where do you live? Ward 4
What does being a queer woman in Washington, D.C. mean to you?
So much of my gender identity, sexuality and spirit has been nurtured and influenced by D.C. As a gender fluid femme queer, it’s been important for me to acknowledge all my selves, to care for them, to inspire them, to reparent them and heal them from childhood wounds. D.C. has been the safest place for me to reparent myself — this city has provided me and (with extreme reverence) allowed me to provide platforms and opportunities for others to experience the beautiful, whimsical, magical, intense heat that quite honestly, no other city has. The way D.C. is continuously birthing renaissance astounds me every moment of every day. The way this city breeds and nurtures talent is something I intentionally try to emulate in every space I’m welcomed in outside of the city. My work is so intrinsically connected to this city, in the same ways that my person and my spirit is.
Aditi Dussault
Occupation: Co-Founder & Director, GovContractPros, LLC
Where do you live? Ward 1
What does being a queer woman in Washington, D.C. mean to you?
I first moved to D.C. to attend college – a somewhat typical story of “finding myself” in a new place. My favorite part of being queer in D.C. is not only have I found myself, but also I have found so many amazing people who are so different from me. In finding and exploring differences, I have found incredible threads of commonality and I think D.C. is particularly unique city for bringing it all together.
Melissa DeShields
Occupation: CEO, Frontline Solutions
Where do you live? Ward 4
What does being a queer woman in Washington, D.C. mean to you?
Being a Black queer woman in Washington, D.C. means that I live in the intersection of race and identity. My work, my politics, my life is about justice and dismantling systems of oppression.
Ashley Carothers
Occupation: Minority Veterans of America
Where do you live? Ward 5
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in D.C., our nation’s capital gives me the opportunity to mentor folks not just within our LGBTQ+ community but those outside of our community. I’m able to have conversations with people from all spectrums, change hearts and minds. I’m also able to open the door for the voiceless so that they can be seen and heard in the room. I’m able to cross lines and push boundaries so those coming behind me are able to live more as their true selves.
Olivia O’Neal
Occupation: IONA, WWH, Mary’s House for Older Adults, DACL, Seabury Resources for Aging
Where do you live? Ward 6
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in D.C. means that I can advocate for all women’s rights no matter what their sexual orientation may be.
Jade Flower
Where do you live? Ward 7
What does being a queer woman in Washington, D.C. mean to you?
Being a queer woman in D.C. means being a part of rich legacy — generations of Black lesbians in Washington have made this city a safe, inclusive and celebratory place. I grew up here, had my first kiss on a front porch off Nannie Helen. My first Pride (before I was out), I wore a different rainbow color every day of the week. My first party experiences were at the Edge and the Delta. My first time on a board was with Women in the Life Association. I screened my first film at HRC headquarters. I hope to continue to honor a tradition of so much self-love that it effortlessly pours into the LGBT community and allies alike.
Adalphie Johnson Wilhite
Occupation: SMYAL – Programs Director, The Community Church of Washington DC UCC – Assist. Pastor, Mx. Boss Lady Enterprises – Founder/Consultant
Where do you live? Ward 8
What does being a queer woman in Washington, D.C. mean to you?
Being a Queer Womxn in the DMV to me means, having the knowledge, courage, and ability to be and create agents of change in the community in all of my queerness. As a Black, queer woman, mother, wife, leader, and pastor I recognize many spaces are not affirming of my identities. In knowing that, it is my responsibility to be unapologetic about my identities while speaking truth to power and empowering others to live in their authentic truth. Being a queer womxn means penetrating spaces, and holding leadership positions that historically have been held by male-identified persons while also carving spaces of our own. It is our responsibility to be visible in responding to the injustices that plague our communities in an effort to build a better present and future. Being a Queer Womxn in the DMV means to be proud, passionate, caring, unapologetic, fierce, and in the words of the beloved Audrey Lorde, deliberate and afraid of nothing.
Alexis Grady
Occupation: Law Student
What does being a queer woman in Washington, D.C. mean to you?
Being a queer non-binary person in Washington, D.C. has been an incredible and enlightening experience. The protections and opportunities afforded to me as a queer person in this city have allowed me to live more openly than I ever anticipated, and to be a fierce advocate for people in the LGBTQ community. From interning with the Victory Institute to serving as the president of Howard University’s CASCADE, my interactions with our community here have been overwhelmingly meaningful and positive. The protections and support for queer people, particularly women and non-binary people of color, are a large part of the reason I have chosen to make Washington, D.C. my permanent home. I am so grateful to be considered among the women and queer people who have made it possible for me to survive and thrive. Being a queer non-binary person in Washington, D.C. means being a step closer to freedom and being wrapped in the support of my community at all times.
Elizabeth Birch
Occupation: VP CBRE and CEO Elizabeth Birch Company
What does being a queer woman in Washington, D.C. mean to you?
Being a lesbian or anyone on the LGBTQ spectrum in Washington, D.C. is a gift. It gives you a perspective on humanity that might elude you in a purely straight world.
Yvonne Z. Smith
Occupation: Disability and Mental Health Advocate
What does being a queer woman in Washington, D.C. mean to you?
Being an out queer woman in D.C. allows me a amount of personal and emotional freedom. Although it’s been decades since I opened those closet doors it’s still refreshing not to be anything other than who I am. The Washington region is best place to work or play for any age of queer women. Although it still has some significant challenges that I work on through many LGBT organizations as well as disability organizations in the city I have never had to hide who I am or not advocate for all segments of the community I am a part of, including the Queer community.
Kisha Allure
Occupation: Director of Victim Services/Resilient Development, Casa Ruby
What does being a queer woman in Washington, D.C. mean to you?
As a Queer woman, I have been classified as the unexplained subject of a marginalized population. However, As Queer Woman I will continue to stand in my truth. Living the way I feel, from the inside out. I will walk, work, and experience equal opportunity as every human being. I will continue to bridge the gaps and create systems of tangible resources, for all genders to access, which is the biggest barrier in the LGBTQ community.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.
Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
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Response to a personal attack against me
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