Books
Deaf, gay poet explores loss of a twin in new book
‘Once Upon a Twin’ ponders how life would differ if sibling had survived
“Asshole/battybat/big baby/blundering boob/…deaf & dumb/dick/dumbdumb/fag,” Deaf, gay poet and playwright Raymond Luczak writes in his poem “the easiest words to lipread in a schoolyard (even if you’re not deaf).
The poem appears in Luczak’s new book “Once Upon a Twin,” released this year by Gallaudet University Press.
Luczak, 55, who lives in Minneapolis, graduated from Gallaudet University in Washington, D.C. with a bachelor’s degree in English in 1988. He has written and edited more than 20 books, including “QDA: A Queer Disability Anthology,” the award-winning Deaf, gay novel “Men with Their Hands,” “The Kiss of Walt Whitman Still on My Lips” and the drama “Snooty: a Comedy.”
Growing up wasn’t easy for Luczak. He grew up in Ironwood, a small mining town in Michigan’s Upper Peninsula.
At eight months old, he lost his hearing due to double pneumonia and a high fever. This wasn’t detected until he was two-and-and-a-half years old. He was one of nine siblings in a hearing family.
At that time, many Deaf people weren’t permitted to communicate with their language – American Sign Language. Forbidden to sign, he was outfitted with a rechargeable hearing aid. There was no program for deaf children in Ironwood. For nine years, he stayed with foster families during the week in Houghton, a town two hours away. In Houghton he was in a speech therapy program.
Life opened up for Luczak when he enrolled at Gallaudet where he could communicate with American Sign Language.
In interviews conducted by email, Luczak talked with the Blade about a wide range of topics from coming out to what inspired him to write “Once Upon a Twin” to why Whitman would take selfies today.
Growing up as the only Deaf person in a hearing family was frustrating and infuriating for Luczak. “A classic situation: I’m sitting at the big kitchen table with all 11 of us, and everyone is talking at once,” Luczak said, “Where do I focus for lipreading? Why is my sister laughing? What was so funny?”
Luczak wants you to imagine what going through this for every meal would be like. It’s one thing if you endure this with strangers who know nothing about deafness, he said. But, it’s quite another thing if you’re with a family who should know better about your deafness.
“It’s as if they wanted to believe that my lipreading skills are so superior I didn’t need further assistance. Not true,” Luczak said. “I don’t have the ability to geolocate a sound so this explains why I cannot catch who is speaking and turn my attention in order to lipread that person.”
Language is a powerful bond for a community. In Milan, Italy in 1880, there was a conference on the education of the Deaf, Luczak said. There it was decreed that the use of sign language would be banned as a teaching method.
Up until then, “the Deaf community had a real Golden Age in which they came together through the establishment of Deaf residential schools, Deaf clubs and whatnot,” Luczak said.
It was devastating to the Deaf community when Alexander Graham Bell and his ilk made every effort they could to eradicate sign language, Luczak said. Luczak likens the attempt to eradicate sign language to the attempts made throughout history to force LGBTQ people to change their sexual orientation.
Luczak always knew that he was interested in men. Though, it didn’t have a name or specific feeling, and it had nothing to do with sex. He gradually came out, slowly, when he was in his teens.
Luczak came to Gallaudet University in the summer of 1984 and came out publicly a month later.
“What gave me the strength to come out were the first batch of books I’d bought from Lambda Rising [the LGBTQ bookstore that closed in 2010],” Luczak said. “That place was really my second home away from Gallaudet…And the fact that I was allowed to use ASL really gave me the self-confidence I had sorely needed all my life.”
Luczak in poetry, non-fiction, and plays has written in various styles from formal poetry to free verse about many topics from love to Thomas Edison to Walt Whitman to being queer. If Walt Whitman had a love child with a photographer’s eye, it would be Luczak.
In “Once Upon a Twin,” Luczak imagines what his life would have been like if he had a twin. Growing up, he knew that his mother had had three miscarriages, but he never asked her about them. When he was 16 “she mentioned that her third miscarriage happened in the same year I was born,” Luczak said, “and that it happened while she was sitting on the toilet. The fetus had apparently popped out.”
“I couldn’t get that image out of my head,” Luczak added.
Over the years, his mother told Luczak conflicting stories about the miscarriage. About 10 years ago, he looked into whether it was possible for a twin to miscarry and to have the other twin undetected in the womb. “It turns out that the ultrasound technology during the 1960s wasn’t advanced enough so the possibility was quite real,” Luczak said.
Luczak had long wondered how different his life would have been if his twin had survived. In 2018, he wrote a collection of formal verse. After that, he was eager to write in a different style. “Once I realized how I should write my next book (no formal poetry, almost no punctuation, etc.), it hit me that I really should explore the idea of my lost twin,” Luczak said.
“Would I feel as left out at family gatherings if my twin helped include me?” he said, “…Would my twin speak up for me?…I hadn’t dared to examine the possible changes in our family’s dynamics, and how it would’ve affected my self-confidence.”
Luczak was surprised by how easily the book wrote itself. It had been waiting a long time to be written.
Like queer poet Walt Whitman, Luczak’s creativity contains multitudes. In 2016, Luczak’s volume of poetry “The Kiss of Walt Whitman Still on My Lips” was released by Squares & Rebels. Because Whitman wasn’t taught to him when he was in high school or college, Luczak had few preconceptions about Whitman. Other than, he said, that Whitman was a poet with a boyfriend who was a streetcar conductor. But when he read the opening of the “Song of my Self,” Luczak said “Whoa!”
“The poet had conjured a palpable vision of what America could be,” he said, “if Walt were alive today, he’d be sharing selfies and Tweeting away.”
“He loved having his picture taken; he had 127 photographs taken when Abraham Lincoln scored 128 photographs,” Luczak said, “in fact, Whitman was probably America’s first celebrity nude model!”
How does Luczak feel about being a Deaf, gay writer? It’s complicated. On one level, he doesn’t think of himself as a Deaf, gay writer at all. “I do mention this fact but that’s only because I need to stand out a bit more in a country that brings out thousands and thousands of new books each year. It’s a marketing angle,” Luczak said.
He hopes readers will recognize that he’s much more than just a Deaf, gay writer and accept his work as beyond those labels.
Yet, “I still feel proud of being a Deaf gay man,” Luczak said. “It’s enriched my life in ways that I don’t think anyone would’ve anticipated. It’s certainly led me to meet people I wouldn’t have met otherwise. For that I’m grateful.”
Raymond Luczak (Photo courtesy of Luczak)
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.
When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.
On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
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Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
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