Books
‘Playing the Palace’ a campy, fun rom-com read
What happens when a prince meets an event planner
‘Playing the Palace’
By Paul Rudnick
c.2021, Berkley
$16/272 pages
If you loathe romance or hate to laugh, then skip this book.
If you’re looking for a rom-com that’s as fab and campy as Provincetown or Rehoboth Beach on a summer night, “Playing the Palace” by Paul Rudnick is the book for you.
Reading “Playing the Palace” is like sipping a delicious frozen Daiquiri.
Carter Ogden, the neurotic, good-hearted, Jewish, funny, out, gay narrator of this frothy romance, becomes your BFF and drinking buddy at the opening sentence, “It’s still weird, waking up alone.”
The plot of the book is simple: Carter, 29, is an associate “event architect” (in plain English – event planner) in New York City. He makes ends meet by living with wacky, supportive roommates.
Carter, a native of Piscataway, N.J., and IHOP aficionado, is feeling dejected as he approaches his 30th birthday. His ex, an actor, has left him. He can’t help but wonder if he’ll ever find love again.
Until, at work, he meets Edgar, the Prince of Wales. Edgar has come over from the United Kingdom to speak at a charity event for a group that works to provide clean water to countries that need it. And, this being a fictional prince in a rom-com, Edgar is openly gay.
As you’ve been forewarned, we’re not dealing with realism here.
Edgar sees Carter and asks him to give him tips on how he can get his speech across more effectively.
From that moment on, the two – the IHOP-loving event planner and the future King of England — are in a fine romance. (Edgar is an orphan. His parents were killed in a plane crash.)
Their quest for the happily-ever-after involves pancakes, projectile vomiting, social media and a Thanksgiving meet-up of Carter’s Jewish aunts and Edgar’s grandmother, the Queen of England.
By itself, the story of “Playing the Palace” might seem predictable. What makes it sizzle – why you laugh out loud even as you root for the romance to work out – is its narrative voice.
“Playing the Palace” is a funny, sometimes touching monologue in the voice of Carter.
You’d have to have a heart of stone not to love Carter when he says he “addressed my problems to the framed photo of the late beloved Ruth Bader Ginsburg on the wall of my tiny, partitioned bedroom.”
Writing a whole novel as a monologue could fizzle out if other writers tried it.
But, Rudnick a gay novelist, playwright, essayist, screenwriter and humorist, is a master of this form.
His plays, produced on and off-Broadway include “Jeffrey,” “I Hate Hamlet,” “The Most Fabulous Story Ever Told” and “The New Century.” He’s won an Obie Award, two Outer Critics Circle Awards and the John Gassner Playwriting Award.
Rudnick’s novels include “Social Disease” and “I’ll Take It.” “Gorgeous” and “It’s All Your Fault” are among his YA (young adult) novels.
His screenplays include “Addams Family Values,” “In & Out,” the screen adaptation of “Jeffrey” and “Sister Act.” He wrote the screenplay for “Coastal Elites,” the comedic satire that debuted on HBO last year.
Something of a polymath, Rudnick is, according to his bio, “rumored to be quite close” to film critic Libby Gelman-Waxner, whose reviews have appeared in Premiere magazine and Entertainment Weekly.
A frequent contributor to The New Yorker, his essays have appeared in Vanity Fair, The New York Times and Vogue.
As you might expect, the volume is chock full of pop culture references and wit. “I took a shower using my new manly body wash,” Carter says, “which is exactly the same as the female version, only with simplified graphics and a steel-gray, squared-off bottle, as if it contains motor oil and testosterone.”
It’s not surprising that Rudnick told Entertainment Weekly that he’s working on a musical of the movie “The Devil Wears Prada.”
Reading “Playing the Palace” is like seeing a Broadway musical.
“I was looking into eyes that were so radiantly blue I either wanted to faint or yell ‘just stop it,’” Carter says when he first sees Edgar.
“Playing the Palace” is a show-stopper.
Books
David Archuleta on Mormon faith, ‘Idol,’ more in new book
Unique memoir details religious upbringing, coming out
‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages
So just make up your mind already.
The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.
Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.
But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.
Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.
That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.
But there was one thing missing.
Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.
Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.
You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.
It’s harmonious in more ways than one, and fans will be happy.
So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.
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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.

Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
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You’re all geared up.
You’ve got your best parade-walking shoes, your coolest tee, your most-comfortable shorts, and a rainbow flag to carry. You’re set for Pride, but before you go, try one of these great new books about LGBTQ life and history.
After the parade, where will you end up? A place to talk your experience over, to re-hash things for the next parade? Then you may need “The Lesbian Bar Chronicles: The Living History and Hopeful Future of America’s Dyke Dives and Sapphic Spaces” by Rachel Karp (Beacon Press, $29.95).
Lesbian bars, says Karp, are more than just places to drink. They’re also places to find community, and to organize. For many, she says, they are “sanctuaries,” as they have been for at least a century, and this book introduces you to some of the people who run the establishments, the things they do to support their patrons, and the 100-year-plus bravery that it took to own, run, and enter a lesbian bar.
If you had to name a gay icon, there are probably quite a few who come to mind. So read “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, $21.95) and add another name to your list.
This memoir, written by Canada’s first openly gay judge, takes readers from Brownstone’s childhood to his life as a lawyer, then to his work within the justice system in Ontario, and beyond, to his current career. This is a surprising, informative book that gives you an idea what gay life is like, north of our uppermost borders, then and now.
Pride is a celebration, an event, but it also demands a peek backwards, and in “The LGBTQ Almanac: 500 Years of Queer Culture in American History” by Deborah G. Felder (Visible Ink Press, $39.95), you’ll get a wide look at the pioneers, allies, policy, and gay life over the course of the last five centuries. Want to know more about religion in the gay community? It’s in here, along with celebrities, presidents, science, business, and more. This is the kind of book that settles bets. It’s one you want to have in any room of your home because it’s comprehensive and perfectly browse-able for all of its 600-plus pages.
And finally, here’s a book to read and think about: “No Fats No Fems: A Guide to Queer Empathy and Unpacking Prejudice” by Max Hovey (HarperOne, $19.99). How do you eliminate hateful, hurtful words, aimed at gay people – by gay people? What kind of stereotypes do we carry, unintentionally? This book takes those things out into the daylight by talking honestly and thoughtfully about them, as well as other issues. It’s a book to have when doubts creep in, when you need a new way of thinking or a different direction, or when you just want something different to read.
And if these great books aren’t enough, head to your favorite bookstore or library and ask for books that you can read before Pride or after. And happy Pride!
