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Gay Afro-Latino man running for Md. House of Delegates

Ashanti Martinez hopes to represent District 22 in Annapolis

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Ashanti Martinez (Photo courtesy of Ashanti Martinez)

A Maryland House of Delegates candidate who hopes to become the first openly gay Afro-Latino man to represent Prince George’s County in the chamber says his priority is working families.

“I’m in this race because I believe that we deserve a working class champion for working class families in Annapolis,” says Ashanti Martinez. “Industry has their people, big businesses have their people, but working families haven’t had someone in their corner in Annapolis in a very intentional way.” 

Martinez is running to represent District 22 in Annapolis.

State Del. Gabriel Acevero (D-Montgomery County) in 2018 became the first openly gay Afro-Latino man elected to the Maryland General Assembly.

“I think [during the] pandemic we’ve really seen the need for a responsive government that [will] build out a safety net, hold all of us together, and [be] something that we don’t currently have for workers here in Maryland,” says Martinez.

He wants to “be in the ring for round two of COVID-19” fight for individuals in the working class and families of which he’s a part, and most importantly, fight for himself. 

Education, criminal justice reform among Martinez’s priorities

Martinez’s campaign hinges on six main issues: Education, transportation, infrastructure, healthcare, criminal justice reform and the environment. 

He plans to expand the school meals program in Prince George’s County Public Schools; create green transport initiatives that make transportation easily accessible and affordable; and craft a senior-friendly healthcare system that reduces the cost of prescription drugs, hearing aids and dental services, among myriad other initiatives, if elected. 

His strategy is to connect with the seven different municipalities in District 22 and communicate with mayors, council members and other various stakeholders to better understand the shortcomings in their jurisdictions and devise solutions that will funnel resources into the district. 

“One of the biggest jobs a state delegate has is [to] make sure that local governments, whether county or municipal level, have the resources necessary to deliver services to [their] residents. So I know I’ll be able to do that going to Annapolis because I already understand the terrain a little bit better than most,” says Martinez.

While it’s premature now to forecast the course of legislation after his possible election, Martinez is certain that his paramount duty will undoubtedly be to “bring back the bacon” through the yearly budget process.

Martinez won’t ‘make drama out of my drama’

As someone who is entering an overly polarized American political landscape, Martinez is aware that he may have to battle the ever-present ruckus that persists in politics. He is, however, also steadfast at ensuring that this doesn’t cloud his responsibility to his constituency.  

“I actively have to remind myself not to make drama out of my drama,” says Martinez. “I think you get so much more done when you take yourself out of a situation, analyze it from that 30,000 feet conversation [standpoint], criticize yourself and realize that intent and impact are two separate things.”

Martinez further emphasized that he strives to lead by example and understands that although he may not be the best, he can always improve on his faults. Additionally, he recognizes that it is impossible to dictate people’s reactions, and this has given him the clarity that he can’t “make mountains out of molehills.”

“I really try to power through things and understand the root causes of issues so that we can communicate through it because a lot of times things are just communication breakdowns, or just miscommunications on a large scale,” says Martinez.

Howard University alum hopes to tap into HBCUs legacy

Martinez this year will be the first LGBTQ candidate to run to represent Prince George’s County in the House of Delegates.

He is certain that while he is a “first,” he does not want to be the last. As an alum of Howard University, one of the nation’s leading historically Black colleges and universities, his modus operandi will include tapping into the legacy of HBCUs: Creating spaces and opportunities for Black people in all American institutions. 

“Once I’m in and [help] get other people in, I think [we’ll be able to] help break down some of the hurdles [associated] with the navigating government,” says Martinez. “I think because I’ve been doing this for such a long time, a lot of the players already have a relationship with me and they know my style. I’m not big on tribalism; I’m really about service and people, and getting results.”

Martinez is also attune to the reality that being a first also comes with the pressure of high expectations. 

Given the backdrop of the pandemic and the country’s sudden racial awakening, his work will be even more crucial to his community during a time where immediate change is non-negotiable. 

“I have high expectations for myself [and] understand the realities of the world. I chose to be in politics, and that means I chose to be a leader in this space,” says Martinez. “There are certain responsibilities that come with the territory, and so from an early age I [knew] that if I wanted to be in this space … I had to seek understanding and clearance on issues instead of just trying to regurgitate my feelings.”

Martinez adds it’s about having the maturity to understand that leadership isn’t selfish and that there are much grander issues than why people react or respond a certain way. He says having a firm support system to help navigate and build upon that maturity is important.

Martinez is ultimately confident that he will be a success because of his vertebrae of family and friends, who he intentionally pencils onto his calendar for dinner in efforts to ensure that his demanding work life does not ravage his personal life.

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District of Columbia

Senate passes separate bill to avert $1.1 billion cut to D.C. budget

Bipartisan measure prompts Democrats to back GOP funding measure

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(Washington Blade photo by Michael Key)

In a dramatic turn of events, the U.S. Senate at 6:30 p.m. on Friday passed a free-standing bill proposed by Senate Minority Leader Chuck Schumer (D-N.Y.) that calls for amending the Republican-backed budget reconciliation measure to add language eliminating the measure’s call for a $1.1 billion cut in the D.C. budget.

Schumer’s announcement on the Senate floor that the bill, which was introduced by U.S. Sen. Susan Collins (R-Maine), had bipartisan support prompted eight other Democratic senators and one independent to join Schumer in voting for a motion enabling the GOP-backed budget measure to clear a Democratic filibuster requiring 60 votes to overcome.

The cloture motion to end the filibuster passed by a close margin of 62 to 38, with 37 Democrats who strongly opposed the GOP budget measure voting against cloture. Senator Rand Paul (R-Ky.) was the only GOP senator to vote against cloture.  

The Senate then voted along partisan lines to approve the budget reconciliation measure that still includes the $1.1 billion D.C. budget cut provision in an action that averted a federal government shutdown that would have begun at 12:01 a.m. on Saturday, March 15.

Schumer pointed out in the Senate debate over the budget measure that the U.S. House of Representatives, which approved the budget measure containing the $1.1 billion D.C. budget cut four days earlier, will now also have to vote on the freestanding bill exempting D.C. from the House-initiated budget cut when it returns from its recess on March 24.

According to Schumer and others supporting the Collins bill, the bill enjoys bipartisan support in the House, which some political observers say is expected to pass the bill.

The Senate passed the Collins bill by voice vote without a roll call vote being taken after the Senate approved the budget reconciliation measure. 

The House budget reconciliation bill passed March 11 broke from longtime past practices for budget bills by declaring D.C. a federal agency and subjecting it to what D.C. Mayor Muriel Bowler and city officials called an unjustified city budget cut that would have a “devastating” impact on D.C. residents.

The unexpected budget cut, if not reversed now by the House, would require the city to make large scale cuts in its current fiscal year 2025 budget that would impact a wide range of city programs, including programs impacting the LGBTQ community, according to observers.

In his remarks on the Senate floor, Schumer said he agreed with his Democratic colleagues who voted against the cloture motion that the GOP backed budget conciliation bill, which is backed by President Donald Trump, is a bad bill that will be harmful to the country.  

“For sure the Republican bill is a terrible option,” Shumer said on the Senate Floor on Thursday. “But I believe allowing Donald Trump to take … much more power via a government shutdown is a far worse option,” the Washington Post quoted him as saying.

Among those who chose not to join Schumer in voting for cloture to end the filibuster and allow the GOP budget measure to be approved were U.S. Sen. Tammy Baldwin (D-Wis.), the Senate’s only openly lesbian member, and the two Democratic senators from Maryland and Virginia.

But each of them spoke out strongly in favor of the Collins bill to exempt D.C. from the $1.1 billion budget cut.

D.C. officials had initially asked senators to amend the budget reconciliation measure itself to take out the provision calling for the D.C. budget cut. But such an amendment would have been far less likely to pass, and it would have required the House to approve it. With a House vote on that not likely to happen until March 24, the deadline would have been missed to avoid a government shutdown. 

Although Collins introduced the freestanding bill in cooperation with Schumer and with strong support from U.S. Sen. Chris Van Hollen (D-Md.), Senate observers believe the Collins bill would not have received as much support from Senate Republicans if Schumer had not worked out a deal with Senate GOP leaders to garner enough Democratic votes to end the filibuster and secure passage of the GOP budget reconciliation measure. 

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Maryland

Evan Glass running for Montgomery County executive

Former journalist would be first gay person to hold office

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Montgomery County Councilman Evan Glass. (Photo courtesy of Evan Glass)

Evan Glass is running for Montgomery County executive.

He is currently serving his second term as an at-large member of the Montgomery County Council.

Glass has been a councilman since 2018; he is the first openly gay person to hold a seat on the council. Glass has also been its president and vice president. He is now running to succeed incumbent County Executive Marc Elrich, who has reached the end of his two-term limit.

Glass on Wednesday announced he is entering the race for county executive, which, if elected, would make him the first openly gay person to lead Montgomery County’s executive office.

In an email to the Washington Blade, Glass outlined key campaign priorities, including standing up to President Donald Trump and his “aspiring oligarchs,” supporting vulnerable members of the Montgomery County community as federal budgets are slashed, and protecting residents’ quality of life by ensuring that “Montgomery County remains a place where people can afford to live, raise their families, and retire with security.”

Glass is holding a campaign launch event on March 22 at 11:30 a.m. at 7 Locks Brewing in Rockville to officially kick off his bid for county executive, outline his campaign platform, and connect with supporters.

Over the past seven years, Glass has served on several key committees within the Montgomery County Council. These include the Transportation and Environment Committee, where he has worked to implement policies benefiting both public transit users and the environment, and the Economic Development Committee, which focuses on fostering and sustaining economic growth in Montgomery County.

In addition to his committee work, Glass spearheaded the creation of the Anti-Hate Task Force, which aims to “prioritize policies that promote safety and combat hate crimes” for marginalized communities, including LGBTQ residents. He also helped organize the county’s first Pride celebrations.

During his tenure, Glass has worked to reduce housing costs in Montgomery County by passing legislation to make it more affordable to build and rent homes, particularly near public transportation. He has also championed policies to address the climate crisis, including securing funding for clean energy initiatives.

Glass has helped pass numerous laws to expand grant opportunities for entrepreneurs, ensure fair wages, and increase oversight, and transparency within Montgomery County Public Schools. He also led efforts to expand the county council from nine to 11 members.

Before entering Montgomery County politics, Glass spent 12 years as a journalist for CNN, covering national politics.

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District of Columbia

LGBTQ performers join Kennedy Center boycott following Trump takeover

Opposition grows after cancellation of Gay Men’s Chorus show

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Hundreds marched from Washington Circle to the Kennedy Center on Saturday in the March for Drag. (Blade photo by Michael Key)

A growing number of LGBTQ musicians and performers such as choral singers and orchestra players have joined other performing artists in refusing to perform at the John F. Kennedy Center for the Performing Arts since its takeover last month by President Donald Trump.

According to local gay musician Stephen Key, who for many years has worked as a contract oboe player at the Kennedy Center, as many as a dozen or more gay and lesbian musicians perform at the Kennedy Center. He said some have resigned their jobs or, like him, are refusing to perform as self-employed musicians at the Kennedy Center.

“I decided after the second cancellation to turn down work,” Key told the Washington Blade. “There are more famous musicians than me who have done the same,” he added. “But I just couldn’t do it anymore. It was after the Gay Men’s Chorus cancellation occurred.”

Key was referring to the decision by the National Symphony Orchestra, which is under the direction of the Kennedy Center, to “postpone” the performance of the Gay Men’s Chorus of Washington, which was scheduled to perform with the orchestra on May 21.

In a statement released to the Blade in February, a National Symphony Orchestra spokesperson said the decision to postpone, which soon after became a cancellation, took place in January before President Trump’s sweeping leadership changes at the Kennedy Center.

The spokesperson, Jean Davidson, said the decision related to the Gay Men’s Chorus was due to “financial and scheduling factors.”

The ultimate cancellation of the Gay Men’s Chorus performance came shortly after Kennedy Center officials cancelled a planned WorldPride related performance of the San Francisco based International Pride Orchestra, and the highly acclaimed children’s musical “Finn.” The officials cited financial reasons for the Finn cancellation and did not publicly say why the international chorus was cancelled.

In a Feb. 14 article, Playbill magazine reported that the creators and composers of “Finn” released a statement denouncing the cancellation as an expression of bias against a theme of “love and acceptance” that could be “read as a metaphor for the LGBTQ+ experience.”

Key said LGBTQ and LGBTQ supportive musicians and others who have worked at the Kennedy Center question the claim that scheduling and financial issues were the actual reason for the postponement and cancellation of the Gay Men’s Chorus performance as well as for the performances of “Finn” and the International Pride Orchestra.

He said musicians and others familiar with the National Symphony fear the real reason is National Symphony officials were concerned that supporting an LGBTQ related performance would result in unfavorable consequences from the Trump administration and the Kennedy Center’s Trump appointed leaders, including the possible loss of their nonprofit tax status from the IRS.

Observers have also pointed out that a statement by Trump that drag performers would no longer be allowed to perform at the Kennedy Center could have played a role in the decision to cancel the Gay Men’s Chorus appearance because drag performers have participated in some of the Gay Men’s Chorus shows.

A bias by the Kennedy Center’s current leadership against LGBTQ performances may also be linked to the Trump administration’s ban on diversity, equity, and inclusion, or “DEI” programs and public displays, some observers have said.

Earlier in February President Trump appointed himself as chair of the board of the Kennedy Center after ousting longtime chair David M. Rubenstein. He then replaced most of the other board members with his supporters and named gay former diplomat and longtime Trump supporter Richard Grenell as the Kennedy Center’s interim executive director.

Among the organizations that have joined the Kennedy Center boycott by cancelling an appearance there is the hit Broadway play “Hamilton.” Also announcing their cancellation of Kennedy Center appearances were actress and comedian Issa Rae, rock band Low Cut Connie, and singer-musician Rhiannon Giddens. 

Key said that while he has been an oboe player at the Kennedy Center with the National Symphony Orchestra and the Kennedy Center’s opera orchestra, he also has and continues to play with local orchestras and choral groups not affiliated with the Kennedy Center. He said he also serves as Adjunct Associate Professor of Oboe at Shenandoah Conservatory at Shenandoah University in Winchester, Va.

So, his decision to boycott the Kennedy Center as a musician, unlike other LGBTQ and allied musicians, will not end his career as a musician he points out.  

“The sad part is that the National Symphony, the opera orchestra – these are groups that I’ve played with, and I have friends in all of these groups,” Key said. “They’re kind of innocent bystanders in a sense because they don’t have other jobs. I can walk away from my job there and I’ll be fine,” he said.

“There are plenty of queer people in both of those ensembles and while a lot of people are boycotting the orchestras, they are still having to show up to work every day because that’s their day job.” He added, “So, there’s kind of an awkward situation that’s been made as a result of all of this.”

In a related development, local drag artists and their supporters gathered for a march from Washington Circle to the Kennedy Center on Saturday to protest the Trump-Vance administration’s anti-transgender policies and the decisions made by the Trump-appointed Kennedy Center board of trustees. The March for Drag began with a rally at Washington Circle near George Washington University.

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