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Paradise lost: Remembering the popular Rehoboth men’s guest house
Beach town’s pioneering B&B welcomed gay clientele before arrival of AIDS
“What hath night to do with sleep?” John Milton, A Journey to Paradise
In February 1987, 30-something Bill Courville was at his Mt. Pleasant neighborhood home. He opened the new edition of the Washington Blade. As usual, he read it from beginning to end. With a Ph.D. in psychology, Bill enjoyed the classifieds. It lifted his spirits after reading obituaries of gay men and news of meager AIDS funding from the Reagan administration. Sandwiched between personals and escorts were real estate sales listings, including a one-inch ad about a B&B in downtown Rehoboth Beach, Del.
Bill thought about his youthful days living in New Orleans and working at the Maison De Ville, a small dusty red stucco painted guest house overlooking Toulouse Street. There Tennessee Williams had once lived while penning “A Street Car Named Desire” — when not sipping Sazarac cocktails in the garden courtyard.
He circled the ad and placed it on the kitchen counter for his lover, Bob, to read. The couple had met two years earlier crossing the P Street Bridge and had gradually merged their lives. After Bob looked at the ad, Bill suggested: “Let’s go look at this! We will have a business and an income — and a place to live!” Born in Minnesota, Bob Jerome, the more cautious of the pair, had grown up in California, attending college in Claremont and later working as a Senate staffer. Like Bill, he had a doctorate and traveled throughout the world before their P Street encounter. Unlike Bob, however, Bill never had been to Rehoboth. Nevertheless, Bill insisted this could be their next adventure or at least an excuse to visit the shore off-season.
“It’s a great seasonal resort,” Bob responded positively. “Everybody goes there. There’s gay life!”
The next weekend, they crossed the Chesapeake Bay Bridge and drove to Paradise. Rehoboth was mostly shuttered. But the Renegade bar was open at the fringe of town as was the Blue Moon along the gaying Baltimore Avenue. Driving one street over, they arrived at 40 Maryland Ave.
John, the Realtor, whose lover “Dolly” performed at the Moon, met the couple at the 19th-century house. “It was pretty awful,” remembers Bill. The fatigued Paradise Guest House sign was washed-out and the wide front porch with its handcrafted trellis lusted for paint. The pipes were drained. There was no heat or electricity. There were slivers of mirrors glued on living room walls, a disco ball hanging from the ceiling, 1930s over-stuffed maroon chairs, and yard sale grade furniture facing an old TV. The scent of stale cigarette smoke lingered in the ceilings and walls.
As they wandered through the 28 rooms — most barely wide enough for a floor mattress with a thin plastic sheet and an occasional odd-fitting dresser — they eyed stacks of men’s magazines (Honcho, Mandate, Bound & Gagged), iconic videos like “Boys in the Sand,” “Stryker Force,” and “Pacific Coast Highway,” along with chests of dildos in every imaginable size. Off the living room, a narrow passageway at a left angle to the main corridor led to the first-floor bedrooms. At the end was a trap door. They didn’t venture down. “Seasonal resorts like the Paradise were kind of like bars,” Bill explains. “They look great at night but don’t look at them during the day.”
On their drive back, the couple chatted about the venture. “I told Bill that if we were going to invest, he needed to run it so we could learn the business.” Bob knew his income would cover their personal expenses as long as Bill was willing to do the day-to-day management. “We were youngish. I don’t think we thought about what a massive undertaking it was…. But it seemed right.”
After purchasing the property, they along with some friends had just a few months before the 10-week season began on Memorial Day weekend. “We’d drag them down there and make them work, saying, ‘Oh, you can go to the beach.’ But, of course they never did go as it was always cold and rainy.” Bill wondered, “Does the sun ever shine here?”
Those next weeks were frantic: discarding discolored mattresses and sex toys; tearing out faux bedroom walls to restore the original 14 rooms; buying new white wicker furniture; upgrading the bathrooms, deck, and kitchen. Everything was thoroughly cleaned. Fresh white paint glistened on the walls and gray-painted floors replaced piles of tattered, sandy rugs. A local lesbian contractor built sturdy outside showers replacing a rickety wooden stall connected by a water hose and lined with reflective aluminum foil — designed more for strutting than showering.
“It was a huge undertaking,” admits Bill. “Everything we had was sunk into it. It had to be open!” He remembers one man calling a few days before asking if he could change check-in to Wednesday. “No, you can’t,” Bill said flatly. “You can come Friday at 2 o’clock, but not one minute sooner!”
With little time to advertise in this pre-Internet era, they did their best to explain the changes to former guests, beginning with its new name: The Rehoboth Guest House. More importantly, it now was open to lesbians as well as straights and there was no smoking. “We had a mix of friends,” says Bill. “So it would be gay-owned and operated but pretty much open to whoever wanted to come…. We had been discriminated against for most of our lives. If you don’t want to come you don’t have to.”

Remembering Paradise
Reactions from Paradise veterans varied when Bill and Bob discarded the blue, white, and yellow “Paradise Guest House” sign and, more importantly, its ethos of male eros. One of the new owners’ early supporters was Charlie Allen, who worked in the Baltimore schools but summered in Rehoboth. “He was writing a book,” Bill reveals, “called ‘Summer Sisters’… they were sisters for the summer.” Bob interjects, “The other part of the title was ‘Some Are Not.’ So, it was ‘Summer Sisters [pronounced Some Are Sisters]: Some Are Not.’Charlie died before publishing his book—which has never been found.
Unlike Charlie, “some hardcore folks were upset,” Bob recalls. “This used to be a gay male oasis” where men could “be themselves: wearing dresses; walking around naked; having piercings everywhere. They could get out of their suits and live the lives they wanted with people like them.” In an understanding tone, Bob adds: “That’s hard to take away.” The Paradise was a safe spot not only for Philadelphia accountants, D.C. staffers, and Baltimore teachers, but college kids enjoying summer break, career embarking twinks, and closeted locals seeking safe harbor.
Charlie was best friends with the German-accented Paradise owner Herbert Koerber and his boyfriend, Alvarado Ortiz-Benavides, whom everyone called “Mami”— colloquial Spanish for sweetheart. A gregarious man with fading hair and a reddish beard, Charlie often helped Mami with housekeeping and other chores. Mostly, though, he just enjoyed the sexual freedom of Paradise and the camaraderie among male guests. Some returned each year for a week, others visited more frequently for long weekends, and a few stayed the entire summer. Most guests were younger than Charlie’s 40 odd years, but everyone seemed to get along.
Most of Koerber’s clientele came from word-of-mouth advertising, although there was a classified ad in summer issues of the Washington Blade: “friendly guesthouse, close to beaches and bars.” One of the very first media stories about gay Rehoboth appeared in the May 1980 issue of this iconic paper. It described Paradise as “utterly comfortable” and quoted 38-year-old Herbert: “Tell people I can put them up — maybe even give them a discount during the week — but on weekends, after the bars close, my lobby will be packed.”
Before Herbert opened Paradise, in 1979, there were no openly gay-owned or gay-friendly advertised guest houses in Rehoboth. The Sandcastle, a decrepit speakeasy-like rooming house owned briefly by several gay men, had burnt to the ground four years earlier. The grand Pleasant Inn Lodge, hosted by the reclusive, debonair bachelor Peck Pleasanton and his octogenarian mother, Bessie, welcomed an occasional well-behaved “single” gentleman.
During eight seasons, Paradise evolved as did Herbert and Mami. The two were an odd pair. Herbert, a “fussy queen” who swore like a sailor, was tall and thin with longish hair and a handlebar mustache. He was always tanned even though his forehead would get beet red given his German complexion. The much shorter Mami, whose family was from South America, was soft-spoken and very sweet. Compared to the larger-than-life Herbert, he was less memorable to guests. Bob describes Herbert as “the German businessman. Mami was the onetime boy-toy.” They wintered in Key West, operating a gift shop and hawking kitsch souvenirs like black velvet paintings and seashell coasters.
Herbert monetized every aspect of Paradise, creating a sexual Disneyland. With 28 “teensy rooms the size of bathhouse cubicles,” there could be upwards of 50 men checked-in along with their friends and friends of their friends, wandering in during the night. However, the number of bathrooms — two full baths and two halves — did not expand. “It was shabby and crowded, but we were young and didn’t care,” one Paradise regular muses. “It had a reputation. It was our party house.”
The second floor became clothing optional with men often walking around with towels during midnight hours. Plywood partitions were set between rooms with guests on one side having a window and the other windowless. Herbert’s “summer curtains” served instead of doors, which allowed air (and guests) to circulate. Those with bedroom windows overlooking the sundeck could easily extend an invitation to a coconut-lotioned twink or a weightlifting hunk. “Everything went on at the deck and in the windows and rooms behind it,” recalls a frequent guest. There were late Saturday afternoon happy hours and skit contests. Staging was festive, if not overly decorative, with a jerry-rigged backstage area for costume changing. A raucous backyard crowd cheered contestants.
Originally, there was a huge gabled attic bedroom that required ascending a steep stairway. Herbert slashed it into a tiny single air-conditioned room with the remaining space transformed into an after dark playground full of mattresses with an aroma of poppers and pot. “Herbert turned every square inch of that attic into a bed sleeping sex area. It was masterful,” Bob says in a praiseworthy tone. “Every inch was geared toward pleasure” And, as he and Bill later discovered, There was a leather sling in the “dungeon,” a 10 x 12 cinder block walled room accessed only from the first floor trap door.
Room rates were low and backyard camping was just $5 for those bringing tents. Campers, though, had to be late night partiers. Before dawn, visitors often entered from the alley along a little path leading to the unlocked side gate. Nocturnal grunts, gasps, and groans harmonized to sounds of crashing waves. Back then, as one Paradise regular stresses, “Sex wasn’t a taboo thing. It was like going to lunch! It was as common as going for a cocktail.”
During the day, Herbert was often found in his flip-flops, T-shirt, and khaki shorts, puttering in the garden or tending to his beloved lacecap hydrangeas gracing the front yard. Herbert was estranged from his German-speaking family so Paradise regulars became his family. Friendly, he knew everyone by their first name but don’t ask to reserve a specific room. One returning guest remembers phoning Herbert for a reservation and requesting a first-floor room with a door: “Oh, honey!” Herbert laughed. “It’s just first come, first served.”
Herbert did repairs only when absolutely necessary. But he’d always be painting, using just one color: white. The exception was the wrap-around front porch, lined with rocking chairs, which had a gray floor and ceiling along with knob and tube wiring. Throughout the house, guests used it to hang clothes since there were no closets.
In the early to mid 1980s, Paradise thrived as a money making machine — a bathhouse on the beach. As the number of gay-owned restaurants and bars multiplied along with accompanying media attention, more gay men vacationed at Rehoboth and visited Paradise. “There was a routine,” one recounts. “You’d get up late. Get yourself down to the gay beach. Do a day at the ocean, getting too much sun. Then there was happy hour at the Moon. You had to be there and have a nice look. Then you’d go back, take a nap, and then go to dinner. Then, onto the Renegade!”
Herbert provided a weekend shuttle to the Renegade. About 10 o’clock, he’d drive up in his light colored blue and white ’60s VW van, hop out and, as a regular recollects, “Scream down the hallways: ’Get your asses down here!’” He shuttled guests back-and-forth, with the last pick-up at 1. ”I remember Herbert telling people in his heavy accent, ‘If you miss the last bus, you have to walk the fuck home!” But his gruffness masked protectiveness. ”He’d warn them he was going and he would even count!” Another frequent visitor remembers Herbert “as the kind of guy you’d call at 3 o’clock in the morning to say, ‘I’m in jail.’ And he’d be there.”
Paradise Lost
In 1980, reports surfaced about clusters of young gay men contacting Pneumocystis pneumonia. Granted the majority of infections and deaths from this “gay cancer” were in New York City and San Francisco, but the Washington Blade published a landmark front-page story, “Rare, Fatal Pneumonia Hits Gay Men,” inJuly 1981.
Herbert began to worry. One guest, living in New York City and volunteering as an AIDS buddy, remembers porch conversations with Herbert. ”He was talking about buying a second one. Then he said, ’I’m concerned since so many people are getting AIDS, I’m not sure whether or not I’ll have a clientele.’”
For many gays, Paradise was a rare time to be themselves and to enjoy the camaraderie and support from other men at a beach resort. Sadly, for some, it was also a death sentence. Sexual desire and psychological denial coupled with governmental inaction and public apathy fueled the AIDS pandemic.
After the 1986 summer season, Herbert and Mami sojourned, as usual, to Key West; Herbert never returned. ”I can remember being surprised to hear that he was ill,” laments a longtime patron. ”He went quickly; we had no indications he was ill.”
Herbert died a week before Bill and Bob opened on Memorial Day weekend. Mami was with him until the end. Like Paradise, he disappeared into history and, along with Herbert and many of his guests, would be remembered by few.
James Sears’ latest book, “Behind the Boardwalk: Queering the History of Rehoboth Beach” will be published next year. Tom Kelch, manger of the Rehoboth Beach Guest House, contributed research to this article.
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
