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Cumming’s new book filled with showbiz tales

But ‘Baggage’ is no vapid, Tinsel Town celeb concoction

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Alan Cumming’s new book is a worthy followup to his biography. (Photo by Josh Going — @joshuagoingphoto)

It was the night of the Tony Awards. Actor, singer, writer, and activist Alan Cumming had just received a Tony for his performance as the emcee in the 1998 revival of “Cabaret.” He was in the press room, giving soundbites to the media.

In the middle of one interview, “A hand appeared on my left shoulder, a tall body joined it to my right,” Cumming, who was born and grew up in rural Scotland, writes in his new memoir “Baggage: Tales From a Fully Packed Life.”

For a second, Cumming thought he was being mugged. But, the stranger hugging him was Sean Connery, a fellow Scot, known for playing James Bond. Connery had won a Tony as a producer of the play “Art.” Connery, looking into the cameras, said of Cumming, “This is my new son.”

He took Ecstasy that night at the Tonys, Cumming reveals in “Baggage.” The drug for him was, ”my self-prescribed anti-anxiety medication,” Cumming writes, “And it worked.”

For most of us, winning a Tony for an acclaimed revival of “Cabaret” would be merely a fantasy. For Cumming, winning the prestigious award is just one of many accomplishments.

Walt Whitman said he contained multitudes. Cumming, 56, who is bisexual and married to the illustrator Grant Shaffer, is Whitman on octane.

Cumming is a polymath. He has appeared in numerous films, plays and TV shows. He’s written two children’s books; a novel; a book of photographs and stories; and the memoir “Not My Father’s Son.”

His film roles range from the James Bond movie “GoldenEye” to “Eyes Wide Shut” to the “Spy Kids” trilogy. Cumming has won the Olivier, BAFTA and Emmy for his stage and screen work. On the London stage, Cumming has performed in “Hamlet,” “Bent” and other plays.

He has appeared in the “Threepenny Opera” and “Design for Living” on Broadway. Cumming created and appeared in his one-man adaptation of “Macbeth.”

On TV, he is known for playing Eli Gold on “The Good Wife” and Dylan Reinhart on “Instinct,” the first broadcast television drama to have a lead gay character. Recently, Cumming played  Mayor Aloysius Menlove on the Apple TV+ show “Schmigadoon!” 

All of this would exhaust most of us. But Cumming has energy to spare. He hosts the podcast “Alan Cumming’s Shelves” and is the amateur barman at Club Cumming in New York City.

Cumming is known for his LGBTQ rights advocacy. He has worked for marriage equality in Scotland and with the Human Rights Campaign and other LGBTQ organizations. 

In 2009, Cumming was appointed an OBE in the Queen’s Birthday Honors List. In “Baggage,” Cumming writes that he received this honor because of his work for LGBT rights.Cumming’s first memoir “Not My Father’s Son” is the story of his harrowing childhood. Growing up, Cumming endured  physical and psychological abuse and violence from his father. In the memoir, Cumming grapples with secrecy and shame and with the post traumatic stress brought on by his father’s sadistic treatment of him. “There is never shame in being open and honest,” he writes.

“Baggage” tells many entertaining showbiz stories. Who wouldn’t want to hear the tales of a writer whose friends include Liza (as in Liza with a Z)?

Yet, “Baggage” isn’t a vapid, Tinsel Town celeb concoction. In “Baggage,” Cumming examines his relationships to his family, significant others and himself. It begins with his divorce from the actress Hilary Lyon and ends with his marriage to Shaffer.

Cumming, who has dual United Kingdom/United States citizenship, talked with the Blade by phone about a range of topics from “Baggage” to politics to getting Helen Mirren on board with crocs.

Cumming was pleased by the positive response to “Not My Father’s Son.” He was happy that readers felt his words helped them to confront people who had abused them and to “reckon” with their shame.

But, Cumming worried that people might think he’d “triumphed” over the despair caused by his father’s abuse. That he’d never encounter this trauma again.

“I wrote ‘Baggage,’” Cumming said, “to overcome this idea of triumph.”

“You don’t actually recover,” he added, “you manage it. You always have to manage it.”

Cumming is witty and exudes hopefulness. But, he’s worried about what the future might bring for LGBTQ and women’s rights. The election of Joe Biden as president “was a real reprieve,” Cumming said, “but the way we’re headed, things could go the other way any second.”

We need to be vigilant, Cumming said. “Women’s rights – with what’s happening with abortion in Texas – are in real danger,” he said.

But life isn’t all worries for Cumming.

There is his work. In 2022, he’ll continue performing “Och and Oy! A Considered Cabaret” with NPR’s Ari Shapiro. He’s making the film “Rare Objects” with Katie Holmes.

And there are his friends. “Liza is lovely,” Cumming said of his friend Liza Minnelli. One day, Cumming was rehearsing with Minnelli. Along with Joel Grey, Bebe Neuwirth, Chita Rivera and other celebs, they were going to put on a salute to the songwriting team Kander and Ebb.

They were going to perform Minnelli’s signature song “New York, New York.” “It looked so easy,” Cumming said, “But I couldn’t get Liza’s dance moves. First, Liza tried to help me.”

But, without success. “Then Chita came over to help me,” Cumming said, “it was overwhelming having two legends trying to teach me.”

After these attempts failed, Minnelli said to him, “Oh, darling, just make it your own!”

There was the time when Cumming made Helen Mirren see the light on Crocs. He was in Hawaii filming “The Tempest” with Mirren. “We were in the desert. I’d wear my Crocs,” he said, “she said my Crocs were ugly.”

“I said, ‘Helen, that’s fair enough. But when I say things are ugly, I use my inside voice,’” Cumming added.

A few weeks later, Cumming saw Mirren. She was wearing Crocs. “She said she’d been wearing flip-flops and they made her feet sore. Now she loved Crocs.”

“I told her ‘you were a hater, now you’re a lover,” Cumming added, “It’s a beautiful thing.”

Cumming is currently on a book tour in the U.K. The tour stops in Miami on Nov. 20; Chicago on Nov. 21 and several other U.S. cities through spring 2022. For more info on Cumming’s new book, visit alancumming.com.

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Pioneering gay journalist takes on Trump 2.0 in new book

Nick Benton’s essays appeared in Fall Church News-Press

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(Book cover image via Amazon)

Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.

In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump. 

His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young. 

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”

Please Dont Eat Your Children

In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.

As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.

Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.

But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.

It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”

Nick Benton’s new book is available now at Amazon.

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New book highlights long history of LGBTQ oppression

‘Queer Enlightenments’ a reminder that inequality is nothing new

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(Book cover image courtesy of Atlantic Monthly Press)

‘Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers’
By Anthony Delaney
c.2025, Atlantic Monthly Press
$30/352 pages

It had to start somewhere.

The discrimination, the persecution, the inequality, it had a launching point. Can you put your finger on that date? Was it DADT, the 1950s scare, the Kinsey report? Certainly not Stonewall, or the Marriage Act, so where did it come from? In “Queer Enlightenments: A Hidden History of Lovers, Lawbreakers, and Homemakers” by Anthony Delaney, the story of queer oppression goes back so much farther.

The first recorded instance of the word “homosexual” arrived loudly in the spring of 1868: Hungarian journalist Károly Mária Kerthbeny wrote a letter to German activist Karl Heinrich Ulrichs referring to “same-sex-attracted men” with that new term. Many people believe that this was the “invention” of homosexuality, but Delaney begs to differ.

“Queer histories run much deeper than this…” he says.

Take, for instance, the delightfully named Mrs. Clap, who ran a “House” in London in which men often met other men for “marriage.” On a February night in 1726, Mrs. Clap’s House was raided and 40 men were taken to jail, where they were put in filthy, dank confines until the courts could get to them. One of the men was ultimately hanged for the crime of sodomy. Mrs. Clap was pilloried, and then disappeared from history.

William Pulteney had a duel with John, Lord Hervey, over insults flung at the latter man. The truth: Hervey was, in fact, openly a “sodomite.” He and his companion, Ste Fox had even set up a home together.

Adopting your lover was common in 18th century London, in order to make him a legal heir. In about 1769, rumors spread that the lovely female spy, the Chevalier d’Éon, was actually Charles d’Éon de Beaumont, a man who had been dressing in feminine attire for much longer than his espionage career. Anne Lister’s masculine demeanor often left her an “outcast.” And as George Wilson brought his bride to North American in 1821, he confessed to loving men, thus becoming North America’s first official “female husband.”

Sometimes, history can be quite dry. So can author Anthony Delaney’s wit. Together, though, they work well inside “Queer Enlightenments.”

Undoubtedly, you well know that inequality and persecution aren’t new things – which Delaney underscores here – and queer ancestors faced them head-on, just as people do today. The twist, in this often-chilling narrative, is that punishments levied on 18th- and 19th-century queer folk was harsher and Delaney doesn’t soften those accounts for readers. Read this book, and you’re platform-side at a hanging, in jail with an ally, at a duel with a complicated basis, embedded in a King’s court, and on a ship with a man whose new wife generously ignored his secret. Most of these tales are set in Great Britain and Europe, but North America features some, and Delaney wraps up thing nicely for today’s relevance.

While there’s some amusing side-eyeing in this book, “Queer Enlightenments” is a bit on the heavy side, so give yourself time with it. Pick it up, though, and you’ll love it til the end.

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A history of lesbian workarounds to build family

Fighting for the right to have and raise kids

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‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages

You don’t have a white picket fence with an adorable gate.

The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.

Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.

Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.

This book tells nine stories of everyday lesbians who succeeded.

Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”

Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”

In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”

What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.

If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.

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