Connect with us

Books

James Ivory on movies, beauty — and a love of penises

If you enjoy film and wit you’ll love ‘Solid Ivory’

Published

on

(Book cover image courtesy of Farrar, Straus & Giroux)

‘Solid Ivory: Memoirs’
By James Ivory
C.2021, Farrar, Straus & Giroux
$30/399 pages

Few things have been more pleasurable to me during the pandemic than Merchant/Ivory films. COVID becomes a dim memory as I ogle the costumes, beautiful vistas from Italy to India, music and spot-on dialogue of “A Room with a View,” “Maurice,” “Remains of the Day” and other Merchant/Ivory movies.

For decades, fans from gay men to grandmas have enjoyed these films, directed by James Ivory and produced by Ismail Merchant in partnership with the writer Ruth Prawer Jhabvala.

In “Solid Ivory,” Ivory, 93, gives us his memories of movie making, growing up gay, his decades-long romantic and professional partnership with Merchant and (you’re reading this correctly) the penises he has known.

If you believe that elders don’t enjoy sex, Ivory’s memoir will blow your ageism to smithereens.

From watching the movies he’s directed and knowing his age, you might think (as I did) that Ivory would be shy about talking of his sexuality. Wow, was I wrong!

Ivory appreciates penises as a sommelier savors fine wine.

Ivory knew that he liked boys early on. Ivory recalls playing at age seven with a boy named Eddy. He and Eddy were “putting our penises into each other’s mouths,” Ivory writes, “…I made it clear that Eddy’s dick must not touch my lips or tongue, nor the inside of my mouth. I had learned all about germs at school by then.”

Though Ivory and Merchant were devoted partners, they each had other lovers. Bruce Chatwin, the travel writer who died from AIDS, was Ivory’s friend, and sometimes, lover.

Chatwin’s penis was “Uncut, rosy, schoolboy-looking,” Ivory writes.

Ivory’s memoir isn’t prurient. His sexuality doesn’t overpower the narrative. It runs through “Solid Ivory” like a flavorful spice.

The book is more an impressionistic mosaic than a chronological memoir. Ivory, often, tells the stories of his life through letters he’s written and received (from lovers, friends and professional contacts) as well as from diary entries.

Many of the chapters in the memoir were previously published in other publications such as The New Yorker.

“Solid Ivory” was originally published in a limited edition by Shrinking Violet Press. The Press is a small press run by Peter Cameron, a novelist, and editor of “Solid Ivory.” Ivory grew up in Klamath Falls, Ore. He was originally named Richard Jerome Hazen. His parents changed his name when they adopted him. Some of the most engaging moments of the memoir are when Ivory writes about what life was like for a child during the Depression.

Ivory’s father lost his savings when the stock market crashed, and his mother frequently gave food to “tramps” who came to the door.

His “eating tastes were definitely formed during the Depression,” Ivory writes.

Since that time, Ivory has lived everywhere from England to Italy. “But although I consider myself an advanced expert in the more sophisticated forms of cuisine,” Ivory writes, “My gastronomical roots remain dug deep in the impoverished soil of the American Depression.” Ivory became smitten with movies when he saw his first picture when he was five.

He and Merchant, a Muslim from India who died in 2005, fell in love when they met on the steps of the Indian consulate in New York in 1961. I wish Ivory had written more about the 30+ movies that he made (mostly with Merchant and Jhabvala, who died in 2013).

Yet, he provides tantalizing recollections of filmmaking, actors and celebs.

The chapters on “Difficult Women like Raquel Welch and Vanessa Redgrave” are fun to read.

Welch, a bombshell brat, doesn’t want to play a love scene in “The Wild Party.” During the filming of “The Bostonians,” Boston is captivated by the drama of Redgrave’s off-screen politics.

Ivory isn’t that impressed when in 2018, at age 89, he becomes the oldest Academy Award winner when he receives the Best Adapted Screenplay Oscar for “Call Me By Your Name.” “Its fame eclipses even Michelangelo’s David and the Statue of Liberty,” Ivory says, with irony, of the Oscar statue.

If you enjoy the movies, beauty and wit, you’ll love “Solid Ivory.”

Continue Reading
Advertisement

Books

Seeking love and community in Nicaragua

‘High-Risk Homosexual’ explores author’s youth, coming out

Published

on

(Book cover image courtesy of Soft Skill Press)

High-Risk Homosexual: A Memoir
By Edgar Gomez
c.2022, Soft Skull Press
$16.95/304 pages

Here. Try this.

It fits you, but the color isn’t flattering. It’s too long, too short, too tight, too loose. That’s not your style, so try something else until you find the thing that looks like you. The perfect thing is out there. As in the new book “High-Risk Homosexual” by Edgar Gomez, when something’s right, it’s right.

He was 13 when he figured out that he was a problem to be solved.

Edgar Gomez’ mother had left him in her native Nicaragua with his tíos, just for a while because she had to return to Florida to work. He wasn’t there without her for long, but it took years for him to understand that his time with his uncles was meant to make him more masculine.

In retrospect, he says, nobody wanted him to be a man more than he did. He wanted to be liked by other kids and so he told lies in school to make himself stand out. He wanted his mother to see his love of pretty things and say that it was OK. He wanted his brother to acknowledge that Gomez was gay, and to tell him that he loved him.

Instead, after his brother left for college, Gomez got his first boyfriend, a boy he came out to but who couldn’t come out to himself. He was called names in school. He came out to his mother, who freaked out about it. He befriended a drag queen, but “Princess” used him.

Things he wanted: a real boyfriend. Love. A ban on the stereotype of a macho Latinx man.

Things he still had, while in college: his mother and older brother. A tormentor-turned-mentor. A part-time job. His weirdness. His virginity.

Things he wanted to lose, while in college: his room at his mother’s house. His virginity, but that wouldn’t happen until later, during a painful one-afternoon-stand with a hot man who said he had a girlfriend. That hurt, both physically and emotionally but like so many things at so many times, Gomez tried not to think about it.

If he never considered what he didn’t have, he says, “I wouldn’t miss it.”

In a way, you could say that “High-Risk Homosexual” is a book in search of a point. It’s really quite random and told (mostly) linearly, but not quite. It has its peaks, but also low valleys. And you won’t care about any of this, because you’ll be enjoying every bit of it.

Yeah, this memoir is good: author Edgar Gomez’s literary wandering makes it feel much like an honest conversation with readers. There are wince-worthy moments that allow empathy here, and experiences that are unique but oddly ubiquitous, that leave space for a sense of sympatico. There are passages that are so wistfully uncomfortable that you might squirm, or start “snort-laughing,” or want to stop a moment and just think.

And there’s room for that, too, so take your time. “High-Risk Homosexual” is an affable book with just enough seriousness to make it worth a try.

Continue Reading

Books

A lesbian Baby Boomer’s relatable story

‘Audacity of a Kiss’ a warm, familiar biography

Published

on

The Audacity of a Kiss: A Memoir
By Leslie Cohen
c.2021, Rutgers University Press
$24.95/235 pages

Don’t move.

Stay entirely still, don’t even breathe. You’re about to become a symbol of something that’s bigger than you are, something you’ll be proud of for the rest of your days. Don’t flinch, scratch, or sneeze, just don’t do anything. Don’t. Move. Unless it’s to turn the pages of “The Audacity of a Kiss” by Leslie Cohen.

Behind every statue is a story, and the one behind those representing four people in Christopher Park in New York’s Greenwich Village is no different. But to explain how this monument came about means also telling a long love story and a tale about a nightclub.

Leslie Cohen’s mother was her very best friend, although there were misunderstandings in the relationship. Seven-year-old Leslie couldn’t see why she received pink girly things for her birthday. In later years, she couldn’t understand why her mother deferred to Leslie’s father and endured his abuse.

The one thing Cohen did understand was that once puberty hit, the boys in her neighborhood were no longer pals to roughhouse with. She was supposed to want to date them and it didn’t entirely make sense, but Cohen went along with it even after she left home for college. She went out with boys and lost her virginity to one, but meeting Beth was the most remarkable thing about higher learning. She was sure she was in love with Beth, but Beth was obsessed with a boy and so Cohen moved on.

She moved on to other men and then women, at a time when women loving women was unthinkable, and the Summer of Love. Cohen embraced her lesbianism, fell in and out of love, and went into a partnership with three other women to open New York’s first lesbian club, where lesbians and straight feminists were welcome to dance and drink.

To be sure, it was a heady time. Cohen worked nonstop, gained confidence and learned to run a bar business. She was busy, but happy.

And then Beth came back into her life.

Let’s face it: author Leslie Cohen’s life story is basically like that of a lot of lesbians born at the beginning of the Baby Boom. A solid childhood, confusion, self-awareness, entrepreneurship all make a somewhat familiar story set apart by one abundant thing: warmth.

Indeed, “The Audacity of a Kiss” is an easy tale. It’s comfortable, like a crackling fireplace and a glass of wine on a cushy sofa.There are accomplishments here, told so that you really share the pride in them. Readers are shown the struggle that Cohen had, too, but experiences are well-framed by explanations of the times in which they occurred, with nothing overly dramatic – just the unabashed truth, and more warmth. Opening this book, in a way, then, is like accepting an invitation to own the recliner for an evening, and you won’t want anything else.

Younger lesbians will get a lot from this book, but anyone who’s been there will relish it. Get “The Audacity of a Kiss,” then sit down and don’t move.

Continue Reading

Books

The best books of 2021

Our favorites in fiction, non-fiction and children’s lit

Published

on

There’s still a lot of winter left.

That’s the fact staring you in the face. Once the holiday decorations are down, the toys are all put away, and you’ve rediscovered your gift certificates, what do you do with them?

You buy books, of course. And to get you started, here are a few sure-fire picks for the Best of 2021:

FICTION

What would you do if life throws you a curve-ball? In “The Guncle” by Steven Rowley (Putnam, $27.00), gay man, former TV star, Palm Springs fixture, no-responsibilities Patrick is asked to take care of his niece and nephew for the long-term. He never wanted kids at all. He never wanted to fall in love with them, either. Cute, sweet, funny, heartfelt – what more could you want?

You don’t have to have read any of the other Cork O’Conner novels to want “Lightning Strike” by William Kent Krueger (Atria, $27.00), which takes readers back to 1963, and a murder in small-town Minnesota. Cork O’Conner is a young teen then, the son of the local sheriff, and he knows that Big John Manydeeds couldn’t have possibly hung himself. But how does a boy go about proving something like that? For fans, that’s a can’t-miss question. For new fans, it’ll send you racing toward the rest of the Cork O’Conner series.

Watchers of “The Handmaiden’s Tale” will absolutely devour “Outlawed” by Anna North (Bloomsbury, $26.00). In a small corner of Texas, at an unstated time, 17-year-old Ada is struggling to give her husband children, which embarrasses him, and that’s something only witches do. And so Ada is cast out of the community and heads north, to safety, where barren women are outlaws. This dystopian, feminist Western is dangerous and delicious.

“Raft of Stars” by Andrew J. Graff (Ecco, $26.99) is a coming-of-age story of two boys who are best friends, and one of them is abused by his father. Tired of seeing his friend hurt, the other boy shoots the man and both boys run away to escape what surely will be legal trouble and maybe even jail time. They’re running toward a lie, though, and they’re heading for a waterfall they don’t know is there. This is one of those books with heartbreakingly beautiful prose in a story that’ll leave you with sweaty palms.

And finally, have you ever wondered what your life would be like if you’d taken a different path? In “The Nine Lives of Rose Napolitano” by Donna Freitas (Pamela Dorman Books, $26.00), one woman has many options in her life, each one ending in a way she never thought possible. It’s like “Groundhog Day” with a twist that’ll roll around in your mind for days…

NON-FICTION

For every kid who grew up with a pile of comic books next to the bed, in a drawer, or in the closet, “American Comics: A History” by Jeremy Dauber (W.W. Norton, $35) is a must-have. Here, Dauber follows comics from their political roots to today’s activist cartoons, and how we went from Katzenjammer Kids to MAD Magazine to comix as we know them. The bonus is that Dauber puts comics into fascinating historical perspective.

Did you buy your lottery ticket this week? If you did, it’ll make a fine bookmark for “Jackpot: How the Super-Rich Really Live – and How Their Wealth Harms Us All” by Michael Mechanic (Simon & Schuster, $28.00). You might think twice about the burdens of wealth after reading this book – and you might re-examine your thoughts on what one person’s wealth does to everyone else.

Readers who love memoirs will enjoy “Punch Me Up to the Gods” by Brian Broome (HMH, $26), who writes about growing up, being in love with the boy who abused him, and the father who did, too. It’s a coming-out tale that’s sometimes funny and always graceful, one that will sometimes make you gasp, and that you’ll be glad you read.

You know that feeling you get when you come across a stack of old magazines in the attic? That gentle, hometown, old-time feeling is extra-rich inside “The Ride of Her Life” by Elizabeth Letts (Ballantine, $28). This is the story of Annie Wilkins, aging, ailing, and alone, and the audacious cross-country ride she decides to take on a horse she’d just purchased. This feel-good story is set in the 1950s, and its neighborliness might make it be the perfect antidote for today’s world.

Lastly, “The Redemption of Bobby Love” by Bobby and Cheryl Love with Lori L. Tharps (Mariner Books / HMH Books, $28) might be the most unusual memoir you read this winter. As a young man, Walter Miller ran away from a prison bus and to New York, where he renamed himself Bobby Love and went into hiding in plain sight. Love kept to the straight-and-narrow, fell in love, got married, and raised a family but 40-some years later, the law caught up with him. This astounding, impossible story, told alternately between both Loves, is one you’ll, um, love.

CHILDREN’S BOOKS

Based on a real event (the Mexican Revolution), “The Barefoot Dreams of Petra Luna” by Alda P. Dobbs (Sourcebooks, $17.99) is the story of a young girl who becomes responsible for her Abuelita and her little sister when the Federales destroy their village and their home. This causes the trio to run north, one step ahead of those who wish to kill them, on a race to reach the border and make it to America. It’s an exciting read for 8-to-14-year-olds.

Kids who love silly stories will enjoy “Egg Marks the Spot: A Skunk and Badger Story” by Amy Timberlake, the second in what appears to be a series. A whirlwind named Skunk and his very staid, very reticent friend, Badger are at odds again – this time, over a missing rock from Badger’s collection. There are chickens involved, a bit of a mystery, dinosaurs, and a lot of fun for your 7-to-10-year-old. Hint: find the first Skunk and Badger book; your child will want that one, too.

For teens who enjoy unique memoirs, “Violet and Daisy: The Story of Vaudeville’s Famous Conjoined Twins” by Sarah Miller (Schwartz & Wade, $17.99) is the story of the Hilton sisters and their careers and lives. Born conjoined at the bottom of the spine, Violet & Daisy were “adopted” by a woman who ruled their lives. When she died, the girls were passed on to that woman’s heirs, who mishandled their careers and left them nearly penniless. This is a thrilling tale of legalities, Vaudeville, and two women determined to make their own ways, despite that they were conjoined forever. It’s the perfect read for any 14-and-older reader, including adults who love memoirs.

So now, get to the bookstore. Hunt at the library. Don’t miss these excellent books for adults and kids – and Season’s Readings!

Continue Reading
Advertisement
Advertisement

Follow Us @washblade

Sign Up for Blade eBlasts

Popular