‘Kinky Boots’
Feb. 10-March 19
Olney Theatre Center
2001 Olney-Sandy Spring, Rd., Olney, Md.
$42-$95
Olneytheatre.org

In the last few years, Olney Theatre Center’s leafy, suburban campus has become a hotbed of drag activity and audiences are eating it up. 

“We’re getting old straight couples who don’t come for theater, but they’ll come for this,” says Jason Loewith, Olney’s artistic director for a decade.

What began as part of Olney Outdoors, a COVID-inspired open air summer series, drag shows quickly exploded into a leading draw. In fact, Olney’s drag nights — initially suggested by director of curator programming Kevin McAllister — have sold better than all other outdoor offerings including cabaret and jazz, Loewith explains. 

“Drag has brought us the most diverse audience for anything we’ve ever done: regular theatergoers and nontraditional theatergoers, queer and straight, old and young, and the very young for whom it would be illegal to watch a drag show in several states.” 

With that in mind, Loewith is now directing Olney’s production of “Kinky Boots” (opening Feb. 10), the uplifting Tony Award-winning collaboration featuring Cyndi Lauper’s quirky, hard driving rock score and Harvey Fierstein’s familiarly sentimental book.  Adapted from a small British film, it’s the story of Charlie Price, a young man trying to save his family’s failing shoe factory in depressed Northampton. A chance meeting with Lala, a London drag queen, unites the unlikely pair in an improbable business venture. 

Though “Kinky Boots” has been on his radar for a few years, it wasn’t always. In the early years of his Olney tenure, Loewith, 54, wasn’t that into a drag centric show. It just wouldn’t have answered the “why this” and “why now” that theaters ask when building a season, he says. But things have changed, and he’s learned a few things about what his audience likes. 

Now it’s the company’s first main stage show planned after the height of the pandemic. Still, Loewith was oddly nervous about directing. Despite having once dated a drag queen, he came to the project with little knowledge of the drag community so there was some anxiety involved, but that soon went away. 

It seems Loewith, who married his husband in the backyard of their Bethesda home in the summer of 2021, has rather fallen in love with the show: “It’s elegantly put together yet very strong; there’s a delightful simplicity to it, resulting in a beautiful piece about acceptance and tolerance. 

“It’s a great show about self-acceptance that touches on some universal themes like daddy issues. And with its message of opening your mind to free yourself, makes every day of the work a soul-affirming experience, especially in this moment of gender fluidity being under attack and perceived as something incredibly threatening.” 

He’s also elated with the cast. Although they considered looking to New York to fill some of the parts, it wasn’t necessary. They’ve found a phenomenal group of DMV talent (19 members of the show’s 20-person cast are locals). “And as Lola and Charlie, Solomon Parker III and Vincent Kempsi, respectively, have claimed the triple threat roles,” he says. “They’re really born to play the parts.” 

A hit on the Broadway boards, “Kinky Boots” promises a  great experience on Olney’s comparatively intimate main stage too, he adds. Audiences get the big production numbers, the conveyer belt, and rock ballads, but here you get a much better sense of Charlie and Lola’s intertwining journeys. 

Replete with its own drag consultant Devon Vaow (who’s known to perform as Evon Michelle), the production is sponsoring related events including an opening night panel discussion on drag history; a Sip ‘n’ Face Paint (BYOM); a singles mixer that’s open to everyone; and Drag Queen Story Hour at nearby Olney Library (go to olneytheatre.org for details). 

All in all, Olney’s “Kinky Boots” is poised to offer a lot. At a moment when there are legislators attempting to ban drag performances on college campuses, it’s a good opportunity to support the visibility of drag. And Loewith says to expect a good time. He likens the experience to seeing four drag shows wrapped into one fabulous Broadway musical.