Arts & Entertainment
DC Black Pride to return in-person this year
‘Bigger. Bolder. The original is back.’
Since 1991, Black LGBTQ people and their allies have flocked to the streets of D.C. during Memorial Day Weekend to celebrate the beauty of the Black LGBTQ community and to raise awareness and funding to combat HIV/AIDS. Now, after a two-year hiatus triggered by the COVID-19 pandemic, this year’s Black Pride has returned with a focus on creating community.
“This is really the place to be if you’re Black and queer in D.C.,” said Kenya Hutton, deputy director for the Center for Black Equity, an LGBTQ advocacy organization that plans the event. Hutton has been involved in planning DC Black Pride for the past 13 years.
“There is a heavy buzz early on about Black Pride [this year],” he said.
This year’s events will run for four days, and will attract both a local and international audience including LGBTQ advocates from England, France, and Ghana.
“We have two members from the House of Garcon coming in from Paris,” said Hutton. “A lot of international people are coming to D.C., and after a two-year hiatus, the hunger to be back [is there].”
The weekend will commence with an opening reception on Friday, May 27 at 5 p.m. at the Renaissance Washington D.C. The event, also presented by Impulse DC and Us Helping Us, People Into Living, Inc., will feature live performances by Queen Diva Big Freedia and Atlantic Recording artist Tai’aysha. There will also be special appearances by D.C. Mayor Muriel Bowser and other guests who will be announced at the event. The event is free — registration is available on Eventbrite— and also includes two drink tickets.
Other events to look out for during DC Black Pride include kickoff events such as the Unity Ball on Thursday, May 25 at 9 p.m. at Karma DC hosted by commentator Kirk “Boom” Balenciaga, with music performances by DJ Tony Play, and the official Saturday night main event— “The White Party”— which will feature a performance by rapper and social media star Saucy Santana on Saturday, May 28 at 10 p.m. at Echostage.
In addition to the celebratory events, there will also be workshops focusing on a myriad of topics such as LGBTQ health, diversity, body positivity, and a writer’s forum.
The Black Pride Wellness Suite Open will be on Friday, May 27 at 2 p.m. at Renaissance Washington DC. The event, sponsored by DC Health, will provide HIV and full panel STD testing, safer sex kits and harm reduction supplies, and same-day PrEP initiation and PEP to those eligible.
“Becoming You: The Body Positivity Workshop” will be on Saturday, May 28 at 11 a.m. at Renaissance Washington DC. The workshop will be hosted by Tonka Garcon, from the HBO hit show “Legendary,” who will guide attendees on how to build self-confidence, love, and appreciation “without feeling left out.”
The writer’s forum will be on Saturday, May 28 at 2 p.m. and will be hosted by author James Earl Hardy who has written books such as “Men of the House” and “B-Boy Blues.”
Given that DC Black Pride will take place with the backdrop of the May 14 Buffalo, N.Y., shooting and other recent incidents in D.C. as well, the Center for Black Equity has boosted its security measures to ensure that attendees are safe.
“We are working closely with the Maryland Police Department [and] one of their officers will walk through an active shooter training [with our staff],” said Hutton.
Hutton added that because the pandemic took away the Black LGBTQ community’s ability to gather for two years, it is essential that guests leave the event feeling a sense of belonging.
“This is home. This is where it starts. This is our culture,” he said. “DC Black Pride is always home for queer people.”

Studies report that the pandemic disproportionately affected LGBTQ individuals’ mental health.
LGBTQ people faced mental health and substance abuse problems at higher rates than their non-LGBTQ peers due to lower incomes, fewer work opportunities and a lack of access to adequate healthcare, according to 2021 health analyses by the Kaiser Family Foundation.
Other studies also show that 16% of Black people reported having a mental illness, and 26% of people who reported a severe mental illness over the past year are men, according to the National Alliance on Mental Illness.
To bring to light the importance of mental health and wellness in the LGBTQ community, other organizations such as D.C. nonprofit group Us Helping Us will host events “to understand the complex issues of intersectionality that Black, gay, transgender, and bisexual men face.”
Us Helping Us will host “Pride Festival in Park” on Monday, May 30 at 12 p.m. at Ford Dupont Park. The organization works to improve the health and well-being of Black men with HIV and AIDS, and will partner with Amerigroup DC for Monday’s event.
“Every day, we see the impact our mental health services have on our clients, whether it be through individual appointments with our therapists or counselors or our support groups,” said DeMarc A. Hickson, the nonprofit’s executive director in a press release. “Mental health is critical to keeping our clients healthy physically.”

Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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