Arts & Entertainment

DC Black Pride to return in-person this year

‘Bigger. Bolder. The original is back.’

Published

4 years ago

May 26, 2022

A scene from pre-COVID Black Pride. The in-person celebration returns this weekend. (Blade file photo by Molly Byrom)

Since 1991, Black LGBTQ people and their allies have flocked to the streets of D.C. during Memorial Day Weekend to celebrate the beauty of the Black LGBTQ community and to raise awareness and funding to combat HIV/AIDS. Now, after a two-year hiatus triggered by the COVID-19 pandemic, this year’s Black Pride has returned with a focus on creating community.

“This is really the place to be if you’re Black and queer in D.C.,” said Kenya Hutton, deputy director for the Center for Black Equity, an LGBTQ advocacy organization that plans the event. Hutton has been involved in planning DC Black Pride for the past 13 years.

“There is a heavy buzz early on about Black Pride [this year],” he said.

This year’s events will run for four days, and will attract both a local and international audience including LGBTQ advocates from England, France, and Ghana.

“We have two members from the House of Garcon coming in from Paris,” said Hutton. “A lot of international people are coming to D.C., and after a two-year hiatus, the hunger to be back [is there].”

The weekend will commence with an opening reception on Friday, May 27 at 5 p.m. at the Renaissance Washington D.C. The event, also presented by Impulse DC and Us Helping Us, People Into Living, Inc., will feature live performances by Queen Diva Big Freedia and Atlantic Recording artist Tai’aysha. There will also be special appearances by D.C. Mayor Muriel Bowser and other guests who will be announced at the event. The event is free — registration is available on Eventbrite— and also includes two drink tickets.

Other events to look out for during DC Black Pride include kickoff events such as the Unity Ball on Thursday, May 25 at 9 p.m. at Karma DC hosted by commentator Kirk “Boom” Balenciaga, with music performances by DJ Tony Play, and the official Saturday night main event— “The White Party”— which will feature a performance by rapper and social media star Saucy Santana on Saturday, May 28 at 10 p.m. at Echostage.

In addition to the celebratory events, there will also be workshops focusing on a myriad of topics such as LGBTQ health, diversity, body positivity, and a writer’s forum.

The Black Pride Wellness Suite Open will be on Friday, May 27 at 2 p.m. at Renaissance Washington DC. The event, sponsored by DC Health, will provide HIV and full panel STD testing, safer sex kits and harm reduction supplies, and same-day PrEP initiation and PEP to those eligible.

“Becoming You: The Body Positivity Workshop” will be on Saturday, May 28 at 11 a.m. at Renaissance Washington DC. The workshop will be hosted by Tonka Garcon, from the HBO hit show “Legendary,” who will guide attendees on how to build self-confidence, love, and appreciation “without feeling left out.”

The writer’s forum will be on Saturday, May 28 at 2 p.m. and will be hosted by author James Earl Hardy who has written books such as “Men of the House” and “B-Boy Blues.”

Given that DC Black Pride will take place with the backdrop of the May 14 Buffalo, N.Y., shooting and other recent incidents in D.C. as well, the Center for Black Equity has boosted its security measures to ensure that attendees are safe.

“We are working closely with the Maryland Police Department [and] one of their officers will walk through an active shooter training [with our staff],” said Hutton.

Hutton added that because the pandemic took away the Black LGBTQ community’s ability to gather for two years, it is essential that guests leave the event feeling a sense of belonging.

“This is home. This is where it starts. This is our culture,” he said. “DC Black Pride is always home for queer people.”

Black Pride in 2019. (Blade file photo by Molly Byrom)

Studies report that the pandemic disproportionately affected LGBTQ individuals’ mental health.

LGBTQ people faced mental health and substance abuse problems at higher rates than their non-LGBTQ peers due to lower incomes, fewer work opportunities and a lack of access to adequate healthcare, according to 2021 health analyses by the Kaiser Family Foundation.

Other studies also show that 16% of Black people reported having a mental illness, and 26% of people who reported a severe mental illness over the past year are men, according to the National Alliance on Mental Illness.

To bring to light the importance of mental health and wellness in the LGBTQ community, other organizations such as D.C. nonprofit group Us Helping Us will host events “to understand the complex issues of intersectionality that Black, gay, transgender, and bisexual men face.”

Us Helping Us will host “Pride Festival in Park” on Monday, May 30 at 12 p.m. at Ford Dupont Park. The organization works to improve the health and well-being of Black men with HIV and AIDS, and will partner with Amerigroup DC for Monday’s event.

“Every day, we see the impact our mental health services have on our clients, whether it be through individual appointments with our therapists or counselors or our support groups,” said DeMarc A. Hickson, the nonprofit’s executive director in a press release. “Mental health is critical to keeping our clients healthy physically.”

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

Published

9 hours ago

August 2, 2026

Michael K. Lavers

Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

View this post on Instagram

A post shared by Kylie Minogue (@kylieminogue)

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

18 hours ago

August 2, 2026

Patrick Folliard

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.

BLADE: Are you curating the upcoming 2026–2027 season?

WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique?

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.

BLADE: How do you think queer audiences will receive the season?

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.