District of Columbia
Capital Pride Festival wows with surprise appearances
Harris speaks, Symone struts as celebrations return
Amid a roster of weekend Pride festivities in the nation’s capital that ended with a much-anticipated performance from pop band DNCE, Vice President Kamala Harris marched onto the Capital Pride Festival stage Sunday afternoon — as the crowd roared in surprise — to stress the importance of queer rights and rebuke white supremacy.
“No one should fear going to a nightclub for fear that a terrorist might try to take them down,” she said in reference to the Pulse nightclub shooting of 2016 in Orlando, Fla. “No one should fear going to a Pride celebration because of the white supremacists,” she added.
Harris also referenced recent legislation in southern states like Texas and Florida that inhibits children’s self-expression.
“Our children in Texas and Florida shouldn’t fear who they are,” she said.
Harris was joined on stage by second gentleman Douglas Emhoff and RuPaul’s Drag Race season 13 winner Symone.
The Washington Blade scored an exclusive interview with Symone after the vice president’s remarks.
Symone, who stood about six feet tall in a pair of beige-colored stilettos and a bejeweled turquoise leotard that she would later exchange for a blood orange-and-fuschia layered frill mini-dress, mentioned that Capital Pride was her first Pride event of the season.
“It feels great to be back amongst family,” she said. “It feels good to see all the love and excitement.”
Drawing on about a year since her win on “Drag Race,” the drag queen — affectionately known by her fans as the “Ebony Enchantress” — said that her drag has evolved into the special moments outside of her performances where she can “take care of people [around her].”
“I can finally give back to my mom,” she said.
With regards to her artistic approach to the art form, Symone emphasized that drag is a form of self-expression that allows her to be the most authentic part of herself and to say what she wants to say.
In her season, she celebrated Black culture and Black beauty by draping her head with sculptural braided Black hairstyles and giving nods to streetstyle, including through an outfit that included a meters-long durag.
In one of her season’s runway categories, she strutted in a white gown and fascinator with the phrase, “Say their names” emblazoned on the back. This was in protest of police brutality.
When looking to the future of her profession, Symone is gleeful because she says that more people will become comfortable with drag because it exists to “give joy, laughter, and love.”
“I think what people have left out is that [drag] is art at the end of the day,” she said. “It has always been this art form to play with.”
Her statement echoed one that Harris made earlier: “No one should fear who they love.”
After the interview, Symone returned to Capital Pride’s stage in a waist-length curly black wig to dance to Diana Ross’s “I’m Coming Out” and Beyonce’s “Apeshit,” all while exposing her slender, toned, and glossed legs that brought gasps from some audience members.
Symone’s performance and Harris’s speech were part of the last leg of events that ended a festival that saw hundreds of LGBTQ-friendly organizations, bars and clubs, and food vendors staff booths on Pennsylvania Avenue.
The National Association for the Advancement of Colored People was in attendance for the first time and gave out T-shirts that read “Black Pride” and encouraged passersby to contact their senators to pass the Equality Act — legislation that prohibits discrimination based on gender and sexual orientation. The Equality Act was passed in the U.S. House of Representatives in 2021 and has been stalled in the U.S. Senate since.
“We want to make sure that our [leaders] are doing what we need them to do,” said Annalise Setorie, director of partnerships at the NAACP. Setorie is also chair of the LGBTQ taskforce.
“[The NAACP] fights for all the rights of Black people so we are here to support and uplift the Black queer community,” she added.
District of Columbia
Hands Off the Arts to form ‘human chain’ around Kennedy Center
Drag performer Tara Hoot among event organizers
An organization called Hands Off the Arts has announced it is holding a pretest on Friday, Sept. 18, in which between 400 and 800 participants are expected to create a “human chain” around the Kennedy Center to voice their strong objection to President Donald Trump’s call for possibly demolishing the Kennedy Center.
“Hands Off the Arts is organizing a rally Sept. 18 against the president’s defacing of JFK’s memorial, his removal and censorship of art, and the threat to demolish the center if he can’t remake the site in his image,” a statement released by the group says.
The statement says the event will start with a rally at 6:30 p.m. on the Kennedy Center steps and culminate with a “human chain” around the building. “There will be musical performances, testimonials from current and former employees, along with other special guest speakers,” it says
A separate announcement by the group says longtime D.C. drag performer Tara Hoot, who has performed at the Kennedy Center in past years, was among the organizers of the Sept. 18 protest.
The planned protest follows Trump’s decision last year to use his authority to replace the existing members of the Kennedy Center’s board of directors with new members loyal to him. Over the objection of longtime Kennedy Center supporters, the Trump-appointed board changed the name of the center, at Trump’s request, from the John F. Kennedy Memorial Center for the Performing Arts to the Donald J. Trump and the John F. Kennedy Center for the Performing Arts.
But follow the threat of legal action by opponents who pointed out that the name change could not be legally made unless approved by Congress, the name change was cancelled, with Trump saying he would take steps to restore it later.
The Washington Post, meanwhile, reports in a Sept. 13 news story that because of negative publicity related to Trump’s actions, the Kennedy Center was facing “fiscal collapse” and possible bankruptcy and could be forced to shut down as early as this week.
According to the Post report, a 57-page document presented to the Kennedy Center’s board of trustees says the center was facing a financial and structural building crisis, with the recent collapse of part of the building’s inside ceiling, indicating the building was unsafe for employees and the public. Among other things, the document says the Kennedy Center may not be able to make payroll or pay for routine maintenance “within a matter of weeks,” the Post reports.
Some LGBTQ advocates were among those who joined others in boycotting the Kennedy Center to express their objections to Trump’s actions, including a statement by Trump that he objected to the Kennedy Center’s practice of hosting drag performances.
The Gay Men’s Chorus of Washington has been among the LGBTQ performing arts groups and artists that have performed at the Kennedy Center.
“With the future still very much uncertain, now more than ever, the Center needs you to stand up for freedom of expression and against authoritarian overreach into arts and culture institutions,” the Hands Off the Arts group says in its announcement of the Hands Around the Kennedy Center protest.
“You have the opportunity to make a difference — show up with Hands Off the Arts and show your power as part of Hands Around the Kennedy Center,” it says.
A spokesperson for the Kennedy Center couldn’t immediately be reached for comment.
District of Columbia
Blade welcomes fall intern
Alexis McLean is student at University of North Florida
The Washington Blade this week welcomed Alexis McLean as its fall intern.
Alexis is studying political science at the University of North Florida in Jacksonville, Fla. She is interning with the Blade as part of a continued partnership with the Washington Center.
“I am looking forward to spending my time in the fall with the Washington Blade, as this is a new experience for me,” said Alexis. “I have not experienced any journalist jobs in the past so this would be my first time, and I am excited to better my writing and communications skills with this internship.”
Alexis’s internship with the Blade ends in early December.
District of Columbia
‘People don’t see me. They see a trend’
New popularity of all things Asian warps view of multiple cultures
As I was growing up, my parents often shared stories about how they were bullied when they were my age, just for being Asian. My mom is Cambodian and my dad is “Wasian,” Chinese and white. Students teased them for their looks, their homemade lunches, and treated their traditional holidays as jokes.
I once asked my mom when I was little if she could pack me dumpling leftovers for lunch. “Yes,” she said with a surprised look, adding, “I would have never wanted to bring dumplings to school when I was your age because I would always get bullied for them. I’m glad times have changed.”
At the time, I was confused. Whenever I brought a homemade Asian dish to school for lunch, I was happy to hear intriguing and curious questions from the other kids. It felt good to have my meal be popular and different from the Lunchables everyone else had.
Though times have changed, racism still continues. It just has a new face. Today, social media pretends to flatter our cultures in an insincere way trying to gain popularity just for clicks. Think anything from K-pop to Japan’s surge in international tourism. Even Starbucks has added drinks with the flavor of ube yam, native to the Philippines, onto its menu.
I feel that now when people see me, they don’t see me, they see a trend.
For years, Asian people have been portrayed as foreign or exotic. The new embrace of foods and fashion at first felt good. Asians have never been represented as much as they’ve deserved.
But this new popularity warps what non-Asians see. Instead of the blunt and direct racism my parents faced, everything now is a gray area, more discreetly hidden behind some TikTok video. It actually normalizes racism and stereotypes.
Whitewashing my culture
As a 15-year-old Asian American who lives in D.C., I’ve always been one of the few Asian kids in school; my high school today counts less than 2 percent of students as being of Asian descent. I remember always being called “that one Asian girl” or some slur a kid learned from their parents. Every time I search for something related to Asian culture, such as a recipe or maybe a holiday, it’s always the same thing: some white person whitewashing my culture.
Social media is the main culprit, of course. I realized this when I entered high school and got a phone and was introduced to the internet. That is when I realized how messed up the new stereotypes around Asians are.
One pattern I started to notice was people wanting to be Asian just because it was popular. It was hurtful, patronizing, and annoying. They made assumptions about our race and then only found us “cool” because we were trending. How can people go from hating us or finding us weird, to then only liking us because we’re popular?
There was a trend going around on TikTok called “race change to another” or RCTA. It is this trend of people manifesting certain physical traits to change their appearance in order to change races. According to journalist Emi Tran, writing then as an intern for NBC Digital, the trend started when a white woman wanted to be Japanese. The woman began posting TikTok videos of herself wishing for different features such as monolids. Tran wrote in that 2023 article that “the overwhelming majority of the RCTA community wants to be East Asian.”
People also look up to K-pop culture, idolizing the pop groups pulled together by big entertainment companies. Most people expect all Koreans to be K-pop fans. Korean friends are asked about K-pop all the time even though they are not into the South Korean music genre.
Although I am not South Korean — I am half Cambodian and Chinese — I still get asked, almost like I’m expected, “You’re really into this group, right?” or “Can you tell me how to pronounce this member’s name?”
I was asked even worse questions during COVID-19. Suddenly, discrimination and violence were increasing specifically toward Asians everywhere. Suddenly, almost everyone was blaming Chinese people for spreading and causing COVID-19.
I remember going to school for one of the last times before quarantine had started and hearing kids whisper, “Oh, she’s going to give us the Coronavirus.” President Donald Trump had publicly posted his opinions about the situation on social media, blaming China for the pandemic, even calling it the “Chinese Virus” or the “Wuhan Virus.” According to NPR, anti-Asian hate crimes in U.S. cities surged 149 percent that year.

The topic of Asians in the media has always been complicated. One moment people can hate us for being weird and different and the next we’re suddenly popular and cool for the same reasons.
I feel conflicted on whether I should feel happy that we’re being represented or angry that it’s all for the wrong reason and has the wrong effects.
Lily Brugman is a sophomore at Benjamin Banneker Academic High School, one of Youthcast Media Group’s journalism class partners. She worked with YMG volunteer and Professor Emerita in journalism at American University Amy Eisman on this piece.
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