Connect with us

Russia

Case against Russian femactivist Yulia Tsvetkova drags on

Government has deemed her a ‘foreign media agent’

Published

on

Facing a potential sentence of six years in a Russian penal facility and just recently categorized as a “foreign media agent” by the Russian government, 29-year-old feminist and artist Yulia Tsvetkova remains undaunted.

Authorities in this medium-sized city in the Russian Far East have been actively investigating and targeting Tsvetkova since 2017 after she posted nude drawings in a social media group of herself and others along with artwork supporting Russian LGBTQ people on VKontakte (VK.com) the giant Russian social networking platform.

She is charged with “production and dissemination of pornographic materials” (Article 242 (3b) of the Russian Criminal Code) for her body-positive drawings of vaginas on VK.com.

In addition Russian authorities have also been fined Tsvetkova 50,000 rubles ($936.77) for being the administrator of an LGBTQ Facebook page, and 75,000 rubles ($1,405.15) for a drawing depicting two same-sex couples with children. This month, the Russian Justice Ministry added her to the register of foreign media agents, in part for her work supporting LGBTQ people.

This translates as: “Family is where the love is- support LGBTQ families!”

In an interview with journalist Nina Nazarova from the BBC Russian Service, so far, Tsvetkova said she has not received any official notification from the Justice Ministry regarding her inclusion in the register of foreign media agents.

“I don’t plan to take active steps myself to get registered, to make an insane and useless legal entity,” Tsvetkova told the BBC. “A lot depends on whether I end up in prison in the next month.

Her mother who she lives with, Anna Khodyreva, who is her unrelenting advocate, posted on her Facebook page about the designation.

“I am the mother of a foreign agent, and am very proud of this,” she wrote, using the Russian shorthand “inoagent,” which has entered the vernacular.

Tsvetkova was first investigated in 2017, but according to the BBC everything has changed since November 2019 when Tsvetkova became a defendant in five trials and, in fact, was locked up in Komsomolsk-on-Amur.

She was arbitrarily first detained on Nov. 20, 2019, and remained under house arrest until March 16, 2020. There were delays in the trial proceedings that were marked by a continuing investigation by the Federal Security Service at the behest of Boris Viktorovich Kononenko, the chief prosecutor of Komsomolsk-on-Amur.

A video released on YouTube on June 15, 2020, by author, activist and artist-writer Nicole Garneau details an overview of the case against Tsvetkova:

In August 2020, the Kulturfabrik Moabit in Berlin hosted an exhibition in solidarity with Tsvetkova. The exhibition was visited by about 300 people.

Courtesy of Kulturfabrik Moabit in Berlin, Germany

Independent political journalist Matt Baume, writing for Them magazine reported last April this isn’t the first time that Tsvetkova has faced scrutiny under Russia’s discriminatory laws, however. In 2019, she directed a play criticizing gender stereotypes entitled “Blue and Pink” at Color of Saffron festival, an art fair for children in Komsomolsk-on-Amur, and authorities reportedly forced the event to close in its entirety over concerns that organizers were “attempting to illegally hold an LGBT event,” according to “The Art Newspaper.”

Although the play was reportedly held for a small crowd in defiance of Russian authorities, Tsvetkova has been fined under the “propaganda” ban twice. She was forced $780 in 2019 for running an online support group for LGBTQ people and $658 last summer for a drawing that depicted loving same-sex families.

Speaking with the BBC Tsvetkova noted that the basis for the criminal charges stemmed from the public posts in the “Vkontakte” group “Vagina Monologues”, which was dedicated to feminist art and body positivity: It laid out artistic images of a naked female body.

The pictures of Tsvetkova herself, in particular, depicted women with wrinkles, stretch marks and body hair. Each of the drawings was signed with the phrase “Living women have …” and ended with the words ” — and that’s fine!”

Tsvetkova’s posts from VK.com

Russian independent media outlet Novaya Gazeta reported that Dmitry Oblasov, the FSB regional head spurred on at the request of the chief prosecutor of Komsomolsk-on-Amur. wrote a letter to Victoria Tregubenko, commissioner for Children’s Rights in the Khabarovsk Territory, asking the commissioner to study the content of Tsvetkova’s social networks for criminal violations.

The intent was to see that if in addition to the alleged penal code violations for production of pornography, provisions of the federal anti-LGBTQ “propaganda” law had also been violated because of her advocacy for Russian LGBTQ people.

The criminal case by the Central District Court of Komsomolsk-on-Amur began in earnest in the spring of 2021. While criminal case endlessly endured delays and drags on, a civil case against a Russian right-wing extremist media outlet brought by Tsvetkova and her mother over use of video of the initial FSB raid on her house in 2019 that was leaked by FSB officers was lost and the women found themselves being forced to pay 180,000 rubles ($3372.37) to that media outlet — allegedly for “defamation.”

The criminal proceedings against Tsvetkova, who faces up to six years in prison, are closed to the press and public.

The trial against Tsvetkova is coming to an end. On June 14 the prosecution requested a jail term of three and a half years for “production and dissemination of pornography” for her VK.com posts.

The final hearing is expected to take place on July 12 according to Amnesty International. Tsvetkova will make her final statement and the sentence will be handed down shortly after.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Russia

Russian neocolonial politics promote anti-LGBTQ imperialistic values

Influence seen in neighboring countries

Published

on

(Photo by Skadr via Bigstock)

The idea that Western colonialism spread queerphobia around the globe is not something new for American millennials and Gen Z. It is well known among them that the British Empire brought “anti-sodomy” laws to some African countries, such as Uganda and Nigeria, as well as to South Asia. 

But very few modern American and British people know the history of Russian colonialism, and the way Russian neocolonial politics is ruining the lives of queer people right now, in real time. It’s happening all across Eastern Europe, the Northern Caucasus, and Central Asia. Throughout these regions, the Kremlin promotes imperialistic values that include direct discrimination against queer people.

Let’s start with the most obvious example and move toward the less known ones.

In modern-day Ukraine, LGBTQ rights have become more visible and widely discussed than before the Revolution of Dignity. Even during the war, Ukraine has taken some steps forward in recognizing LGBTQ rights. For example, in 2025 the Desnianskyi District Court of Kyiv for the first time recognized a same-sex couple married abroad as legally married, and in 2026 the Supreme Court made a similar decision. LGBTQ people openly serve in the Ukrainian military. 

But the situation with LGBTQ rights in Russian-occupied Crimea and Donbas is completely different. 

Ukrainian LGBTQ citizens are persecuted by Russian military forces. Materials with positive LGBTQ representation are banned because of Russia’s “anti-propaganda” laws. Transgender people cannot access gender-affirming therapy. According to people currently living in occupied Donbas, LGBTQ teenagers have been subjected to conversion therapy after being taken from supportive families and sent to Russia.

Russia is not shy about this policy. The war against LGBTQ people — and Ukraine’s growing openness toward LGBTQ rights — has been used as one of the official justifications for Russia’s attack on Ukraine. Russian politicians have repeated this narrative, and so has the leader of the largest Russian Christian church closely connected to the government. In 2022 the head of the Russian Orthodox Church openly claimed that the war in Ukraine was happening because people in Donbas did not want gay pride parades. The claim is absurd. First and foremost, people in Donbas do not want to be bombed — and I say this as someone who was born there.

This blatant Russian attempt to destroy LGBTQ rights on foreign land did not start in Ukraine, just as Russian colonialism itself did not start there. The Soviet Union was famous for criminalizing homosexuality. 

When the Soviet Union collapsed in 1991, Soviet republics gained independence, including the Chechen Republic of Ichkeria. Chechen people had many grievances against the Kremlin, including the genocide committed against Chechen and Ingush people by Joseph Stalin in 1944. There was also resentment over the Soviet attempt to erase Chechen identity. Despite Chechens having a completely different culture, language group, and traditions from Slavic Russia, Ukraine, and Belarus, the Soviet government tried to assimilate them and make them more “Slavic.”

In the new Russia that emerged after the Soviet collapse, Chechens struggled to rent apartments in Moscow and were frequently ridiculed for being Muslim. Racial slurs like “black-assed” were commonly used against Chechen students in Russia. In 1994, Russia decided to “civilize” independent Chechnya and launched an unprovoked attack, only to lose the war to this small Muslim nation of fewer than one million people in 1997. When Vladimir Putin came to power, he built his popularity partly by launching the Second Chechen War and occupying Chechnya.

Today Chechnya is ruled by Ramzan Kadyrov, an extremely unpopular leader imposed on the region through pressure and blackmail from the Russian military. It was under Kadyrov that the infamous purge of gay people — described in David France’s HBO documentary “Welcome to Chechnya” — began. But the documentary failed to explain the broader context. As many Chechen activists and ordinary people told me — people who refused to give their names to a foreign LGBT outlet because of the risks to themselves and their relatives — Chechen society has never been explicitly queerphobic. Chechens are proud of having traditions of democracy dating back to the Middle Ages and of respecting individual freedom and family rights.

This is exactly where discussions about sexuality traditionally belong in Chechen social norms: inside the family. Family is almost sacred to Chechens. Every Chechen knows seven generations of their paternal ancestors and stays in contact with uncles, aunts, and cousins. Later, Russia weaponized these family structures by blackmailing and torturing even distant relatives of activists.

For generations, matters of sex were considered private family affairs that the state — an independent Chechen state — should never interfere with. This does not mean Chechnya was especially LGBTQ-friendly. Parents and siblings may be queerphobic — or may not — and society would not question it. But police, commenting on private sexual relationships? This is an abomination!

This is exactly what the Russian occupational authorities introduced. They turned the private into the public, kidnapping and torturing queer people as part of a wider colonial campaign of repression. It was never just about gay people. The authorities also targeted people who subscribed to opposition channels online, spoke against the Kremlin, wore the “wrong” clothes or the “wrong” kind of beard, or listened to prohibited music.

It was never just about gay people. In occupied Chechnya, it has always been about colonial control. Moreover, as my Chechen respondents pointed out, “Welcome to Chechnya” tells the story largely from the perspective of Russian LGBTQ activists. Some of them also have colonial ways of viewing the Northern Caucasus. This is why the film “forgets” to mention that many gay people who were rescued by activists left Chechnya with the active help of their own parents and siblings.

Another example of Russian interference in predominantly Muslim nations can be seen in Kazakhstan, one of the largest countries in Central Asia. In the West, it is not widely known that Kazakh people living in Slavic regions of Russia face everyday discrimination. They are often targets of anti-immigrant hatred similar to the way Mexicans are treated in the United States. In everyday life they are frequently called “churkas,” an extremely derogatory racist slur roughly comparable to the English N-word. When I lived in Russia, almost everyone I knew — even progressive people — used this word from time to time against Kazakh immigrants.

Despite all of that, the Kazakh government has aligned itself closely with the Kremlin. Late last year, the Kazakh parliament adopted an anti-LGBTQ law similar to the Russian one. The law followed earlier bans in Kyrgyzstan in 2023 and Georgia in 2024 and prohibits the dissemination of information about “non-traditional sexual orientation,” affecting culture, education, advertising, media, and cinema.

Critics called these laws a “copycat” of Russian policy and part of Moscow’s colonial influence.

“Are we an independent and sovereign republic, or are we a colony of the Russian Federation?” prominent Kazakh LGBTQ activist and feminist Zhanar Sekerbayeva asked during a press conference.

“As an educated and intelligent woman … I cannot understand why lawmakers allow themselves to violate the fundamental law of the constitution,” she said.

It was therefore not surprising that in February 2026 a criminal case was opened against Sekerbayeva for allegedly “promoting LGBT” during a peaceful gathering at the “French Café.” The real reason, however, is more likely not just her LGBTQ activism but her opposition to pro-Russian politicians.

In Georgia, pro-Russian political movements similarly weaponized anti-LGBTQ conspiracies to mobilize opposition against the European Union. These movements falsely claim that Brussels demands “LGBT propaganda” and threatens “traditional family values.”

This conspiracy narrative has even been supported by Belarus’s dictator Alexander Lukashenko, who said he is “scared for Georgia” because Europe allegedly promotes LGBTQ rights there. Of course, Belarus itself has no meaningful legal protections for LGBTQ people — and it is unlikely to develop them while its leadership is protected by the Kremlin. 

The list could continue. In Moldova, another post-Soviet country, the last widely promoted study of schooling has shown that LGBTQ teenagers are among the most vulnerable students in schools, facing bullying from peers, parents, and even teachers. Once again, pro-Russian politicians in Moldova actively use anti-LGBTQ rhetoric that contributes to this hostile environment.

Of course, Russia is not the single reason for queerphobia in post-Soviet countries. There are many other factors, from everyday stereotypes to the influence of American fundamentalist groups on local conservative movements. But Russia remains the main force preventing these countries from developing independent LGBTQ policies. Local queerphobia is a target audience for Russia, and anti-LGBTQ narratives have become an inseparable part of Russian neo-colonial politics.

Continue Reading

Russia

Russia’s anti-LGBTQ crackdown takes absurd turn

Authorities targeted one of the country’s largest bookstore chains last month

Published

on

While MAGA continues to attack LGBTQ rights in the U.S. — including erasing queer history and removing children’s books with LGBTQ characters from libraries and pushing an ever‑broader censorship agenda — and as the UK faces MAGA‑inspired campaigns demanding the removal of LGBT literature from public libraries, Russia’s assault on LGBTQ‑related media has taken an extreme and frankly absurd turn. It is a cautionary tale for Western countries of just how far censorship can go once it becomes normalized. From books to anime, TV shows, and even academia, queer existence is being systematically erased.

In January, one of Russia’s largest private bookstore chains, Chitai‑Gorod-Bukvoed, faced the risk of being shut down over alleged “LGBT propaganda” under a law that prohibits any positive mention of LGBTQ content and equates LGBTQ material with pornography and pedophilia.

Among the books targeted were “Beartown,” “Us Against You,”and “The Winners”by Fredrik Backman, “The Left Hand of Darkness” by Ursula K. Le Guin, and “The Heart’s Invisible Furies” by John Boyne.

According to Chitai‑Gorod-Bukvoed CEO Alexander Brychkin, once it became known in mid‑December that law enforcement agencies had launched inspections, the Chitai‑Gorod–Bukvoed network immediately removed these titles from sale nationwide. In a comment to Kommersant, Brychkin stressed that the chain “operates strictly within the legal framework,” noting that the books were not listed in any official register of banned materials at the time the inspections began and had been on sale for several years. 

Previously, two of the biggest online film distribution companies were charged as well under the “LGBT Propaganda law.”

Private businesses had no more right to speak up than writers or artists who are persecuted for their work. This is a nightmare scenario for many Americans who believe the free market itself can protect freedom of expression. This is the reality of modern‑day Russia.

A censored version of the anime “Steins;Gate” has also been released on Russia’s most prominent streaming platform, “Kinopoisk,” in which the storyline of one of the main characters was altered due to the ban on so‑called “LGBT propaganda,” as reported by opposition outlets Verstka and Dozhd, as well as fans on Reddit.

In the original series, the character Ruka Urushibara is a young person with an androgynous appearance who struggles to accept themself in a male body — an obvious indication that Ruka is a transgender girl. Ruka wears women’s clothing and dreams of becoming a girl. In episode eight, Ruka is given the chance to intervene in the past by sending a message to their mother in order to be born female.

In the Kinopoisk version, released in late 2025, Ruka is instead portrayed as a girl living with HIV — something entirely absent from the original anime and invented in translation. The storyline and dialogue were rewritten accordingly, completely distorting the original meaning: in this version, Ruka attempts to change the past in order to be born “healthy,” without HIV, rather than to be born a girl. This is not only absurd, but deeply offensive to the LGBTQ community, which has long been stigmatized in relation to HIV.

A similar distortion appears in “Amediateka”’s translation — or, better to say, rewriting — of the new AMC series “Interview with the Vampire.” Translators rewrote dialogue in ways that fundamentally misrepresented the plot, downplaying the openly queer nature of the characters to the point that romantic partners were translated merely as “friends” or “pals,” rendering entire scenes meaningless. At the same time, even brief critical references to Russian or Soviet politics were removed.

As for queer romance, such as the popular Canadian TV show “Heated Rivalry,”it has no official Russian translation at all and circulates only through fan translations. The show remains popular among millennials and Gen Z, and Russian social media platforms like X (Twitter) and Instagram are full of positive reviews. Yet, in theory, promoting such a show could put someone at risk under the law. People still watch it, still love it, still build fan communities, but it all exists quietly, pushed under the carpet.

The prohibition is not total, but it is a grotesque situation when even such a nice and harmless show is stigmatized.

Books suffer even more. Some classics fall under bans, and books are physically destroyed. In other cases, the outcome is worse: texts are rewritten and censored, as with “Steins;Gate.” This affects not only fiction but also nonfiction. For example, in “Deep Color” by Keith Recker, an American researcher of visual arts, all mentions of queer, feminism or BDSM culture were erased in the Russian edition. Even historically necessary references were removed, including mentions of the pink triangle used by the Nazis.

In the Russian edition of Skye Cleary’s “The Thirst for Authenticity: How Simone de Beauvoir’s Ideas Help You Become Yourself,” dozens of paragraphs were blacked out. Passages discussing the fluidity of gender and a person’s right to define themselves outside the rigid male–female binary were removed. Sections on contraception and abortion, critiques of biological reductionism and social pressure on women, details of Simone de Beauvoir’s intimate life and her relationships with women, as well as reflections on non‑monogamous relationships, were all excised. Even footnotes referencing quotes about gender identity were hidden. 

Those two books are one of the many examples of the fate of Russian-translated nonfiction. Actually, even books about animal reproduction were demanded to be censored because of the “LGBT propaganda law”. Apparently, the authorities couldn’t accept a neutral scientific description of same-sex behavior and reproductive diversity in animals.

The authorities know what they are doing. Most people are less likely to read dense nonfiction or search actual studies about animal sexual behavior than to watch a popular TV show about queer hockey players, which makes visual media easier to censor quietly and effectively. So they really could show LGBTQ as something negative and absolutely unnatural for most of the Russian population.

And this is the core of the problem. This is not just censorship of content — it is the rewriting of history, even the narrative around biology. It is the deliberate marginalization of queer existence, the systematic erasure of queer people’s ability to see themselves reflected in culture, literature, and art.

The U.S. still retains independence in academia, publishing, and private business when it comes to queer voices. Russia does not. History shows where this path leads: Nazi Germany burned books; the Taliban destroyed cultural and historical materials. This is always one of the first steps toward genocide — not immediate, perhaps, but inevitable once dehumanization becomes official policy. It never stops with just one group. In Russia, immigrants, people from the North Caucasus and Central Asia, Ukrainians, and even disabled citizens face daily dehumanization — it’s all part of the same system.

And now, alarmingly, the U.S. seems to be following in Russia’s footsteps — the same path that enabled war in Ukraine and the thriving of authoritarianism.

Continue Reading

Russia

Russia designates ILGA World an ‘undesirable’ group

Justice Ministry announced designation on Jan. 21

Published

on

(Photo by Skadr via Bigstock)

Russia has designated a global LGBTQ and intersex rights group as an “undesirable” organization.

ILGA World in a press release notes the country’s Justice Ministry announced the designation on its website on Jan. 21.

The ministry’s website on Tuesday appeared to be down when the Washington Blade tried to access it. ILGA World in its press release said the designation — “which also reportedly includes eight other organizations from the United States and across Europe” — “has been confirmed by independent sources.”

“ILGA World received no direct communication of the designation, whose official reasons are not known,” said ILGA World.

The Kremlin over the last decade has faced global criticism over its crackdown on LGBTQ rights.

ILGA World notes Russians found guilty of engaging with “undesirable” groups could face up to six years in prison. The Russian Supreme Court in 2023 ruled the “international LGBT movement” is an extremist organization and banned it.

“Designating human rights groups ‘undesirable’ is outlandish and cynical, yet here we are,” said ILGA World Executive Director Julia Ehrt. “But no matter how much governments will try to legislate LGBTI people out of existence, movements will stay strong and committed, and solidarity remains alive across borders. And together, we will continue building a more just world for everyone.”

Continue Reading

Popular