Arts & Entertainment
‘RuPaul’s Drag Race’ world tour stops in D.C. on Aug. 6
‘WERQ the World’ returns live drag performance to country’s largest stages
Some of the most popular queens from “RuPaul’s Drag Race” will perform live at National Harbor outside D.C. on Aug. 6 as part of the official “WERQ THE WORLD”tour.
In recent months, drag queens have received significant media attention, much of it from right-wing figures criticizing events like Drag Queen story hours and brunches. However, the colorful, creative performances continue to be wildly popular, and this year’s “WERQ THE WORLD” tour marks the return of RuPaul’s live U.S. tour after a COVID-enforced hiatus.
“In this year’s live production, an experiment gone wrong sends audiences spiraling through time with no way of returning to 2022,” publicity representative Jeff Dorta said in an email to the Blade. “The queens will whisk fans on a magical journey through iconic periods of history in hopes of returning them safely home.”
The Blade spoke with Daya Betty, a Season 14 finalist on “RuPaul’s Drag Race” and one of the queens who will be performing in D.C., who talked about getting started in drag, her “WERQ THE WORLD” experience so far and how drag performance unites audiences.
“I’m a Type One diabetic — that’s actually where my name comes from — and I started out in a small town called Springfield, Missouri,” Betty said. “There’s not a lot going on there, except for a college and lots of little dive bars, which is actually where I got my start. I didn’t get my start in a gay bar like a lot of other drag queens do. I got started in a biker bar, which is pretty fun and very telling of the Midwest.”
“Being in the Midwest and growing up queer, you kind of have to create your own family with your own friends and build your own community,” Betty continued. “That’s really where my passion for drag stemmed from and what caused me to audition for the show.”
BLADE: Drag has gotten a lot of media attention lately — some of it negative. In your experience, what is the best part of being a drag queen?
DAYA BETTY: Being from a small town, I didn’t really see a lot of queer people on TV or in magazines, I felt like I was kind of sheltered away from that. So, the fact that drag queens are literally being showcased on TV shows, on billboards, in fashion spreads, they’re walking in fashion week — I think it’s cool to see not only drag in the regular sense but drag in the mainstream and in common things.
It’s so true what people say — as long as we are putting ourselves out there and we’re letting our faces be shown, there’s always going to be critics and people that that don’t want to look at us. But I think that in a sense this makes us work harder, and when we do get to be featured in mainstream things, it makes it that much sweeter.
BLADE: What is it like to be part of “WERQ THE WORLD 2022,” and what features make this year’s tour special?
BETTY: It’s not just queens from one particular season of “Drag Race” — you can see queens from as early as season 6. We each have our own personalities, and that is very much reflected in the numbers that we create. That’s something I really like about WERQ THE WORLD — we have a huge say in what we perform, what we do and what we get to showcase — and ultimately just get the best representation of who we are and what we stand for individually.
We did Radio City last night, and I think we almost sold out Radio City Music Hall, so just the fact that that’s a thing right now is insane and super, super cool. It shows the level of professionality that not only the queens have, but everyone — the tech, the crew. We like to say it’s as if drag and a Broadway musical were somehow mashed together. It’s a production, it’s more than just your local bar gig.”
BLADE: Have you had a favorite part of the tour so far?
BETTY: I think just being able to be around people again — being able to see people and being able to connect with people one-on-one. During the pandemic we did a lot of digital drag, but it’s not the same as having a face-to-face performance or a face-to-face conversation. Not to sound too cliché, but really we live off of that live energy that the crowd likes to give us.
Although WERQ THE WORLD did a European tour during summer 2021, this summer is the first time the live tour has performed across the United States since 2019. Daya Betty said that stopping at cities throughout the country has made the world feel much smaller, as she notices what their audiences have in common.
“You think the world is such a big place, but the more you travel around and meet people, you realize that everybody just likes to smile and have a good time,” Betty reflected.
BLADE: How does drag performance bring people together, and what makes it such a beloved space for the LGBTQ community?
BETTY: I think it’s just watching people be authentic and be true to themselves — people putting themselves out there and then being recognized for it and being able to create a career and support themselves financially off it — that’s such a cool thing that we’ve created as a community,” Betty said. “Just like when you watch a television show, you connect with certain characters because you see little parts of yourself in them — I think that’s why.
It is so fabulous to be on a huge stage and have this big platform, but I think at the end of the day, we’re all drag queens; we come from the same place, we all started in bars or local clubs. I think we need to put just as much respect on people that have been on TV or drag queens that are in mainstream media and on local performers as well, because that’s where we all start and that’s where we all learn.
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
Drag
Pattie Gonia calls out Hegseth’s anti-LGBTQ policies — while doing better pull-ups
Drag queen Pattie Gonia uses a viral instagram video to call out Hegseth’s exclusionary policies while doubling down on activism for LGBTQ rights and the environment.
Drag queen and environmental activist Pattie Gonia has gone viral after posting a video last week calling out Defense Secretary Pete Hegseth — and doing so while knocking out a set of pull-ups with cleaner form than his own, all while in full drag. The clip is a direct response to a separate viral video Hegseth himself posted days earlier, in which he performed less-than-perfect pull-ups that drew widespread mockery online.
“Hi Pete Hegseth, Pattie Gonia here, while you’re busy trying to take away the rights of queer people, I’m over here advocating for the rights of all people, including my right to do better pull-ups than you all with my balls tucked inside of me,” she declares in the now-viral Instagram clip, delivering the message in full drag garb with the theatricality she’s known for.
The video lands at a moment when Hegseth’s record on LGBTQ rights continues to draw scrutiny. Since being appointed by President Trump to lead the Pentagon, the Defense Secretary has pushed the twice impeached president toward a series of exclusionary shifts inside the department.
Hegseth’s efforts have included pressing for the rollback of DEI measures, pausing all gender-affirming care for service members, and blocking promotions for personnel with “a history of gender dysphoria.” He has also openly stated that transgender people should not serve in the military and drew controversy for formally renaming a ship previously dedicated to Navy veteran and LGBTQ icon Harvey Milk to USNS Oscar V. Peterson. Hegseth has long criticized the repeal of “Don’t Ask Don’t Tell,” framing the policy change as harmful to the armed forces. And in October, he courted further backlash after suggesting women could be barred from military service altogether, arguing that the government would hold personnel to the “highest male standard.”
Pattie’s viral moment is only the latest in her growing portfolio of environmental and queer activism. In August, she joined a team of climbers in Yosemite, helping raise a massive 66-foot-wide trans flag across the iconic El Capitan wall — a striking symbol of trans visibility in one of the most storied national parks in the country. Her drag name even riffs on Patagonia, the famed South American mountain range, blending outdoor culture with camp.
Last week, Pattie Gonia also made a bold statement at the Out 100 award celebration in Los Angeles, wearing a dress crafted from the same trans flag flown at El Capitan in Yosemite National Park. She attended the event alongside non-binary NSP agent SJ Joslin who was fired for her role in helping put up the flag.
Since the beginning of her drag career, Pattie has steadily expanded her influence beyond the stage. She co-founded the Outdoorist Oath, a nonprofit dedicated to helping BIPOC, LGBTQIA+ people and femmes build community in the outdoors through education and shared stewardship. She also launched the Queer Outdoor and Environmental Job Board, a free resource that supports queer people seeking work in environmental and nature-based industries, with the aim of diversifying fields where LGBTQ representation remains limited. Her fundraising efforts have generated over $2.7 million for LGBTQIA+, Black, Indigenous, and People of Color (BIPOC), and environmental nonprofits, underscoring her ability to mobilize huge audiences toward collective action.
Her recent projects also include a national tour of her environmental drag show, “SAVE HER!”, which blends performance art with climate messaging, and the release of a documentary TV series, “Go Gently,” co-created with Harry Potter’s Bonnie Wright (Ginny Weasley). The series follows their journey from Los Angeles to Portland, Oregon, where they explore sustainable living and meet with communities protecting the Earth in innovative ways.
Photos
PHOTOS: Remove the Regime rally and march
Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial
The Remove the Regime rally and march was held on Saturday, Nov. 22.
(Washington Blade photos by Michael Key)








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