Arts & Entertainment
A Black, queer woman’s story of healing told through dance
‘Rock Paper Scissors’ coming to Atlas Performing Arts Center later this year
We have all at some point questioned our identity. For some, particularly those at the intersection of multiple marganalized identities, the exploration of who you are or want to be can send you into a tailspin of exploration.
Local playwright, choreographer, and producer, Sisi Reid is choosing to use dance to tell a story of innate joy, love, healing and remembering while questioning and exploring her identity as a Black queer woman.
“Dance is my freedom, my freeing,” Reid said.
Reid will debut her solo dance-theater performance titled “Rock Paper Scissors” at the Atlas Performing Arts Center as part of her local theatre residency at The REACH at the Kennedy Center for Performing Arts.
The performance will be presented by Reid’s theater company, Soul Shine Theater Garden, and produced by The Welders, a D.C. theater organization and playwrights collective co-led by Reid, Cat Frost, Teshonne Nicole Powell and Jared Shamberger.
According to The Kennedy Center’s website, the local theater residency is a curated developmental residency program for local DMV theater companies and playwrights, that seeks those who leverage their artistry to amplify stories that are often overlooked.
Reid, who has spent most of her life in dance and the creative arts, was first intrigued by the idea of identity exploration through games after watching a spoken word performance that used the popular nursery rhyme “Miss Mary Mack” to talk about bisexuality.
“I was like oh, a game to think about identity, that’s cool. I just kind of thought about it,” Reid said.
At the time, Reid was on the path to figuring out how to co-exist with all the ways in which she identified. Then Reid’s alma mater, the University of Maryland, College Park (UMD), invited her to write and perform a 10-minute play for the Clarice Smith Performing Arts Center’s Alumni Commissioning Project.
While brainstorming topics for her play, Reid thought of “Miss Mary Mack” and began to ponder what game she would choose to play as a way to discover and understand herself.
“I was still deeply conflicted about can I be Black? Woman? Bisexual?” Reid says. “I don’t even know if queer was in my world yet. I felt very conflicted.”
Reid ultimately chose “Rock Paper Scissors” as the game that best reflects her story.
“I asked myself which identity would be which element and how I would play this game if I were playing my identities against each other,” Reid said.
Reid first workshopped her “Rock Paper Scissors” play in Brazil in 2018 during a three-week exchange program with the University of Michigan’s Prison Creative Arts Program, Santa Catarina State University in Florianópolis, Brazil and The Federal University of Rio de Janeiro.
After returning to the U.S. from Brazil, Reid didn’t spend any time working on the play, which she says basically was writing itself.
“I was doing more healing and living and existing. The story was writing itself because the play is about my healing journey. So, I was healing and I was growing and I was expanding so I got ideas directly from what I was going through,” Reid said.
“Rock Paper Scissors” will debut from June 22-25. Tickets can be purchased at the Atlas website starting Feb.13.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
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