Arts & Entertainment
A Black, queer woman’s story of healing told through dance
‘Rock Paper Scissors’ coming to Atlas Performing Arts Center later this year
We have all at some point questioned our identity. For some, particularly those at the intersection of multiple marganalized identities, the exploration of who you are or want to be can send you into a tailspin of exploration.
Local playwright, choreographer, and producer, Sisi Reid is choosing to use dance to tell a story of innate joy, love, healing and remembering while questioning and exploring her identity as a Black queer woman.
“Dance is my freedom, my freeing,” Reid said.
Reid will debut her solo dance-theater performance titled “Rock Paper Scissors” at the Atlas Performing Arts Center as part of her local theatre residency at The REACH at the Kennedy Center for Performing Arts.
The performance will be presented by Reid’s theater company, Soul Shine Theater Garden, and produced by The Welders, a D.C. theater organization and playwrights collective co-led by Reid, Cat Frost, Teshonne Nicole Powell and Jared Shamberger.
According to The Kennedy Center’s website, the local theater residency is a curated developmental residency program for local DMV theater companies and playwrights, that seeks those who leverage their artistry to amplify stories that are often overlooked.
Reid, who has spent most of her life in dance and the creative arts, was first intrigued by the idea of identity exploration through games after watching a spoken word performance that used the popular nursery rhyme “Miss Mary Mack” to talk about bisexuality.
“I was like oh, a game to think about identity, that’s cool. I just kind of thought about it,” Reid said.
At the time, Reid was on the path to figuring out how to co-exist with all the ways in which she identified. Then Reid’s alma mater, the University of Maryland, College Park (UMD), invited her to write and perform a 10-minute play for the Clarice Smith Performing Arts Center’s Alumni Commissioning Project.
While brainstorming topics for her play, Reid thought of “Miss Mary Mack” and began to ponder what game she would choose to play as a way to discover and understand herself.
“I was still deeply conflicted about can I be Black? Woman? Bisexual?” Reid says. “I don’t even know if queer was in my world yet. I felt very conflicted.”
Reid ultimately chose “Rock Paper Scissors” as the game that best reflects her story.
“I asked myself which identity would be which element and how I would play this game if I were playing my identities against each other,” Reid said.
Reid first workshopped her “Rock Paper Scissors” play in Brazil in 2018 during a three-week exchange program with the University of Michigan’s Prison Creative Arts Program, Santa Catarina State University in Florianópolis, Brazil and The Federal University of Rio de Janeiro.
After returning to the U.S. from Brazil, Reid didn’t spend any time working on the play, which she says basically was writing itself.
“I was doing more healing and living and existing. The story was writing itself because the play is about my healing journey. So, I was healing and I was growing and I was expanding so I got ideas directly from what I was going through,” Reid said.
“Rock Paper Scissors” will debut from June 22-25. Tickets can be purchased at the Atlas website starting Feb.13.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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