National
Republican states target drag performers
Bills seek to restrict shows, label venues as ‘adult-oriented businesses’
A number of bills targeting drag performers are popping up in majority-Republican states across the nation.
At least 14 states have introduced bills that would restrict drag queens from performing in public spaces and in venues viewable by minors. Some of the proposed legislation would require venues that host drag events to register as “adult-oriented businesses.”
These bills are the latest legislative attempts targeting LGBTQ rights, particularly transgender rights. Other proposed legislation across the country includes access to gender-affirming health care and banning kids from being able to play gender-affirming sports.
Shawn Stokes, a drag queen who performs as Akasha Royale and is based in St Louis, said he’s “embarrassed” these bills have been introduced in his home state and across the country.
“We have plenty of other things to do. We have a failing educational system,” he said. “We are just wasting a lot of time.”
In Missouri, legislators are considering several bills, including one described as changing “the definition of a sexually oriented business to include any nightclub or bar that provides drag performances.” Another bill would classify “male or female impersonators who provide entertainment that appeals to a prurient interest” as adult cabaret performances. Performances on public property or viewed by minors could result in a misdemeanor punishable by jail time and a hefty fine.
Republican Arkansas Gov. Sarah Huckabee Sanders has endorsed a similar bill in her state.
In Tennessee, a bill would classify “male or female impersonators who provide entertainment that appeals to a prurient interest” as adult cabaret performances and would ban performances on public property. Shows would also be banned where minors could be present.
A rural county in Tennessee has already approved regulations on drag performances — the Giles County Agri-Park Board Committee passed a slew of restrictions in early January, including banning “male or female impersonators” from the park, the Tennessean reported.
Steven Raimo, a Nashville-based drag queen who performs as Veronika Electronika, said legislators are trying to “eliminate the art of drag.”
“They want to put fear in entertainers,” Raimo said.
Raimo predicts venues will stop hosting drag performers because of the risk of retribution.
“One of the restaurants that I do our brunch and bingo show has big glass windows that look onto a public street,” he said. “I could potentially be arrested in violation of this law because anybody of any age could walk past the windows and see the show.”
Raimo added he would be much more careful in choosing where he performs because of the ambiguity of the bill as it stands.
And it’s likely the bill will pass in Tennessee, according to Kathy Sinback, the executive director of American Civil Liberties Union of Tennessee. The Tennessee Senate passed the bill Feb. 9, and the state House of Representatives also has a companion bill in motion that would require drag performers to obtain a permit.
“It is moving so quickly,” Sinback said. “These [anti-drag bills] are their top priorities this session.”
Bills could target transgender people
Because of the vagueness of the bills and classifying drag performers as “male or female impersonators,” advocates fear this proposed legislation could attack transgender people.
“This is in fact a transphobic bill, even more so than it is a drag-phobic bill,” Raimo said. It’s a very important piece of this story that I don’t want to be lost.”
Trans people in Tennessee could be viewed as “male or female impersonators” by law enforcement because people cannot change the gender marker on their birth certificate, Raimo said.
“So if someone’s singing karaoke in the bar, and they do a little twerking, maybe that’s harmful to minors all of a sudden. It can be interpreted so broadly,” Sinback said.
Even in states where it’s unlikely to pass, ‘damage’ is still done
The Arizona Senate is considering legislation that would prohibit federal or state funds from being allocated to places where drag shows are hosted. Another bill, similar to those in Tennessee and Missouri, would classify drag as “adult cabaret performances,” and would ban shows on public property.
It’s unlikely the bills will be passed into law in Arizona given Democratic Gov. Katie Hobbs is in power, according to Richard Stevens, a Phoenix-based drag queen who performs as Barbra Seville. But still, “even if it’s not made into law, damage has been done,” he said.
“Their mission in a lot of ways is accomplished,” Stevens explained. “They’ve now connected grooming and pedophilia and attacks on children to drag. People who weren’t thinking about drag a year ago are now paranoid of drag.”
Stevens was once friends with Kari Lake, a Republican who continue to claim she won last November’s Arizona’s gubernatorial election. Stevens subsequently became a vocal Lake critic after she criticized drag queens and claimed they are “grooming” children.
The classification of drag performances as “sexual” is also an archaic perspective, Stokes said.
“This narrative that drag queens are predators or groomers is absolutely false,” Stokes said. “Going to a drag show with your kid in a public place is no different than taking your 12-year-old kid to a PG-13 movie.”
“It’s 100 percent fearmongering. It’s demonization,” Stevens said.
This is a common thread in anti-LGBTQ rhetoric — the false narrative that all LGBTQ people are out to get children, said Misty Eyez, the director of the women’s program and transgender services, and the manager of LGBTQ competency training at SunServe, an LGBTQ services organization based in Ft. Lauderdale, Fla.
“It’s not a new story that LGBTQ individuals are stereotyped as … a threat to traditional values or morality,” she said.
Vice President JD Vance and his wife, second lady Usha Vance, will visit Hungary next week.
An announcement the White House released on Thursday said the Vances will be in Budapest, the Hungarian capital, from April 7-8.
JD Vance “will hold bilateral meetings with” Hungarian Prime Minister Viktor Orbán. The announcement further indicates the vice president “will also deliver remarks on the rich partnership between the United States and Hungary.”
The Vances will travel to Hungary less than a week before the country’s parliamentary elections take place on April 12.
Orbán, who has been in office since 2010, and his Fidesz-KDNP coalition government have faced widespread criticism over its anti-LGBTQ crackdown.
The Associated Press notes polls indicate Orbán is trailing Péter Magyar and his center-right Tisza party.
President Donald Trump removed Attorney General Pam Bondi from her post Thursday, following growing criticism over how she and the Department of Justice handled a range of issues, including matters related to sex offender and Trump ally Jeffrey Epstein.
Trump announced Bondi’s removal on Truth Social, where he also said Todd Blanche will serve as acting head of the Justice Department.
“Pam Bondi is a great American patriot and a loyal friend, who faithfully served as my attorney general over the past year,” Trump wrote on the platform. “Pam did a tremendous job overseeing a massive crackdown on crime across our country, with murders plummeting to their lowest level since 1900.”
Trump was seen as recently as Wednesday with the now-former attorney general at a Supreme Court hearing on citizenship.
The decision contrasts with Trump’s previous public praise of Bondi, the 87th U.S. attorney general and former 37th attorney general of Florida, who served in that role from 2011-2019 before joining the Trump-Vance administration. He has frequently lauded her loyalty and said he speaks with her often. Bondi was also one of president’s defense lawyers during his first impeachment trial.
Privately, however, Trump had grown frustrated that Bondi was not “moving quickly enough” to prosecute critics and political adversaries he wanted to face criminal charges, according to multiple sources. The New York Times reported that her inability to charge former FBI Director James B. Comey and New York Attorney General Letitia James with any crimes is a large factor in the president’s choice to fire her from the government’s primary law enforcement agency.
The move comes as Trump has sought to minimize public turmoil within his administration, avoiding the perception of a revolving-door Cabinet that defined his first term.
Lee Zeldin, a former Republican congressman from New York who unsuccessfully ran for governor, has emerged as a leading contender to lead the Justice Department. He has been one of Trump’s most reliable allies.
“He’s our secret weapon,” Trump said of Zeldin in February during a White House event promoting the coal industry, adding, “He’s getting those approvals done in record-setting time.”
Bondi has also growing faced scrutiny from Congress.
The House Oversight Committee recently subpoenaed her to testify about the department’s handling of certain files, where she declined to answer key questions during a contentious House Judiciary Committee hearing in February.
The Tampa native has a long history of opposing LGBTQ rights through her roles in government. As Florida attorney general, she fought against the legalization of same-sex marriage, arguing it would cause “serious public harm,” pushing forward a legal battle that cost taxpayers nearly half a million dollars. She also asked the Florida Supreme Court to overturn a lower court ruling that found the state’s same-sex marriage ban unconstitutional.
More recently, Bondi established a “Title IX Special Investigations Team” within the Justice Department focused on restricting transgender women and girls from participating in women’s and girls’ sports teams and accessing facilities aligned with their gender identity. She also told Children’s Hospital of Philadelphia to turn over the medical records of anyone under 19 who received gender-affirming care.
Her removal follows Trump’s decision last month to oust another controversial female Cabinet figure, Kristi Noem.
The White House
VIDEO: Gay journalist detained for booing Trumps at ‘Chicago’ opening night
Eugene Ramirez booed first family at Kennedy Center
President Donald Trump and first lady Melania Trump attended the opening night of “Chicago” at the John F. Kennedy Center for the Performing Arts on Tuesday. They were greeted by a mix of cheers, applause, and some audible boos.
Among them was Eugene Ramirez, a gay Washington resident, who later shared his account of the night after being briefly detained by security for booing the president and giving a thumbs-down gesture — an expression of what many would call a textbook definition of constitutionally protected speech to criticize the government.
Ramirez attended the opening night performance with a group of friends, hoping to catch a final show before the center undergoes two years of major changes under Trump oversight. The musical, based on a 1926 play of the same name, has become synonymous with Broadway success.
With music by John Kander, lyrics by Fred Ebb, and a book by Ebb and Bob Fosse, “Chicago” has cemented itself as a cultural staple — known for its signature Fosse choreography, stripped-down staging, and sleek, campy aesthetic. The story follows Roxie Hart and Velma Kelly, women who murder their husbands but — with the help of the manipulative, charismatic, and narcissistic attorney Billy Flynn — walk away scot-free.
It remains the longest-running American musical in Broadway history, and its 2002 film adaptation famously won the Academy Award for Best Picture. On this night, however, the production also became the backdrop for a very modern moment of political protest.
“I accompanied five friends to opening night of ‘Chicago’, as a way to enjoy a final performance in the Kennedy Center as we know it,” Ramirez began to recount to the Washington Blade, describing the moment his group settled into their seats inside the ornate Opera House theater.
Just before the performance began, the twice impeached president and first lady appeared in the balcony box, drawing immediate attention from the audience below. Theatergoers stood, cheered, clapped, and waved, while Ramirez made a different choice.
While accounts of the crowd’s reaction have varied, Ramirez said his response was intentional, immediate, and within his rights. Moments after booing and giving a thumbs-down while recording on his iPhone, security intervened.
The video of Ramirez booing the Trump’s is here:
“Within moments, the director [of security] and another guard approached and escorted me to a side area where several other security guards were waiting,” he said. “I was detained until everyone was seated and the lights dimmed.”
As he was escorted away, Ramirez said his instincts as a journalist kicked in. A former lead anchor for Sinclair’s national evening news broadcast, he said the situation immediately felt off — or more aptly put — as if he could see the strings being pulled from someone attempting to control the narrative.
“Journalism is a vocation, not just a job. I immediately knew there wasn’t just an uncomfortable interaction with security,” he said. “The Kennedy Center is a federally funded cultural institution, and being questioned about speech related to the president in that setting felt like something the public should know about.”
Ramirez explained the difference between a standard visit by a public official and this performance: the president’s appearance wasn’t just ceremonial; it was very clearly a media moment.
“The White House press pool was there, and it was clear this was an effort to manage the president’s image in the media,” Ramirez continued. “The irony was not lost on me that this was happening on opening night of ‘Chicago’, a musical about manipulating the press to shape public perception.”
According to Ramirez, the explanation he received from Kennedy Center Director of Safety and Security Karles C. Jackson Sr., was brief, but illuminating.
“He said, ‘they don’t want booing,’ and even called out my thumbs-down gesture. He never clarified who ‘they’ were, but whether it was the administration or the Kennedy Center, the distinction felt meaningless,” he explained. “Mr. Jackson ultimately told me he was just trying to do his job, shook my hand, and allowed me to return to my seat once the lights dimmed and the overture started playing.”
Ramirez said he didn’t blame the guard individually, noting the broader context of the Kennedy Center’s uncertain future and the pressures staff were under.
“With the center closing in the coming months, some of these security guards being pressured to restrict our freedom of speech may only have a few weeks of work left.”
He believes the decision to remove him was driven less by disruption than optics, particularly given the presence of the press.
“It was very clearly about protection — whether protecting the president from visible dissent, or his image before the media present. There was no disruption as almost everyone was standing and reacting loudly to the arrival of the president and first lady, with cheers, applause, and hand gestures. The difference was that my reaction, unlike most, was negative.”
Drawing on his experience covering public officials, Ramirez said the incident felt more about controlling perception than security.
“Usually, law enforcement may monitor or intervene if there’s a disruption, but here there was no disruption at all. Simply expressing dissent in a public, cultural space drew the attention of security. It made it feel less like a matter of decorum and more like an effort to control the narrative around the president,” he said. “It’s about what happens when dissent is treated as disruption rather than a right.”
“The show hadn’t started. I threatened no one. Billy Flynn would have approved of the optics. The rest of us should be paying attention.”
Ramirez framed the incident as part of a broader constitutional concern, one that is plaguing the Trump-Vance administration as they continue to reject rules and normalcy set forth by other reserved presidents.
“Being singled out by security at a federally funded institution for expressing dissent shouldn’t be brushed off; it undermines the First Amendment,” he said, looking at it slightly distanced from it now. “Being of Cuban heritage, and a journalist, it’s a right I’m not willing to give up readily.”
“Publicly funded cultural institutions should allow visible dissent, even in politically charged moments,” he added. “Of course, I understand the need to manage disruptions during a performance, but that was not the case here.”
The themes of “Chicago”, a long-running satire about media manipulation and public perception, added another layer of irony to the experience, Ramirez explained.
“The satire truly leapt off the stage! A show about controlling the narrative, manipulating the press, and covering up truths by leaning on showmanship and distractions. The show is decades old, but could’ve been written today. We’re being razzle-dazzled daily and it’s getting harder to tell fact from fiction, no matter where you get your news.”
He, being gay, also acknowledged how hard it must have been for the performers on stage, assuming that at least some in the cast were also members of the LGBTQ community — and artists — two things Trump doesn’t always get along with.
“It was not lost on me that many of the actors on that stage, that the president and first lady presumably applauded, are members of the LGBTQ community which this administration has rolled back protections for under the guise of religious liberty and free speech, resulting in blatant discrimination.”
He pointed to a particular number that felt surreal given the circumstances.
“Its ‘Razzle Dazzle’ number celebrates keeping audiences off balance; at its climax, a massive American flag descends as the song celebrates blinding audiences to what is real. Watching that scene after being detained for a thumbs-down was surreal.”
Ramirez said the show’s closing lines were especially sharp given the presidential audience and what he just experienced.
“At the end of the show,
Velma says: ‘You know, a lot of people have lost faith in America.’
Roxie replies: ‘And for what America stands for.’
Velma: ‘But we are the living examples of what a wonderful country this is.’
Roxie: ‘So we’d just like to say thank you and God bless you.’
They had both just gotten away with murder!”
His closing lines, however, were a bit more pointed than “scintillating sinners” Roxie Hart and Velma Kelly’s were in the show.
“Democracy only works when citizens are allowed to boo,” he said. “Tuesday night at the Kennedy Center, ‘Chicago’ made that point better than I ever could.”
The Blade reached out to the Kennedy Center but did not receive a comment back.
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