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Roadwork reflects on its herstory to plan its future

Social justice coalition makes room for the next generation of artist activists

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In 1978, amid the second wave of feminism in the aftermath of Roe v. Wade, Roadwork – a multiracial coalition – put women’s art, particularly that of women of color, on the road. Building the roads where they didn’t already exist, Roadwork created an intersection of opportunity and social change, wherein artists from diverse backgrounds shared their voices while advancing an array of social justice movements.

Forty-five years later, the coalition remains firm in its vision to support artists while connecting them to women’s cultural contributions that are absent from white feminist history. However, today, the organization is reflecting on women’s history more than ever to gauge how Roadwork will best support women and queer artists in the future.

“The beautiful thing about movements over time is that we keep growing and learning,” Roadwork co-founder Amy Horowitz said. “[For] Roadwork, it’s like a dream come true that younger artists activists are envisioning a new way forward.”

Horowitz and Bernice Johnson Reagon founded Roadwork when the very word “woman” was radicalized, Horowitz said. As activists in their 20s and early 30s, Horowitz and Reagon developed the organization as they went along, producing shows while supporting civil rights, women’s rights and gay rights movements in Washington, D.C.

In addressing how racist or misogynistic ideologies exist not only systemically but also within individuals and women’s movements, Roadwork created events where activists could focus on building coalitions across differences to take a congregational approach to fight regressive social forces like racism, sexism, and homophobia.

One manifestation of this vision was the Sisterfire Festival. Started in 1982 as a one-day fundraising festival to amplify the work of grassroots artists in response to arts funding cuts, the event welcomed all genders, races, and sexualities to support women’s voices. The festival then evolved into an annual celebration that required year-round booking, production, and coalition building.

“Sisterfire does not exist in a vacuum, it is in the voice of the song, it is in the pictures we draw, it is in the leap of the dance, and it is in the shout of the poem that we send forth, beyond the battle, our vision of the way the world should be,” a host of the first Sisterfire Festival said on stage.

The Sisterfire Festival ran until 1989, two years after two white lesbian separatists refused to let two gay Black Sisterfire volunteers into their booth during the festival.

“The festival went on for a few years after that, but we, at that point, couldn’t recover from that attack that we received from the radical lesbian separatist movement,” Horowitz said.

But the end of the Sisterfire Festival didn’t overshadow Roadwork’s vision. Horowitz founded the Jerusalem Project in 1991 with the help of the Smithsonian Institution for Folklife and Cultural Heritage, strengthening what is now a longstanding relationship between Roadwork and the Smithsonian Institute.

Roadwork even collaborated with the Smithsonian Folklife Festival and the Kennedy Center Millennium Stage in 2018 for the coalition’s 40th-anniversary celebration – a Sisterfire reunion festival.

After packing an audience into the Kennedy Center’s Millennium Stage, the Kennedy Center invited Roadwork back for a Sisterfire showcase every year since the reunion.

“It just really seemed like an awesome thing to do, to localize that, kind of, official space and grassrootsify it,” Horowitz said. “They support us doing what we want to do.”

As Roadwork prepared for this year’s annual Sisterfire showcase on March 4, the coalition takes time to reflect on where they’ve been to find direction in where to move forward, according to Roadwork Interim Director Lehuanani DeFranco.

During Sisterfire’s hiatus, Roadwork prioritized gathering archival information. After a storage facility sold and emptied one of Roadwork’s storage units that held archives, the challenge to recover the past came with a time limit.

“In this day and age where people are getting older and the stories are sort of getting lost, it’s really important to be able to collect any of that information, whether from the different types of programs or letters that would come in, to videos and archival footage that we’d be taking from interviews with people,” DeFranco said.

Collecting the oral and documented histories of Roadwork holds the coalition accountable as community builders reacting to change, DeFranco added. Aside from looking back to see how Roadwork previously dealt with challenges or considering how the coalition needs to evolve, collecting archives may also enable Roadwork to share these diverse historical perspectives with museums and universities for the next generation.

Beyond connecting the next generation of artists activists to this history, the coalition is entrusting the next generation of Roadwork leaders with finding the communities and organizations that need support in their fight for social change.

“I’m really wanting to hand over the reins, in a way, of the type of artists that we are putting on stage and the type of artists that others think should be elevated in their community,” DeFranco said.

Supporting artists also means granting them the freedom and trust to share their art in the way they want. While Roadwork offers its resources and connections to advance other projects, its fiscal sponsorship doesn’t change the vision of the project and instead operates as more of a “big sister relationship,” DeFranco explained.

Roadwork currently is involved in nine projects, including three educational initiatives, three documentary projects and three sponsored projects supporting archival work, artist housing, and Indigenous music curation aimed at reimagining Western music genres.

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Out & About

Gala Hispanic Theatre’s Flamenco Festival returns

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Rafael Ramírez (Photo by Juan Carlos Toledo)

Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22. 

The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass. 

The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.

The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.

For more information, visit the theatre’s website

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Calendar

Calendar: November 7-13

LGBTQ events in the days to come

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Friday, November 7

“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected]

Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, November 8

Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected]

Monday, November 10 

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Wednesday, November 12 

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite

Thursday, November 13 

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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Sports

Gay speedskater racing toward a more inclusive future in sports

Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors

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Conor McDermott-Mostowy

LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.

McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.

Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?

McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.

The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.

The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.

Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?

McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.

Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?

McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.

Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.

Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?

McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.

What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.

Blade: What’s been your toughest race to date, and what did it teach you?

McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.

Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?

McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.

Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.

Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?

McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.

I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.

Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.

Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?

McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.

But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.

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