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Baltimore’s state-of-the-art arena highlights spring arts scene

Lizzo, Janet, Bruce, Joan Jett and more to christen renovated space

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Monica Ikegwu. Open/Closed. 2021. (Image courtesy of the artist and Galerie Myrtis)

For years, Baltimore missed out on performances by big-name musicians, comedians and others because it didn’t have a 14,000-seat arena capable of attracting them, but not anymore.

Starting in April, more than a dozen acts will be coming to town when the CFG Bank Arena at 201 West Baltimore St. — formerly known as the Royal Farms Arena — reopens following a $200-$250 million renovation designed to turn it into a state-of-the-art sports and entertainment venue.

The arena’s reopening after more than a year of construction is one of the highlights of the spring arts season in Baltimore, along with new exhibits at the Baltimore Museum of Art; new shows at the Hippodrome and Lyric; a new book festival, a John Waters book signing and other events around town. 

On April 7, Bruce Springsteen and The E Street Band will be the first performers to appear at the CFG Bank Arena, a concert that’s being billed as opening night for the refurbished and rebranded hall.

The Boss will be followed by: Eagles Hotel California Tour, April 8; Straight Jokes No Chaser, April 14; Jeff Dunham Still Not Canceled, April 15; Adam Sandler, April 21; New Edition: Legacy Tour with Keith Sweat, Guy and Special Guest Tank, April 22; Monster Jam, April 28 to 30; AEW Dynamite, May 3; Lizzo, May 9; Janet Jackson: Together Again with Special Guest Ludacris, May 13; Anita Baker: The Songstress with the Legendary Babyface, May 14; blink-182 Tour 2023, May 26; Stars on Ice, June 2; Bryan Adams: So Happy It Hurts 2023 with Joan Jett and The Blackhearts, June 6, and Dude Perfect PandaMonium, June 25.

Performances scheduled for later in 2023: Chris Stapleton’s All-American Road Show; Thomas Rhett, Lionel Richie and Earth, Wind & Fire, and Kiss – the End of the Road Tour. The CFG Bank Arena website is cfgbankarena.com.   

Owned by the City of Baltimore, the arena opened in 1962 as the Baltimore Civic Center and later was renamed the 1st Mariner Arena (2003 to 2013) and the Royal Farms Arena (2014 to 2022). It was one of the first places The Beatles appeared during their augural trip to America in 1964, and Martin Luther King Jr. spoke there in 1966. The Baltimore Bullets and Baltimore Clippers played there for many years. 

As the arena grew older, city officials contemplated constructing a replacement elsewhere but couldn’t decide on a location. They eventually opted to keep the existing venue and bring in a new management team to upgrade it to be competitive with other East Coast arenas. The decision was part of a larger effort to revitalize the west side of downtown Baltimore, where a new building for the city’s historic Lexington Market recently opened several blocks away.

The CFG Bank Arena team is led by the Oak View Group of Los Angeles, in association with Thirty Five Ventures, the investment company of NBA player Kevin Durant and his business partner, Rich Kleiman, and recording artist Pharrell Williams. The Oak View Group team funded the improvements in return for rights to manage and lease the facility, and it’s offering seat leases as part of the ticketing options.

Renovation work began in early 2022 and included a revamped seating configuration; new concourses, restrooms, and concessions areas; updated mechanical systems and a redesigned exterior. The refurbished arena had a test run last month, when Baltimore hosted the Central Intercollegiate Athletic Association’s Men’s and Women’s Basketball Tournaments, but there was still more work to finish. Starting in April, managers say, all the renovations will be complete and it will be ready for the entertainers.

Visual arts events

Baltimore Museum of Art, 10 Art Museum Drive (artbma.org): From April 5 to July 16, the BMA will present “The Culture: Hip Hop and Contemporary Art in the 21st Century.” Coinciding with the 50th anniversary of the emergence of hip hop in the 1970s, the exhibit will examine the global phenomenon of hip hop and its impact on music, fashion, technology and the visual and performing arts.

More than 90 works of art and fashion, including many by LGBTQ artists, will show the many ways hip hop has influenced contemporary society. According to the BMA, queer artists with work in the exhibit include: Lauren Halsey; Rashaad Newsome; Mark Bradford; Julie Mehretu; Dapper Dan; Telfar Clemens; Tschabalala Self; Amani Lewis; John Edmonds; Nina Chanel Abney; Jonathan Lyndon Chase; Caitlin Cherry; Devan Shimoyama; Texas Isaiah; Shabez Jamal; Eric N. Mack and Rozeal. Non-cisgender artists include Isaiah, Chase, Lewis and Jamal. 

The exhibit is co-organized by the BMA and the Saint Louis Art Museum. One of the curators is Asma Naeem, the BMA’s new Dorothy Wagner Wallis Director. Other curators include Gamynne Guillotte, the BMA’s chief education officer, and Hannah Klemm and Andrea Purnell, from the Saint Louis museum.

Also opening at the BMA this spring: “Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett,” April 26, 2023 to March 17, 2024: New works by Milad and Durrent in dialogue with Wilson’s Artemis/Bast (1992); “Martha Jackson Jarvis: What the Trees Have Seen,” May 7 to October 1, 2023, featuring mixed media works by Jarvis that imaginatively trace a free Black militiaman’s journey from Virginia to South Carolina in the American Revolution; “Recasting Colonialism: Michelle Erickson Ceramics,” May 7 to October 1, 2023; “The Matter of Bark Cloth,” May 7 to October 1, 2023, and “Wild Forms: Fauve Woodcuts,” May 14 to October 15, 2023.

American Visionary Art Museum, 800 Key Highway: The main exhibit is “ABUNDANCE: Too Much, Too Little, Just Right” (Championing good, honest work from the hand and the heart), curated by Gage Branda. Also: AVAM’s Logan Visionary Conference 2023, March 19, 2 p.m. to 4 p.m.; Kinetic Sculpture Race, May 6.

Walters Art Museum: 600 North Charles St. (thewalters.org): “Quiet Beauty: The Watercolors of Leon Bonvin,” opened in February; “Arts of the Medieval Mediterranean,” is ongoing, and “Across Asia: Arts of Asia and the Islamic World,” a new installation of the museum’s Asian and Islamic collections, opens April 23.  

The Peale, 225 Holliday St. (thepeale.org): “Compensation for Loss” exhibition, March 19 to April 30, and Submersive Productions Performances: Katalepsis, March 24 to April 30.

Maryland Center for History and Culture, 610 Park Avenue (mdhistory.org): “Claire/McCardell,” an exhibit about Claire McCardell, an influential designer of women’s clothing from the 1930s to the 1950s and beyond; “Discover Maryland;” “The Unfinished Revolution: Maryland in the Wars for Independence,” and “Passion and Purpose: Voices of Maryland’s Civil Rights Activists.”

Baltimore Museum of Industry, 1415 Key Highway (thebmi.org): “Fire & Shadow: The Rise and Fall of Bethlehem Steel,” documenting the 125-history of the Sparrows Point steel mill.

B&O Railroad Museum, 901 West Pratt Street (borail.org):  New permanent exhibit: “Freedom Seekers on the B&O Railroad.”

Waverly Book Festival (waverlymainstreet.org): A new book festival organized to replace the Baltimore Book Festival, 32nd and Barclay streets and other locations, April 28 to 30.

John Waters at Atomic Books, 3620 Falls Road (atomicbooks.com): As part of a book tour for the release of the paperback version of his novel, “Liarmouth: A Feel Bad Romance,” writer and filmmaker John Waters will sign books on May 12 starting at 7 p.m. 

Performing arts events

Hippodrome Theatre, 12 South Eutaw St., (Baltimore.broadway.com): Spring shows include: To Kill A Mockingbird, March 14 to 19; Respect – Aretha Franklin Tribute, March 23; Aziza, March 25; Lewis Black, April 2; Hadestown, April 12 to 22; Rock From The Heart, April 22; Shen Yun Performing Arts, April 28-30; Dino Ranch Live, May 6; Six the Musical, May 9 to 14, and Frozen, June 7 to 18.

The Lyric Baltimore, 140 West Mount Royal Ave., (lyric.baltimore.com): Royal Comedy 2023: Sommore, Bruce Bruce, Lavell Crawford and Special K, March 18; Hits! The Musical, March 19; Killer Queen, March 25; Bored Teacher Comedy Hour, March 31; Good Friday: Carl Thomas, Lyfe Jennings and Christopher Williams, April 7; Brit Floyd, April 15; Soul Marathon: Bloodstone, April 22; Yes Epics & Classics featuring Jon Anderson and The Band Geeks, May 6; Fortune Feimster, May 19; Boz Scaggs, May 20; Puscifer, June 1; John Mellencamp, June 2; Kansas – The Band, June 3; Luis Angel, June 4; Bad Friends Podcast: Andrew Santino and Bobby Lee, June 16; Stephen Sharer, June 17, and Les Claypool’s Fearless Flying Frog Brigade and W.I.T.C.H. 

Creative Alliance, 3134 Eastern Ave. (creativealliance.org): The High & Wides with Hannah Lee Thompson, March 31; 2023 Marquee Ball, April 22; Alison Crockett Presents Echoes of an Era: The Jazz Sides of Chaka Kahn, April 28, Ngaiire, May 5; Brandee Younger, June 22, and Madison McFerrin, June 23. 

Baltimore Center Stage, 700 North Calvert St., (centerstage.org): Tiny Beautiful Things, March 9 to April 2.

Everyman Theatre, 315 West Fayette St. (everymantheatre.org): The Sound Inside, March 7 to April 2; Harvey, April 25 to May 21, and The World Goes Round, June 6 to July 2.

Arena Players, 801 McCulloh Street (arenaplayersinc.com): Open Admissions and When Men Reduce as Women Do, March 17, 18, 19, 24, 25, 26, 31 and April 1 and 3; Sizwe Banzi is Dead, April 21, 22, 23, 28, 29, 30, May 5, 6, and 7, and Nina, May 26, 27, 28, June 2, 3, 4, 9, 10, 11, 16, 17 and 18.

Live! Casino Hotel Maryland, 7002 Arundel Mills Circle, Hanover, Md., (maryland.livecasinohotel.com): Patti LaBelle, March 10; Air Supply, March 11; Hoops Fest Watch Parties, March 14; Lovers in the Night Spring Concert, March 19; Mixed Martial Arts: Shogun Fights, March 25; Jerry Seinfeld, May 19, and Kevin Hart, June 11. 

Baltimore Soundstage, 124 Market Place, presents the Hell in the Harbor Festival over the Memorial Day weekend, May 27 and 28. Its complete spring lineup for March to June, with dozens of acts, is on its website, Baltimoresoundstage.com.

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

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Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read. 

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan. 

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”  

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24). 

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater. 

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”]. 

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball. 

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life. 

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar? 

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel. 

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students. 

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.  

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel. 

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer. 

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy. 

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating. 

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close. 

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time. 

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Music & Concerts

DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami

Pool party celebrates most charismatic personalities, creative artists in adult entertainment

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DJ Chanel Santini (Photo courtesy of Miss Lainie PR)

Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.

Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.

“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade. 

“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.

While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.” 

Santini loves how DJ-ing brings people together. 

“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”

 Santini describes DJs as the “modern rock stars” in today’s world. 

“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.

Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.

“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.” 

Santini acknowledged they felt respected more when dressed as a woman.

“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”

Recently, Santini has been embracing their feminine side more.

“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.” 

And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

Santini is already working on big plans for the future.

“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”

Santini plans to go “all out” for this show. 

“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”

Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.

“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”

Santini acknowledged that, in the recent past, it was a struggle.

“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”

In addition to being a DJ/artist, Santini is starting college next semester. 

“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”

Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”

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