Books
Infidelity becomes an art form in ‘Love, Honor, Betray’
New book’s final act feels disrespectful to gay readers
‘Love, Honor, Betray’
By Mary Monroe
c.2023, Dafina $26/320 pages
The truth, the whole truth, and nothing but the truth.
Those are words you hear when someone is about to testify in a court of law. They put the “sworn” into sworn testimony, and you’ll also find the phrase in courtroom dramas, legal thrillers, and Perry Mason. You don’t hear those words in a marriage ceremony, but in the new book “Love, Honor, Betray” by Mary Monroe, maybe you should.

He could’ve looked all over Lexington, Ala., for the rest of his life and Hubert Wiggins wouldn’t have found a more fitting wife than his Maggie had been.
Before he met her, she’d been sexually assaulted and though she wanted to repeat her vows with someone special, she vowed that she’d never have relations again, which was fine with Hubert. He preferred to sleep with men anyhow, so their marriage was perfect.
Alas, Maggie died just over a year ago and Hubert needed a new wife.
Jessie, Maggie’s best friend, had her sights set on Hubert the day he put Maggie in the ground. In order to land him, she lied to him, said that he’d raped her when he was drunk and now she was pregnant, even though Hubert swore that he was traumatized by loss and couldn’t perform in bed because of it.
Jessie was sure she could cure Hubert’s problem. In the meantime, she wasn’t above having a fling when a fine man made it possible.
It was 1941, and sneaking around to see his boyfriend, Leroy, was a challenge for Hubert, especially when the police were doubly rough on a Black man in a nicer car at night. They didn’t care that Hubert was a respected businessman in Lexington’s Black community. They didn’t care that he was a funeral director, that his business had buried almost all the murder victims of a serial killer loose in the area.
The police might have had something to say, though, if they knew that Hubert and Jessie had murdered a woman named Blondeen.
Love a wild romp between the pages? Then you’ll be overjoyed with the opening two-thirds of “Love, Honor, Betray,” where infidelity becomes an art form.
It’s rowdy and fun, in fact, until the book’s pinnacle, at a point where author Mary Monroe might seem to be wrapping things up. But look: there’s a chunk of book left, and that’s where everything falls apart.
It’s as if someone took a hammer to the plot here and busted it to pieces. Characters act contrary to the personalities that were built up for them for 200 solid pages, and they do things that feel disrespectful to gay readers. This destroys the sense of fun that accompanied the everybody-sleeps-around chaos early in the book. Is it merciful or irritating, then, that the story doesn’t tie up loose threads, but it just ends?
Readers who are comfortable not finishing a book will enjoy this one, if they put it aside before it’s done. Go too far into “Love, Honor, Betray,” though, and you’ll be sorry you finished the whole thing.
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Books
Eliot Glazer’s new book an engaging collection of essays
From growing up gay to turning down ‘Queer Eye’
“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages
You try and you try.
Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.
He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.
Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.
Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.
The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.
As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…
So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.
Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.
Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.
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Books
Curl up with a good book this fall
New releases include mysteries, biographies, religion, and more
The fall books season offers lots of options so curl up and get ready to read.
FICTION
For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?
If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.
Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.
So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.
NONFICTION
So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.
If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.
For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.
Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.
And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.
Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!
Books
Dolly Parton biography puts her hardships into context
‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed
‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages
Not too bright.
That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.

When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.
Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.
Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.
She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.
As a friend said, “’She had her head on pretty good.’”
Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.
Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story.
Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.
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