Arts & Entertainment
PBS documentary spotlights trans political candidate in Texas
‘A Run for More’ screened at more than 30 film festivals

Fifteen minutes into “A Run for More,” a clip shows the plunging back of Frankie Gonzales-Wolfe’s cream wedding dress embroidered with pearly white appliqués. Her smooth hands are gently clasped by her husband’s. He, Jeff Wolfe, is poised opposite her in a deep navy United States Air Force uniform.
“Jeff, I place this ring on your finger, with my everlasting love for you, as my best friend, and as my husband,” Gonzales-Wolfe breathily repeated after the wedding officiant while holding back gleeful tears.
“A Run for More,” which has partnered with multiple organizations including the Human Rights Campaign, concluded on Monday, May 15 the 11-episode eighth season of “Reel South,” a Public Broadcasting Service documentary series. “Reel South” presented feature-length and short documentaries and used diverse voices to tell stories about the complicated heritage of those who live in the South. It was produced in conjunction with a variety of Southern PBS affiliates.
“A Run for More” was filmed across three years; however, its storyline began in 2016 when Washington, D.C.-based filmmaker Ray Whitehouse met Gonzales-Wolfe in San Antonio, Texas, her hometown. There, Gonzales-Wolfe commanded a legion of local volunteers for former presidential candidate Hillary Clinton’s 2016 campaign for president.
Whitehouse — who was a part of the Washington Post’s Pulitzer-prize winning team for the paper’s coverage of the Jan. 6, 2021 insurrection — had been living in San Antonio after he’d “moved [there] for love,” and he spent his days documenting the realities of the gritty work required to volunteer for presidential campaigns.
“I think of politics … as more about how do we organize ourselves, allocate power and move forward as a society,” he said.
Consequently, he developed a friendship with Gonzales-Wolfe that saw him document moments in her personal life, including her wedding, which took place the Saturday after Clinton’s defeat and against the backdrop of dismayed Democratic supporters.
Almost three years later, Gonzales-Wolfe became the first transgender woman to run for city council in District 8 in San Antonio. When she called Whitehouse, he was excited.
“[Frankie] is just a joy to be around and she kinda has that intangible energy, and you just want to spend time with a person like that,” said Whitehouse. “What was inspiring to me was that she was trying to do something that had never been done before. And despite the fact that there were a lot of challenges, she was willing to face those challenges head on.”
Though “A Run for More” doesn’t end with a desired political victory for Gonzales-Wolfe, it’s a foray into the complexities of local politics, especially unseating an incumbent. Gonzales-Wolfe, who has worked in political campaigns since the 1990s, said the documentary is about “the Dos and Don’ts of campaigning” for trans candidates.
“I think it’s going to allow someone the opportunity to see my truth and be like, ‘One of the major mistakes that Frankie made was she didn’t own who she is as a person. And she had to learn the hard way’,” said Gonzales-Wolfe. “It wasn’t my ideas or what I was trying to implement for the community to enhance it…It really had to do with one aspect, which was who I am.”
Fully accepting her trans identity was an uphill battle especially spotlighted during a Transgender Lobby Day in Austin. At the event, Gonzales-Wolfe met trans activists from around the state, of whom she said she felt like a guest to their “sisterhood.”
“I’m embarrassed right now,” she reflected on the day, in between tears, in the documentary. She sat barefaced opposite Wolfe, her husband, in their kitchen with only her glasses on. “I felt for me, a trans woman in a group of trans women, I was a visitor.”
“Don’t be ashamed of your story; that’s your life,” Wolfe replied. “You can’t be judged for your life.”
Lobby Day not only taught Gonzales-Wolfe about the heartbreaking reality of homelessness and neglect other trans women faced, an unfamiliar experience for her, but also about her privilege as a passing, married trans woman with a support system. It helped show her how she was running her campaign as though she were cisgender.
She recalled vehemently countering some of the activists’ points, while drawing on her knowledge and experience in politics. However, her friend and Houston activist Monica Roberts encouraged her to listen.
“I was called out at the table we were sitting at pretty roughly,” said Gonzales-Wolfe.
This and other experiences became the foundation for her self-actualization and increased her confidence in her identity. Now as chief of staff to the commissioner for Precinct 1 in San Antonio, she uses her role to advocate for issues such as helping small business and improving infrastructure, and also championing trans causes.
For Whitehouse, this is part of the point of the documentary — it contributes to the drought of representation of trans legislators in the country. Only 50 legislators in the U.S. identify as either a trans man or trans woman, according to data from Out for America – LGBTQ+ Victory Institute.
“Trans people are having laws made about them but they aren’t [a part of] the legislative process,” he said.
He added that the documentary is also about love and community.
“[It shows] what it means to try and understand who you are,” said Whitehouse.
Above all, “A Run for More” is a love story about Gonzales-Wolfe and her husband and their finding each other. Although wedding pictures could show this, the documentary provides the context lost in photos.
“I’m so grateful for everyone that fought for my right to marry the love of my life,” Wolfe, the husband, said to cheers from guests at their purple-lit wedding reception. “I promise all of you, and her, that we’re not going to stop fighting for that right.”

The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)






















The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)



















In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.

Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”