a&e features
Unraveling mystery of the Kilbourne Place memorial stones
Three gay men lived in this Mount Pleasant neighborhood before dying of AIDS
Walking down Kilbourne Place is like stepping into another world. The quiet street lined with row homes is a far cry from the hustle and bustle of Mount Pleasant Street. Mount Pleasant is a village within a city with a thriving El Salvadoran population, long-term residents, and newcomers such as myself. On any given day, Purple Patch is serving up sizzling plates of Sisig and the 43 bus is whizzing its way on its journey to the Kennedy Center. On Kilbourne Place, the sound of sizzling pork and the loud hum of the Metrobus can be heard. Within this little slice of serenity, there are three men that I’ve become acquainted with: Robert Rockerhousen, Jakob Efsen and Charles Winney.
On Aug. 18, 2022, my dear friend Courtney decided that it was a good idea to take a walk around the neighborhood after a long day’s work. As we took a right on Lamont Street to walk up Kilbourne, I decided to slow my pace and lag behind. When I caught up to Courtney, she was standing in front of 1755 Kilbourne Place staring at a patch of grass.
I looked down at what caught her eye. It was a headstone with the name Robert Rockershousen and the years 1959-1998 etched onto it. We both sat there and scratched our heads at this find. Without exchanging words, I stepped a couple of paces to the left and found Jakob Efsen and Charles Winney’s headstones. Courtney and I reconvened back at Robert’s stone and we started to exchange ideas about what these headstones could be.
My first thought was that these were trees planted as a memorial but Courtney reminded me that there were no trees. We said that these could be stones for beloved family pets but the names sounded too human. Getting caught up in trying to find out why headstones would be in this quiet neighborhood, we forgot the years that were etched into them. We both settled on the stones being a memorial for slaves since an enslaved burial ground was found not too far away in Adams Morgan. Now that the mosquitoes were biting at every inch of exposed skin, we settled on this rationale and walked away. Before leaving, I decided to snap a picture.
One glass of wine and a few hours later, I pulled out my phone and took a look at the headstone. The enslaved memorial theory was quickly discarded because I saw the year 1998 clear as day. Doing what most people in my age group do when we’re looking for information, I turned to the Internet. I posted on the r/washingtondc subreddit hoping to ask residents if they knew anything about these stones. The commenters on that post were as confused as I was. Knowing that I needed more information, I walked back down the street the following day and took pictures of Jakob and Charles’s stone. It was on this second trip back and actually paying attention to the stones that a thought started to form.

All three of the stones were in honor of men who passed away in the mid-to-late 1990s who were all under 50 years of age. I decided to take another shot at the Internet and back on the r/washingtondc subreddit I made a post soliciting the help of elders in the area’s LGBTQ community. As I was waiting for comments to roll in, I was anxiously checking my phone and refreshing the feed hoping that someone somewhere had answers. No one could say who, what, or when the stones were placed on Kilbourne Place but a few provided some valuable insight on the neighborhood and a few told me to check the Washington Blade’s obituary section with my library card. That night, I spent hours going through each issue in the 1998 archives until I landed on the Nov. 13, 1998 issue. There in black and white was Robert and his cause of death was listed as complications from AIDS.
I went back into the archives and started scrolling through 1996 until I got to July 26, 1996 where I found Charles. In black and white was the cause of death due to complications of AIDS. It took a while for me to find Jakob’s obituary but it was found through the NAMES Project AIDS Memorial Quilt. Even though his cause of death wasn’t explicitly listed as complications from AIDS on his obituary, I knew what that 3×6 panel represented. Here before me were three men who were gay and died from AIDS. At first, my looking into these headstones was something to satiate my curiosity. I was still relatively new to Mount Pleasant and I wanted to know every little thing about the place I now call home. I did not know that this undertaking would become deeply personal for me.
I didn’t fully embrace and accept myself until I turned 25. Growing up, I had conflicting feelings about my sexuality and identity. As young as elementary school I knew I had an attraction to girls and I preferred to present more masculine. Among my friend group, I preferred to be called Tee because Tiana never sounded right to my ears. It wasn’t until adolescence that I also realized I had an attraction to boys. Throughout my adolescent and early adult life, I had visible relationships with men and closeted relationships with women. It was already programmed that there was a “wrongness” within me. I was mocked for my tomboyish appearance. I couldn’t maintain friendships with other girls because they would be immediately labeled as dykes. In college, the dean of my sorority indicated that she would feel “uncomfortable” changing in front of me, implying that there is something inherently predatory about my sexuality.
The closet is where I stayed until June of 2022. Around that time, the walls of the closet started to close in on me and a change needed to happen. I chopped off all of my hair, threw away my feminine clothing, and became Tee again. While this newfound freedom was liberating, there was also a deep sense of regret. When I went to Pride that year I saw a beautiful and vibrant community. A community that I knew nothing about and was afraid of my whole life. Stumbling upon Robert, Charles, and Jake’s headstones as a newly out queer person allowed me an opportunity to learn about a community that I deprived myself of in favor of trying to be “normal.”
I immediately got to work researching everything I could about the men. No longer was finding out the person or entity that placed the headstones an important part of my research. The most important thing was telling the stories of these three men and the lives that they led. Jakob was the first of the three that I started researching. There was already quite a bit of information on him due to his quilt panel. On his panel, there was a pair of cowboy boots and three flags. The cowboy boots represented his love for square dancing. He was a proud member of DC Lambda Squares, which is the area’s LGBTQ square dancing group. DC Lambda Squares members made Jakob’s panel. The three flags represented places that were deeply personal to him. Denmark represents the place he was born. Sweden represents the nationality of his parents, and South Korea represents where Jake served and lived during his time in the PeaceCorps.

Jakob Efsen was born on Feb. 5, 1946 in Denmark. At some point in his childhood, he and his family relocated to Middletown Township, N.J., where he stayed until adulthood. Upon completion of university, he volunteered for the PeaceCorps where he served as a tuberculosis control volunteer in South Korea. In doing research about Jakob, I found a Facebook group of PeaceCorps volunteers who served in Korea. One of his friends, Neil Landreville with whom I had the pleasure speaking, was in K group 13 with Jakob between 1970-1972.
On June 23, 2023, I had the pleasure of speaking with Neil. Neil is now 77 years old and a retired HIV nurse living in New York City. He has a certain youthfulness and brightness to his voice that immediately endears you to him. We stayed on the phone for more than an hour talking about what he knew about Jake and trading stories of our careers in healthcare. Neil met Jake in San Jose where they were roommates for three days before PeaceCorps training in Hawaii. Neil first noticed that Jake was very tall and had an enthusiasm for life. He expressed that the people who knew Jake were immediately taken in by his generosity.
In the weeks they had to learn Korean and how to administer care to people with tuberculosis, Neil fondly remembers how Jake liked to take photos of flowers. Jake went on to become staff for PeaceCorps following the completion of his volunteer term. Being so inspired by the work he did in Korea, Jake came to the DMV area and worked as a tuberculosis case manager in Prince George’s County. Neil expressed that the same reason he worked in the Bronx during the height of the AIDS epidemic is the same reason Jake took on the job in Prince George’s County — he wanted to work directly with the people.
Another fascinating bit about Jake is that he liked to write letters to the editor in response to stories he read in the local newspaper. He was very vocal about his feelings on former Mayor Marion Barry during his drug scandal. He was also vocal about road safety and I have to believe he was passionate about it because he liked to ride his bicycle throughout the neighborhood. Another piece that spoke to me that I remembered when speaking to Neil is one from the Aug. 14, 1987 edition of The Washington Times. The piece was titled “AIDS: The Situation That the U.S. Faces.”
Six years into the AIDS epidemic, the crisis was being ignored by the government. Then-President Ronald Reagan did not mention the word AIDS publicly for years until after his Hollywood friend Rock Hudson came out as gay and revealed that he was living with AIDS. The government was so adamant about not mentioning AIDS that the topic was met with laughter and homophobic remarks in a 1982 press conference in which former Press Secretary Larry Speakes asked reporter Lester Kinsolving if he had AIDS. It wasn’t until the late 1980s when the AIDS death toll was nearing hundreds of thousands did the government expand funding for research and drug development.
In that time of governmental neglect, misinformation, and homophobia, Jake posed a challenge in his piece. He stated, “If Mr. Sobaran thinks the heterosexual population of this nation is safe from the AIDS infection, I suggest he study the incidence of genital herpes in the United States.” In talking with Neil, it was discovered that Jakob already knew he was HIV positive as early as 1990. Neil recounted a visit to D.C. to Jakob’s home where he stayed with his partner. He recalls Jake mentioning that he was taking Bactrim as a prophylactic for PCP (pneumocystis pneumonia). Even though Jake was living with HIV, he continued to work as a tuberculosis case manager all the way up until a couple of weeks before his passing.
Hearing that detail about Jake impressed and also flustered me. Tuberculosis is one of the many opportunistic infections for people living with compromised immune systems. I asked Neil if he was worried about Jake working such a job in his condition and he responded with “that was Jake.” Jakob died on June 5, 1995 with his long-term partner Bradford Jewett by his side. Neil went to the subsequent funeral service where he noticed that it was attended by a majority of his D.C. friends. Still not having any information on Charles and Robert and knowing that they were neighbors, I asked Neil if it would be OK if I sent him photos of Charles and Robert to see if he remembers them at Jake’s service. Unfortunately, he did not recall seeing them there.
Feeling at peace with what I found out about Jake, I started to look into Charles. Charles Winney was born on March 2, 1956 in Saratoga Springs, N.Y., where he lived until moving to Baltimore to attend Johns Hopkins University in 1974 to study to be a pharmacist. It’s unclear how far he made it at Hopkins because he eventually went to the Howard University School of Pharmacy to continue his studies. In looking into Charles’s background, I wanted to find a better photo other than the black and white one used for his obituary. I scoured The Bison (Howard University’s yearbook) looking for any indication of Charles but he wasn’t in there. I continued searching for anything that could lead me to a photo of Charles and a Google search of his name led to a resume.

The resume was for a pharmaceutical researcher based out of Kansas. In the section where he listed the people he mentored, Charles was one of his interns in the summer of 1986 and he was listed as a senior. I went back to the 1986 and 1987 issue of The Bison looking for a photo of him and again, there was no photo. It is unclear whether Charles completed his studies at Howard but he worked for the pharmacy at George Washington University Hospital before working at Fidia Pharmaceuticals before retiring on disability in 1993. Charles also worked in the healthcare industry. Unfortunately, not much is known about Charles at this point. I reached out for information to various people but none have yet to respond. Charles passed away on July 11, 1996, with his partner Larry Martin by his side.
While waiting for more information on Charles and Robert, I began to ponder a little bit more about Charles because just like me, he lived at the intersection of Blackness and queerness. That intersection was something that I had to reconcile within myself. In my community, it’s not uncommon to hear someone mention that homosexuality isn’t “African” or that homosexuality is an “agenda” being pushed by the white mainstream media to destroy the Black family structure. The thought that I struggled with through all these years was that by accepting my queerness, I too would be trading in my Blackness. The Black community is a community that had to build itself from the ground up. Through forced migration, we lost most of our native tongue, culture, and history. Some of those have been retained and passed down, which is evident in our music or cultural practices (i.e. jumping the broom at weddings) but it has been blended with the language, culture, and customs by the same people who kidnapped us from Africa.
Christianity was used as a way to instill subservience in slaves. Slave masters and captors frequently quoted Ephesians 6:5 to justify their complicity in bondage to human beings. “Slaves, obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey Christ,” the verse said. The Black church has become a pillar of the community and incubated the Civil Rights Movement. The Black church is also the same institution that uses Leviticus 20:13 to shun their very own. “If a man lieth with mankind as he lieth with a woman, both of them have committed an abomination,” the verse says.
Even though the Black church is currently experiencing drops in attendance, not too many Black people are far removed from the influence the church has had on our people and unfortunately, homophobia has been one of its influences.
With this history in perspective, in certain parts of the Black community, queerness is viewed as giving into white supremacy where males are seen as giving up their masculinity for a more subservient, feminine position. The women are viewed as wanting to become men in order to escape gender-based oppression and only in finding the “right man,” will the woman return to her “natural” position. Being a Black gay man in the 70s, 80s, and 90s, I wonder how Charles navigated these social issues. For Charles to have been out and in a long-term relationship during those times is a testament to his bravery.
In the process of digging through public records trying to find Charles, an unexpected call came in. Neil forwarded my request for information on Jake to a fellow PeaceCorps friend, Susan Pawlowsky. While she did not know Jake, she does have a love for genealogy. I asked her if she could use her skills to help me find information on Charles and Robert. She agreed and in the information that she sent, she sent the information for Robert’s mother. Acting on faith, I penned a letter and dropped it in the mail to Mrs. Rockerhousen.
On July 1, 2023, I had the pleasure of speaking with Arleen Rockerhousen. I expected to answer questions about my motivations in wanting to know information about her but I was met with a surprisingly sweet and pleasant voice. I told her to tell me what Robert was like and the type of child that he was.
Robert Rockerhousen was born on Aug. 17, 1959 in Michigan. Mrs. Rockerhousen explained that he had a good group of friends growing up but she would often find Robert in his room studying maps. Robert had wanderlust and had wanted to see the world from an early age. This passion for travel was ignited even further when he got a job at a local AAA office in high school where he again was surrounded by maps. After high school, Robert went to the University of Michigan Ann Arbor where he had an internship with Victoria University in Toronto. He graduated with a bachelor’s degree in 1981. Upon completion of his undergraduate studies, Robert took whatever money he had and traveled around Europe until his money ran out.

When Robert came back to the states, he worked for American Express Travel Related Services until he eventually landed a job at the World Bank as a tariff specialist in Washington, D.C. Mrs. Rockerhousen was familiar with his group of friends in D.C. I found it quite funny when she mentioned that one of his friends was a cartographer due to his love of maps when he was younger. She also mentioned that she was familiar with Larry and Charles. In her recollection of events, she stated that the property on 1755 Kilbourne Place was not Robert’s primary residence. She stated that it was co-owned by him and his longtime friend John Koran. In a brief exchange with Mr. Koran, it was mentioned that he and Robert did indeed own and live on the property until Robert fell ill and eventually sold it to live with his partner Luis in the Shaw neighborhood.
Mrs. Rockerhousen mentioned that Robert, Charles, and Larry were very close and they enjoyed her cooking whenever she would come over. She mentioned that their favorite dish was her German lasagna. She isn’t quite sure how Robert, Charles, and Larry became friends but she remembers them very fondly. While listening to her reminisce about her son, I did not want to talk about HIV. I grew up in a post antiretroviral world due to being born in late 1996. I never knew a time when HIV was more than just a chronic manageable condition. In researching the AIDS epidemic to gain perspective on the times in which Robert, Charles, and Jake lived, just seeing footage and pictures was more than gutting in and of itself. I could not imagine being a parent and having to witness your child die before their time.
When the topic of HIV came up in regards to her son, Mrs. Rockerhousen spoke with poise and clarity. She mentioned that one of her biggest regrets when it came to Robert was that he couldn’t feel he could come out to her and their family. It wasn’t until Robert fell ill that he came out to them. Nevertheless, Mrs. Rockerhousen was very supportive of Robert and showed up when he needed her. On Nov. 6, 1998, Robert passed away at the age of 39 with his partner Luis Schunk by his side. Mrs. Rockerhousen mentioned that Charles’s partner Larry Martin held a wake for him inside of his house. I tried reaching out to Larry in order to find out more information on Charles, Robert, and if there was any connection to Jake but as of now there has been no response.
I still don’t know who placed those stones on Kilbourne Place and maybe I will never know. At first, I felt like Nancy Drew trying to unravel this mystery but when the lives of these three men unfolded in front of me, the mystery had to take a backseat. In front of me were three men who lived dynamic lives in spite of the AIDS epidemic. Robert, Charles, and Jake lived in their truths in a time when living in your truth could be met with scorn. Living in your truth meant having to witness the government neglect you as a virus was overtaking your community. Living in your truth meant watching friends and loved ones die but still finding community within each other.
When Mrs. Rockerhousen mentioned Larry having Robert’s wake in his own home, that touched me in a way that I could not imagine. It showed the love between friends and between members of a community. That is what these stones represent. Whoever placed these stones on this quiet stretch of street in the middle of Mount Pleasant loved Robert, Charles, and Jake enough to remember them where they felt the most comfortable. They were remembered in a place where they could be free without the prying eyes of the public. They were remembered at home, where the heart truly lives.
a&e features
Have yourself a merry John Waters Christmas
Annual holiday show returns to Alexandria and Baltimore
When it comes to iconic Christmas scenes in movies, none can top the tree-toppling tantrum thrown by cha-cha heels-deprived Dawn Davenport in John Waters’s fifth full-length feature “Female Trouble” from 1974. Therefore, it’s not surprising that Waters continues to make art out of Christmas, performing his spoken word Christmas tour in cities across the country. Waters has even more reason to celebrate with the release of his new red vinyl 7” single, a cover of Little Cindy’s “Happy Birthday Jesus (A Child’s Prayer)” on the A-side, and “A Pig Latin Visit From St. Nicholas” on the B-side. If you’re still looking for unique Christmas gifts, consider this record. As always, John was kind enough to make time for an interview in advance of his tour dates.
BLADE: John, in preparation for this interview with you, I went back and listened to Little Cindy’s original rendition of “Happy Birthday Jesus (A Child’s Prayer)” on your “A John Waters Christmas” CD.
JOHN WATERS: One thing I did, if you notice, I make the same stumble in my recording that she did in the original.
BLADE: It sounded to me like she got choked up.
WATERS: No, I think she just stumbles over a word, so I stumbled over the same word. It’s appropriation, insanely.
BLADE: Is this a song you first became aware of in your youth or when you were an adult?
WATERS: When I was doing the Christmas album, I had this friend named Larry Benicewicz. He was kind of my idea man with music. He knew every single old record. I would say to him, “Weird Christmas songs,” when we were doing a soundtrack, or a song about bears, or a song about this, and he would give me all these tapes. It was one of the ones he played for me. A lot of the songs I put in my movies and on my records, I did know as a kid. I did not know this one, but I immediately embraced it. I don’t think it’s campy. I think it really is spiritual in a weird way. My doing it makes it a novelty record. I am really for novelty records, and there aren’t any anymore. Why was there not a COVID novelty record? That’s insane. The dance “The Bug” that’s on the “Hairspray” soundtrack would be perfect for COVID.
BLADE: The thing that struck me was that for a Christmas song in the voice of a child, a kind of death pall hangs over it, with lines like, “If I was good you’d let me live with you” and “they nailed you to the cross, they wanted you to die.”
WATERS: All of it! When I see children at midnight mass kneeling in front of a nude man nailed to a cross, I feel like I’m at The Eagle! It is S&M, it’s creepy. I took the same cover (photo) from her record to parody and put my face on it. The same thing I did with The Singing Dogs last year when I covered (their version of) “Jingle Bells.” I’m really into novelty records. I love them and I’m trying to bring them back. I don’t expect anybody to ever play these records. Even The Singing Dogs one said on it, “Please do not play this record” [laughs]. And the flipside, the Pig Latin version, is almost impossible to listen to.
BLADE: I’m so glad you mentioned that. “A Pig Latin Visit From St. Nicholas” reminded me of the lost art of speaking in Pig Latin. I also recall watching the PBS series “Zoom” as an adolescent and learning to speak “ubbi dubbi,” a distant relative of Pig Latin. Do you think that the time is right for a Pig Latin or ubbi dubbi revival?
WATERS: Here’s the thing, I never could pick up any language, except Pig Latin. I’ve been in every foreign country. Foreign countries have given me money to learn to speak the language. I can never do it! But Pig Latin…my parents and other parents in the ‘50s spoke Pig Latin so kids couldn’t understand what they were saying. Then my mother taught it to me, and I used it. The hardest take to shoot in “Pink Flamingos” was not eating the dog shit. It was when the cast skipped, in one take, saying “E-way, are-yay e-they ilthiest-fay eople-pay in-hay e-they ole-hay ide-way orld-way.” We’re the filthiest people in the whole wide world in Pig Latin. We had to do so many takes so they could do it once without screwing it up. In “Polyester,” Edith (Massey) answers the phone, “ello-hay.” I did a photo piece where it was all subtitled in Pig Latin. Like “osebud-Ray” (from “Citizen Kane”) or in “Streetcar,” “ella-Stay!” [Laughs] All the iconic dialogue translated into Pig Latin. My assistant who helped me do it, had never heard of Pig Latin. She really got good at it because she lived in many foreign countries and can pick up languages. But it’s not that easy to do it correctly and read it. Your computer will translate into Pig Latin.
BLADE: AI understands Pig Latin?
WATERS: I guess that’s AI. It wasn’t 100% right, but it was close. I can speak it if I look at it, but just do a bit at a time. It was a challenge that no one would possibly care about or want to do.
BLADE: I think you pulled it off very well.
WATERS: If you want people to leave on Christmas morning, you put it on. That’s how you get your guests to leave. It’s time to go.
BLADE: Ood-gay i-bay! How did your relationship with record label Sub Pop, which released 2021, 2022, 2024, and new 2025 holiday singles, come about?
WATERS: I believe the first thing I did for them was “Prayer to Pasolini.” They came to me through Ian Brennan. He’s won a couple Grammys for World Music, but he is also is one of my agents who does the Christmas tour and a lot of my shows, anything with music. He helped me arrange each one of the songs. He had a relationship with Sub Pop. It was perfect. My friends in Baltimore, (the band) Beach House, have had huge success.
BLADE: That’s right, they’re on Sub Pop!
WATERS: Yes! I’m happy to be on it. I’ve even been to the warehouse and posed for pictures like Jackie Suzanne used to do.
BLADE: Is there any chance that “A John Waters Christmas” might be reissued on vinyl by Sub Pop?
WATERS: No. It’s such a nightmare to get the rights and to renew them. You have to find the publisher and the writer, and they usually hate each other. It doesn’t matter if it’s obscure or famous, it’s hard to get. You have to make the deal. The singer doesn’t get anything unless they play it on the radio. It would be so complicated legally, and there would be such a [laughs] tiny audience for it. I hope it will come out again. The same thing with the one for Valentine’s Day. I had two of them that did quite well when they came out; “A Date With John Waters and “A John Waters Christmas.” The “John Waters Christmas” album is still the soundtrack that plays whenever I’m doing my spoken word Christmas show as people are entering the theater.
BLADE: Aside from your annual Christmas show tour, what else do you do for the holidays now, and are there any traditions that you’ve carried over from your family?
WATERS: Certainly! I have two sisters, my brother’s widow, and me, so there are four and we take turns each year to have the Christmas dinner. Mine was last year. An entire sit-down dinner. Mom’s China, the silverware, the entire full dinner. It’s pretty traditional. I don’t have a Christmas tree, but I do decorate the electric chair from “Female Trouble.” That is a tradition in my family. We do have Christmas decorations, but they’re usually weird ones that fans sent me. I have one with Divine knocking over the Christmas tree, and the Christmas tree lights up, all sorts of amazing things. There is definitely a tradition here that might be a little altered, but it is definitely a tradition. I used to have a giant party every year, but COVID ended that. I still wouldn’t want 200 people in my house breathing right now.
BLADE: I was looking at your tour schedule and wondered if there are any new cities in which you’ve never performed the John Waters Christmas show that have been added to this year’s schedule?
WATERS: I don’t think there’s a city in America in which I haven’t done one show! The only places I haven’t been to are Hawaii and Alaska. I could do it there, but it’s too long on a tour. I can’t think of a city I haven’t played in in America over the last 50 years. The Christmas show is completely different every year. It doesn’t matter if you saw it last year.
Some gifts scream practical, others whisper luxury, and a few flat-out blur the lines. From cocoa that feels ceremonial to a cologne that linger like a suggestive smirk, this year’s ultimate gift picks prove that thoughtful (and occasionally naughty) presents don’t have to be prosaic. Welcome to your holiday cheat sheet for festive tangibles that get noticed, remembered, and maybe even result in a peck of gratitude planted under the mistletoe. Consensually, of course.
Amber Glass Champagne Flutes
Pop the champs – but make it vintage. These tulip-shaped stunners in amber-tinted glass bring all the Gatsby vibes without the Jazz-age drama. Whether you’re toasting a milestone or celebrating a Tuesday, their seven-ounce capacities and hand-wash-only care make ‘em as practical as they are pretty. Pair with a thoughtful bottle of bubs and gift with a glittering wink. $18, NantucketLooms.com
Disaster Playbook by Here Comes the Apocalypse
Because the end of the world shouldn’t be a solo act, this spiral-bound guide is your step-by-step roadmap to surviving and thriving when everything else goes sideways, which might be sooner than you think. Packed with checklists, drills, and a healthy dose of humor, it’s like a survival manual written by your most prepared (and slightly snarky) friend. Whether you’re prepping for a zombie apocalypse or, more realistically, REVOLUTION!, this playbook’s got your back. $40, HereComesTheApocalypse.com

Wickless Vulva Candles
Bold, luxurious, and completely flame-free, CTOAN’s wickless candles melt from beneath on a warmer, releasing subtle, sophisticated fragrances, like sandalwood or lavender. The vulva-shaped wax adds a playful, provocative element to any space –perfect for a bedroom, living room, or anywhere you want elegance with an edge. A gift that celebrates form, intimacy and self-expression, no fire required. $39, CTOANCO.com
Villeroy & Boch Royal Classic Christmas Collection
Every meal is a mini celebration – with whimsy at every place setting – in Villeroy & Boch’s Royal Classic festive dinnerware collection that hits all the right notes. Made from premium German porcelain, it features nostalgic little toys, nutcrackers, and rocking horses in delicate relief, giving your holiday spread a playful but refined twist. Dishwasher- and microwave-safe, it’s luxe without the fuss. Gift a piece to a special someone, or start a collection they’ll use (and show off) for years to come. $22-$363, Villeroy-Boch.com
Greenworks Electric Lawnmower
You a ’hood queen who considers lawn care performance art – or just wants to rule the cul-de-sac in quiet, emission-free glory? Greenworks’ zero-turn electric mower has the muscle of a 24-horsepower gas engine but none of the fumes, drama or maintenance. Six 60V batteries and a 42-inch deck mean you can mow up to two-and-a-half acres on a single charge – then plug in, recharge, and ride again. It’s whisper-quiet, slope-ready, and smooth enough to make you wonder why you ever pushed anything besides your queer agenda. The perfect gift for the homeowner who loves sustainability, symmetry, and showing off their freshly striped yard like that fresh fade you get on Fridays. $5,000, GreenworksTools.com
Molekule Air Purifier
For the friend who treats their space like a sanctuary (or just can’t stand sneezes), the Molekule Air Pro is magic in motion. Covering up to 1,000 square feet, it doesn’t just capture allergens, VOCs, and smoke – it destroys them, leaving your air feeling luxury-clean. FDA-cleared as a Class II medical device, it’s serious science disguised as modern design. Gift it to your city-dwelling, pet-loving, candle-burning friend who likes their living room as pristine as their Instagram feed. $1,015, Molekule.com

Cipriani Prosecco Gift Set
Effervescent with stone-fruit sweetness and a touch of Italian flair, the Cipriani Bellini & Prosecco gift set brings brunch-level glamour to any day of the week. The Bellini blends rich white-peach purée with sparkling wine, while the dry ’secco keeps things crisp and celebratory. Pop a bottle, pour a flute, and suddenly winter weeknights feel like a party – even with your pants off. $36, TotalWine.com
Woo(e)d Cologne
British GQ recently crowned Woo(e)d by ALTAIA the “Best Date Night Fragrance,” and honestly, they nailed it. Confident without being cocky – smoky gaïac and Atlas cedarwood grounds the room while supple leather and spicy cardamom do all the flirting – it’s a scent that lingers like good conversation and soft candlelight. Gift it to the one who always turns heads – or keep it for yourself and let them come to (and then on) you. $255, BeautyHabit.com

Lococo Cocoa Kit
Keep the run-of-the-mill mugs in the cabinet this Christmas and pull out Lococo’s handcrafted Oaxacan versions that demand you slow down and sip like it matters. Paired with a wooden scoop, rechargeable frother, and Lococo’s signature spice hot-chocolate blend (vegan, gluten-free, with adaptogenic mushrooms), this holiday kit turns Mexi-cocoa into a mini ritual you’ll look forward to. Perfect for anyone who loves a little indulgence with a side of ¡A huevo! energy.
Manta Sleep Mask
Total blackout, zero pressure on the eyes, and Bluetooth speakers built right into the straps, this ain’t your mama’s sleep mask — but it could be. The Manta SOUND sleep mask features C-shaped eye cups that block every hint of light while ultra-thin speakers deliver your favorite white noise, meditation, or late-night playlist straight to your ears. With 24-hour battery life, breathable fabric, and easy-to-adjust sound, it turns any bed (or airplane seat) into a five-star sleep suite. Perfect for anyone who treats shut-eye like an art form (or just wants to escape their roommate’s late-night bingin’ and/or bangin’). $159, MantaSleep.com

Shacklelock Necklace
Turn the industrial-chic vibe of a shackle into a sleek statement. Mi Tesoro’s platinum-plated stainless-steel necklace sits on an 18-inch wheat chain, featuring a shackle-style latch pendant that’s waterproof, tarnish-free, and totally fuss-les. Beyond style, it nods to a classic gesture in the queer leather community: replacing a traditional Master lock with something elegant to quietly signal belonging to someone special. Wear it solo for a minimalist edge or layer it like you mean it; either way this piece locks in both your look and your intentions. $90, MiTesoroJewelry.com
Parkside Flask Mojave Edition
Wine nights get a desert glow-up with Parkside’s limited-edition 750-milliliter all-in-one flask draped in sun-washed bronze and badland hues like sage, sand, and terracotta – with magnetic stemless tumblers that snap on for effortless shareability. It keeps your vino chilled for 24 hours, pours without drips (no tears for spilled rosé, please), and even lets you laser-engrave your own mantra or inside joke. Perfect for picnics, surprise rooftop clinks, or gifting to your favorite wine (or desert) rat. $149, HighCampFlasks.com

Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has published in more than 100 outlets across the world. Connect with him on Instagram @mikeyroxtravels.
a&e features
Meet Mr. Christmas
Hallmark’s Jonathan Bennett on telling gay love stories for mainstream audiences
Jonathan Bennett believes there are two kinds of people in the world — those who love Hallmark movies and liars. And in Season 2 of Finding Mr. Christmas, which the Mean Girls star co-created with Ben Roy, Bennett is searching for Hallmark’s next leading man.
“It’s so fun for people because everyone in their life has someone they know that they think should be in Hallmark movies, right? The UPS driver, the barista at the coffee shop, the dentist,” Bennett says. “So we’re testing their acting abilities, we’re testing who they are, but we’re also looking for that star quality — the thing that makes them shine above everyone else. It’s almost something you can’t explain, but we know it when we see it.”
Season 2’s cast includes a former NFL player for the Green Bay Packers, a few actors, and a realtor. The 10 men compete in weekly festive-themed acting challenges, one of which included having to ride a horse and act out a scene with Alison Sweeney. The contestants were chosen from a crop of 360 potential men, and Bennett gives kudos to the show’s Emmy-nominated casting director, Lindsay Liles (The Bachelor, Bachelor in Paradise).
“She has a tough job because she has to find 10 guys that are going to be good reality television, but also have the talent to act, carry a scene, and lead a Hallmark movie eventually,” he says. To be the right fit for a Hallmark leading man, Bennett singles out five key characteristics: you have to be funny, charming, kind, have a sense of humor, and you have to do it all with a big heart.
Of course, Finding Mr. Christmas wouldn’t be Finding Mr. Christmas without its signature eye candy — something Bennett describes as “part of the job” for the contestants. “I can’t believe Hallmark let me get away with this. I dressed them as sexy reindeer and put them in harnesses attached to a cable 30 feet in the air, and they had to do a sexy reindeer photo shoot challenge,” he says with a laugh. “This season is just bigger and bolder than last. People are responding to not only all the craziness that we put them through, but also comparing and contrasting the guys in their acting scenes when we do them back-to-back.”
Season 1 winner Ezra Moreland’s career has been an early testament to the show’s success at finding rising talent. On seeing the show’s first winner flourish, Bennett says, “Now to watch him out in the world, just booking commercial after commercial and shining as an actor and a model, I think the show gave him the wings to do that. He learned so much about himself, and he took all that into his future auditions and casting. He just works nonstop. I’ve never seen an actor book more commercials and modeling gigs in my life.”
Bennett has been a star of plenty of Hallmark movies himself, including the GLAAD-award-winning The Groomsmen: Second Chances, which makes him a fitting host. Among those movies are 2020’s Christmas House, which featured the first same-sex kiss on the network and had a major impact on Bennett’s career as an openly gay man. “Hallmark’s been so great about supporting me in queer storytelling. But again, I don’t make gay movies for gay audiences. I make gay love stories for a broad audience, and that’s a huge difference, right? We’re not telling stories inside baseball that only the gay community will understand.”
He continues, “The backdrop of a Hallmark Christmas movie is very familiar to these people who watch. And so when you tell a gay love story, and you tell it no differently than a straight love story in that space, they’re able to understand. It’s able to change hearts and minds for people who might not have it in their lives.”
While Hallmark has become a major staple of Bennett’s career, he started off wanting to be a Broadway actor. And before the first season of Finding Mr. Christmas aired, Bennett took a break from TV to make his Broadway debut in Spamalot, replacing Michael Urie as Sir Robin and starring alongside Ethan Slater and Alex Brightman.
“That was my dream since I was five years old – then I booked a movie called Mean Girls, and everything kind of changes in your life. You no longer become a person pursuing Broadway, you become a part of pop culture,” Bennett recalls. “And to be honest, when I hit 40, I was like, ‘I’m probably never going to get to live that dream.’ And that’s okay, because I got to do other dreams and other things that were just as cool but different. So I honestly never thought it would happen.”
Bennett is still determined to make his way back on Broadway with the right role — he calls Spamalot the “best experience” of his life, after all — but he’s got another Hallmark show lined up with Murder Mystery House, which he co-created. The show was recently greenlit for development and intends to bring the Hallmark mystery movie to life. “It’s kind of like our version of The Traitors,” Bennett admits.
Looking back on both seasons, Bennett says that what makes Finding Mr. Christmas stand out in the overcrowded reality TV landscape is that everyone involved makes it with heart: “This isn’t a show where you’re going to watch people throw drinks in each other’s faces and get into big fights. The thing that has amazed me so much about this show, the more we’ve done it, is that every season, 10 guys come in as competitors, but they leave as a family and as brothers. That’s something you don’t get on any other network.”
Finding Mr. Christmas airs every Monday on Hallmark through December 20, with episodes available to stream on Hallmark+.
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