Books
Explore the history of drag in ‘Glitter and Concrete’
Book traces art form from 1800s through Prohibition to present day
‘Glitter and Concrete: A Cultural History of Drag in New York City’
By Elyssa Maxx Goodman
c.2023, Hanover Square Press
$32.99/464 pages
You simply have nothing to wear.
Old joke, that one. Really old because these days, it’s easy for anyone to have racks and shelves and dresser drawers full of casual wear, fancy duds, comfy things, and finery to put on their body. Yes, you have plenty to wear but, as in the new book “Glitter and Concrete” by Elyssa Maxx Goodman, you just have to look in the closet.

Like nearly every kid in America, Elyssa Maxx Goodman loved to play dress up. In her case, though, she didn’t hope for a princess costume. She wanted to dress like the characters in “To Wong Foo, Thanks for Everything! Julie Newmar.” Later, as an adult, she “sought to learn as much about drag as” possible and she began to see New York City as its epicenter.
“From the mid-1800s to 1900, gender impersonation became a beloved genre of theater” in New York, she says, but social attitudes and morals changed in the early 20th century. Female drag performers were often scrutinized, and worked under sometimes-unpredictable rules while male impersonators might have enjoyed the ability to live as a man, travel alone, and keep company with women in public.
By the beginning of World War I, social reformers had begun to shut down places where they thought homosexuality might be found, and that included drag venues. They did so despite that gender impersonations were important to the morale of soldiers.
Says Goodman, “female impersonator roles were incredibly popular with enlisted men” and one drag show became “an instant hit.”
Prohibition sent both booze and drag underground, but while the former was widely available again in 1933, the latter was not. And yet, it was impossible to keep drag performances from happening; in fact, the mob ran several drag clubs, including one owned by Anna Genovese, the bisexual wife of mobster Vito. Yes, drag could be found in the years 1933 to 1968, but audiences both straight and gay had to search for it.
Still, change was coming.
Then again, doesn’t it seem like change never stopped happening in the world of drag? Like, a now-you-see-it, oops, now-you-can’t kinda thing? Understanding that, and the future of drag, entails knowing its history and that’s easy to do, once you’ve read “Glitter and Concrete.”
In taking readers back some 170 years, author Elyssa Maxx Goodman shows how New York City led the way for drag to be both condemned and enjoyed in the rest of America, often seemingly in the same breath. Intuiting the difference between illegal and permissible was a matter of splitting hairs then; the scandalous nature of drag was often you-know-it-when-you-see-it, and not always firmly defined. That repeating juxtaposition, a social flip-flop-flip, if you will, is fascinating to follow here. Indeed, it was sometimes a case of one man’s trash being another man’s pleasure.
So what’s changed about that? So much and not much, and the rest of the story is inside this necessary book. Read it, and “Glitter and Concrete” will make you wear a smile.
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Books
‘Transcendent’ a tough but important read
Laverne Cox’s memoir recounts horrific abuse as a child
‘Transcendent: A Memoir’
By Laverne Cox
c.2026, Gallery Books
$30/238 pages
OK, let’s just say it: You’re tired of lies.
They come from above, behind, from either shoulder. They’re repeated, laid out in a line, told as if they’re true but they’re not. You wish people would stop lying to you. As in the new memoir “Transcendent” by Laverne Cox, you wish you could tell the truth about yourself.

Sissy.
If the bullies in the neighborhood weren’t constantly calling Laverne Cox that name, then Cox’s mother was. “Sissy,” was just one word, though; the others were worse. The boys would say those things while they beat Cox, when they could catch her. Her mother screamed at her gentle child who didn’t like “boy” activities.
Even at eight years old, says Cox, “I was a prim and proper lady.”
Despite the verbal abuse about her perceived feminine behavior and a furtive, failed attempt at conversion therapy, Cox’s mother sent her and her brother to the Alabama School of Fine Arts, where Cox learned to dance. It was a lifeline for her, and the talent gained there helped Cox get into college in Indiana.
From there, Cox expected to find fame and fortune in New York City.
And yet, the abuse she suffered as a child held Cox back, and the words “There is something wrong with me” became a daily mantra.
“I didn’t know how to say it.” Cox says. “I’m a girl.”
There were therapy sessions to get to that point, as Cox learned the language and skills needed to speak the truth. Landing a sense of style helped, as did her brother’s support, a handful of friends, and happy, scent-infused memories of her mother’s make-up table.
At each step, Cox says, “I was expressing myself, I was also allowing myself to edge closer to my girlhood.”
Let’s start here: “Transcendent” is a difficult read – not for style, but for substance.
From her earliest memory of being sexually abused as a toddler; to verbal and physical abuse from many sources; to what, judging by photo captions, seems perhaps like forgiveness, author Laverne Cox glosses over nothing. Be ready, in other words, for pages and pages of memories that, like a roller-coaster, will make you cringe and want to hide your eyes, although doing so would be a mistake.
As this book progresses, Cox’s story does, too. We see a child who knows a truth but has no words for it. The child becomes a teen with a bursting sense of self, then a young adult who craves love as she’s stretching her wings. By the time Cox advances to writing about her career and the abuse is (mostly) over, readers will breathe a well-deserved sigh of relief. Whew, you’ve winced through a harrowing tale to reach a satisfying but not complete update.
Fans of Cox’s work will want “Transcendent,” as will anyone who’s transitioned, is thinking about it, or loves someone who has. It’s a rough read, but a necessary one, then, and that’s no lie.
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Books for Pride by various authors
c.2026, various publishers
$18.95 – $29.00
How many times have you marched so far this month? Seems like there’s always a reason to gather and walk during Pride, but save some time for yourself, too. You’ll want to reflect, rest, and read these great books about living your best Pride month.
No doubt, you’ve thought once or twice about stepping away from society as it is, and moving somewhere more accepting. So read “Qtopia: A Memoir of Love, Land, and Liberation” by Juda Bennett (University of Wisconsin Press, $18.95), the story of doing exactly that, and how it turned out.
Back in the ‘70s, Bennett fled the suburbs and all it represented, and went “back to the land,” to a commune named Lavender Hill. Some of the places he’d lived before then had promised way more than they delivered, but Lavender Hill was different – more rural, more open, more queer, much better. But you know all good things must end, and that includes “queer utopia.” The only thing left was to re-enter the mainstream, a journey unto itself, and one worth reading.
Speaking of memoirs, in “Gay Mormon Dad” by Chad Anderson, art by Remy Burke (Graphic Mundi, $21.99), you’ll read about Anderson’s life as a husband (to a woman), a father, and a man who seemingly had it all but it wasn’t right, and he wasn’t happy. He was gay, but acknowledging it, telling his family and his church family, could mean the loss of everything he loved. It’s a story that may be familiar to you, in some way, and it’s a quick read.
For most of his life, Joseph Osmundson dreamed about getting pregnant and having a family. The former didn’t happen and, as for the latter, as he writes in his memoir, “Spawning Season: An Experiment in Queer Parenthood” (Bloomsbury, $27.99) the journey for a gay man to become a father can have plenty of roadblocks.
When two women approach Osmundson to be a sperm donor, it appears that his ultimate dreams are about to come true. Things go swimmingly – until race enters the conversation. Are the words “donor” and “dad” the same? Read this powerful book, and think about it.
And finally, if parenthood as a gay person is something that’s a case of maybe-later, then “Good Morning Moon: A Snapshot of an American Family” by Brad Gooch (Harper, $29) is a book to find. It’s the story of late-life love, surrogacy, and identity as Gooch learns about himself as he learns to be a good Dad. This is a great book for older fathers, and anyone who’s on the parental fence, later in life.
If these great books aren’t enough for you, or if you’re looking for something different for Pride, then head to your favorite bookstore or library and ask the staff there to help you find your next best read. They’ve got a lot of books to put in your hands, a lot of sunny afternoons full of relaxing and promise, so march on out, get a new book, and happy Pride!
Books
David Archuleta on Mormon faith, ‘Idol,’ more in new book
Unique memoir details religious upbringing, coming out
‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages
So just make up your mind already.
The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.
Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.
But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.
Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.
That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.
But there was one thing missing.
Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.
Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.
You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.
It’s harmonious in more ways than one, and fans will be happy.
So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.
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