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Thurst Lounge to honor Black, queer experience

New bar set to open in December offering live performances

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Thurst Lounge is owned by Brandon Burke and Shaun Mykals. (Photo by Sam Gross Studios)

In a plurality Black city, Washington, D.C. in 2023 has zero Black-owned-and-operated queer bars – until now. Thurst Lounge is set to open in early December, “our love letter to D.C.’s Black queer community,” say co-owners Brandon Burke and Shaun Mykals. 

“We wanted to create a space that represents and honors the unique and culturally rich Black gay experience,” they say (both are gay). 

Thurst Lounge, located at 2204 14th St., N.W., in the old Sakerum restaurant just north of U Street, will be a two-story establishment serving food, drinks, music, and vibes. They note that there hasn’t been a Black-owned space for D.C.’s queer community since The Bachelor’s Mill closed in 2021. 

Burke and Mykals got their start in the nightlife scene more than a decade ago when they started Thursday Bliss: An Open Mic Experience.

Initially launched as a one-time occasion for their musician friends, they realized the potential of the event, and turned it into a weekly thing. While Thursday Bliss wasn’t created for a queer audience, the duo soon came to see that it was the LGBTQ community that was most supportive.

Thursday Bliss began in the humble space in the downstairs level of Bohemian Cavern on U Street, but soon outgrew the small environs and moved upstairs. It later relocated to two different clubs in the K Street area. But they never felt like they belonged anywhere. “All these steps made us feel like we needed our own space,” they note.

 While building a weekly rotating event helped develop an audience, owning a business took some additional work – and soul-searching. First, they both realized that with ever-increasing gay clientele, they often received wayward glances or uneasy and uneven service at the straight-owned bars and event spaces. While noting that most operators were welcoming, this sort of treatment underscored the need for a place of their own.

 Mykals, a singer and musician, began Thursday Bliss to showcase the talents of his friends. As the gay clientele grew, Mykals realized he needed to grow into more of a starring role. “At the time, I wasn’t really an activist or loud in the gay community. When we started, I knew I had to be more public about my identity and confront anything – I had to be ready to be present. And now Thurst is a true LGBTQ space.” 

Mykals today is leaning into this part of his identity. “It might be a shock for some since I come from a strong church background. I have to say out loud who I am. But I’m happy to make this choice.”

 Burke expressed a similar sentiment. “I’ve been open about being gay, but never in such a public way,” before expanding the weekly event and starting to plan Thurst Lounge. “I realized that when we leaned into being a gay space is when opportunities opened up, and we kept on gaining an audience.”

“People were responding to authenticity, to being with people who live their truth.” 

Coming out of the pandemic and since the start of the Black Lives Matter movement, they saw the increased need and clamor for Black and Brown people to have their own spaces that center them, and finally decided to found their own bar.

The duo worked with Mosab Salih and Doaa Aloori of Zooza Restaurant & Lounge, who managed previous locations where they held the Thursday Bliss events, to find the right location. 

The first floor of Thurst gives a “darker, sexy vibe,” says Mykals. He installed a spacious stage, since, of course, Thursday Bliss will be held at Thurst, noting that the Thurst already has a built-in audience with those who attended the weekly event. In the back, a bar extends through the length of the space, surrounded by high tops and plush banquettes.

Three Insta-worthy purple neon signs illuminate patrons: “Thursty for More?”, “Thurst Trappin’” and, upstairs, is “Love, Loud, and Proud.”

The duo chose purple as their hue because “purple in African cultures is a sign of royalty.” The color elevates the bar’s look and feel while offering the historical reference.

 In fact, they ensured that history and culture were not lost on patrons. Photos of Black gay activists and heroes line the staircase, from Bayard Rustin to James Baldwin to Marsha P. Johnson. “We want to ‘give them their flowers’ and recognize their legacy,” they say. 

And upstairs, Black divas take up space. The top level, bathed in natural light during the day under soaring skylights, is also bathed in the glow of divas and performers (and one-namers) like Whitney, Beyonce, and Rihanna – people who had and continue to have enormous influence in Black culture.

The bathrooms, finally, honor the legacy of DC Black Pride, with photos and posters of those who were instrumental in that annual event. 

The bar will take advantage of Sakerum’s kitchen and serve small plates and appetizers like wings and seafood. Drinks, however, will be the focus, with beer, wine, and craft cocktails. 

Thurst will also make an effort to be a community space, already connecting with organizations like the Gay Men’s Health Alliance, to host events and fundraisers. There will also be drag shows and other weekly parties.

Thurst will be open Wednesday-Sunday, until 3 a.m. on Friday and Saturday and 2 a.m. Wednesday and Sunday.

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Nightlife

Ed Bailey brings Secret Garden to Project GLOW festival

An LGBTQ-inclusive dance space at RFK this weekend

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Ed Bailey's set at last year's Project Glow. (Photo courtesy Bailey)

When does a garden GLOW? When it’s run by famed local gay DJ Ed Bailey.

This weekend, music festival Project GLOW at RFK Festival Grounds will feature Bailey’s brainchild the Secret Garden, a unique space just for the LGBTQ community that he launched in 2023.

While Project GLOW, running April 27-28, is a stage for massive electronic DJ sets in a large outdoor space, Secret Garden is more intimate, though no less adrenaline-forward. He’s bringing the nightclub to the festival. The garden is a dance area that complements the larger stages, but also stands on its own as a draw for festival-goers. Its focus is on DJs that have a presence and following in the LGBTQ audience world.

“The Secret Garden is a showcase for what LGBTQ nightlife, and nightclubs in general, are all about,” he says. “True club DJs playing club music for people that want to dance in a fun environment that is high energy and low stress. It’s the cool party inside the bigger party.”

Project GLOW launched in 2022. Bailey connected with the operators after the first event, and they discussed Bailey curating his own space for 2023. “They were very clear that they wanted me to lean into the vibrant LGBTQ nightlife of D.C. and allow that community to be very visibly a part of this area.”

Last year, club icon Kevin Aviance headlined the Secret Garden. The GLOW festival organizers loved the its energy from last year, and so asked Bailey to bring it back again, with an entire year to plan.

This year, Bailey says, he is “bringing in more D.C. nightlife legends.” Among those are DJ Sedrick, “a DJ and entertainer legend. He was a pivotal part of Tracks nightclub and is such a dynamic force of entertainment,” says Bailey. “I am excited for a whole new audience to be able to experience his very special brand of DJing!”

Also, this year brings in Illustrious Blacks, a worldwide DJ duo with roots in D.C.; and “house music legends” DJs Derrick Carter and DJ Spen.

Bailey is focusing on D.C.’s local talent, with a lineup including Diyanna Monet, Strikestone!, Dvonne, Baronhawk Poitier, THABLACKGOD, Get Face, Franxx, Baby Weight, and Flower Factory DJs KS, Joann Fabrixx, and PWRPUFF. 

 Secret Garden also brings in performers who meld music with dance, theater, and audience interactions for a multi-sensory experience.

Bailey is an owner of Trade and Number Nine, and was previously an owner of Town Danceboutique. Over the last 35 years, Bailey owned and operated more than 10 bars and clubs in D.C. He has an impressive resume, too. Since starting in 1987, he’s DJ’d across the world for parties and nightclubs large and intimate. He says that he opened “in concert for Kylie Minogue, DJed with Junior Vasquez, played giant 10,000-person events, and small underground parties.” He’s also held residencies at clubs in Atlanta, Miami, and here in D.C. at Tracks, Nation, and Town. 

With Secret Garden, Bailey and GLOW aim to bring queer performers into the space not just for LGBTQ audiences, but for the entire music community to meet, learn about, and enjoy. While they might enjoy fandom among queer nightlife, this Garden is a platform for them to meet the entirety of GLOW festival goers.

Weekend-long Project GLOW brings in headliners and artists from EDM and electronic music, with big names like ILLENIUM, Zedd, and  Rezz. In all, more than 50 artists will take the three stages at the third edition of Project GLOW, presented by Insomniac (Electric Daisy Carnival) and Club Glow (Echostage, Soundcheck).

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Nightlife

SMYAL’s dragtastic event takes center stage at the REACH

Tara Hoot among the performers

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Tara Hoot (Washington Blade photo by Michael Key)

Get ready for an unforgettable evening as SMYAL, in collaboration with Culture Caucus, presents a vibrant event celebrating LGBTQ culture and expression. 

Join them on Feb. 7 at 6 p.m. at the REACH at the Kennedy Center for an enlightening Drag Story Hour with Tara Hoot, followed by performances from local drag sensations Pretty Rik E and Bombshell Monroe.

This inclusive gathering welcomes LGBTQ youth under 18 and their parents/caregivers to delve into the rich history of drag while enjoying the mesmerizing talents of these beloved performers. Costumes are not just welcomed but encouraged, promising an atmosphere filled with creativity and self-expression.

Mark your calendars and secure your spot by registering on the event’s website through the Program Culture Caucus. This is an opportunity to come together, learn and celebrate the vibrant world of drag at the REACH at the Kennedy Center with SMYAL and its fantastic lineup of performers.

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