Arts & Entertainment
Emmy Awards showcases powerful LGBTQ representation
GLAAD received Governor’s Award
The 75th annual Primetime Emmy Awards, held at the Peacock Theatre in Los Angeles on Monday, saw a triumphant celebration of LGBTQ representation, with notable wins and powerful speeches highlighting the community’s contributions to the entertainment industry.
‘RuPaul’s Drag Race’ makes history
The night’s standout moment came when RuPaul, host of “RuPaul’s Drag Race,” accepted the Emmy for Outstanding Reality Competition Program. With a record-breaking 14 Emmy wins, RuPaul addressed the audience, emphasizing the importance of knowledge and the resistance against anti-drag laws. RuPaul emphasized that attempts to restrict access to knowledge and power are rooted in fear and encouraged people to listen to drag queens, highlighting their valuable perspectives.
“We have released into the wild hundreds of drag queens, and they’re beautiful. If a drag queen wants to read you a story at a library, listen to her, because knowledge is power. And if someone tries to restrict your access to power, they are trying to scare you. So listen to a drag queen,” RuPaul said.
The win marked the series’ fifth in the Outstanding Competition Program category, solidifying its place in Emmy history. RuPaul also made history with his eighth consecutive Creative Emmy Award for Outstanding Host for a Reality or Competition Program, becoming the most awarded host in Emmy history.
Diverse LGBTQ wins
Music legend Elton John also secured his place in history as the newest member of the coveted EGOT club. The accomplished singer-songwriter clinched the prestigious title by winning an Emmy for his extraordinary live concert special, “Elton John Live: Farewell From Dodger Stadium.”
Elton John’s victory in the Outstanding Variety Special (Live) category marked a remarkable achievement in his illustrious career, spanning over six decades. As an executive producer/performer for the acclaimed concert special, John’s contribution to the world of entertainment has now earned him the esteemed EGOT status.
“Elton John Live: Farewell From Dodger Stadium” triumphed over formidable contenders, including the Oscars, the Tonys, Rihanna’s Super Bowl Halftime Show and Chris Rock: Selective Outrage. The win, although absent of the legendary artist in person, was accepted by other producers involved in the creation of the special.
The term EGOT, coined by Miami Vice actor Philip Michael Thomas, celebrates individuals who have achieved the rare feat of winning an Emmy, Grammy, Oscar and Tony Award. Elton John’s extensive list of accolades includes five Grammy Awards, including a Grammy Legend Award, two Oscars for iconic songs like “Can You Feel the Love Tonight” from the Lion King and “(I’m Gonna) Love Me Again” from Rocketman, as well as a Tony Award for Best Original Score for “Aida.”
Niecy Nash-Betts secured her first Emmy for Best Actress in a Limited or Anthology Series or Movie for her role in “Monster: The Jeffrey Dahmer Story.” In a powerful speech, Nash-Betts acknowledged her wife and dedicated the award to Black and Brown women who have faced injustice.
Ayo Edebiri, from “The Bear,” won her first Emmy for Supporting Actress, delivering a heartfelt speech that paid tribute to her parents and celebrated her identity as a Black woman.
GLAAD’s Governors Award
GLAAD, the LGBTQ media-advocacy organization, received the Television Academy’s 2023 Governors Award for its impactful work in promoting fair, accurate, and diverse representation of the LGBTQ community in the media. President Sarah Kate Ellis emphasized the personal nature of their work, citing the influence of media on societal perceptions.
“The world urgently needs culture-changing stories about transgender people,” Ellis said. “Visibility creates understanding and opens doors, it’s life-saving. Our community has achieved so much, and yet, we are still being victimized and villainized with cruel and harmful lies. Sharing stories is the antidote.”
As the LGBTQIA+ community continues to make strides in the entertainment industry, these Emmy wins stand as a testament to the power of diverse storytelling and representation.
Crimsyn and Tatianna hosted the new weekly drag show Clash at Trade (1410 14th Street, N.W.) on Feb. 14, 2026. Performers included Aave, Crimsyn, Desiree Dik, and Tatianna.
(Washington Blade photos by Michael Key)
Theater
Magic is happening for Round House’s out stage manager
Carrie Edick talks long hours, intricacies of ‘Nothing Up My Sleeve’
‘Nothing Up My Sleeve’
Through March 15
Round House Theatre
4545 East-West Highway
Bethesda, Md. 20814
Tickets start at $50
Roundhousetheatre.org
Magic is happening for out stage manager Carrie Edick.
Working on Round House Theatre’s production of “Nothing Up My Sleeve,” Edick quickly learned the ways of magicians, their tricks, and all about the code of honor among those who are privy to their secrets.
The trick-filled, one-man show starring master illusionist Dendy and staged by celebrated director Aaron Posner, is part exciting magic act and part deeply personal journey. The new work promises “captivating storytelling, audience interaction, jaw-dropping tricks, and mind-bending surprises.”
Early in rehearsals, there was talk of signing a non-disclosure agreement (NDA) for production assistants. It didn’t happen, and it wasn’t necessary, explains Edick, 26. “By not having an NDA, Dendy shows a lot of trust in us, and that makes me want to keep the secrets even more.
“Magic is Dendy’s livelihood. He’s sharing a lot and trusting a lot; in return we do the best we can to support him and a large part of that includes keeping his secrets.”
As a production assistant (think assistant stage manager), Edick strives to make things move as smoothly as possible. While she acknowledges perfection is impossible and theater is about storytelling, her pursuit of exactness involves countless checklists and triple checks, again and again. Six day weeks and long hours are common. Stage managers are the first to arrive and last to leave.
This season has been a lot about learning, adds Edick. With “The Inheritance” at Round House (a 22-week long contract), she learned how to do a show in rep which meant changing from Part One to Part Two very quickly; “In Clay” at Signature Theatre introduced her to pottery; and now with “Nothing Up My Sleeve,” she’s undergoing a crash course in magic.
She compares her career to a never-ending education: “Stage managers possess a broad skillset and that makes us that much more malleable and ready to attack the next project. With some productions it hurts my heart a little bit to let it go, but usually I’m ready for something new.”
For Edick, theater is community. (Growing up in Maryland, she was a shy kid whose parents signed her up for theater classes.) Now that community is the DMV theater scene and she considers Round House her artistic home. It’s where she works in different capacities, and it’s the venue in which she and actor/playwright Olivia Luzquinos chose to be married in 2024.
Edick came out in middle school around the time of her bat mitzvah. It’s also around the same time she began stage managing. Throughout high school she was the resident stage manager for student productions, and also successfully participated in county and statewide stage management competitions which led to a scholarship at the University of Maryland, Baltimore County (UMBC) where she focused on technical theater studies.
Edick has always been clear about what she wants. At an early age she mapped out a theater trajectory. Her first professional gig was “Tuesdays with Morrie” at Theatre J in 2021. She’s worked consistently ever since.
Stage managing pays the bills but her resume also includes directing and intimacy choreography (a creative and technical process for creating physical and emotional intimacy on stage). She names Pulitzer Prize winning lesbian playwright Paula Vogel among her favorite artists, and places intimacy choreographing Vogel’s “How I learned to Drive” high on the artistic bucket list.
“To me that play is heightened art that has to do with a lot of triggering content that can be made very beautiful while being built to make you feel uncomfortable; it’s what I love about theater.”
For now, “Nothing Up My Sleeve” keeps Edick more than busy: “For one magic trick, we have to set up 100 needles.”
Ultimately, she says “For stage managers, the show should stay the same each night. What changes are audiences and the energy they bring.”
Friday, February 13
Center Aging Monthly Luncheon With Yoga will be at noon at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the D.C. area. For more details, visit the group on Facebook.
Saturday, February 14
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host a screening of “Love and Pride” at 1:30 p.m. This event is a joy-filled global streaming celebration honoring queer courage, Pride, and the power of love. It’s a bold celebration of courage and community — a fearless reminder of what we’ve overcome, how love is what makes us unstoppable, and how we have always turned fear into fierce. For more details, visit the Center’s website.
Sunday, February 15
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, February 16
Queer Book Club will be at 7:00p.m. on Zoom. This month’s read is “Faebound” by Saara El-Arifi. For more details, visit the DC Center’s website.
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, February 17
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Wednesday, February 18
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, February 19
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. To be fair with who is receiving boxes, the program is moving to a lottery system. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
4th Circuit rules against discharged service members with HIV
PHOTOS: Clash
Gay Treasury Secretary’s silence on LGBTQ issues shows he is scum
Lawsuit to restore Stonewall Pride flag filed
EXCLUSIVE: Markey says transgender rights fight is ‘next frontier’
Four bisexual women on stereotypes, erasure, representation, and joy
Magic is happening for Round House’s out stage manager
‘Heated Rivalry’ fandom exposes LGBTQ divide in Baltimore
Home is where the heart is
