Arts & Entertainment
From music to fashion, catching up with Steve Grand
‘All American Boy’ now focused on his clothing brand
What’s the first thing that comes to mind when you think of gay singer/songwriter turned fashion designer Steve Grand? Some folks will undoubtedly answer his breakout hit single, “All American Boy,” and the accompanying video. Both were significant in that the song was an unabashedly queer country tune with visuals to match. Of course, it didn’t hurt that Grand was model-handsome and had a flawless body on display. So far, we have his singing voice, songwriting chops, and impressive looks and physique. It’s that gym body, and his own personal interest in the kinds of garments that show them off, that has led him to create his Grand Axis (shopGrandAxis.com) clothing line, featuring men’s underwear and swimwear. Steve was kind enough to make time for an interview, and after you finish reading it, you’ll want to follow him on his socials: @GrandAxis (Instagram), @GrandAxis (TikTok), and @Grand_Axis (Twitter). You won’t be disappointed.
BLADE: Since the release of your debut single in 2013, the country-oriented “All American Boy,” several other male country artists, including Ty Herndon, Billy Gilman, Orville Peck, and TJ Osborne have come out as gay. Do you feel that your being an out musician had anything to do with that?
STEVE GRAND: I think, more than anything, it had to do with the major cultural shift that was happening across this country. According to the Gallup polls, public support for gay marriage went from 40% approval in May 2009, to 60% approval in May 2015. Gay marriage was a big topic of discussion in the early 2010s for a lot of reasons. You had artists like (Lady) Gaga frequently talking about her gay fans, you had gay characters coming out in TV shows; you had the repeal of “Don’t Ask Don’t Tell” in 2011, and then Obergefell in 2015. I think the internet, and the rise of social media had more to do with it than anything. Before social media, corporate press and big movie and TV studios drove the narrative on these sorts of things. And because they are beholden to advertisers, which are more conservative and risk-averse, they would often avoid even acknowledging LGBTQ+ people for fear it would upset large sections of the country. But I think social media gave regular people an opportunity to be their authentic selves. And it gave artists/content creators like me the ability to make music and videos that could be seen by millions without needing the backing of a big record label.
BLADE: Almost 10 years ago, in 2015, you released your full-length debut album “All American Boy.” When you look back on that time, how would you describe it?
GRAND: It was a whirlwind. I remember being cognizant of the fact that it was all moving fast and that I needed to make a conscious effort to stop and take in all the cool, special, unique experiences I was having. Looking back, I don’t think I listened to that voice inside me enough. I always felt like my best days were ahead; that my moment had yet to come, and that I just needed to hunker down and keep working. And, unfortunately, that often kept me from embracing the present moment.
It’s funny, my best memories of that time end up being all the times in between, like the road trips with my tour manager and whatever members of the band I was traveling with. I was always thinking about what I needed to be doing better or focused on the show, but it is those conversations on the road when we were tired, hungover, and stressing about where we needed to be, traveling from one venue to the next, that I remember most fondly.
BLADE: What kind of music are you listening to for enjoyment these days?
GRAND: I am loving the new Billie Eilish record. And the country record Post Malone just made. I continue to appreciate him more and more. Whenever I see him in interviews I am just so impressed with how centered and genuine he is; how he seems to know exactly who he is. There is a real depth and a goodness in him, and I think that really comes through in his voice.
BLADE: Am I remembering correctly that for a while, you left Chicago for LA? If that’s correct, what was that experience like for you?
GRAND: I spent some time in LA while I was making my first record. I stayed with a friend of a friend. Funny enough, I had never met them before the day I showed up at their door with my bags. It was on my 24th birthday. They gave and gave to me and never expected anything in return. I don’t think I ever went out and did any nightlife there. The friends I stayed with had a large group of friends and threw a lot of parties and events, so I really benefited from having their sort of built-in group of guys to hang out with when I stayed out there.
BLADE: How long have you been back in Chicago?
GRAND: Other than the several months I’ve spent in LA, my summers in Ptown, and winters in Puerto Vallarta, I’ve been in the Chicago area the whole time.
BLADE: What do you like best about being in Chicago?
GRAND: The lakefront in the summer. The fact that the crumby winters are something we all endure together, which means we also experience the beauty and aliveness of the spring and summer together. The winters are so cold and dead, but it makes you appreciate the beautiful weather in the summer, and all the plant life that comes back to life. The whole city comes alive when it starts getting nice. Everyone’s mood is lifted and there is a real sense that we need to make the most of the summer because it’s fleeting. I also love the people. Chicago is not as transient as cities like LA and New York where most people are not from there. Most Chicagoans have roots here. And people are genuinely nice and kind.
BLADE: In 2019, you launched Grand Axis, a clothing line designed by you that includes underwear, swimwear, shorts, socks, T-shirts, and hats. How did you come up with the name Grand Axis?
GRAND: I was about two weeks from going into production with the name “Grand.” I stupidly assumed I could use it because it was my name, but decided I should hire a trademark attorney just to be sure. I was told there were about 200 other companies that could have a copyright infringement claim, so I needed to come up with a name very quickly. I used word generators and all sorts of other methods of coming up with names. I went with “Axis” because I just like how it sounded together; I thought the word “Axis” was very strong, and I liked that it had the letter X in it, which just looks cool and strong.
BLADE: Was designing this kind of clothing a lifelong passion of yours, or was it something you stumbled upon and decided to run with it?
GRAND: Like a lot of gay men, I had my sexual awakening in the men’s underwear aisle at our local department store [laughs]. And personally, I’ve always found an attractive guy in a Speedo, briefs, or jockstrap even more sexy than seeing him naked. Even when I was a college student working a $10 an hour job and didn’t even have many regular clothes, I was buying more of this attire for myself than anything else. I started to get very fixated on the design and fit. I didn’t know how to sew, but I learned enough to make basic alterations to design and fit. Then I found some sites that made custom pieces. I began drawing my own patterns and having them sewn up. When I posted them on Instagram, I’d get lots of guys asking where they could buy them. And at that point I decided I should just produce them en masse. I thought it would be a side gig. I had no idea all that was involved. I think if I knew how hard it would be I may not have started it [laughs]! So, my ignorance kind of worked out to my benefit, because now I am deep in it and I’m happy I made it all work. So far at least.
BLADE: What’s the most rewarding part of Grand Axis?
GRAND: Going to the beach and seeing guys I don’t even know wearing my brand! It is so rewarding to see guys enjoying and looking great in something I spent hundreds of hours obsessing over every detail. That makes it all so worth it.
BLADE: What’s the most challenging part?
GRAND: A few things: Delegating. Dealing with factories to get them to make the pieces exactly how I want. Always having to make decisions about every aspect of the products and the business. The stress of wiring tens of thousands of dollars of my own money before I see any product. At the end of the day, if the factory goes under, you really don’t have any recourse. I’ve heard horror stories from other brands.
BLADE: You shared your recent pec tear workout injury, as well as your recovery, on social media. Are you fully back to 100% or still taking it easy?
GRAND: I am very grateful to be able to say recovery has been easy and painless. I had an excellent surgeon. The first surgeon I saw said it could not be repaired so I am very glad I got a second opinion. The worst part has been not being able to move much weight with it. There are so many exercises I can’t do, I’m afraid to say I have only had a handful of workouts in the last 10 weeks. I will be 75% healed at 12 weeks, but it will still be a few months before I can lift heavy. But in the scheme of things, I am just grateful I had a problem that could be fixed.
BLADE: Your second album, “Not The End of Me” was released in 2018. Because most people came to know you as a singer/songwriter first, I’d be remiss if I didn’t ask if there was more music from you in the works.
GRAND: I still will write music, but most songs are incomplete. I wish I could say I had another record ready to go, but when the pandemic happened and I wasn’t able to perform and lost 90% of my income that year, I had to make Grand-Axis my full-time job to pay the bills. And now that it has, I struggle to find the time and creative energy to make that happen. But I am still hopeful I will get back to it one of these days.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
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Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
