Arts & Entertainment
From music to fashion, catching up with Steve Grand
‘All American Boy’ now focused on his clothing brand
What’s the first thing that comes to mind when you think of gay singer/songwriter turned fashion designer Steve Grand? Some folks will undoubtedly answer his breakout hit single, “All American Boy,” and the accompanying video. Both were significant in that the song was an unabashedly queer country tune with visuals to match. Of course, it didn’t hurt that Grand was model-handsome and had a flawless body on display. So far, we have his singing voice, songwriting chops, and impressive looks and physique. It’s that gym body, and his own personal interest in the kinds of garments that show them off, that has led him to create his Grand Axis (shopGrandAxis.com) clothing line, featuring men’s underwear and swimwear. Steve was kind enough to make time for an interview, and after you finish reading it, you’ll want to follow him on his socials: @GrandAxis (Instagram), @GrandAxis (TikTok), and @Grand_Axis (Twitter). You won’t be disappointed.
BLADE: Since the release of your debut single in 2013, the country-oriented “All American Boy,” several other male country artists, including Ty Herndon, Billy Gilman, Orville Peck, and TJ Osborne have come out as gay. Do you feel that your being an out musician had anything to do with that?
STEVE GRAND: I think, more than anything, it had to do with the major cultural shift that was happening across this country. According to the Gallup polls, public support for gay marriage went from 40% approval in May 2009, to 60% approval in May 2015. Gay marriage was a big topic of discussion in the early 2010s for a lot of reasons. You had artists like (Lady) Gaga frequently talking about her gay fans, you had gay characters coming out in TV shows; you had the repeal of “Don’t Ask Don’t Tell” in 2011, and then Obergefell in 2015. I think the internet, and the rise of social media had more to do with it than anything. Before social media, corporate press and big movie and TV studios drove the narrative on these sorts of things. And because they are beholden to advertisers, which are more conservative and risk-averse, they would often avoid even acknowledging LGBTQ+ people for fear it would upset large sections of the country. But I think social media gave regular people an opportunity to be their authentic selves. And it gave artists/content creators like me the ability to make music and videos that could be seen by millions without needing the backing of a big record label.
BLADE: Almost 10 years ago, in 2015, you released your full-length debut album “All American Boy.” When you look back on that time, how would you describe it?
GRAND: It was a whirlwind. I remember being cognizant of the fact that it was all moving fast and that I needed to make a conscious effort to stop and take in all the cool, special, unique experiences I was having. Looking back, I don’t think I listened to that voice inside me enough. I always felt like my best days were ahead; that my moment had yet to come, and that I just needed to hunker down and keep working. And, unfortunately, that often kept me from embracing the present moment.
It’s funny, my best memories of that time end up being all the times in between, like the road trips with my tour manager and whatever members of the band I was traveling with. I was always thinking about what I needed to be doing better or focused on the show, but it is those conversations on the road when we were tired, hungover, and stressing about where we needed to be, traveling from one venue to the next, that I remember most fondly.
BLADE: What kind of music are you listening to for enjoyment these days?
GRAND: I am loving the new Billie Eilish record. And the country record Post Malone just made. I continue to appreciate him more and more. Whenever I see him in interviews I am just so impressed with how centered and genuine he is; how he seems to know exactly who he is. There is a real depth and a goodness in him, and I think that really comes through in his voice.
BLADE: Am I remembering correctly that for a while, you left Chicago for LA? If that’s correct, what was that experience like for you?
GRAND: I spent some time in LA while I was making my first record. I stayed with a friend of a friend. Funny enough, I had never met them before the day I showed up at their door with my bags. It was on my 24th birthday. They gave and gave to me and never expected anything in return. I don’t think I ever went out and did any nightlife there. The friends I stayed with had a large group of friends and threw a lot of parties and events, so I really benefited from having their sort of built-in group of guys to hang out with when I stayed out there.
BLADE: How long have you been back in Chicago?
GRAND: Other than the several months I’ve spent in LA, my summers in Ptown, and winters in Puerto Vallarta, I’ve been in the Chicago area the whole time.
BLADE: What do you like best about being in Chicago?
GRAND: The lakefront in the summer. The fact that the crumby winters are something we all endure together, which means we also experience the beauty and aliveness of the spring and summer together. The winters are so cold and dead, but it makes you appreciate the beautiful weather in the summer, and all the plant life that comes back to life. The whole city comes alive when it starts getting nice. Everyone’s mood is lifted and there is a real sense that we need to make the most of the summer because it’s fleeting. I also love the people. Chicago is not as transient as cities like LA and New York where most people are not from there. Most Chicagoans have roots here. And people are genuinely nice and kind.
BLADE: In 2019, you launched Grand Axis, a clothing line designed by you that includes underwear, swimwear, shorts, socks, T-shirts, and hats. How did you come up with the name Grand Axis?
GRAND: I was about two weeks from going into production with the name “Grand.” I stupidly assumed I could use it because it was my name, but decided I should hire a trademark attorney just to be sure. I was told there were about 200 other companies that could have a copyright infringement claim, so I needed to come up with a name very quickly. I used word generators and all sorts of other methods of coming up with names. I went with “Axis” because I just like how it sounded together; I thought the word “Axis” was very strong, and I liked that it had the letter X in it, which just looks cool and strong.
BLADE: Was designing this kind of clothing a lifelong passion of yours, or was it something you stumbled upon and decided to run with it?
GRAND: Like a lot of gay men, I had my sexual awakening in the men’s underwear aisle at our local department store [laughs]. And personally, I’ve always found an attractive guy in a Speedo, briefs, or jockstrap even more sexy than seeing him naked. Even when I was a college student working a $10 an hour job and didn’t even have many regular clothes, I was buying more of this attire for myself than anything else. I started to get very fixated on the design and fit. I didn’t know how to sew, but I learned enough to make basic alterations to design and fit. Then I found some sites that made custom pieces. I began drawing my own patterns and having them sewn up. When I posted them on Instagram, I’d get lots of guys asking where they could buy them. And at that point I decided I should just produce them en masse. I thought it would be a side gig. I had no idea all that was involved. I think if I knew how hard it would be I may not have started it [laughs]! So, my ignorance kind of worked out to my benefit, because now I am deep in it and I’m happy I made it all work. So far at least.
BLADE: What’s the most rewarding part of Grand Axis?
GRAND: Going to the beach and seeing guys I don’t even know wearing my brand! It is so rewarding to see guys enjoying and looking great in something I spent hundreds of hours obsessing over every detail. That makes it all so worth it.
BLADE: What’s the most challenging part?
GRAND: A few things: Delegating. Dealing with factories to get them to make the pieces exactly how I want. Always having to make decisions about every aspect of the products and the business. The stress of wiring tens of thousands of dollars of my own money before I see any product. At the end of the day, if the factory goes under, you really don’t have any recourse. I’ve heard horror stories from other brands.
BLADE: You shared your recent pec tear workout injury, as well as your recovery, on social media. Are you fully back to 100% or still taking it easy?
GRAND: I am very grateful to be able to say recovery has been easy and painless. I had an excellent surgeon. The first surgeon I saw said it could not be repaired so I am very glad I got a second opinion. The worst part has been not being able to move much weight with it. There are so many exercises I can’t do, I’m afraid to say I have only had a handful of workouts in the last 10 weeks. I will be 75% healed at 12 weeks, but it will still be a few months before I can lift heavy. But in the scheme of things, I am just grateful I had a problem that could be fixed.
BLADE: Your second album, “Not The End of Me” was released in 2018. Because most people came to know you as a singer/songwriter first, I’d be remiss if I didn’t ask if there was more music from you in the works.
GRAND: I still will write music, but most songs are incomplete. I wish I could say I had another record ready to go, but when the pandemic happened and I wasn’t able to perform and lost 90% of my income that year, I had to make Grand-Axis my full-time job to pay the bills. And now that it has, I struggle to find the time and creative energy to make that happen. But I am still hopeful I will get back to it one of these days.
Out & About
Gala Hispanic Theatre’s Flamenco Festival returns
Gala Hispanic Theater will host the 21st Annual “Fuego Flamenco Festival” from Thursday, Nov. 6 to Saturday, Nov. 22.
The festival will feature American and international artists who will gather in the nation’s capital to celebrate the art of Flamenco. Guests can save 20% on tickets with a festival pass.
The festival kicks off now through Nov. 10 with the D.C. premiere of Crónica de un suceso, created, choreographed and performed by Rafael Ramírez from Spain, accompanied by renowned flamenco singers and musicians. In this new show, Ramírez pays homage to the iconic Spanish Flamenco artist Antonio Gades who paved the way for what Flamenco is today. GALA’s engagement is part of an eight-city tour of the U.S. by Ramírez and company.
The magic continues Nov. 14-16 with the re-staging of the masterpiece Enredo by Flamenco Aparicio Dance Company, a reflection of the dual nature of the human experience, individual and social, which premiered at GALA in 2023.
For more information, visit the theatre’s website.
Friday, November 7
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday Supper on Saturday will be at 2 p.m. at the DC Center for the LGBT Community. This event will be full of food, laughter and community. For more information, email [email protected].
Monday, November 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Wednesday, November 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
“Gay Men Speed Dating” will be at 7 p.m. at Public Bar Live. This is a fresh alternative to speed dating and matchmaking in a relaxed environment. Tickets start at $37 and are available on Eventbrite.
Thursday, November 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
Sports
Gay speedskater racing toward a more inclusive future in sports
Conor McDermott-Mostowy says anti-DEI push is driving away corporate sponsors
LOS ANGELES — As the countdown begins to the February Winter Olympic Games in Milan, Pride House LA is shining a spotlight on queer athletes who are breaking boundaries both on and off the field. Among them is Team USA speedskater Conor McDermott-Mostowy – a fierce competitor and proud member of the queer community. With blistering speed on the ice and a steadfast commitment to equity in sports, Conor is doing so much more than winning medals – he’s redefining what it means to represent one’s country while representing one’s community.
McDermott-Mostowy is one step closer to the 2026 Winter Olympics after winning the recent silver and bronze medals at the U.S. Championships in speedskating. He appeared at a Nov. 1 event presented by Out Athlete Fund/Pride House LA in the organization’s efforts to raise funds to support Conor and other out athletes as they pursue their Olympic dreams in Milan 2026 and beyond.The Blade spoke to the star athlete to talk about resilience, representation, and the legacy he hopes to leave one day.
Blade: Huge congrats, Conor! Winning a World Cup gold is no small feat. Do you feel like this win proved something to the world – or more importantly, to yourself?
McDermott-Mostowy: Winning gold with my team last year was definitely a major goal achieved. That said, the event we won isn’t yet an Olympic event. The races that have had the most profound impact on me actually happened two years ago.
The first was the team pursuit in Obihiro, Japan. I’d always been more of an alternate for that event, since it’s typically raced by skaters who compete in both the 1500m and 5000m. But I’d been itching for the opportunity to race it at the World Cup level. I finally got that chance when a teammate had to pull out at the last minute due to a back issue. We led the race through six of eight laps, ultimately finishing third. While it was a little disappointing to fall out of the lead, I was proud to prove that I could contribute meaningfully and help the team medal.
The second race was later that year in Salt Lake City, my home ice. After competing in Japan, I came down with a lung infection that affected my performance at the next few World Cups. Fortunately, I had time to recover before the North American World Cups and World Championships. At the Salt Lake City World Cup, I was balancing competition with completing my undergraduate degree. I didn’t know what to expect, but I ended up finishing fifth in the 1000m—my highest individual finish ever—and posted a time of 1:06.91. That’s a very significant time in speedskating; only three other Americans have gone under 1:07 in that event, all of whom became world champions. That result felt like a turning point, showing me that an Olympic or World Championship medal wasn’t just a dream—it was within reach.
Blade: This PrideHouse LA event is a huge moment. What does that support from the queer community mean to you?
McDermott-Mostowy: It’s incredibly meaningful. Being queer in Olympic sport can be very isolating, both inside and outside the sport. I barely have time to socialize outside of skating, and relocating to Salt Lake City doesn’t exactly help when it comes to queer community. So having that kind of solidarity and support from the wider LGBTQ+ community really means a lot.
Blade: Do you remember the moment you realized skating could take you all the way to the Olympics?
McDermott-Mostowy: There hasn’t been one single moment. It’s been a series of them. Over the years, I’ve had many races that shattered the limits I thought I had and inspired me to reach higher. That Salt Lake City race was one of them. It made me realize I shouldn’t just aim for the Olympics. I should aim for medals.
Another key moment came in 2018 at my last Junior World Cup, when my teammate and I finished 2nd and 3rd in the mass start. That event is similar to short track but held on a long track. It was my first full year focusing on long track after previously dabbling in it, and we had no expectation of medaling. But after we did, I realized I might actually have a future in this discipline—and that I could be competitive on the world stage. It was a pivotal realization, especially as I was trying to decide whether to continue skating or pursue a traditional college experience.
Blade: What initially drew you to speedskating? How did you get into the sport—and what’s kept you motivated?
McDermott-Mostowy: I grew up on skates. I started at age two and became a strong skater early on. But I never had any interest in hockey or figure skating. One winter, I was skating with my family on the C&O Canal in Washington, D.C., when a guy skated past us on these wild-looking speed skates. I was immediately intrigued. My parents found a local club, which happened to be run by three-time Olympian Nathaniel Mills, and I was hooked.
What’s kept me going is simple: I love it. This isn’t a sport you get rich in. I’ve only earned more than $20,000 a year twice in my career, and you can’t use it to pay for college either. The motivation has to come from within—the pursuit of excellence, the dream of going to the Olympics, and pure love for the sport.
Blade: What’s been your toughest race to date, and what did it teach you?
McDermott-Mostowy: That would be the team pursuit in Japan. I wasn’t expecting to race it and had already competed in a full weekend of events before getting the call. Team pursuit is arguably the toughest event in speedskating. Stepping up without being mentally or physically prepared was a challenge, but I did it. It showed me I could push through, even under extreme circumstances.
Blade: You’ve made headlines not just for your speed, but for your openness. What was it like coming out publicly in the world of elite sport?
McDermott-Mostowy: By the time I was publicly identified as gay, I had already been out to anyone who asked. So “coming out” doesn’t feel like the right term. It wasn’t a big declaration. I had the benefit of growing up seeing openly gay athletes and being part of a supportive community. I never felt the need to hide who I was.
Eventually, as I started achieving more on the ice, people began noticing me and the content I posted, and they put two and two together. When I was asked to speak publicly about being an openly gay athlete in speedskating, I didn’t hesitate.
Blade: What have been the biggest challenges in your career – physically, mentally, or otherwise?
McDermott-Mostowy: Honestly, my entire career has been about overcoming challenges. The two biggest obstacles have been illness and finances.
I’ve dealt with asthma, a norovirus that derailed my chances in 2022, and a fatigue condition last season that affected my performance. These setbacks take a toll. Not just physically, but mentally. When you invest everything into your sport, being forced to pause or scale back is a huge emotional hurdle.
Financially, speedskating is a tough path. Even as a consistent top-20 skater in the world, I’ve only broken $20k twice in a year, and we’re paid for just nine months, even though we train year-round. I’ve leaned on friends and family for support many times just to make ends meet.
Blade: Have you ever been told – explicitly or implicitly – that being openly gay could hurt your chances with sponsors or coaches?
McDermott-Mostowy: Never with coaches. In our sport, selections are based on the clock, not someone’s opinion. My coaches have always been great.
But when it comes to sponsorships, especially over the past year, I’ve noticed a shift. As anti-DEI sentiment grows, brands are backing away from anything that could be seen as “controversial.” Being openly gay seems to fall into that category now. Since most of our income comes from sponsorships, that retreat is deeply felt.
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