Waiting in the windy cold of a 45-degree February day in Washington, Tara Hoot stood in Washington Circle wearing a canary yellow dress, heels, and a rainbow feather boa. Hoot was waiting, along with about 100 others, although most of them were wearing layers of clothes, for a protest to begin.

“I am here because, well, I’m angry at the situation we find ourselves in,” Hoot told the Blade amid a growing crowd of pro-drag and pro-LGBTQ protesters who gathered behind her. “I’m just so annoyed that this sitting president is attacking a marginalized population. It’s a distraction for the country when everything’s falling apart. The cost of eggs is up there, and inflation is rising, and he’s here attacking a marginalized population in D.C.? It’s like, go do your job, right? It’s immoral what he’s doing, and it’s weak to attack the marginalized population. He’s just showing his own weakness.”

Last week President Trump promised followers that he would remove anyone that “do not share our vision for a Golden Age in Arts and Culture,” specifically targeting drag performers at the Kennedy Center. On Wednesday he made that goal a reality by removing the 18 Democratic members on the formerly bipartisan Kennedy Center board, replacing them with Trump loyalists. 

This raised questions of the legality of removing the board, and his seeming attempt to silence First Amendment rights. As a result, the Kennedy Center issued a statement following Trump’s post. 

“Per the Center’s governance established by Congress in 1958, the chair of the board of trustees is appointed by the Center’s board members,” the statement read. “There is nothing in the Center’s statute that would prevent a new administration from replacing board members; however, this would be the first time such action has been taken with the Kennedy Center’s board.”

Of the newly appointed board members, all have stood behind the twice impeached president as he continues to slash the federal government. These loyalists include Richard Grenell, a gay man who served as Trump’s ambassador to Germany in his first term; Usha Vance, the second lady of the United States; Susie Wiles, the White House chief of staff; and Patricia Duggan, a philanthropist and top GOP donor.

The newly appointed board then elected Trump as chair. 

When asked what Hoot, a local drag icon who has performed at the Kennedy Center, would say to the current board, she was quick with an answer.

“Well darling, they missed their chance!” Hoot said. “I was running for board president of the Kennedy Center, the people’s princess, I would say. Art is gorgeous and diverse and beautiful, and it’s a way that we all tell our stories. The board needs to keep the heart of the Kennedy Center in mind, no matter who their board chair is. They actually need to have a spine and push back when these ideas that art has to be one thing or another, the board needs to push back and keep the Kennedy Center a people’s place for art.”

Brooke N Hymen, a self-described “professional crossdresser” and trans person explained that to them, the changes in public attitude is more than a silencing of free speech, but an erasure of trans people. 

“I find that attacks on drag are not just an attack on my heart, my livelihood, but also a veiled attack on trans people,” Hymen said. “They want to code trans people and what they do in their daily expression as drag as a way to ban trans people. So if we don’t stand up against these attacks on drag, trans people are the first people that will be harmed.” 

Hymen went on to say there are clear and simple ways that the board could offset these actions that directly and negatively impact the LGBTQ community.

“More drag programming, more queer artists, more queer musicians, and more queer casts,” they said. “Tara Hoot was running for board of the Kennedy Center. I don’t know how possible that is under Trump, but I think that it’s a lovely sentiment and something that we should all push for.”

Putting Hoot back in the Kennedy Center was also on the mind of other participants of the protest dance party. John Borstel, a former arts administrator, also said that appointing someone like Hoot to the board would be beneficial—if only to ensure that someone would speak out at the Kennedy Center.

“Get out and let the bipartisan board back in,” Borstel said. “Get out and get people who know the arts back in. Let Tara Hoot in here! The drag queen who’s performed at the Kennedy Center. She’s been outspoken about this. She’s gone on record where the Biden appointed and ousted board members won’t even make a public statement about what happened. They’re afraid for themselves. We’ve got drag queens speaking out. The bureaucrats won’t speak up.”

His sentiment regarding the lack of response from former Kennedy Center officials was echoed in his grievances with other established members of the arts community who didn’t show up at the protest. It did make him proud in a unique way though. 

“I have never been prouder than I am tonight, to be a gay man, to be queer, because it’s the queers who have come out to protest it — but it’s affecting everybody,” Borstel said. “He’s going to cut it all down. Everybody should be out here. I worked in the arts sector for over 30 years here. Where are those folks? But the queers are here. And they’re dancing!” 

Bennett Shoop, one of the protest organizers with the Claudia Jones School for Political Education, told the crowd at Washington Circle—just before their march down New Hampshire Avenue to the front of the Kennedy Center—that drag is deeply intertwined with Washington’s history and that ignoring it means erasing that history.

“Drag is really important to D.C. and it’s important to D.C. history,” Shoop said to the diverse and growing crowd of people listening. “William Dorsey Swann was the first drag queen in the United States, an enslaved person who called themselves “the queen of drag,” who threw drag balls right here in this city. Drag is a D.C. institution, one that Trump has decided is going to be one of his top targets for his fascist administration. But it’s not just about drag performers at the Kennedy Center. This administration wants to remove all kinds of gender non-conformity and LGBTQ people at large from public life, just like the Nazis did at the Hirschfeld Institute when they burned all of those books.” 

“This is D.C.,” he continued as the crowd cheered him on. “D.C. is the queerest city per capita in the United States. We may not have representation in the federal government, but we do have a fighting spirit…He could pass all the executive orders and do all of the fascist takeovers that he wants, but queer and trans people will still be here. You know, we will still dance, and that dance will long outlive them.”

One of those members of the LGBTQ community who resisted oppression through dance and protest, Shoop explained as he concluded his speech, could be credited with sparking the modern gay rights movement.

“Let us never forget that it was none other than drag king Stormé DeLarverie who inspired the Stonewall uprising that led to the gay liberation revolution of the ‘70s. Drag was a part of our revolution then, and it must be a part of our revolution now. I just want to end with a quote from the namesake of our school, Claudia Jones, who once said ‘that a people’s art is the genesis of their freedom.’ So like our predecessors, let this be the genesis of ours.”

Following speeches by the other organizing groups, the group of 200 or so walked in the middle of the road toward the Kennedy Center singing and occasionally stopping to dance. Onlookers from apartments along the road opened windows waving at the group, occasionally screaming words of support from stories up.  

One of those marching in protest was Jennifer Ives of Germantown, Md. She was bundled up in a coat and hat while holding a sign, dancing along the protest route.

“I’m here because I want to support the trans and gay communities,” Ives told the Blade. “I believe that soldiers should get their hormone treatment, their therapy, their pills. I believe that Trump should get out of the Kennedy Center. I believe that right now, there’s an assault on the trans community, and we just can’t stand for it. So we gotta protest, and we gotta dance.”

Another participant, dressed in full drag—from voluminous black and red hair to a sparkly, tinsel-covered suit and thick white heels—emphasized that no matter what executive orders are signed or what bans pass through state legislatures, LGBTQ people have always been here and always will be.

“The main reason is to show that even though these actions have been taken, and though they want to strip us of our power, that we’re still here,” said drag performer Rhiannon LLC. “I think an important thing that stuck with me after the election, even though we lost, Kamala Harris, her main message was, we’re not going back. And if we let that message die, then we kind of go along with it. So to be here and to be out, it’s awesome.”

They continued, saying that if they had the ability to say one thing to the Kennedy Center board, it would be two words: “Have integrity. Although Trump may be there for the next four years, you are there after. These actions will follow you, and your job right now is to support the arts. So support the arts.”

One of the last speeches of the night was delivered directly in front of the Kennedy Center, its marble walls and gold columns providing a final backdrop for the protest. Pussy Noir, another local drag legend, was handed a mic to wrap up the night. 

“This is an intense time for all of us,” said Noir, who currently has a residency with the Kennedy Center REACH program and performs in drag across the city. “I don’t know if you know this about me, but I’m the main drag queen that brought drag to the Kennedy Center, and with many other drag queens in this city, helped establish it as a real art form.”

Noir took a moment to look out at the crowd, their faces illuminated by the glow of the Kennedy Center, before finishing with a message of resilience and solidarity for all drag artists — those currently protesting in front of the Kennedy Center and those performing in hole-in-the-wall gay bars across the country.

“So no matter what anyone says, If you are a drag performer, you are an artist. If you support drag, you are supporting artists. Right now this is an attack, not only on free speech, but on artists, on small business owners, and I think that’s something that everyone in this country can understand. We must be supportive of each other and kind to each other. More than anything, that is the only way that we can fight this.”