District of Columbia
Dancing protesters denounce Trump’s Kennedy Center takeover
‘This is an attack, not only on free speech, but on artists’
Waiting in the windy cold of a 45-degree February day in Washington, Tara Hoot stood in Washington Circle wearing a canary yellow dress, heels, and a rainbow feather boa. Hoot was waiting, along with about 100 others, although most of them were wearing layers of clothes, for a protest to begin.
“I am here because, well, I’m angry at the situation we find ourselves in,” Hoot told the Blade amid a growing crowd of pro-drag and pro-LGBTQ protesters who gathered behind her. “I’m just so annoyed that this sitting president is attacking a marginalized population. It’s a distraction for the country when everything’s falling apart. The cost of eggs is up there, and inflation is rising, and he’s here attacking a marginalized population in D.C.? It’s like, go do your job, right? It’s immoral what he’s doing, and it’s weak to attack the marginalized population. He’s just showing his own weakness.”
Last week President Trump promised followers that he would remove anyone that “do not share our vision for a Golden Age in Arts and Culture,” specifically targeting drag performers at the Kennedy Center. On Wednesday he made that goal a reality by removing the 18 Democratic members on the formerly bipartisan Kennedy Center board, replacing them with Trump loyalists.
This raised questions of the legality of removing the board, and his seeming attempt to silence First Amendment rights. As a result, the Kennedy Center issued a statement following Trump’s post.
“Per the Center’s governance established by Congress in 1958, the chair of the board of trustees is appointed by the Center’s board members,” the statement read. “There is nothing in the Center’s statute that would prevent a new administration from replacing board members; however, this would be the first time such action has been taken with the Kennedy Center’s board.”
Of the newly appointed board members, all have stood behind the twice impeached president as he continues to slash the federal government. These loyalists include Richard Grenell, a gay man who served as Trump’s ambassador to Germany in his first term; Usha Vance, the second lady of the United States; Susie Wiles, the White House chief of staff; and Patricia Duggan, a philanthropist and top GOP donor.
The newly appointed board then elected Trump as chair.
When asked what Hoot, a local drag icon who has performed at the Kennedy Center, would say to the current board, she was quick with an answer.
“Well darling, they missed their chance!” Hoot said. “I was running for board president of the Kennedy Center, the people’s princess, I would say. Art is gorgeous and diverse and beautiful, and it’s a way that we all tell our stories. The board needs to keep the heart of the Kennedy Center in mind, no matter who their board chair is. They actually need to have a spine and push back when these ideas that art has to be one thing or another, the board needs to push back and keep the Kennedy Center a people’s place for art.”
Brooke N Hymen, a self-described “professional crossdresser” and trans person explained that to them, the changes in public attitude is more than a silencing of free speech, but an erasure of trans people.
“I find that attacks on drag are not just an attack on my heart, my livelihood, but also a veiled attack on trans people,” Hymen said. “They want to code trans people and what they do in their daily expression as drag as a way to ban trans people. So if we don’t stand up against these attacks on drag, trans people are the first people that will be harmed.”
Hymen went on to say there are clear and simple ways that the board could offset these actions that directly and negatively impact the LGBTQ community.
“More drag programming, more queer artists, more queer musicians, and more queer casts,” they said. “Tara Hoot was running for board of the Kennedy Center. I don’t know how possible that is under Trump, but I think that it’s a lovely sentiment and something that we should all push for.”
Putting Hoot back in the Kennedy Center was also on the mind of other participants of the protest dance party. John Borstel, a former arts administrator, also said that appointing someone like Hoot to the board would be beneficial—if only to ensure that someone would speak out at the Kennedy Center.
“Get out and let the bipartisan board back in,” Borstel said. “Get out and get people who know the arts back in. Let Tara Hoot in here! The drag queen who’s performed at the Kennedy Center. She’s been outspoken about this. She’s gone on record where the Biden appointed and ousted board members won’t even make a public statement about what happened. They’re afraid for themselves. We’ve got drag queens speaking out. The bureaucrats won’t speak up.”
His sentiment regarding the lack of response from former Kennedy Center officials was echoed in his grievances with other established members of the arts community who didn’t show up at the protest. It did make him proud in a unique way though.
“I have never been prouder than I am tonight, to be a gay man, to be queer, because it’s the queers who have come out to protest it — but it’s affecting everybody,” Borstel said. “He’s going to cut it all down. Everybody should be out here. I worked in the arts sector for over 30 years here. Where are those folks? But the queers are here. And they’re dancing!”
Bennett Shoop, one of the protest organizers with the Claudia Jones School for Political Education, told the crowd at Washington Circle—just before their march down New Hampshire Avenue to the front of the Kennedy Center—that drag is deeply intertwined with Washington’s history and that ignoring it means erasing that history.
“Drag is really important to D.C. and it’s important to D.C. history,” Shoop said to the diverse and growing crowd of people listening. “William Dorsey Swann was the first drag queen in the United States, an enslaved person who called themselves “the queen of drag,” who threw drag balls right here in this city. Drag is a D.C. institution, one that Trump has decided is going to be one of his top targets for his fascist administration. But it’s not just about drag performers at the Kennedy Center. This administration wants to remove all kinds of gender non-conformity and LGBTQ people at large from public life, just like the Nazis did at the Hirschfeld Institute when they burned all of those books.”
“This is D.C.,” he continued as the crowd cheered him on. “D.C. is the queerest city per capita in the United States. We may not have representation in the federal government, but we do have a fighting spirit…He could pass all the executive orders and do all of the fascist takeovers that he wants, but queer and trans people will still be here. You know, we will still dance, and that dance will long outlive them.”
One of those members of the LGBTQ community who resisted oppression through dance and protest, Shoop explained as he concluded his speech, could be credited with sparking the modern gay rights movement.
“Let us never forget that it was none other than drag king Stormé DeLarverie who inspired the Stonewall uprising that led to the gay liberation revolution of the ‘70s. Drag was a part of our revolution then, and it must be a part of our revolution now. I just want to end with a quote from the namesake of our school, Claudia Jones, who once said ‘that a people’s art is the genesis of their freedom.’ So like our predecessors, let this be the genesis of ours.”
Following speeches by the other organizing groups, the group of 200 or so walked in the middle of the road toward the Kennedy Center singing and occasionally stopping to dance. Onlookers from apartments along the road opened windows waving at the group, occasionally screaming words of support from stories up.
One of those marching in protest was Jennifer Ives of Germantown, Md. She was bundled up in a coat and hat while holding a sign, dancing along the protest route.
“I’m here because I want to support the trans and gay communities,” Ives told the Blade. “I believe that soldiers should get their hormone treatment, their therapy, their pills. I believe that Trump should get out of the Kennedy Center. I believe that right now, there’s an assault on the trans community, and we just can’t stand for it. So we gotta protest, and we gotta dance.”
Another participant, dressed in full drag—from voluminous black and red hair to a sparkly, tinsel-covered suit and thick white heels—emphasized that no matter what executive orders are signed or what bans pass through state legislatures, LGBTQ people have always been here and always will be.
“The main reason is to show that even though these actions have been taken, and though they want to strip us of our power, that we’re still here,” said drag performer Rhiannon LLC. “I think an important thing that stuck with me after the election, even though we lost, Kamala Harris, her main message was, we’re not going back. And if we let that message die, then we kind of go along with it. So to be here and to be out, it’s awesome.”
They continued, saying that if they had the ability to say one thing to the Kennedy Center board, it would be two words: “Have integrity. Although Trump may be there for the next four years, you are there after. These actions will follow you, and your job right now is to support the arts. So support the arts.”
One of the last speeches of the night was delivered directly in front of the Kennedy Center, its marble walls and gold columns providing a final backdrop for the protest. Pussy Noir, another local drag legend, was handed a mic to wrap up the night.
“This is an intense time for all of us,” said Noir, who currently has a residency with the Kennedy Center REACH program and performs in drag across the city. “I don’t know if you know this about me, but I’m the main drag queen that brought drag to the Kennedy Center, and with many other drag queens in this city, helped establish it as a real art form.”
Noir took a moment to look out at the crowd, their faces illuminated by the glow of the Kennedy Center, before finishing with a message of resilience and solidarity for all drag artists — those currently protesting in front of the Kennedy Center and those performing in hole-in-the-wall gay bars across the country.
“So no matter what anyone says, If you are a drag performer, you are an artist. If you support drag, you are supporting artists. Right now this is an attack, not only on free speech, but on artists, on small business owners, and I think that’s something that everyone in this country can understand. We must be supportive of each other and kind to each other. More than anything, that is the only way that we can fight this.”
District of Columbia
Doc on Blade reporter Chibbaro scores Emmy nomination
‘Lou’s Legacy’ chronicles 50-year career
“Lou’s Legacy: A Reporter’s Life at the Washington Blade” has been nominated for a Capital Emmy in the “Documentary – Historical” category by the National Capital Chesapeake Bay Chapter of the National Academy of Television Arts & Sciences.
“Our members include all of the video content producers who serve our local audiences in Washington, DC, Maryland and Virginia—from the Atlantic to the Appalachians, from Bristol to Baltimore,” said Capitol Emmys President Adam Longo in a press release.
Broadcast last June by WETA PBS in Washington, D.C. and MPT in Maryland, the documentary was directed and produced by Emmy-nominated filmmaker Patrick Sammon in association with the Mattachine Society of Washington, D.C. Additional nominees who worked on the film include producer Julianne Donofrio and editor Amir Jaffer.
“Lou’s Legacy” tells the story of two D.C. icons — legendary Washington Blade reporter Lou Chibbaro Jr. and beloved drag performer Donnell Robinson, known to generations of Washington audiences as “Ella Fitzgerald.” Through Chibbaro’s nearly five-decade career at the Blade and Ella’s return to the stage after a three-year hiatus following COVID, the 29-minute documentary explores the history of Washington’s LGBTQ community and today’s rising backlash against LGBTQ rights, including laws targeting drag performers.
“We’re honored that Lou’s Legacy has been recognized alongside such an impressive group of historical documentaries,” said Sammon. “This nomination is especially meaningful because the film preserves and celebrates the stories of people who helped shape queer history in Washington, DC — often without recognition from mainstream institutions. We’re deeply grateful to the Mattachine Society, Lou Chibbaro Jr., Donnell Robinson, WETA PBS, and everyone who helped bring this project to life.”
“Lou’s Legacy” premiered on WETA PBS in June 2025 during Pride month. The documentary also broadcast on Maryland Public Television and is streaming nationally on PBS.org. WETA will rebroadcast “Lou’s Legacy” several times during Pride month, including June 15 th at 9 p.m. Winners of the Capital Emmy Awards will be announced at the Capital Emmy Gala on June 20 at the Bethesda Marriott Hotel.
District of Columbia
D.C. Black Pride set for Memorial Day Weekend
Dozens of events to reflect theme of ‘New Black Renaissance’
D.C.’s annual LGBTQ Black Pride celebration is scheduled to take place May 22-25 as it has since its founding 35 years ago on Memorial Day Weekend with several dozen events in locations across the city.
Like recent years, most of the official events are scheduled to take place at the Westin D.C. Downtown Hotel, including the Opening Reception on Friday, May 22, when Grammy Award-winning singer-songwriter Durand Bernarr was scheduled to be among the performers.
“This high-energy reception brings together community leaders, creatives, tastemakers, and visitors from across the globe for a night rooted in connection, joy, and celebration,” according to a statement on the Black Pride website.
Also, like past years, the second day of official Black Pride events set for Saturday, May 23, will include a dozen workshop sessions on a wide range of issues and topics. The workshop sessions will take place at the Westin Hotel.
On that same day, Black Trans Pride is scheduled to take place at the hotel from 1- 6 p.m., according to the official schedule of events.
“The goal is and always has been to make sure we have events for everybody, regardless of their financial situation, regardless of their agenda,” said Kenya Hutton, president and CEO of the Center For Black Equity, the D.C. LGBTQ group that organizes D.C. Black Pride.
Hutton said this year for the first time there will be a D.C. Black Pride Fun Run. The Black Pride website says the 5k run will take place Saturday, May 23, from 8 a.m.-12 p.m. starting at the Frederick Douglass Bride near the D.C. Navy Yard.
He said another first will be a film screening of the documentary film “Not Your Average Girl,” about the life of trans woman, author, and advocate Hope Giselle, scheduled for May 22 at the nearby Eaton Hotel.
Also, like in past years, this year’s Black Pride will feature a Rainbow Row organization and vendor expo at the Westin from 5-9 p.m. Friday and 10 a.m. to 8 p.m. on Saturday that includes information tables set up by organizations and vendors.
The annual Pride In The Park event will take place Monday, May 25, from 12-7 p.m. at Fort Dupont Park located at 3600 F St., S.E. And the seventh annual “Brunch & Babes” drag event was scheduled for Sunday, May 24, at Hook Hall nightclub at 3400 Georgia Ave., N.W.
Among the other events taking place at other locations is a Sunday, May 24 “G-Spot Day Party” organized by local gay activist Geno Dunnington to be held at Bravo Bravo nightclub at 1001 Connecticut Ave., N.W. from 3-9 p.m. Dunnington told the Washington Blade the event will include the playing of house music, which he says played a role in local D.C. Black LGBTQ culture and in the first Black Pride celebration in 1991. The Black Pride website includes a write up of how that came about.
“From 1976 until1990, the ClubHouse in Washington, D.C. was a remarkable nightclub founded by Black members of D.C.’s LGBTQ community, widely known for its signature event – the Children’s Hour,” the write-up says. “This event was a true celebration and took place annually during Memorial Day weekend,” it says.
“When the ClubHouse closed in 1990, many feared the Memorial Day tradition would be lost,” the write-up continues. “However, three men – Welmore Cook, Theodore Kirkland, and Ernest Hopkins – envisioned creating an event that would continue the tradition of the Children’s Hour while also bringing awareness to the growing HIV/AIDS epidemic in their community.”
The write-up adds, “Their vision and hard work gave life to the first Black Gay and Lesbian Pride event on May 25, 1991, on the grounds of Banneker Field,” which is located near Howard University. “This first event drew 800 people, who were centered around the theme of ‘Let’s All Come Together.’”
It says organizers expanded the scope of the Black Pride events over the next several years as it evolved and prompted Black Pride events in other cities and the formation of the International Federation of Black Prides, which later became the Center for Black Equity.
“D.C. Black Pride was the catalyst for what is now regarded as the Black Pride Movement,” the writeup says. “Since its birth, more than 50 other Black Pride celebrations now take place throughout the world, many using D.C. Black Pride as its model.”
It adds, “Today, more than 500,000 members of the lesbian, gay, bisexual and transgender community of African descent and their allies come to Washington, D.C. on Memorial Day weekend to celebrate the beauty of a shared community and raise awareness and funding for HIV/AIDS in the name and spirit of Black Pride.”
Hutton said D.C. Black Pride has grown to a point where organizers cannot keep track of all the unofficial events taking place.
“There are a number of events that are not even on our website,” he said. “They’re parties. People are having cookouts. There are all kinds of things that are happening over the weekend, that are official listed events, partner events, and non-partner events.”
Hutton said that while D.C. Black Pride’s support from corporate and business sponsors has remained stable, Black Pride organizations in other cities have been hit hard by the growing reluctance by businesses to sponsor LGBTQ related events and LGBTQ organizations brought about by the Trump administration’s opposition to so-called diversity, equity and inclusion or “DEI” programs.
He said several Black Pride groups have had to curtail their annual celebrations’ scope, with some facing the prospect of cancelling their celebrations due to a sharp decrease in funds from business donors. D.C. Black Pride has also faced the impact of anti-DEI pressure from the Trump administration, according to Hutton, from businesses that have asked not to be publicly identified as sponsors.
“The administration has put pressure on some of our traditional sponsors, and we have some sponsors this year who have told us don’t put our ad, don’t put our logo, don’t put anything out” to publicly identify them as sponsors, Hutton said. “They still want to support us but can’t announce they are financially supporting us in any kind of way,” he said.
As she has in recent past years, D.C. Mayor Muriel Bowser this year issued an official mayoral proclamation declaring May 22-25, 2026 as “DC BLACK PRIDE WEEKEND.”
A list of the official 2026 D.C. Black Pride and partner events and their locations can be accessed at dcblackpride.org.
District of Columbia
HIV Vaccine Awareness Day set for May 18
Whitman-Walker joins nationwide recognition of efforts to develop vaccine
Whitman-Walker Health, the D.C.-based community healthcare center that specializes in HIV/AIDS and LGBTQ-related health services, will join health care advocates from across the country to support efforts to develop an HIV vaccine on HIV Vaccine Awareness Day on May 18.
“HIV Awareness Day, observed annually on May 18, was established to recognize and thank the volunteers, scientists, health professionals, and community members working toward a safe and effective prevention HIV vaccine,” Whitman-Walker said in a statement.
“Led by the National Institutes of Health’s National Institute of Allergy and Infectious Diseases (NIAID), the day is also an opportunity to educate communities about the critical importance of preventive HIV vaccine research,” the statement says.
It adds, “The reality is that any new vaccine discovery must be built community by community, institution by institution, and then it must reach everyone – especially the communities who have carried the heaviest burden of this epidemic.”
On its own website, the National Institutes of Health says HIV Vaccine Awareness Day also highlights its longstanding efforts, coordinated by its Office of AIDS Research, to support researchers’ efforts to develop an HIV vaccine.
“Researchers are making promising headway in efforts to develop a safe, effective HIV vaccine,” it says in a statement on its website.
A Whitman-Walker spokesperson said Whitman-Walker was not holding a specific event to observe HIV Vaccine Awareness Day, but it will recognize the day as a way of encouragement for its ongoing work to address the AIDS epidemic and support for vaccine research.
“Today, no one has to die from HIV,” said Whitman-Walker’s Health System division’s CEO, Dr. Heather Aaron in the Whitman-Walker statement. “We have the treatments, the technology, and the research to change outcomes, and yet people in our community are still dying from HIV//AIDS,” she said in the statement.
“That is unacceptable, and it is exactly why our work continues,” she added. “Here in D.C. with more focus on Southeast D.C., the Whitman-Walker Health System remains committed to making a difference through cutting-edge research, policy advocacy, and philanthropy, because fair access to life-saving treatment is not a privilege. It is a right.”
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