District of Columbia
Dancing protesters denounce Trump’s Kennedy Center takeover
‘This is an attack, not only on free speech, but on artists’
Waiting in the windy cold of a 45-degree February day in Washington, Tara Hoot stood in Washington Circle wearing a canary yellow dress, heels, and a rainbow feather boa. Hoot was waiting, along with about 100 others, although most of them were wearing layers of clothes, for a protest to begin.
“I am here because, well, I’m angry at the situation we find ourselves in,” Hoot told the Blade amid a growing crowd of pro-drag and pro-LGBTQ protesters who gathered behind her. “I’m just so annoyed that this sitting president is attacking a marginalized population. It’s a distraction for the country when everything’s falling apart. The cost of eggs is up there, and inflation is rising, and he’s here attacking a marginalized population in D.C.? It’s like, go do your job, right? It’s immoral what he’s doing, and it’s weak to attack the marginalized population. He’s just showing his own weakness.”
Last week President Trump promised followers that he would remove anyone that “do not share our vision for a Golden Age in Arts and Culture,” specifically targeting drag performers at the Kennedy Center. On Wednesday he made that goal a reality by removing the 18 Democratic members on the formerly bipartisan Kennedy Center board, replacing them with Trump loyalists.
This raised questions of the legality of removing the board, and his seeming attempt to silence First Amendment rights. As a result, the Kennedy Center issued a statement following Trump’s post.
“Per the Center’s governance established by Congress in 1958, the chair of the board of trustees is appointed by the Center’s board members,” the statement read. “There is nothing in the Center’s statute that would prevent a new administration from replacing board members; however, this would be the first time such action has been taken with the Kennedy Center’s board.”
Of the newly appointed board members, all have stood behind the twice impeached president as he continues to slash the federal government. These loyalists include Richard Grenell, a gay man who served as Trump’s ambassador to Germany in his first term; Usha Vance, the second lady of the United States; Susie Wiles, the White House chief of staff; and Patricia Duggan, a philanthropist and top GOP donor.
The newly appointed board then elected Trump as chair.
When asked what Hoot, a local drag icon who has performed at the Kennedy Center, would say to the current board, she was quick with an answer.
“Well darling, they missed their chance!” Hoot said. “I was running for board president of the Kennedy Center, the people’s princess, I would say. Art is gorgeous and diverse and beautiful, and it’s a way that we all tell our stories. The board needs to keep the heart of the Kennedy Center in mind, no matter who their board chair is. They actually need to have a spine and push back when these ideas that art has to be one thing or another, the board needs to push back and keep the Kennedy Center a people’s place for art.”
Brooke N Hymen, a self-described “professional crossdresser” and trans person explained that to them, the changes in public attitude is more than a silencing of free speech, but an erasure of trans people.
“I find that attacks on drag are not just an attack on my heart, my livelihood, but also a veiled attack on trans people,” Hymen said. “They want to code trans people and what they do in their daily expression as drag as a way to ban trans people. So if we don’t stand up against these attacks on drag, trans people are the first people that will be harmed.”
Hymen went on to say there are clear and simple ways that the board could offset these actions that directly and negatively impact the LGBTQ community.
“More drag programming, more queer artists, more queer musicians, and more queer casts,” they said. “Tara Hoot was running for board of the Kennedy Center. I don’t know how possible that is under Trump, but I think that it’s a lovely sentiment and something that we should all push for.”
Putting Hoot back in the Kennedy Center was also on the mind of other participants of the protest dance party. John Borstel, a former arts administrator, also said that appointing someone like Hoot to the board would be beneficial—if only to ensure that someone would speak out at the Kennedy Center.
“Get out and let the bipartisan board back in,” Borstel said. “Get out and get people who know the arts back in. Let Tara Hoot in here! The drag queen who’s performed at the Kennedy Center. She’s been outspoken about this. She’s gone on record where the Biden appointed and ousted board members won’t even make a public statement about what happened. They’re afraid for themselves. We’ve got drag queens speaking out. The bureaucrats won’t speak up.”
His sentiment regarding the lack of response from former Kennedy Center officials was echoed in his grievances with other established members of the arts community who didn’t show up at the protest. It did make him proud in a unique way though.
“I have never been prouder than I am tonight, to be a gay man, to be queer, because it’s the queers who have come out to protest it — but it’s affecting everybody,” Borstel said. “He’s going to cut it all down. Everybody should be out here. I worked in the arts sector for over 30 years here. Where are those folks? But the queers are here. And they’re dancing!”
Bennett Shoop, one of the protest organizers with the Claudia Jones School for Political Education, told the crowd at Washington Circle—just before their march down New Hampshire Avenue to the front of the Kennedy Center—that drag is deeply intertwined with Washington’s history and that ignoring it means erasing that history.
“Drag is really important to D.C. and it’s important to D.C. history,” Shoop said to the diverse and growing crowd of people listening. “William Dorsey Swann was the first drag queen in the United States, an enslaved person who called themselves “the queen of drag,” who threw drag balls right here in this city. Drag is a D.C. institution, one that Trump has decided is going to be one of his top targets for his fascist administration. But it’s not just about drag performers at the Kennedy Center. This administration wants to remove all kinds of gender non-conformity and LGBTQ people at large from public life, just like the Nazis did at the Hirschfeld Institute when they burned all of those books.”
“This is D.C.,” he continued as the crowd cheered him on. “D.C. is the queerest city per capita in the United States. We may not have representation in the federal government, but we do have a fighting spirit…He could pass all the executive orders and do all of the fascist takeovers that he wants, but queer and trans people will still be here. You know, we will still dance, and that dance will long outlive them.”
One of those members of the LGBTQ community who resisted oppression through dance and protest, Shoop explained as he concluded his speech, could be credited with sparking the modern gay rights movement.
“Let us never forget that it was none other than drag king Stormé DeLarverie who inspired the Stonewall uprising that led to the gay liberation revolution of the ‘70s. Drag was a part of our revolution then, and it must be a part of our revolution now. I just want to end with a quote from the namesake of our school, Claudia Jones, who once said ‘that a people’s art is the genesis of their freedom.’ So like our predecessors, let this be the genesis of ours.”
Following speeches by the other organizing groups, the group of 200 or so walked in the middle of the road toward the Kennedy Center singing and occasionally stopping to dance. Onlookers from apartments along the road opened windows waving at the group, occasionally screaming words of support from stories up.
One of those marching in protest was Jennifer Ives of Germantown, Md. She was bundled up in a coat and hat while holding a sign, dancing along the protest route.
“I’m here because I want to support the trans and gay communities,” Ives told the Blade. “I believe that soldiers should get their hormone treatment, their therapy, their pills. I believe that Trump should get out of the Kennedy Center. I believe that right now, there’s an assault on the trans community, and we just can’t stand for it. So we gotta protest, and we gotta dance.”
Another participant, dressed in full drag—from voluminous black and red hair to a sparkly, tinsel-covered suit and thick white heels—emphasized that no matter what executive orders are signed or what bans pass through state legislatures, LGBTQ people have always been here and always will be.
“The main reason is to show that even though these actions have been taken, and though they want to strip us of our power, that we’re still here,” said drag performer Rhiannon LLC. “I think an important thing that stuck with me after the election, even though we lost, Kamala Harris, her main message was, we’re not going back. And if we let that message die, then we kind of go along with it. So to be here and to be out, it’s awesome.”
They continued, saying that if they had the ability to say one thing to the Kennedy Center board, it would be two words: “Have integrity. Although Trump may be there for the next four years, you are there after. These actions will follow you, and your job right now is to support the arts. So support the arts.”
One of the last speeches of the night was delivered directly in front of the Kennedy Center, its marble walls and gold columns providing a final backdrop for the protest. Pussy Noir, another local drag legend, was handed a mic to wrap up the night.
“This is an intense time for all of us,” said Noir, who currently has a residency with the Kennedy Center REACH program and performs in drag across the city. “I don’t know if you know this about me, but I’m the main drag queen that brought drag to the Kennedy Center, and with many other drag queens in this city, helped establish it as a real art form.”
Noir took a moment to look out at the crowd, their faces illuminated by the glow of the Kennedy Center, before finishing with a message of resilience and solidarity for all drag artists — those currently protesting in front of the Kennedy Center and those performing in hole-in-the-wall gay bars across the country.
“So no matter what anyone says, If you are a drag performer, you are an artist. If you support drag, you are supporting artists. Right now this is an attack, not only on free speech, but on artists, on small business owners, and I think that’s something that everyone in this country can understand. We must be supportive of each other and kind to each other. More than anything, that is the only way that we can fight this.”
District of Columbia
SMYAL receives $25,000 award for ‘courageous acts’
D.C. group provides support services for LGBTQ youth
The D.C.-based organization SMYAL, which provides services for LGBTQ youth in the D.C. metro area, including housing for homeless LGBTQ youth, announced on June 30 that it received a $25,000 award for its “courageous acts” in support of the community it serves.
The award was a monetary grant from The Courage Project, which describes itself as a “national initiative investing in acts of courage and compassion that strengthens our communities and democracy.”
A statement on its website says it was launched in May 2025 and is funded and backed by leading national foundations in the U.S.
“At SMYAL, we are deeply grateful to receive support from The Courage Project and are inspired by their bold investment in LGBTQ+ youth at such a critical moment,” SMYAL CEO Erin Whelan said in a statement. “For queer and trans young people, simply showing up as themselves each day requires immense courage, and that courage is strengthened when organizations like The Courage Project stand behind them loudly, proudly, and without hesitation,” Whelan said.
In its statement announcing the award SMYAL says The Courage Project will recognize SMYAL and other awardees and their work on July 3 at the Washington National Cathedral as part of a special interfaith service marking the U.S. 250th anniversary.
“The Courage Project is a bold initiative honoring everyday acts of bravery – the quiet, often unseen acts of heroism that reflect the best of the American spirit and strengthen democracy at the community level,” the project states on its website.
District of Columbia
Longtime Blade staffer Stephen Rutgers steps down after 14 years
Plans to focus on running Crush Dance Bar, other ventures
Longtime Washington Blade employee Stephen Rutgers announced he is stepping down after 14 years to focus on other ventures, including his part ownership of the popular Crush Dance Bar.
Rutgers was hired by the Blade in 2012 to help plan Pride festivities and over the years was promoted to director of sales and marketing. In addition to his broad set of responsibilities, Rutgers planned the annual Pride on the Pier celebration at the Wharf, which has exploded in popularity over the seven years since its launch.
“Watching Pride on the Pier grow from a new community event into one of D.C.’s signature Pride celebrations has been incredibly rewarding,” Rutgers said. “Expanding Pride on the Pier into a two-day festival for WorldPride in 2025 was definitely a career highlight. Seeing thousands of people come together to celebrate our community while supporting the Blade’s mission is something I’ll always be proud of.”
Rutgers described his biggest challenge as navigating the changing media landscape.
“More than ever, we’ve had to remind our community that local journalism matters and that it needs their support,” he said.
He added that he’s most proud of helping to ensure the Washington Blade is positioned to thrive for the next 50 years.
“I was fortunate to be part of the Blade during its 50th anniversary — a milestone that reflects its incredible history and impact,” Rutgers said. “The Blade has been an important voice for the LGBTQ community for more than five decades, and knowing I played a small part in helping its future is most important to me.”
Blade Publisher Brian Pitts praised Rutgers for juggling multiple responsibilities.
“We wish Stephen all the best,” Pitts said. “For the past 14 years, Stephen has been a vital part of the Blade, handling many things — marketing and advertising, sponsorships, and Blade signature events. We will all miss him.”
Blade Editor Kevin Naff thanked Rutgers for his years of service to the community.
“After 14 years, it’s hard to imagine the Blade without Stephen and his boundless energy and creativity,” Naff said. “He’s one of the hardest working and most dedicated people I’ve ever known and he will be missed. But change is the only constant and I know Stephen will move on successfully to new challenges and the Blade will expand on Stephen’s important work.”
As for what’s next for Rutgers, he said he plans to focus on Crush as well as his real estate business.
“I’ve always been someone who likes to stay busy,” Rutgers said. “For the past 12 years, I’ve balanced my work at the Blade and in real estate. Two years ago when I opened Crush, I never realized just how much time and energy it would take. The passing of my father earlier this year also gave me a new perspective. It reminded me that life is short and that it’s important to make time for the people and experiences that matter most. Stepping away from the Blade will allow me to focus on those ventures while also creating more balance in my life. After 14 incredible years, it feels like the right time for a new chapter.”
Naff said that for now Rutgers’s responsibilities will be divided between existing staff along with several new freelance contractors.
“The Washington Blade plays a unique role in our community’s fight for equality,” Rutgers said. “It’s the only LGBTQ news organization with White House credentials, giving it direct access to the people and institutions shaping policies that affect our community. The Blade continues to hold elected officials accountable, report on the issues that matter most to LGBTQ people, and tell the stories that often go uncovered by mainstream media.
“The Blade has been my family for most of my adult life. For 14 years, it has been part of my daily routine, so it’s going to feel very strange waking up and not logging on each morning.”
District of Columbia
Nearly 6,000 turn out for Pride Night Out at the Nationals
Gay Men’s Chorus sings National Anthem
“Just shy of” 6,000 people purchased tickets for the Wednesday, June 24, 21st annual Pride Night Out at the Washington Nationals baseball stadium, which the Nationals said is the longest running LGBTQ Pride event in Major League Baseball, according to a Nationals spokesperson.
The event was organized with the Nationals by Team D.C., the local LGBTQ sports group that organizes similar Pride Nights for other professional D.C. area sports teams.
“It was a good time had by all as the Nationals celebrated the LGBTQ+ community during the Nationals 21st Pride Night Out, presented by Team D.C.” the Nationals said in a statement.
Nationals spokesperson Erica George said the overall game attendance was 27,200.
Similar to recent past years, the Gay Men’s Chorus of Washington sung the National Anthem at the start of the game, drawing loud cheers from people throughout the stadium.
The Nationals lost the game to the Philadelphia Phillies by a score of 5-4. Although most of the LGBTQ attendees of the event, held in the right-field mezzanine section of the stadium, were cheering for the Nationals, a sizeable number also cheered for the Phillies.
Miguel Ayala, one of Team D.C.’s lead organizers, said he noticed fans displaying Pride flags and recognized LGBTQ people in all parts of the stadium, indicating significantly more LGBTQ people and their supporters attended the game beyond the close to 6,000 or more who purchased the specific Pride Night Out tickets.
“It was a great excitement last night,” he told the Washington Blade on the day following the event. “I saw a lot of big crowds of our people, I saw everybody I can think of in the community. And it was really great to see the turnout.”
Also, like in previous years, Team D.C. along with the Nationals helped to organize a pre-game show on the large concourse platform area next to the stadium seating area involving a drag show led by local drag performer Shi-Queeta Lee.
“During pregame ceremonies, the Nationals Pride employee resource group was recognized on the field,” the statement released by the Nationals says. “Dr. Demetre Daskalakis, a physician and public health leader who has had a profound impact on the LGBTQ+ community and those living with or vulnerable to HIV, threw out the ceremonial first pitch as the guest of Team D.C.,” the statement says.
It adds that Team D.C.’s scholarship recipient Spencer Doll made the ceremonial call to “Play Ball.”
As if all that were not enough, a Nationals employee who entertains during the Nationals pre-game shows on the field dressed as a giant eagle named “Screech” wearing an eagle’s head mask appeared in the seating area where the Pride Night Out crowd was seated and mingled with the LGBTQ fans, many of whom posed for photos with Screech.
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