Loraine Adele Hutchins, a nationally known and acclaimed advocate for bisexual and LGBTQ rights, co-author and editor of a groundbreaking book on bisexuality, and who taught courses in sexuality, and women’s and LGBTQ studies at a community college in Maryland, died Nov. 19 from complications related to cancer. She was 77.

Hutchins, who told the Washington Blade in a 2023 interview that she self-identified as a bisexual woman, is credited with playing a lead role in advocating for the rights of bisexual people on a local, state, and national level as well as with LGBTQ organizations, many of which bi activists have said were ignoring the needs of the bi community up until recent years.

“Throughout her life, Loraine dedicated herself to working and speaking for those who might not be otherwise heard,” her sister, Rebecca Hutchins, said in a family write-up on Loraine Hutchins’s life and career.

Born in Washington, D.C., and raised in Takoma Park, Md., Rebecca Hutchins said her sister embraced their parents’ involvement in the U.S. civil rights movement.

“She was a child of the ‘60s and proudly recalls attending Martin Luther King’s ‘I Have a Dream’ speech with her mother on the D.C. Mall,” she says in her write-up.  “She was steeped in the civil rights movement, was a member of the Student Non-Violent Coordinating Committee, and was proud to say she had an FBI record.”

The write-up says Hutchins received a bachelor’s degree from Shimer College in Mount Carroll, Ill. in 1970, and a Ph.D. in 2001 from Union Institute. It says she was also a graduate of the Institute for the Advanced Study of Human Sexuality’s Sexological Bodyworkers certification training program.

The family write-up says in the 1970s Hutchins became involved with efforts to assist tenants, including immigrant tenants, in affordable housing programs in D.C.’s Adams Morgan neighborhood. 

“In 1991, she co-authored the groundbreaking book, ‘Bi Any Other Name: Bisexual People SPEAK OUT’ with friend and colleague Lani Ka’ahumanu,” the write-up says. It notes that the acclaimed book has been republished three times and in 2007 it was published in Taiwan in Mandarin.

According to the write-up, Hutchins delivered the keynote address in June 2006 at the Ninth International Conference on Bisexuality, Gender and Sexual Diversity. In October 2009, D.C.’s Rainbow History Project honored her as one of its Community Pioneers for her activist work.

“Loraine is one of the few people who has explained, defended and championed bisexuality and made sure the “B” got into the LGBT acronym,” the Rainbow History Project says on its website in a 2009 statement. “Sensitivity to bisexual issues, civil rights, and social justice issues is Loraine’s life work,” the statement concludes.

The write-up by her sister says that up until the time of her retirement, Hutchins taught women’s and LGBT studies as well as health issues in sexuality at Montgomery Community College and Towson University in Maryland.

“She was a friend and mentor to many in the LGBTQ community,” it says. “She thoroughly enjoyed adversarial banter on the many topics she held dear: sexuality, freedom of speech, civil rights, needs and support of those with disabilities, especially in the area of mobility, assisted housing, liberal politics and many other causes,” it points out.

She retired to the Friends House community in Sandy Springs, Md., where she continued her activism, the write-up concludes. 

Hutchins was among several prominent bisexual activists interviewed by the Washington Blade at the time of her retirement in June 2023 for a story on the status of the bisexual rights movement. She noted that, among other things, in her role as co-founder the organizations BiNet USA and the Alliance of Multicultural Bisexuals, she joined her bi colleagues in prodding national LGBTQ advocacy organizations to improve their advocacy work for bisexuals, which Hutchins said had been inadequate in the past but had been improving in recent years.

Hutchins is survived by her sister, Rebecca Hutchins; her husband, Dave Lohman; nephew, Corey Lohman and his wife Teah Duvall Lohman; and cousins, the family write-up says.  

It says a private memorial service was scheduled for December and a public memorial service recognizing her contributions to the LGBTQ community will be held in the spring of 2026.

The Comings & Goings column is about sharing the professional successes of our community. We want to recognize those landing new jobs, new clients for their business, joining boards of organizations and other achievements. Please share your successes with us at [email protected]. 

The Comings & Goings column also invites LGBTQ+ college students to share their successes with us. If you have been elected to a student government position, gotten an exciting internship, or are graduating and beginning your career with a great job, let us know so we can share your success. 

Congratulations to David Mack onbeing named the inaugural executive director of the IN series. On accepting the position Mack said, “I’m excited to join the D.C. community as IN Series’ inaugural executive director as the company enters its adventurous next chapter. I’m eager to meet audiences across the Baltimore and Washington, D.C. area in order to help expand access to innovative opera — whether they’re longtime enthusiasts or discovering it for the first time. Thank you … to the IN Series hiring committee for inviting me into your world with open arms, and such generosity of spirit.”

Mack is a seasoned arts executive and producer, with more than 15 years of leadership experience in innovative performing arts organizations, including the African American Art &Culture Complex; Joe Goode Performance Group; and Invertigo Dance Theatre. As a strategic arts consultant, his clients have included LA Dance Project, Diavolo, Architecture in Motion, and Center Theatre Group. As general manager of The Industry, he produced Invisible Cities at LA’s Union Station in collaboration with the LA County Metropolitan Transportation Authority. 

Mack has served on the boards of the LA Producer’s League, Western Arts Alliance, and Creative West, and advocated on behalf of artists as a member of the SF Arts Alliance, and Greater Bay Area Arts Coalition. Mack was co-founder of Theatre Magnet, Artist Magnet and Artist Magnet Justice Alliance, a series of Oakland-based arts service and consulting organizations. He is currently a DeVos Institute of Arts & Nonprofit Management Global Executive fellow. He earned his master’s in theater at the California Institute of the Arts.

Congratulations also to Chord Bezerra who is returning to the U.S. Pharmacopeia as Senior Design Manager. Upon accepting the position he said, “Returning to U.S. Pharmacopeia as Senior Design Manager feels like coming home to a mission I care deeply about — using design to make complex science clearer, more human, and more accessible to the people it serves.”

Bezerra has more than 20 years of experience in design leadership and management. He has most recently been manager, Brand and Advertising, CareFirst Blue Cross Blue Shield. Prior to that he was Senior Lead Designer (contractor) CareFirst Blue Cross Blue Shield. His initial stint with Pharmacopeia in Rockville, Md., was as a senior graphic designer. While there, he oversaw award-winning design (2020 Hermes & Marcom Awards); mentored and directed junior designers; and fostered visual storytelling solutions by directing junior designers for two years. He has served as chair and founding member of eQuality Alliance, USP’s first LGBTQIA+ Affinity Group.  

Bezerra had his own company for many years, Chord Bezerra Creative in D.C. Clients included national and non-profit organizations such as American Association for the Study of Liver Diseases, The Limited, Columbia Business School, Victory Fund, Zengo Cycling, Capital Pride, and Andrew Christian, among others. He earned his bachelor’s degree in communications from the University of Delaware.

(UPDATE: Rush owners told the Blade they have postponed the opening of the new bar to Nov. 28.)

The LGBTQ nightlife hotbed at 14^th and U is about to get another member. Rush, a bar years in the making, is set to open its doors next week.

Filling the hole left by Lost Society, Rush will be a tech-forward, two-story bar featuring fully integrated light and sound to deliver “an immersive experience,” according to owner Jackson Mosley.

Mosley began conceptualizing such a bar back in 2017. His career linking tech and hospitality stretches even further back, beginning his career at LivingSocial and Uber. And even before that, he moonlighted at Town during his college years, where he developed a passion for drag and LGBTQ nightlife.

Rush is this manifestation of both tech and nightlife coming to fruition, but it hasn’t been without setbacks. Mosley originally planned to open farther east, on 9^th and U streets, but received pushback from the building in which it was supposed to be housed. “It was the universe telling me it wasn’t the right spot,” he says. Earlier this year, coming across the Lost Society vacancy, Mosley finally found his host. As the center of LGBTQ nightlife has shifted to 14^th Street – as reinforced by this week’s Shakers shuttering – Mosley was eager to join the festive fray.

Rush is in the same building as Bunker, settling on the top two levels of the structure. Across a flexible, indoor-outdoor combination and 6.000 square feet, Rush entirely shakes up its two floors –  “a real reimagining so that it feels entirely new,” he says, with new equipment and a new vision and a capacity of at least 300.

The lower floor leans into a lounge vibe. Relaxed seating and a huge bar dominate the area. It will feature a sound booth, furniture with built-in lighting, and plenty of places to chat.

Upstairs is the club, dance-forward space. It has a “proper drag stage,” Mosley says, one of the largest among fellow LGBTQ bars, at 7.5 feet deep by 22 feet wide. Set up for live performances and painted in matte black, this rooftop level can open the doors to the deck allowing the entire level to participate in performances.

Rush will also boast a full kitchen, distinct from many other LGBTQ bars. Set to start serving in a couple of months, it will serve a large menu of bar food and more, as well as a lively brunch on the rooftop. 

“It’s long overdue to have a brunch with good food at a bar,” he says.

Mosley emphasizes sound and lighting as part of his tech focus. Dropping more than $150,000 on this multi-sensory experience, he realized his “life dream to build out a sound system I love,” he says. “Enough lighting to power Echostage,” he joked. Lasers, hazers, smoke machines, and CO2 cannons are just a few elements. “One piece lacking at a drag show has been integrated light and sound with the performers’ choreo,” he says, like when a queen performs a death drop, there should be a light and sound crescendo.

Rush also differentiates itself with its unique business model. All Rush employees are full-time exempt with benefits like healthcare and PTO. Mosley takes up the CEO position of his firm Momentux, which will operate Rush. Mosley envisions growth to open Rush locations in other cities along the same model. Patrons will swipe their credit cards at the door, reducing the number of swipes for bar staff (and reducing credit card fees), and wear wristbands to track purchases. The approach negates the need – and request – for tips. Service charges will only be levied when patrons don’t close their tabs. “I’m rethinking the role of staff, down to the barback,” he says.

As for what the staff will pour, Rush will slowly roll out an eclectic, cheeky signature cocktail list to be served beyond the usual vodka-sodas. Such drinks might include the “14th & Unhinged,” with tequila, mezcal, tamarind, and lime; the “Power Vers,” with gin, elderflower, lemon, and pink peppercorn foam; and the “Flight Attendant,” which comes with a spread based on the ever-popular in-flight cookie, Biscoff.

The bar’s opening is set for Friday, Nov. 28, with a promising lineup — popular DJ Sidekick, and a trio of local drag favorites: Cake Pop, Druex Sidora, and Mari Con Carne. A social media post promised “good energy, controlled chaos, and hot strangers.”

Rush, says Mosley, might be like “if Taylor Swift and Lady Gaga had a baby, plus drag queens,” he says.