Arts & Entertainment
Events: Jan. 29 to Feb. 6, 2010
friday, jan. 29
Apex has a “Let There Be Snow” party tonight. A 1 a.m. “snow storm” will feature prizes and surprises. Cover is $6; $2 drinks are available from 9 to 11 p.m. and open bar is from 11 to midnight. Apex, a gay dance club, is located at 1415 22nd St., N.W. in Dupont Circle. Visit apex-dc.com for more information.
A new Friday night drag show at Ziegfeld’s has started with a new hostess. The Ladies of Illusion hosted by Kristina Kelly has performances every Friday at 11 p.m. and 1 a.m.
Town counts down the top 25 music videos of the ‘00s tonight. Doors open at 10 p.m. Town is located at 2009 8th St., N.W. Visit towndc.com for more information.
Bet Mishpachah, a gay synagogue located at the D.C. JCC at 16th and Q streets, N.W., holds Ereve Shabbat services every Friday at 8:30 p.m. followed by an Oneg Shabbat social. Morning services are held on the second and fourth Saturdays of each month at 10 a.m. followed by Kiddush luncheon. Straights are welcome. Visit www.betmish.org for more information.
Homo/Sonic queer dance party is tonight from 9 p.m. to 3 a.m. at Black Cat, located at 1811 14th St., N.W. Cover is $10.
Gay District meets tonight. The group was formerly known as the Twenties Group but has expanded its age range for gay, bi, trans and questioning men from 18 to 35. The group meets for weekly discussion from 8:30 to 9:30 every Friday at St. Margaret’s Church located at 1830 Connecticut Ave. Members dine afterwards then go dancing. The group is changing its contact information but for now, those interested can visit the group on Facebook under the name “GD: Gay District.”
saturday, jan. 30
Wicked Jezebel performs tonight at 7 and 11 p.m. at Town. Cover is $15; proceeds go to Mautner Project. Town is located at 2009 8th St., N.W. The D.C. Kings, a drag king troupe, will also perform. Circuit DJ Hector Fonseca spins upstairs. Visit towndc.com for more information.
The Miss Freddie’s Beach Bar drag pageant is tonight. Show starts at 9 p.m. The winner will represent the bar at various events, such as Capital Pride, throughout the year. Those wishing to compete must apply beforehand. Applications are available now at the bar. Cover is $10. Call 703-685-0555 for more information. Freddie’s is located at 555 S. 23rd St. in Crystal City, Va.
sunday, jan. 31
Proceeds from tonight’s 8 p.m. performance of “Rent” at Church Street Theater will go to Doctors Without Borders to support relief efforts in Haiti. Tickets are $50. Visit keegantheatre.com for tickets.
Dignity Washington, a local gay Catholic group, celebrates Mass for the LGBT community every Sunday at 6 p.m. at St. Margaret’s, located at 1820 Connecticut Ave., N.W. Call 202-546-2245 for more information or visit dignitywashington.org.
monday, feb. 1
D.C. Center has a volunteer night tonight from 6:30 to 9 p.m., but not at its new location. The event will be held at 1810 S St., N.W. Visit thedccenter.org for more information.
Metropolitan Community Church of Washington, the District’s largest mostly gay church, has an HIV-positive support group for people of faith every Monday at the church. For more information, contact Matt Senger at 202-546-2159 or e-mail him at [email protected]. MCC-DC is located at 474 Ridge St., N.W. Visit mccdc.com for more information about the church.
Nellie’s Sports Bar, 900 U St., N.W., holds “Pokerface,” a Texas hold ‘em poker night every Monday at 8 p.m. It’s free to play and prizes are awarded. Visit nelliessportsbar.com for more information.
Freddie’s Beach Bar, located at 555 S. 23rd St. in Crystal City, Va., has disco trivia every Monday at 8 p.m.
tuesday, feb. 2
The D.C. Center’s Crystal Meth Working Group meets tonight at 7 p.m. at the Center’s new location at 1810 14th St., N.W. For more information, visit thedccenter.org.
D.C.’s HIV Working Group assembles safer sex kits with its “packing parties” every Tuesday at EFN Lounge. Those who volunteer their time get drink discounts. The events are held from 7 to 10:30 p.m. at Motley Bar, located above EFN, which is at 1318 9th St., N.W. Visit fighthivindc.com for more information.
Poz, a bar night for HIV-positive men and men open to dating HIV-positive men regardless of their own HIV status, is held every Tuesday night from 7 p.m. to midnight at Motley Bar, located above EFN Lounge at 1318 19th St., N.W. The event is organized by HIV-positive party promoter Jacob Pring. Visit the group’s Facebook page at facebook.com/pozdc for more information.
Cobalt has “Flashback,” a retro night, every Tuesday at 10 p.m. Rail vodka drinks are free from 10 to 11 p.m. Cobalt, a gay bar and dance club, is at the corner of 17th and R streets, N.W.
wednesday, feb. 3
An HIV/AIDS support group, presented by Alpha Drugs, is tonight at a new location at 1810 14th St., N.W. Dinner will be served but reservations are required. To RSVP, call 301-735-2805 or 301-674-8901.
The D.C. Center has LGBT career development with Washington-specific information today from 3 to 4:30 p.m. at the Center’s new location at 1810 14th St., N.W.
The National Gay and Lesbian Task Force has weekly volunteer nights every Wednesday from 6 to 7:30 p.m. at its offices located at 1325 Massachusetts Ave., N.W., Suite 600. Volunteers fold and stuff letters for the gay rights organization. Pizza is provided. For more information, contact Ezra Towne at [email protected].
Ladies First night is tonight and every Wednesday at Fab Lounge, located at 1805 Connecticut Ave., N.W. For more information, visit myspace.com/ladiesfirst.
thursday, feb. 4
Gay-fronted band Magnetic Fields play GW’s Lisner Auditorium tonight in Washington at 8 p.m. Tickets are $35. Visit ticketmaster.com for tickets.
Gays & Lesbians Opposing Violence (GLOV) meets tonight at 7 p.m. at the D.C. Center at 1810 14th St., N.W. Visit thedccenter.org for more information.
D.C. Lambda Squares, a local gay square dancing group, meets every Thursday for square dancing. Those who’ve taken the group’s “Mainstream” and “Plus” classes dance on the first and third Thursdays. “Plus” and “Advanced” classes are on the second and fourth Thursdays. For more information about the group or to find out when beginner classes are available, visit dclambdasquares.org.
friday, feb. 5
Lesbian rock/dance party HottBoxx returns to Phase 1 tonight from 10 p.m. to 2 a.m. and will happen the first Friday of every month. Doors open at 9. Phase is located at 525 8th Street, S.E. Cover is $5.
A dance party featuring the music of Prince, Madonna and Michael Jackson is tonight at 9:30 club, located at 815 V St., N.W. Visit 930.com for more information.
Queer Shabbaton, an urban retreat for LGBT Jews and allies, is this weekend, beginning today at 5 p.m. and continuing through Sunday at the D.C. Jewish Community Center located at 16th and Q streets. The event, which has been held successfully three times in New York, is coming to Washington for the first time this weekend. It features workshops, services, opportunity for networking, yoga and meditation, kosher food and more with several high profile Jewish LGBT speakers. Admission ranges from $80 to $140. For more information, visit nehirim.org/qsdc.
saturday, feb. 6
D.C. Metro LGBT IT Professionals meets today from 10 to 11 a.m. at SteamCafe at 17th and R Streets, N.W.
Gay singer/songwriters Tom Goss and Matt Alber play two shows tonight at the DeLaski Theater, located at 1700 Kalorama Road, N.W., in Adams Morgan. Shows are at 5 and 8 p.m. Tickets are $20. Visit tomgossmusic.com/store for tickets. Goss is based in Washington and is touring on his latest album “Back to Love.” Alber, who lives in Los Angeles, became an online sensation last year for his poignant video “End of the World.”
To submit your event for Social Agenda, e-mail [email protected].
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a charmingly pretentious boutique, he’s the pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils, as it permits us to forgive our own trespasses by accepting its “lovably” amoral characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they’re in.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody’s motivations make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play. As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises.
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, like it’s meant to be mostly for fun. Indeed, despite its focus on being dragged into the shady side of life, the arc of its messaging seems to be less about a moralistic urge toward making the “right” choice than it is a candid recognition that all of us are compromised from the outset, often by choices we only force upon ourselves, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega; Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
Rehoboth Summer Kickoff Party set for May 15 with Ashley Biden
Curve magazine honors Washington Blade publisher
Auction of Rehoboth’s Blue Moon canceled
Delaware school district remains supportive after Trump attacks on trans students
Va. voters approve HRC-backed redistricting plan
Judge rescinds stay-away order in Capital Pride anti-stalking case
Wagons ho! High-class, head-turning haulers
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Inside the lonely world of MAGA gay men
