Living
Castro catastrophe
‘We Were Here’ offers first-hand accounts of AIDS horrors in San Francisco
A vintage still from San Francisco's Castro neighborhood used in 'We Were Here.' (Photo courtesy of Film Collaborative)
There were angels in San Francisco.
But unlike in Tony Kushner’s two-part Pulitzer-Prize-winning play about AIDS — “Angels in America,” set in New York City in the mid-1980s — these angels were real people.
In the Kushner play, an angel descends to earth, as his fictional characters struggled with this unsettling new disease, the “gay cancer” as it was being called, an epidemic that seemed to spring from nowhere and then spread like a wicked wildfire.
In San Francisco it also struck like a bolt from the blue and purple unknown, its stigmata the purple-ish and dark reddish-blue marks of skin lesions — those herpes-like, cancerous tumors of Kaposi’s sarcoma — that began to dot faces and limbs and torsos with an ugliness that was unmistakable and the cause unknown. Right-wing televangelist Jerry Falwell called the lesions, which were seen as the defining illnesses of AIDS in the 1980s, to be the signs of Satan’s claim over sins of the flesh and God’s punishment for those same-sex sins, demons of a heaven-sent plague upon homosexuality.
“For a group of gay men, so into physical appearance, this was a disease whose very physical manifestations were horrifying,” says Daniel, one of the five people profiled in a new and deeply affecting documentary film, “We Were Here,” a gut-punch of a feature-length film by producer-director David Weissman, about the coming of AIDS to the Bay Area, and the human havoc it wrought.
This film is truly a moving picture. Co-presented with Reel Affirmations, as part of the 25th Annual FilmFest D.C. (now through April 17), it is playing tonight and Saturday night at the Regal Cinemas Gallery Place, on 7th Street, N.W., near Verizon Center. Each showing is at 6:30 p.m. followed by town meetings to discuss the film and its ramifications today in D.C. where the disease still flourishes.
Each one of the five in “We Were Here” is a witness, a survivor, and haunted in some indelible way by what they saw. Four of them are gay men (Daniel, Ed, Guy and Paul), who each contracted HIV yet somehow survived. One is a straight woman (Eileen) who ministered to the patients, as a nurse who cared about them as human beings, not clinical case studies.
Like Eileen, who appears to be a modern-day Florence Nightingale, each one is an angel, each able to say, “we were here.” Each is a survivor of the mysterious epidemic that moved through San Francisco in the 1980s with all the ferocity of an avenging angel, a grim reaper carrying off those who had sown such pleasure, but now so many of them faced death as a result.
Each is an eyewitness. At the skillful hand of filmmaker Weissman, who also earlier produced “The Cockettes,” a documentary about the campier side of the Bay Area, the testimony of the five is heartfelt and eloquent, bringing the kind of emotion that only those who experienced it first hand can bring.
Daniel’s voice is such an example. His voice is riveting, his gaze impossible to turn away from. He’s a modern-day Ancient Mariner come to tell us of how wrong things can get when bad things happen to good people.
He recalls that tragic time when no one could comprehend what was happening, as the virus burned its way through the carefree, almost heedless hedonism that came to the Bay Area after Stonewall in 1969, when hippies flocked to the Haight Ashbury and gays to the Castro. For a time all was well. But it was the sexual romp before the gathering storm.
Paul, who found his early calling in political action working with Harvey Milk, says, “I came to San Francisco with nothing but my backpack and my boyfriend.” He recalls that in the mid-1970s, “I believed that at that time in San Francisco there were nothing but crazy dreamers.”
Daniel went, recalling that, “I always wanted to meet a blond surfer but I was still in the closet, but then I came out with a bang,” in part spurred by being cast in the gay-themed play “The Boys in the Band.”
One observer, appearing in the film, puts it bluntly about that era: “If you took a lot of young gay men and asked them, ‘How much sex would you like to have?,’ the answer was, ‘A lot,’ and the sense was, sex is good, and more sex is good,” and after all, he adds, “We came to San Francisco to be gay.” Ed, who moved to the city in 1981, is equally blunt: “I was always in relationships, but they were open … My sexual outlet was always the bath houses and it was fun.”
But times were changing. In 1979, Harvey Milk was assassinated. In 1980, Ronald Reagan was elected president. The hopes and dreams of hippie hedonism didn’t last. But then, says Weissman, who documents it with clinical detail from archival footage, signs of trouble began to appear.
“People were wasting, losing so much weight, [San Francisco’s Castro neighborhood] looked like a concentration camp,” says Daniel. “You almost had to turn away, it was just too scary.” He felt haggard and haunted: “I was losing all the fat in my face and my butt — I would walk by a store window and jump, ‘Who was that?’ — I was skin and bones.”
At times death came with startling swiftness. Eileen, who chose to care for AIDS sufferers and then to work on clinical trials seeking pharmaceutical relief of the worst symptoms, says that in the hospital where she worked, “People were coming in with a KS lesion one day and were dead 10 days later.” Her own heart went out to them, but others shrank away in fear and ignorance, as some voices were raised calling for tattoos to be stenciled onto all persons diagnosed with HIV and some even called for packing them away into leper-like colonies.
“From the beginning,” she says, “I just couldn’t understand the homophobia that was going on and the fear of going into the [hospital] rooms.”
“There was nothing that unusual in that people are of course going to die,” says Ed, who speaks like a creative writer, a craft in which he earned a graduate degree. But in San Francisco, he says, “It’s just that it happened in a targeted community, to people who were disenfranchised, separated from their families.” But then a kind of miracle happened when people like Eileen stepped forward, as well as gay men who were not infected. In Ed’s words, “A whole different group of people stepped up and became their families.”
They got involved. Eileen joined ACT UP. Daniel fought his way back from depression and worked on the Names Project, which made the AIDS quilt.
Each of five was chosen, says Weissman, because they had a special story to tell, and the film delivers what they have to say with an emotional wallop. But more than that, he admits, “The city is also a character” in the film, which he calls “Very personal to me” and “a love letter to San Francisco,” where after some years living in Portland, Ore., he is now based. A commercial release is planned for later in the year.
Weissman, who is gay, was born in 1954 in Los Angeles, and never went to college, he explains, because he “lived through the hippie times.” He got into filmmaking in his late 20s. He says it was “something on the spur of the moment.” He took coursework at the City College of San Francisco, but says at first he never thought of himself as a documentarian. Instead, he produced a series of short comedies until finally, after “a moment of unexpected inspiration,” he made the 2001 acclaimed documentary, “The Cockettes,” about the Bay Area’s legendary theater troupe of hippies and drag queens.
“Some people worry that seeing a film like this will be a downer,” Weissman says. “But that’s definitely not the case. Instead, it’s a cathartic experience, healing and empowering.”
“Especially for young gay men today, who don’t know very much about our history,” Weissman says the film opens “a window about how we got where we are today, and the resilience our community has shown in the face of terrible adversity.”
Other gay-themed films slated for fest
The Washington, D.C. 25th annual international film festival event comes alive this week overflowing the Historic Lincoln Theatre on U Street, AMC Mazza Gallerie, Regal Gallery Place at Verizon Center on 7th Street N.W., the Landmark E Street Cinemas, the Avalon and other venues through April 17.
“We know for sure that people in D.C. are interested in films other than Hollywood films,” says Tony Gittens, who founded the festival in 1987.
Themes include “Justice Matters,” a cluster of films focusing on social justice issues; Global Rhythms, a special section of music films; Short Cuts, eight films less than feature length from around the world; and “Lunafest,” nearly 90 minutes of short films for, by and about women. Tickets for most films are $11, he says, and shows tend to sell out, so buying tickets online is the smart bet.
For a complete list of films and events, which include “freebies” for children and seniors, and to purchase tickets, visit filmfestdc.org or call 888-996-4774 from 10 a.m.-6 p.m. Monday through Friday and from noon-5 p.m. on weekends. Tickets may also be purchased at the theater on the day of the show, with the box office opening one hour before the venue’s first screening of the day.
In addition to “We Were Here,” three others have LGBT appeal:
“Circumstance” (“Sharayet”) in Persian with English subtitles 9 p.m. tonight and 6 p.m. Saturday at Regal Cinemas Gallery Place. Directed by Maryam Keshavasrz, this joint French-Iranian-USA production won this year’s Sundance Film Festival audience award. A young Iranian girl, still in her teens, Atafeh, and her best friend Shireen, experiment with mutual sexual attraction amid the subculture of Tehran’s underground art scene and face familial disapproval.
“For 80 Days” (“80 egunean”) in Spanish with English subtitles co-presented with the Embassy of Spain at 7:30 p.m. Sunday and 8:30 p.m. Monday at the Avalon Theatre, 5612 Connecticut Ave. N.W. Directed by Jon Garano and Jose Maria Goenaga, this Spanish entry depicts two women, one of them lesbian, who were best friends in youth, who meet again by accident 50 years later.
“Loose Cannons” (“Mine Vaganti”) in Italian with English subtitles screens at 9 p.m. tonight and 7 p.m. Saturday at AMC Mazza Gallery, 5300 Wisconsin Ave. N.W.
Directed by Ferzan Ozpetek, the films depicts a large, eccentric family whose patriarch puts pressure on the two sons, who are gay, to follow in the family business.
Real Estate
What property should I purchase if I’m not sure how long I’ll be in D.C.?
Row homes, English basements and more options abound
Great question! If you are looking at real estate as an investment – two great property types to look at would be a smaller row home and also a row home that has an English basement. Some property types that you might want to stay away from would be a condo or a co-op unit. Let’s take a look at why these properties would be good and bad:
Smaller Row Home
Row homes are a great investment for many reasons. You can often find smaller two-bedroom row homes in the same price point as those of a two-bedroom condo, which might be seen as a “condo alternative” and afford you much more freedom. There are no condo associations or home owner associations that you must belong to so this keeps your monthly carrying costs on the lower end and you are allowed to make more independent decisions. For example, if you wanted to paint the house purple – in most cases you would be allowed to. If you wanted to change the color of the front door or put shutters on the windows – you would be allowed to. This is usually not the case with condo or co-ops.
When it comes to the rental market – similarly renters like the independence of privacy in a home and not being among many other people. The luxury of perhaps direct off-street parking, outdoor space or even just more space at the same rental amount that a two bedroom condo rent would be – this is more appealing for a renter and would likely rent faster than that of a condo or co-op. For this model – you would obviously need to move out before you could take advantage of the investment of this type of real estate.
A row home with an English basement
With this type of real estate you can immediately begin receiving income after your purchase. You can occupy the upstairs of the row home, which is usually the larger portion of the home, or you could even occupy the basement, which is usually the 1-2 bedroom smaller portion of the home and receive rental income for the other half of the home. This can be in the way of a yearly traditional tenant or in the manner of short-term rentals (check with the most recent STR policies within the District). With this model, you stand to make even more of a return on your investment upon your move out of the home as you can rent the entire home or you can rent the top unit and basement unit independently to gross a larger amount of income. It is important to note that it is never advised to purchase a row home unless you can fully afford it WITHOUT the idea of accepting additional rental income to offset the mortgage cost.
These two options listed above are the most typical found within the District because they are fee simple, standalone pieces of real estate and are not within a condo association, HOA, or a co-op with governing documents that tell you what you can and cannot do which makes row homes an attractive type of real estate for a long-term hold.
When looking at types of properties that you might want to stay away from – condos and co-ops come to mind and I say this with a caveat. You can surely purchase these types of real estate but must first understand the in’s and out’s of their governing documents. Condos are bound by the governing condominium documents which will tell you for how long your lease must be, a minimum of lease days, you can only rent after you have lived in the residence for a number of years, likely will stipulate no transient housing – which means no short term rentals. It could also quite possibly say that you can only rent for a specific amount of time and lastly it will also stipulate that only a specific amount of people can rent at one time in order to stay below the regulated lending requirements set forth by Fannie and Freddie Mac. Similarly, Co-ops are even more strict – they can tell you that you are just not able to rent at all or if you can you can only do so for a specific number of years and then you are required to sell or return back to the unit as your primary residence.
As you can see, when it comes to condos and co-ops there are more specific and stringent bylaws that owners must agree to and follow that limit or even outlaw your ability to rent your piece of real estate. When you purchase a row home – there are no regulations on what you can and cannot do regarding rentals (outside of the short-term regulations within the District).
When looking for a piece of real estate in the District it is important to think through how long you could possibly wish to hold onto this property and what the future holds. If you think this is a long-term hold then you might consider a row home option – again, you can find a smaller two-bedroom row home that amounts to that price similar to a two-bedroom condo and would afford you a more flexible lifestyle. It’s important to work with a real estate agent to ensure that they guide you in this process and help answer any questions you might have. It’s also always advised to speak directly to a short-term rental specialist should you wish to go down that route as they will truly understand the in’s and out’s of that marketplace.
All in all, there are specific property types that work for everyone and within the District we have a plethora of options for everyone.
Justin Noble is a Realtor with Sotheby’s International Realty licensed in D.C., Maryland, and Delaware for your DMV and Delaware beach needs. Specializing in first-time homebuyers, development and new construction as well as estate sales, Justin provides white glove service at every price point. Reach him at 202-503-4243, [email protected] or BurnsandNoble.com.
Business
Heather Lawver’s journey to growth, inclusion with Ceemo.ai at StartOut’s Growth Lab
‘A program that embraces unique challenges LGBTQ+ founders have’
In the bustling world of startups, where innovation and diversity intertwine to forge new pathways, Heather Lawver, founder and CEO of D.C.-based Ceemo.ai stands out not just as a visionary entrepreneur but as a beacon of inclusivity and determination. Her journey to build Ceemo.ai, an advertising and branding platform dedicated to revolutionizing how startups conceive and market their brands, has reached a pivotal milestone with its selection into StartOut’s esteemed Growth Lab Accelerator, sponsored by J.P. Morgan.
With less than one percent of startup funding being allocated toward LGBTQ+ founders in 2023, according to a recent StartOut study, this five-month program is critical in providing resources and education to help LGBTQ+ entrepreneurs grow and compete.
Ceemo.ai joins eight other companies nationwide for this exclusive five-month training program.
A commitment to inclusion
Lawver founded Ceemo.ai in 2021 as a way to help entrepreneurs build better brands and seamlessly apply them to the marketing and pitch materials they need to launch the company of their dreams. The company’s simple five-step brand quiz helps founders think strategically about how they want to be perceived by their customers to then generate a full brand book with wordmark logo, color scheme, and font suite. Ceemo then applies that new brand book to a full suite of marketing and pitch materials, giving founders a roadmap to making sales and securing investment.
Her application to the Growth Lab Accelerator cohort was driven by more than the desire for business growth; it was fueled by her longstanding volunteer work with StartOut and a profound commitment to fostering an environment where LGBTQ+ founders are not only included but celebrated.
The selection of Ceemo.ai for StartOut’s Growth Lab, an accelerator known for its top-quality mentoring, education, and networking opportunities tailored for LGBTQ+ founders, marks a pivotal chapter in Lawver’s mission to help cultivate a more inclusive entrepreneurial landscape.
“Being in an accelerator where I’m not the only queer person in the room is not just empowering; it’s transformative,” she shares. “It means so much to be selected for a program that embraces the unique challenges LGBTQ+ founders have, and these issues are not just acknowledged but are central to the narrative of success and innovation.”
“The founders in our 2024 Cohort are problem solvers, developing unique products and solutions across a range of industries, from technology and software to food and beverage,” said David Barbee, Head of LGBTQ+ Initiatives, J.P. Morgan Commercial Banking. “As they continue to scale, these companies will need access to resources like capital and banking solutions, investors and business advisors. We are proud to provide mentorship and access to our firm-wide capabilities to help them reach the next level.”
“This platform is not just an accelerator; it’s a community where the unique challenges and triumphs of LGBTQ+ founders are acknowledged, celebrated, and used as a springboard for groundbreaking business success,” said Lawver.
Ambitious goals for bright future
Over the past decade, Lawver’s expertise in enhancing pitch decks and fundraising strategies has been instrumental in securing more than $170 million for minority entrepreneurs across various demographics, including women, BIPOC, LGBTQ+, disabled individuals, and seniors.
Her vision for her time in the five-month cohort is characterized by ambition and a keen focus on leveraging the program’s resources to scale Ceemo.ai’s impact. Her top goals include refining the platform’s Crunchbase algorithms to offer unparalleled market insights for startups, enhancing their organic sales funnels, and forging strategic partnerships with tech giants like Canva, Adobe, Google, Shopify, and Squarespace. These objectives are not just growth metrics but stepping stones towards revolutionizing how startups approach branding and marketing in a highly competitive digital landscape.
(Founded in 2009, StartOut, a national 501(c)(3) non-profit organization, is the largest national organization to support LGBTQ+ entrepreneurs with more than 28,000 members nationwide. Its mission is to accelerate the growth of the LGBTQ+ community to drive its economic empowerment, building a world where every LGBTQ+ entrepreneur has equal access to lead, succeed, and shape the workforce of the future.)
Real Estate
The rise of virtual home tours
Adapting to changing consumer preferences in spring real estate
In today’s dynamic real estate market, the spring season brings not only blooming flowers but also a surge of activity as buyers and sellers alike prepare to make their moves. However, in recent years, there’s been a notable shift in how consumers prefer to explore potential homes: the rise of virtual tours.
For the LGBTQ community, these virtual experiences offer more than just convenience; they provide accessibility, safety, and inclusivity in the home buying process.
Gone are the days of spending weekends driving from one open house to another – unless that’s your thing of course, only to find that the property doesn’t quite match expectations. With virtual tours, you can explore every corner of a home from the comfort of your own space – find something interesting? Schedule a showing with any LGBTQ Realtor at GayRealEstate.com.
This is particularly significant for LGBTQ individuals, who may face unique challenges or concerns when attending in-person showings. Whether it’s the ability to discreetly view properties without fear of discrimination or the convenience of touring homes located in LGBTQ-friendly neighborhoods across the country, virtual tours offer a sense of empowerment and control in the home buying process.
Moreover, virtual tours cater to the diverse needs of the LGBTQ community. For couples or families with busy schedules or those living in different cities or states, these digital walkthroughs provide a convenient way to view properties together without the need for extensive travel. Additionally, for individuals who may be exploring their gender identity or transitioning, virtual tours offer a low-pressure environment to explore potential living spaces without the added stress of in-person interactions.
At GayRealEstate.com, we understand the importance of adapting to changing consumer preferences and leveraging technology to better serve our community. That’s why our agents offer an extensive selection of virtual tours for LGBTQ individuals and allies alike – visit our website, choose an agent and within minutes you’ll have access to the Multiple Listing Service (MLS) via their website.
From cozy condominiums in bustling urban centers to sprawling estates in picturesque suburbs, virtual tours showcase a wide range of properties tailored to diverse tastes and lifestyles.
In addition to virtual tours, GayRealEstate.com provides comprehensive resources and support to guide LGBTQ buyers and sellers through every step of the real estate journey. Our network of LGBTQ-friendly agents is committed to providing personalized service, advocacy, and representation to ensure that all individuals feel respected, valued, and empowered throughout the process. Plus, we are happy to provide a free relocation kit to any city in the USA or Canada if you are a home buyer.
As we embrace the spring season and all the opportunities it brings in the real estate market, let’s also celebrate the power of virtual tours to revolutionize the way we find and experience our future homes. Whether you’re searching for your first apartment, forever home, or investment property, GayRealEstate.com is here to help you navigate the exciting world of real estate with confidence, pride, and inclusivity.
Jeff Hammerberg is founding CEO of Hammerberg & Associates, Inc. Reach him at [email protected].
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