Living
Castro catastrophe
‘We Were Here’ offers first-hand accounts of AIDS horrors in San Francisco
A vintage still from San Francisco's Castro neighborhood used in 'We Were Here.' (Photo courtesy of Film Collaborative)
There were angels in San Francisco.
But unlike in Tony Kushner’s two-part Pulitzer-Prize-winning play about AIDS — “Angels in America,” set in New York City in the mid-1980s — these angels were real people.
In the Kushner play, an angel descends to earth, as his fictional characters struggled with this unsettling new disease, the “gay cancer” as it was being called, an epidemic that seemed to spring from nowhere and then spread like a wicked wildfire.
In San Francisco it also struck like a bolt from the blue and purple unknown, its stigmata the purple-ish and dark reddish-blue marks of skin lesions — those herpes-like, cancerous tumors of Kaposi’s sarcoma — that began to dot faces and limbs and torsos with an ugliness that was unmistakable and the cause unknown. Right-wing televangelist Jerry Falwell called the lesions, which were seen as the defining illnesses of AIDS in the 1980s, to be the signs of Satan’s claim over sins of the flesh and God’s punishment for those same-sex sins, demons of a heaven-sent plague upon homosexuality.
“For a group of gay men, so into physical appearance, this was a disease whose very physical manifestations were horrifying,” says Daniel, one of the five people profiled in a new and deeply affecting documentary film, “We Were Here,” a gut-punch of a feature-length film by producer-director David Weissman, about the coming of AIDS to the Bay Area, and the human havoc it wrought.
This film is truly a moving picture. Co-presented with Reel Affirmations, as part of the 25th Annual FilmFest D.C. (now through April 17), it is playing tonight and Saturday night at the Regal Cinemas Gallery Place, on 7th Street, N.W., near Verizon Center. Each showing is at 6:30 p.m. followed by town meetings to discuss the film and its ramifications today in D.C. where the disease still flourishes.
Each one of the five in “We Were Here” is a witness, a survivor, and haunted in some indelible way by what they saw. Four of them are gay men (Daniel, Ed, Guy and Paul), who each contracted HIV yet somehow survived. One is a straight woman (Eileen) who ministered to the patients, as a nurse who cared about them as human beings, not clinical case studies.
Like Eileen, who appears to be a modern-day Florence Nightingale, each one is an angel, each able to say, “we were here.” Each is a survivor of the mysterious epidemic that moved through San Francisco in the 1980s with all the ferocity of an avenging angel, a grim reaper carrying off those who had sown such pleasure, but now so many of them faced death as a result.
Each is an eyewitness. At the skillful hand of filmmaker Weissman, who also earlier produced “The Cockettes,” a documentary about the campier side of the Bay Area, the testimony of the five is heartfelt and eloquent, bringing the kind of emotion that only those who experienced it first hand can bring.
Daniel’s voice is such an example. His voice is riveting, his gaze impossible to turn away from. He’s a modern-day Ancient Mariner come to tell us of how wrong things can get when bad things happen to good people.
He recalls that tragic time when no one could comprehend what was happening, as the virus burned its way through the carefree, almost heedless hedonism that came to the Bay Area after Stonewall in 1969, when hippies flocked to the Haight Ashbury and gays to the Castro. For a time all was well. But it was the sexual romp before the gathering storm.
Paul, who found his early calling in political action working with Harvey Milk, says, “I came to San Francisco with nothing but my backpack and my boyfriend.” He recalls that in the mid-1970s, “I believed that at that time in San Francisco there were nothing but crazy dreamers.”
Daniel went, recalling that, “I always wanted to meet a blond surfer but I was still in the closet, but then I came out with a bang,” in part spurred by being cast in the gay-themed play “The Boys in the Band.”
One observer, appearing in the film, puts it bluntly about that era: “If you took a lot of young gay men and asked them, ‘How much sex would you like to have?,’ the answer was, ‘A lot,’ and the sense was, sex is good, and more sex is good,” and after all, he adds, “We came to San Francisco to be gay.” Ed, who moved to the city in 1981, is equally blunt: “I was always in relationships, but they were open … My sexual outlet was always the bath houses and it was fun.”
But times were changing. In 1979, Harvey Milk was assassinated. In 1980, Ronald Reagan was elected president. The hopes and dreams of hippie hedonism didn’t last. But then, says Weissman, who documents it with clinical detail from archival footage, signs of trouble began to appear.
“People were wasting, losing so much weight, [San Francisco’s Castro neighborhood] looked like a concentration camp,” says Daniel. “You almost had to turn away, it was just too scary.” He felt haggard and haunted: “I was losing all the fat in my face and my butt — I would walk by a store window and jump, ‘Who was that?’ — I was skin and bones.”
At times death came with startling swiftness. Eileen, who chose to care for AIDS sufferers and then to work on clinical trials seeking pharmaceutical relief of the worst symptoms, says that in the hospital where she worked, “People were coming in with a KS lesion one day and were dead 10 days later.” Her own heart went out to them, but others shrank away in fear and ignorance, as some voices were raised calling for tattoos to be stenciled onto all persons diagnosed with HIV and some even called for packing them away into leper-like colonies.
“From the beginning,” she says, “I just couldn’t understand the homophobia that was going on and the fear of going into the [hospital] rooms.”
“There was nothing that unusual in that people are of course going to die,” says Ed, who speaks like a creative writer, a craft in which he earned a graduate degree. But in San Francisco, he says, “It’s just that it happened in a targeted community, to people who were disenfranchised, separated from their families.” But then a kind of miracle happened when people like Eileen stepped forward, as well as gay men who were not infected. In Ed’s words, “A whole different group of people stepped up and became their families.”
They got involved. Eileen joined ACT UP. Daniel fought his way back from depression and worked on the Names Project, which made the AIDS quilt.
Each of five was chosen, says Weissman, because they had a special story to tell, and the film delivers what they have to say with an emotional wallop. But more than that, he admits, “The city is also a character” in the film, which he calls “Very personal to me” and “a love letter to San Francisco,” where after some years living in Portland, Ore., he is now based. A commercial release is planned for later in the year.
Weissman, who is gay, was born in 1954 in Los Angeles, and never went to college, he explains, because he “lived through the hippie times.” He got into filmmaking in his late 20s. He says it was “something on the spur of the moment.” He took coursework at the City College of San Francisco, but says at first he never thought of himself as a documentarian. Instead, he produced a series of short comedies until finally, after “a moment of unexpected inspiration,” he made the 2001 acclaimed documentary, “The Cockettes,” about the Bay Area’s legendary theater troupe of hippies and drag queens.
“Some people worry that seeing a film like this will be a downer,” Weissman says. “But that’s definitely not the case. Instead, it’s a cathartic experience, healing and empowering.”
“Especially for young gay men today, who don’t know very much about our history,” Weissman says the film opens “a window about how we got where we are today, and the resilience our community has shown in the face of terrible adversity.”
Other gay-themed films slated for fest
The Washington, D.C. 25th annual international film festival event comes alive this week overflowing the Historic Lincoln Theatre on U Street, AMC Mazza Gallerie, Regal Gallery Place at Verizon Center on 7th Street N.W., the Landmark E Street Cinemas, the Avalon and other venues through April 17.
“We know for sure that people in D.C. are interested in films other than Hollywood films,” says Tony Gittens, who founded the festival in 1987.
Themes include “Justice Matters,” a cluster of films focusing on social justice issues; Global Rhythms, a special section of music films; Short Cuts, eight films less than feature length from around the world; and “Lunafest,” nearly 90 minutes of short films for, by and about women. Tickets for most films are $11, he says, and shows tend to sell out, so buying tickets online is the smart bet.
For a complete list of films and events, which include “freebies” for children and seniors, and to purchase tickets, visit filmfestdc.org or call 888-996-4774 from 10 a.m.-6 p.m. Monday through Friday and from noon-5 p.m. on weekends. Tickets may also be purchased at the theater on the day of the show, with the box office opening one hour before the venue’s first screening of the day.
In addition to “We Were Here,” three others have LGBT appeal:
“Circumstance” (“Sharayet”) in Persian with English subtitles 9 p.m. tonight and 6 p.m. Saturday at Regal Cinemas Gallery Place. Directed by Maryam Keshavasrz, this joint French-Iranian-USA production won this year’s Sundance Film Festival audience award. A young Iranian girl, still in her teens, Atafeh, and her best friend Shireen, experiment with mutual sexual attraction amid the subculture of Tehran’s underground art scene and face familial disapproval.
“For 80 Days” (“80 egunean”) in Spanish with English subtitles co-presented with the Embassy of Spain at 7:30 p.m. Sunday and 8:30 p.m. Monday at the Avalon Theatre, 5612 Connecticut Ave. N.W. Directed by Jon Garano and Jose Maria Goenaga, this Spanish entry depicts two women, one of them lesbian, who were best friends in youth, who meet again by accident 50 years later.
“Loose Cannons” (“Mine Vaganti”) in Italian with English subtitles screens at 9 p.m. tonight and 7 p.m. Saturday at AMC Mazza Gallery, 5300 Wisconsin Ave. N.W.
Directed by Ferzan Ozpetek, the films depicts a large, eccentric family whose patriarch puts pressure on the two sons, who are gay, to follow in the family business.
Electric-vehicle tax credits may have faded earlier this year, but EVs themselves are far from losing their spark. There are more charging stations than ever, battery ranges are longer and more realistic, and automakers have finally figured out that EVs don’t all need to look like geeky science projects or feel like failed beta tests.
Just look at these two compact electrics, which are futuristic, fun and flexible enough for work or play.
HYUNDAI IONIQ 5
$37,000 to $48,000
Range: 245 to 318 miles
0 to 60 mph: 4.5 to 7.4 seconds
Cargo space: 26.3 cu. ft.
PROS: Fast charging. Roomy cabin. Silky-smooth suspension.
CONS: Wide turning radius. Rear wiper not on all trims. Price creep.
After being introduced three years ago, what’s new for the latest Hyundai Ioniq 5? Mostly refinement. Charging is quicker, software is smarter and Hyundai continues to quietly listen to feedback, tweaking ride comfort and usability. Think of it as switching from messy eyeliner to a perfectly sharp wing.
Exterior styling remains one of this EV’s biggest conversation starters. Those pixel-inspired lights, crisp lines and slick hatchback-meets-crossover proportions exude refreshing confidence. There’s no trying to blend in, and that’s the point. Park this Hyundai anywhere and heads will turn.
On the road, the Ioniq 5 prioritizes calm over chaos. Steering is light, the suspension smooths out rough pavement and acceleration feels brisk without being aggressive. Safety tech is plentiful and well-calibrated—adaptive cruise control, lane-centering, blind-spot monitoring—all working together without seeming like a nervous backseat driver. IOW, this ride is supportive, not clingy.
Inside, the user-friendly cabin shines. The flat floor and long wheelbase create a lounge-like atmosphere, with excellent legroom and airy visibility. Seats are well-bolstered and available with eco-friendly materials, and the sliding center console adds flexibility. Cargo space is generous, and the wide windshield makes city driving stress-free. Alas, the rear wiper is only available on select models. Overall, though, I appreciated how everything looks modern without feeling cold.
What makes this Hyundai special is its vibe. An EV that embraces individuality without shouting about it.
Fun fact: The Ioniq’s ultra-fast charging can add hundreds of miles in under 20 minutes—perfect for those who hate waiting almost as much as they hate small talk on awkward first dates.
VOLKSWAGEN ID.4
$46,000 to $59,130
Range: 206 to 291 miles
0 to 60 mph: 4.4 to 7.7 seconds
Cargo space: 30.3 cu. ft.
PROS: Sure handling. Decent range. Good storage.
CONS: Body roll in curves. Fussy infotainment. No frunk.
The latest VW ID.4 focuses on polish. Software updates have fixed earlier frustrations, and overall drivability feels more cohesive. Less “learning curve” and more “hop in and go,” like a dependable bestie who doesn’t overthink things.
Styling-wise, this EV is intentionally inoffensive. Soft curves, friendly lighting and a familiar crossover shape make it approachable. While the ID.4 won’t turn heads like the Ioniq 5, that’s OK. It’s more akin to a classic outfit that always works—timeless, not trendy.
Driving the ID.4 is relaxed and predictable. This SUV prioritizes comfort over thrills, with a suspension tuned for daily commuting and long highway drives. Safety features are comprehensive and reassuring, including excellent lane assistance and collision-prevention systems. It’s the kind of car that quietly has your back, no drama required.
Inside, the ID.4 offers a calm, uncluttered cabin with good space for passengers and cargo alike. Rear-seat legroom is especially strong, making it a solid road-trip companion. The seats are plush, visibility is good and while the infotainment system isn’t the most intuitive, it’s improved enough to be more than tolerable.
The ID.4’s special sauce is balance. It doesn’t try to reinvent the wheel—it just electrifies it.
Fun fact: This is one of the most globally popular EVs, proving that sometimes being universally liked is a strength, not a personality flaw. Think, gold star gay who still surprises you.
Real Estate
Child- and pet-proofing your home for the holidays
It isn’t about being perfect but about being prepared
The holidays are meant to be joyful, cozy, and full of laughter — but if you have young children or pets, they can also feel a little chaotic. Twinkling lights, shiny decorations, guests coming and going, and tables full of tempting food can turn your home into a wonderland of curiosity and mischief. The good news? With a little thoughtful planning, you can keep the holiday magic alive while making your home safer for everyone who lives there.
There’s something oddly comforting about movies where animals go to war with holiday decorations, turning carefully strung lights and perfectly placed ornaments into chaos. Whether it’s a mischievous dog tangled in tinsel or a curious cat launching a full-scale assault on a Christmas tree, these scenes tap into a universal experience for pet owners.
The humor comes from the contrast: the human characters are trying to create warmth, tradition, and picture-perfect cheer, while the animals see the decorations as toys, obstacles, or personal enemies. The resulting destruction — trees tipping over, ornaments shattering, lights blinking out—feels exaggerated but relatable, especially during the already hectic holiday season.
Let’s start with decorations because they tend to be the biggest attraction. Ornaments sparkle, garlands dangle, and everything seems designed to be touched, pulled, or tasted. If you have little ones or pets, consider placing your most fragile ornaments higher on the tree and using shatterproof options on the lower branches. Tinsel and ribbon may look festive, but they can be dangerous if swallowed, so skipping them or keeping them well out of reach is a simple way to reduce risk without sacrificing style.
Holiday lights are another favorite fascination. Before hanging them, take a few minutes to inspect each strand for frayed wires or broken bulbs. Secure cords along walls or behind furniture so they’re harder to grab or chew and unplug them when you leave the house or head to bed. Not only does this help prevent accidents, but it also gives you one less thing to worry about during a busy season.
The Christmas tree itself can become a focal point for exploration. Make sure it’s sturdy and well-anchored so it doesn’t tip if a toddler tugs on a branch or a pet decides to investigate. If you use a real tree, cover the water base since tree water can contain additives that aren’t safe if consumed. For artificial trees, keep an eye out for loose pieces or needles that could become choking hazards.
Food is a big part of holiday celebrations, and it’s also one of the most common sources of trouble. Many traditional treats—like chocolate, grapes, raisins, alcohol, and foods containing xylitol—are dangerous for pets. Keep plates and serving dishes up high, secure the trash can, and gently remind guests not to slip pets or kids “just a little bite” without checking first. For children, be mindful of hard candies, nuts, and small treats that could pose choking risks.
Candles and fireplaces add warmth and charm, but they deserve extra caution. Flameless candles are a wonderful alternative if you want ambiance without worry. If you do use real candles, place them well out of reach and never leave them unattended. Fireplaces should always have a sturdy screen or gate, especially with crawling babies or curious pets nearby.
Holiday gatherings bring wonderful energy into your home, but they can also create new challenges. Doors opening frequently make it easier for pets to slip outside, so consider setting up a quiet, comfortable space where they can relax during busy get-togethers. This can help reduce stress for them and give you peace of mind. For children, stair gates, locked cabinets, and clear boundaries can help prevent accidents when there’s extra excitement in the air.
New toys and gifts are another thing to watch closely. Packaging, twist ties, plastic wrap, and especially button batteries should be cleaned up promptly. These items are easy to overlook in the excitement of gift-opening but can be dangerous if swallowed. Taking a few minutes to tidy up as you go can make a big difference.
Lastly, try to keep routines as steady as possible. The holidays naturally disrupt schedules, but familiar mealtimes, naps, walks, and bedtime rituals help children and pets feel secure. A calmer household often means fewer accidents and a happier experience for everyone.
At the end of the day, child- and pet-proofing your home for the holidays isn’t about being perfect but about being prepared. A few small adjustments can help you relax, enjoy your guests, and focus on what truly matters: creating warm, happy memories with the ones you love. When your home feels safe, the holidays feel even sweeter.
Valerie M. Blake is a licensed Associate Broker in D.C., Maryland, and Virginia with RLAH @properties. Call or text her at 202-246-8602, email her at [email protected] or follow her on Facebook at TheRealst8ofAffairs.
Real Estate
In real estate, trust the process
With rates coming down, we could see spring surge in buyers
The average 30-year mortgage rate is falling, little by slowly. With predictions that the rate will continue to adjust downward in the next year or two, there may be a busier spring market than we have seen in the last few year, especially for the DMV market, which has been reeling from thousands of layoffs this past year. The frenzied activity resulting from interest rates close to 3% for some borrowers will probably not occur; however, this spring could add up to be a few notches busier than the last.
What does this mean for buyers and sellers? Lender Tina Del Casale with Waterstone Mortgage says she has seen “low to mid 6’s as the average for conventional loans.” If rates continue downward into the 5% range, there may be more activity than we saw in the last year or two. This could release a little bit of pent up demand.
Many buyers will have found that for whatever reason, their current home is not meeting their needs. Sellers may want to finally take the plunge and put a for sale sign in the yard and online, now that they might find a more reasonable rate on their next home. This winter can be an opportunity to assess financial situations, home conditions, and optimize one’s chances to have a sale with more agreeable terms, or put one’s best foot forward in an offer. In addition to checking with a lender or favorite handy person, let’s review what sellers and buyers typically spend their energy negotiating while enjoying the lovely process called “going under contract”:
- Timelines – Sellers might want to have their house solidly under contract (papers signed, thumbs up from the lenders, all inspection items decided upon and settled) so that they can put an offer down on a new home, and then negotiate that timeline with the other sellers. Remember, making a move is not only about the buyer taking possession of a new home, but also about the sellers figuring out their situation as well.
- Sale Price – unfortunately for buyers, in the eyes of most sellers, “money talks.” So, in a non-competitive situation, a seller might be happy to just get one offer at a price that was within the desired range. As soon as another interested buyer enters the equation, it can become a little bit like RuPaul’s Drag Race, and one will have to lip sync for one’s life, honey! And only one buyer will get to hear the words, “condragulations!”
- Tone/Vibes/Energy in the Room – Remember: Human beings are emotional creatures. All of us have feelings. And all of us want to put energy into situations where we feel appreciated, where a level of self-awareness exists, and a sense that each side is trying one’s hardest to act in good faith. The best transactions I saw were where a little grace was the “grease on the wheels” of the transaction. Occasionally, a buyer had cold feet and wanted to see the unit a few more times before the settlement date, or a seller forgot to scrub the bathroom with a little extra elbow grease before the settlement date. Life happens; misunderstandings can occur. A wise therapist once said: “You don’t have to like it, but can you allow it?” The tone of one or both parties in the transaction can be what seals the deal, or results in one party exiting the contract. (In the case of the dirty bathroom, the seller left a check with the title company for the buyer to pay a housekeeper to come clean what they couldn’t.)
Joseph Hudson is a referral agent with Metro Referrals. He can be reached at 703-587-0597 or [email protected].
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