Arts & Entertainment
‘Rocky Horror’ remake is pale and pointless imitation
Despite strong Laverne Cox performance, too many commercials sap made-for-TV production
The cast of ‘Rocky Horror.’ (Photo courtesy Fox)
With its endless commercial breaks, the broadcast of Fox TV’s “The Rocky Horror Picture Show: Let’s Do the Time Warp Again” was doomed to failure. The televised film can never gain any momentum and lots of great material had to be cut or sanitized to cram the musical highlights into a two-hour prime time network television slot.
Actually, with perpetual pop-up ads for the soundtrack running during the movie (on sale today!), the commercials never really stopped.
Although the streaming experience may not be much more pleasant, there are some moments to enjoy. With an able assist from the Transylvanians, Ryan McCartan as Brad and Victoria Justice as Janet bring an earnest unforced innocence and good comic timing to “Dammit, Janet.” The choreography is light and inventive, and staging the number in a cemetery with a tombstone for Mary Shelley is a clever touch.
On the wild side, Laverne Cox (Dr. Frank-N-Furter) finally captures the mad scientist’s dangerous and delightful sense of menace during “Planet Schmanet Janet.” The movie briefly sparks to life as Cox strides through the mansion in her sexy new costume. Frank is suddenly in command, whipping the servants and humans into shape and releasing the powerful Medusa Transducer.
With powerful vocals and an elegant staging, Cox also delivers a fine rendition of the ballad “I’m Going Home.” The number pops when the camera pulls back from a close-up of Cox to reveal the wildly cheering onscreen audience. Although they’re separated by time and space, Cox basks in their applause. It’s a glimpse of magic.
But, aside from a few moments like these, Fox TV’s “The Rocky Horror Picture Show: Let’s Do the Time Warp Again” never captures the subversive magic or manic energy of the original stage musical or the unforgettable 1975 movie. It’s a remake without a cause, a pale imitation hampered by an awkward framing device, bad production choices and some terrible acting.
Director Kenny Ortega and Costume Designer William Ivey Long seem paralyzed by the material. In a botched attempt to capture the feel of a midnight screening, Ortega frames the movie with an onscreen audience, a poorly-conceived and unevenly executed idea. The choreography is sloppy and the bizarre design theme seems to be “anything but the original.”
Working with a director who could capitalize on her extraordinary talents and experiences, Laverne Cox could be a revelatory Frank. Here, her performance never recovers from the hideous headdress that literally masks her big entrance. The casting of veterans Tim Curry (the Criminologist) and Ben Vereen (Dr. Scott) never really works (although Jayne Eastwood is captivating as the Criminologist’s Butler) and most of the younger performers seem to fade away into the background. Reeve Carney’s Riff Raff is especially odd, a lifeless impersonation of Richard O’Brien (the man who wrote the show and played Riff Raff in the original stage and screen productions).
The original movie of “The Rocky Horror Picture Show” is both a camp classic and a cornerstone of modern queer culture. It’s offered generations of misfits a vision of a fabulous alternative space where they could find community and validation. Hopefully. “TRHPS:LDTTWA” won’t spoil that experience for future generations.
Friday, May 1
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Ballston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
“Illusions The Drag Queen Show Washington, D.C.” will be at 7 p.m. at 2323 18th St., N.W. Come see this amazing D.C. drag show and laugh all night long while being amazed by the stellar performances in tribute to some of your old-time favorite classics as well as the latest pop favorites. Come see the likes of Madonna, Cher, Tina Turner, Whitney Houston, Joan Rivers, Phyllis Diller, Beyoncé, Pink, and many more. Tickets are $12.97 and are available on Eventbrite.
Saturday, May 2
Go Gay DC will host “LGBTQ+ Community Brunch” at 11:00a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Drag Queen Sip and Paint Washington DC will be at 4 p.m. at Town Tavern DC. This event combines the joy of painting with the lively energy of a drag queen, offering an hour and a half of fun, creativity, and entertainment. Participants paint a canvas while enjoying cocktails, all under the guidance of a glamorous drag queen host. Tickets are $47.19 and are available on Eventbrite.
Monday, May 4
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, May 5
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, May 6
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, May 7
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.
(Washington Blade photos by Michael Key)
Celebrity News
Madonna makes rare club appearance in West Hollywood
Gay icon brought ‘Confessions II’ to The Abbey
A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.
With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.
The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.
The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”
Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.
Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.
Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.
Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.
“Confessions II” releases on July 3.
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