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Gloria Gaynor celebrates ‘I Will Survive’ at Library of Congress festival

1978 classic is centerpiece for ‘Bibliodiscotheque’ event honoring disco era

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Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor says she used to see ‘I Will Survive’ as a mixed blessing but has come to embrace it as central to her mission to empower and uplift others. (Photo courtesy LOC)

‘Bibliodiscotheque’

 

Library of Congress

 

Continues through Saturday, May 6

 

SCHEDULE:

 

Friday, May 5:

 

Music & Veterans Panel Discussion

 

Noon in Whittall Pavilion

 

Saturday, May 6:

 

• ‘Bibliodiscotheque’ symposium with Gloria Gaynor, “Good Morning America” host Robin Roberts et. al. (1 p.m. in Coolidge Auditorium)

 

• “The Craft of Making Disco Balls” (1 p.m.)

 

• “Two Perspectives on Beyonce’s African Dance References” (1:30 p.m.)

 

• “Disco: the Bill Bernstein Photographs” (2 p.m.)

 

• “Hot Stuff: Disco and the Remaking of American Culture”

 

• panel discussion, 3 p.m.

 

• Robin Roberts interviews Gloria Gaynor (4 p.m.)

 

• Gloria Gaynor, et. al., book signing (5 p.m.)

 

• Gloria Gaynor in concert (7 p.m. in the Library of Congress Great Hall, sold out)

 

All events are free and open to the public but tickets must be secured in advance.

Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor (Photo courtesy LOC) 

Gloria Gaynor cracked the U.S. Hot 100 several times throughout the 1970s but, of course, it’s her legendary 1978 No. 1 hit “I Will Survive” for which she’s most identified and remembered.

So universally beloved is the song that the Library of Congress has included it in its National Recording Registry, a list of sound recordings that have been deemed “culturally, historically or aesthetically important and/or inform or reflect life in the United States.” Begun in 2000, it includes everything from Scott Joplin piano rags, Bessie Smith blues, Roosevelt’s Fireside Chats, Abbott and Costello comedy routines and much more.

The Library wraps up its disco-tribute series ‘Bibliodiscotheque’ this weekend with an afternoon of events featuring Gaynor culminating with a free concert in the Great Hall. Gaynor spoke with the Blade by phone from her New Jersey home in March.

WASHINGTON BLADE: How do you feel about “I Will Survive” being inducted into the National Recording Registry and how did your involvement in this weekend’s festivities come about?

GLORIA GAYNOR: The song was inducted into the Library of Congress music registry last year and I honestly don’t know how it came about except that I got a message from my manager that they’d called and wanted to do this event. They first called her and said they were inducting the song and then they called a month later and said they wanted me to do this event, so who actually came up with the idea, it probably came out of the meeting we had with them, but I’ve forgotten now. But I was extremely happy about it. Flattered beyond belief.

BLADE: Had you ever been to the Library of Congress before?

GAYNOR: Not before that meeting. I went down and met with them and looked at the Thomas Jefferson building, the archives and oh my God, it’s an awesome building and an awesome room. It’s going to be acoustically a challenge for my sound people to do the concert there, but what a beautiful place, a beautiful room.

BLADE: When were you there?

GAYNOR: That was in November, I believe.

BLADE: You’ll also be signing copies of your 2013 book “We Will Survive: true Stories of Encouragement, Inspiration and the Power of Song.” What kind of reaction have you received from the book?

GAYNOR: A lot of people write and say how the book encouraged and inspired them, which was my whole purpose in writing the book because I’m thinking if you’re going through something, how encouraging, inspiring and uplifting would it be to read about someone who’s gone through what you’re going through or perhaps something even more difficult and yet they came out of the other side victorious? So when people call me and tell me the book or the song has accomplished my purpose, then of course that’s very encouraging, inspiring and uplifting to me.

BLADE: Why do you think the song still resonates so strongly all these years later?

GAYNOR: It taps into the tenacity of the human spirit. It encourages you and inspires you to reach down inside and pull up whatever support you have inside of you to get you through the difficult times in your life. … We all have situations, circumstances in our lives from time to time that we think are insurmountable and hope we’ll survive.

BLADE: Is it true it was originally slated to be the B-side? That seems inconceivable.

GAYNOR: Oh yes, absolutely. The record company had sent me to these producers out in California to record a song that the president of the company had chosen because he’d had a hit with it in England and wanted to repeat that success here in the United States and he specifically wanted me to help him do that so he sent me out to record that song which was called “Substitute.” And when I asked the producers what was going to be the B-side, they asked me in turn what kind of songs did I like, what kind of songs did I like to sing and record. I told them I like songs that are meaningful and that touch people’s hearts and have good melodies and they said, “Oh, we think you’re the one we’ve been waiting for to record this song that we wrote a couple years ago.”

BLADE: Did you realize right away it had strong hit potential?

GAYNOR: Well, the fact that my mother had passed away just a couple years prior and I never thought I’d survive that and the fact that I was standing there in a back brace from my hip up to my art pit because I’d fallen on stage and woke up the next morning paralyzed from the waist down and was in the hospital for four years wondering what was going to happen to my life, I immediately related to the lyrics and immediately believed that since I was relating a couple of situations to the song that had nothing to do with the unrequited love that the song speaks about, I believed other people would do the same thing. I believed it was a timeless lyric that everybody was going to be able to relate to and time has proven me right.

BLADE: There was such a backlash against disco for years. When did you start seeing it appreciated again? Was that in the ‘90s?

GAYNOR: I always believed when people pulled away from it, that was something that was engineered and was more of an economic decision on the part of people whose bottom line was being negatively affected by the fact that people were buying so much disco music and they probably thought this was taking away from people buying their music so I think they came up with this idea for this big rally in Comiskey Park (in Chicago in 1979) but of course my question has always been if all those people who burned all those disco records hated disco music so much, why did they have those records to start with?

BLADE: It seems like it takes a long period after any pop musical genre is super popular — doo-wop, new wave, whatever — to be revived in a nostalgic way. Do you think it was any different with disco or pretty much the same phenomenon?

GAYNOR: Well I think it was a similar thing, but I don’t think it was that incident that caused it. I think that disco music very unfairly became associated with negative things like drugs and all different kinds of overindulgences and I think that contrary to what people believe, California, Miami and New York don’t run the world, middle America runs the world and middle America said I don’t want my children associated with that, so that was the end of it. It wasn’t really the end of it, but it went more into the underground and went more into the dance music that we have today.

BLADE: What’s your favorite cover of “I Will Survive”? 

GAYNOR: Chantay Savage.

BLADE: Why?

GAYNOR: Because she’s the only one who really made it her own. She really changed it and made it her own and did a good job of it.

BLADE: How did it come about that you sang it with Diana Ross at her concert in New Jersey in 2013?

GAYNOR: A friend of mine asked me to go to the concert with her. I didn’t know that she had it in the back of her mind that was she using me to try to meet Diana Ross, but that’s what she did. She had called the management of the theater, I don’t know which now, but she got us really great seats using my name and then they came and got us — I don’t know if she asked for me to meet her or how it went, but that’s how we got backstage. They came and got us from our seats just before the show was over and then Diana Ross invited me onstage, which I never expected. I just thought we were standing there, she was going to come back and say hi, my friend’s gonna get her autograph and we’ll be on our way. But she did invite me on stage and I was very flattered and I thought it was really gracious of her to do that and we had a good time. The audience was ecstatic.

BLADE: Her ‘90s cover was just sort of a modest hit but nothing huge yet she’s been closing all her concerts with it for the last several years. Why do you think she keeps doing that when she had so many big hits of her own that would work in that slot in her show? Any theory on that?

GAYNOR: Well I don’t really need a theory on it because I have the truth of it. My brother was her chauffeur and bodyguard for 15 years and he told me that she said she always wished she’d recorded that song. She just liked it and she’s adopted it.

BLADE: Do you ever feel like maybe she’s hoping casual fans will forget it wasn’t she who had the big hit with it in the ‘70s or that she just likes it?

GAYNOR: I think she just does it because she likes it. She thinks it’s a great song.

BLADE: Was it ever challenging for you to reconcile your Christian faith with being open on gay issues or to gay fans?

GAYNOR? No.

BLADE: Did gays and straights mix more in the disco clubs back in the ‘70s or do you recall?

GAYNOR: Well, we all know that there are gay clubs. At my concerts it was always mixed. It was never just all gay or all straight. It was always mixed.

BLADE: Did gays embrace “I Will Survive” right away or that something that grew over the years?

GAYNOR: I honestly don’t know. When they came to the concerts, as I said, it was always mixed. I don’t really separate my fans into categories and see who’s liking what. My fans are just my fans and they like me and whatever I sing, whatever it is. Some, of course, there are certain songs that certain individuals like more than others because they relate to them more than others, but I don’t think any particular group related more to “I Will Survive” more than any other group because it’s a song about human problems, human trauma.

BLADE: But “I Will Survive” is sort of the ultimate shorthand for gay anthem. It’s been voted the top gay anthem of all time by various publications. Did that come about more after the AIDS years perhaps?

GAYNOR: I really don’t know.

BLADE: You’re a native of Newark, New Jersey, but you were obviously already famous and traveling often when Whitney Houston was coming up. Did you know she and Cissy in Newark when Whitney was growing up?

GAYNOR: I knew (Cissy) as an artist I admired and went to see, but I didn’t know her personally. I met Whitney, you know, after she became famous and we had a mutual admiration for one another. She told me on a number of occasions how inspiring I was to her and how she would pull out my song whenever she was feeling down. She looked up to me and admired me and thanked me for being a positive influence in her life.

BLADE: What’s your favorite hymn or gospel song?

GAYNOR: One that was originally called “I Will Survive” but I recorded it and changed the title so people wouldn’t think it was the same song. Now it’s called “He Gave Me Life.”

BLADE: Have you kept all your career mementos? Do you have clippings and gowns and all that?

GAYNOR: Some, yeah. I’ve kept some clippings and gowns but most of my gowns I’ve given away to friends who are in the music business. That’s primarily what I’ve done. If I’m not using something, I’d rather see someone use it.

BLADE: About how much of the year do you travel?

GAYNOR: Now I’m not traveling as much. I’ve slowed down on purpose. It used to be that I was rarely home for more than two weeks at a time but I was rarely gone for more than two weeks at a time, too. Now it’s more like I’m going out maybe once a month, twice a month. Maybe two or three shows a month.

BLADE: You had other hits but “I Will Survive” has become so much more than just a hit record. Some singers feel it’s a blessing and a curse to be so heavily identified with one song. How do you see it?

GAYNOR: I used to see it as a double-edged sword because I recorded so many other songs that in my opinion are great songs, but I’ve come to understand that this song is the core of my God-given purpose and it’s fine, I’m very pleased for it and I’m very happy for it. I just really believe that God said, you know, I want you to have this, I want you to do this with it, I want you to use it to uplift, encourage and empower people with this song and I am very happy and honored for this purpose. I’m very honored for the opportunity and a kind of responsibility to do that for people and it’s wonderful when people come to me and tell me that this song has encouraged them. And the wonderful thing about it is they don’t just say this song did this for me, they say you did this for me. So it adds meaning and purpose to my life and it’s still very, very encouraging and uplifting for me.

Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor (Photo courtesy LOC) 

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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