a&e features
Gloria Gaynor celebrates ‘I Will Survive’ at Library of Congress festival
1978 classic is centerpiece for ‘Bibliodiscotheque’ event honoring disco era

Gloria Gaynor says she used to see ‘I Will Survive’ as a mixed blessing but has come to embrace it as central to her mission to empower and uplift others. (Photo courtesy LOC)
‘Bibliodiscotheque’
Library of Congress
Continues through Saturday, May 6
SCHEDULE:
Friday, May 5:
Music & Veterans Panel Discussion
Noon in Whittall Pavilion
Saturday, May 6:
• ‘Bibliodiscotheque’ symposium with Gloria Gaynor, “Good Morning America” host Robin Roberts et. al. (1 p.m. in Coolidge Auditorium)
• “The Craft of Making Disco Balls” (1 p.m.)
• “Two Perspectives on Beyonce’s African Dance References” (1:30 p.m.)
• “Disco: the Bill Bernstein Photographs” (2 p.m.)
• “Hot Stuff: Disco and the Remaking of American Culture”
• panel discussion, 3 p.m.
• Robin Roberts interviews Gloria Gaynor (4 p.m.)
• Gloria Gaynor, et. al., book signing (5 p.m.)
• Gloria Gaynor in concert (7 p.m. in the Library of Congress Great Hall, sold out)
All events are free and open to the public but tickets must be secured in advance.

Gloria Gaynor (Photo courtesy LOC)
Gloria Gaynor cracked the U.S. Hot 100 several times throughout the 1970s but, of course, it’s her legendary 1978 No. 1 hit “I Will Survive” for which she’s most identified and remembered.
So universally beloved is the song that the Library of Congress has included it in its National Recording Registry, a list of sound recordings that have been deemed “culturally, historically or aesthetically important and/or inform or reflect life in the United States.” Begun in 2000, it includes everything from Scott Joplin piano rags, Bessie Smith blues, Roosevelt’s Fireside Chats, Abbott and Costello comedy routines and much more.
The Library wraps up its disco-tribute series ‘Bibliodiscotheque’ this weekend with an afternoon of events featuring Gaynor culminating with a free concert in the Great Hall. Gaynor spoke with the Blade by phone from her New Jersey home in March.
WASHINGTON BLADE: How do you feel about “I Will Survive” being inducted into the National Recording Registry and how did your involvement in this weekend’s festivities come about?
GLORIA GAYNOR: The song was inducted into the Library of Congress music registry last year and I honestly don’t know how it came about except that I got a message from my manager that they’d called and wanted to do this event. They first called her and said they were inducting the song and then they called a month later and said they wanted me to do this event, so who actually came up with the idea, it probably came out of the meeting we had with them, but I’ve forgotten now. But I was extremely happy about it. Flattered beyond belief.
BLADE: Had you ever been to the Library of Congress before?
GAYNOR: Not before that meeting. I went down and met with them and looked at the Thomas Jefferson building, the archives and oh my God, it’s an awesome building and an awesome room. It’s going to be acoustically a challenge for my sound people to do the concert there, but what a beautiful place, a beautiful room.
BLADE: When were you there?
GAYNOR: That was in November, I believe.
BLADE: You’ll also be signing copies of your 2013 book “We Will Survive: true Stories of Encouragement, Inspiration and the Power of Song.” What kind of reaction have you received from the book?
GAYNOR: A lot of people write and say how the book encouraged and inspired them, which was my whole purpose in writing the book because I’m thinking if you’re going through something, how encouraging, inspiring and uplifting would it be to read about someone who’s gone through what you’re going through or perhaps something even more difficult and yet they came out of the other side victorious? So when people call me and tell me the book or the song has accomplished my purpose, then of course that’s very encouraging, inspiring and uplifting to me.
BLADE: Why do you think the song still resonates so strongly all these years later?
GAYNOR: It taps into the tenacity of the human spirit. It encourages you and inspires you to reach down inside and pull up whatever support you have inside of you to get you through the difficult times in your life. … We all have situations, circumstances in our lives from time to time that we think are insurmountable and hope we’ll survive.
BLADE: Is it true it was originally slated to be the B-side? That seems inconceivable.
GAYNOR: Oh yes, absolutely. The record company had sent me to these producers out in California to record a song that the president of the company had chosen because he’d had a hit with it in England and wanted to repeat that success here in the United States and he specifically wanted me to help him do that so he sent me out to record that song which was called “Substitute.” And when I asked the producers what was going to be the B-side, they asked me in turn what kind of songs did I like, what kind of songs did I like to sing and record. I told them I like songs that are meaningful and that touch people’s hearts and have good melodies and they said, “Oh, we think you’re the one we’ve been waiting for to record this song that we wrote a couple years ago.”
BLADE: Did you realize right away it had strong hit potential?
GAYNOR: Well, the fact that my mother had passed away just a couple years prior and I never thought I’d survive that and the fact that I was standing there in a back brace from my hip up to my art pit because I’d fallen on stage and woke up the next morning paralyzed from the waist down and was in the hospital for four years wondering what was going to happen to my life, I immediately related to the lyrics and immediately believed that since I was relating a couple of situations to the song that had nothing to do with the unrequited love that the song speaks about, I believed other people would do the same thing. I believed it was a timeless lyric that everybody was going to be able to relate to and time has proven me right.
BLADE: There was such a backlash against disco for years. When did you start seeing it appreciated again? Was that in the ‘90s?
GAYNOR: I always believed when people pulled away from it, that was something that was engineered and was more of an economic decision on the part of people whose bottom line was being negatively affected by the fact that people were buying so much disco music and they probably thought this was taking away from people buying their music so I think they came up with this idea for this big rally in Comiskey Park (in Chicago in 1979) but of course my question has always been if all those people who burned all those disco records hated disco music so much, why did they have those records to start with?
BLADE: It seems like it takes a long period after any pop musical genre is super popular — doo-wop, new wave, whatever — to be revived in a nostalgic way. Do you think it was any different with disco or pretty much the same phenomenon?
GAYNOR: Well I think it was a similar thing, but I don’t think it was that incident that caused it. I think that disco music very unfairly became associated with negative things like drugs and all different kinds of overindulgences and I think that contrary to what people believe, California, Miami and New York don’t run the world, middle America runs the world and middle America said I don’t want my children associated with that, so that was the end of it. It wasn’t really the end of it, but it went more into the underground and went more into the dance music that we have today.
BLADE: What’s your favorite cover of “I Will Survive”?
GAYNOR: Chantay Savage.
BLADE: Why?
GAYNOR: Because she’s the only one who really made it her own. She really changed it and made it her own and did a good job of it.
BLADE: How did it come about that you sang it with Diana Ross at her concert in New Jersey in 2013?
GAYNOR: A friend of mine asked me to go to the concert with her. I didn’t know that she had it in the back of her mind that was she using me to try to meet Diana Ross, but that’s what she did. She had called the management of the theater, I don’t know which now, but she got us really great seats using my name and then they came and got us — I don’t know if she asked for me to meet her or how it went, but that’s how we got backstage. They came and got us from our seats just before the show was over and then Diana Ross invited me onstage, which I never expected. I just thought we were standing there, she was going to come back and say hi, my friend’s gonna get her autograph and we’ll be on our way. But she did invite me on stage and I was very flattered and I thought it was really gracious of her to do that and we had a good time. The audience was ecstatic.
BLADE: Her ‘90s cover was just sort of a modest hit but nothing huge yet she’s been closing all her concerts with it for the last several years. Why do you think she keeps doing that when she had so many big hits of her own that would work in that slot in her show? Any theory on that?
GAYNOR: Well I don’t really need a theory on it because I have the truth of it. My brother was her chauffeur and bodyguard for 15 years and he told me that she said she always wished she’d recorded that song. She just liked it and she’s adopted it.
BLADE: Do you ever feel like maybe she’s hoping casual fans will forget it wasn’t she who had the big hit with it in the ‘70s or that she just likes it?
GAYNOR: I think she just does it because she likes it. She thinks it’s a great song.
BLADE: Was it ever challenging for you to reconcile your Christian faith with being open on gay issues or to gay fans?
GAYNOR? No.
BLADE: Did gays and straights mix more in the disco clubs back in the ‘70s or do you recall?
GAYNOR: Well, we all know that there are gay clubs. At my concerts it was always mixed. It was never just all gay or all straight. It was always mixed.
BLADE: Did gays embrace “I Will Survive” right away or that something that grew over the years?
GAYNOR: I honestly don’t know. When they came to the concerts, as I said, it was always mixed. I don’t really separate my fans into categories and see who’s liking what. My fans are just my fans and they like me and whatever I sing, whatever it is. Some, of course, there are certain songs that certain individuals like more than others because they relate to them more than others, but I don’t think any particular group related more to “I Will Survive” more than any other group because it’s a song about human problems, human trauma.
BLADE: But “I Will Survive” is sort of the ultimate shorthand for gay anthem. It’s been voted the top gay anthem of all time by various publications. Did that come about more after the AIDS years perhaps?
GAYNOR: I really don’t know.
BLADE: You’re a native of Newark, New Jersey, but you were obviously already famous and traveling often when Whitney Houston was coming up. Did you know she and Cissy in Newark when Whitney was growing up?
GAYNOR: I knew (Cissy) as an artist I admired and went to see, but I didn’t know her personally. I met Whitney, you know, after she became famous and we had a mutual admiration for one another. She told me on a number of occasions how inspiring I was to her and how she would pull out my song whenever she was feeling down. She looked up to me and admired me and thanked me for being a positive influence in her life.
BLADE: What’s your favorite hymn or gospel song?
GAYNOR: One that was originally called “I Will Survive” but I recorded it and changed the title so people wouldn’t think it was the same song. Now it’s called “He Gave Me Life.”
BLADE: Have you kept all your career mementos? Do you have clippings and gowns and all that?
GAYNOR: Some, yeah. I’ve kept some clippings and gowns but most of my gowns I’ve given away to friends who are in the music business. That’s primarily what I’ve done. If I’m not using something, I’d rather see someone use it.
BLADE: About how much of the year do you travel?
GAYNOR: Now I’m not traveling as much. I’ve slowed down on purpose. It used to be that I was rarely home for more than two weeks at a time but I was rarely gone for more than two weeks at a time, too. Now it’s more like I’m going out maybe once a month, twice a month. Maybe two or three shows a month.
BLADE: You had other hits but “I Will Survive” has become so much more than just a hit record. Some singers feel it’s a blessing and a curse to be so heavily identified with one song. How do you see it?
GAYNOR: I used to see it as a double-edged sword because I recorded so many other songs that in my opinion are great songs, but I’ve come to understand that this song is the core of my God-given purpose and it’s fine, I’m very pleased for it and I’m very happy for it. I just really believe that God said, you know, I want you to have this, I want you to do this with it, I want you to use it to uplift, encourage and empower people with this song and I am very happy and honored for this purpose. I’m very honored for the opportunity and a kind of responsibility to do that for people and it’s wonderful when people come to me and tell me that this song has encouraged them. And the wonderful thing about it is they don’t just say this song did this for me, they say you did this for me. So it adds meaning and purpose to my life and it’s still very, very encouraging and uplifting for me.

Gloria Gaynor (Photo courtesy LOC)
a&e features
Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
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Iran5 days agoGrenell: ‘Real hope’ for gay rights in Iran as result of nationwide protests
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Congress5 days agoVan Hollen speaks at ‘ICE Out for Good’ protest in D.C.
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LGBTQ Non-Profit Organizations5 days agoNational LGBTQ Task Force brings Creating Change conference back to D.C.
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Virginia5 days agoMark Levine loses race to succeed Adam Ebbin in ‘firehouse’ Democratic primary
