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Gloria Gaynor celebrates ‘I Will Survive’ at Library of Congress festival

1978 classic is centerpiece for ‘Bibliodiscotheque’ event honoring disco era

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Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor says she used to see ‘I Will Survive’ as a mixed blessing but has come to embrace it as central to her mission to empower and uplift others. (Photo courtesy LOC)

‘Bibliodiscotheque’

 

Library of Congress

 

Continues through Saturday, May 6

 

SCHEDULE:

 

Friday, May 5:

 

Music & Veterans Panel Discussion

 

Noon in Whittall Pavilion

 

Saturday, May 6:

 

• ‘Bibliodiscotheque’ symposium with Gloria Gaynor, “Good Morning America” host Robin Roberts et. al. (1 p.m. in Coolidge Auditorium)

 

• “The Craft of Making Disco Balls” (1 p.m.)

 

• “Two Perspectives on Beyonce’s African Dance References” (1:30 p.m.)

 

• “Disco: the Bill Bernstein Photographs” (2 p.m.)

 

• “Hot Stuff: Disco and the Remaking of American Culture”

 

• panel discussion, 3 p.m.

 

• Robin Roberts interviews Gloria Gaynor (4 p.m.)

 

• Gloria Gaynor, et. al., book signing (5 p.m.)

 

• Gloria Gaynor in concert (7 p.m. in the Library of Congress Great Hall, sold out)

 

All events are free and open to the public but tickets must be secured in advance.

Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor (Photo courtesy LOC) 

Gloria Gaynor cracked the U.S. Hot 100 several times throughout the 1970s but, of course, it’s her legendary 1978 No. 1 hit “I Will Survive” for which she’s most identified and remembered.

So universally beloved is the song that the Library of Congress has included it in its National Recording Registry, a list of sound recordings that have been deemed “culturally, historically or aesthetically important and/or inform or reflect life in the United States.” Begun in 2000, it includes everything from Scott Joplin piano rags, Bessie Smith blues, Roosevelt’s Fireside Chats, Abbott and Costello comedy routines and much more.

The Library wraps up its disco-tribute series ‘Bibliodiscotheque’ this weekend with an afternoon of events featuring Gaynor culminating with a free concert in the Great Hall. Gaynor spoke with the Blade by phone from her New Jersey home in March.

WASHINGTON BLADE: How do you feel about “I Will Survive” being inducted into the National Recording Registry and how did your involvement in this weekend’s festivities come about?

GLORIA GAYNOR: The song was inducted into the Library of Congress music registry last year and I honestly don’t know how it came about except that I got a message from my manager that they’d called and wanted to do this event. They first called her and said they were inducting the song and then they called a month later and said they wanted me to do this event, so who actually came up with the idea, it probably came out of the meeting we had with them, but I’ve forgotten now. But I was extremely happy about it. Flattered beyond belief.

BLADE: Had you ever been to the Library of Congress before?

GAYNOR: Not before that meeting. I went down and met with them and looked at the Thomas Jefferson building, the archives and oh my God, it’s an awesome building and an awesome room. It’s going to be acoustically a challenge for my sound people to do the concert there, but what a beautiful place, a beautiful room.

BLADE: When were you there?

GAYNOR: That was in November, I believe.

BLADE: You’ll also be signing copies of your 2013 book “We Will Survive: true Stories of Encouragement, Inspiration and the Power of Song.” What kind of reaction have you received from the book?

GAYNOR: A lot of people write and say how the book encouraged and inspired them, which was my whole purpose in writing the book because I’m thinking if you’re going through something, how encouraging, inspiring and uplifting would it be to read about someone who’s gone through what you’re going through or perhaps something even more difficult and yet they came out of the other side victorious? So when people call me and tell me the book or the song has accomplished my purpose, then of course that’s very encouraging, inspiring and uplifting to me.

BLADE: Why do you think the song still resonates so strongly all these years later?

GAYNOR: It taps into the tenacity of the human spirit. It encourages you and inspires you to reach down inside and pull up whatever support you have inside of you to get you through the difficult times in your life. … We all have situations, circumstances in our lives from time to time that we think are insurmountable and hope we’ll survive.

BLADE: Is it true it was originally slated to be the B-side? That seems inconceivable.

GAYNOR: Oh yes, absolutely. The record company had sent me to these producers out in California to record a song that the president of the company had chosen because he’d had a hit with it in England and wanted to repeat that success here in the United States and he specifically wanted me to help him do that so he sent me out to record that song which was called “Substitute.” And when I asked the producers what was going to be the B-side, they asked me in turn what kind of songs did I like, what kind of songs did I like to sing and record. I told them I like songs that are meaningful and that touch people’s hearts and have good melodies and they said, “Oh, we think you’re the one we’ve been waiting for to record this song that we wrote a couple years ago.”

BLADE: Did you realize right away it had strong hit potential?

GAYNOR: Well, the fact that my mother had passed away just a couple years prior and I never thought I’d survive that and the fact that I was standing there in a back brace from my hip up to my art pit because I’d fallen on stage and woke up the next morning paralyzed from the waist down and was in the hospital for four years wondering what was going to happen to my life, I immediately related to the lyrics and immediately believed that since I was relating a couple of situations to the song that had nothing to do with the unrequited love that the song speaks about, I believed other people would do the same thing. I believed it was a timeless lyric that everybody was going to be able to relate to and time has proven me right.

BLADE: There was such a backlash against disco for years. When did you start seeing it appreciated again? Was that in the ‘90s?

GAYNOR: I always believed when people pulled away from it, that was something that was engineered and was more of an economic decision on the part of people whose bottom line was being negatively affected by the fact that people were buying so much disco music and they probably thought this was taking away from people buying their music so I think they came up with this idea for this big rally in Comiskey Park (in Chicago in 1979) but of course my question has always been if all those people who burned all those disco records hated disco music so much, why did they have those records to start with?

BLADE: It seems like it takes a long period after any pop musical genre is super popular — doo-wop, new wave, whatever — to be revived in a nostalgic way. Do you think it was any different with disco or pretty much the same phenomenon?

GAYNOR: Well I think it was a similar thing, but I don’t think it was that incident that caused it. I think that disco music very unfairly became associated with negative things like drugs and all different kinds of overindulgences and I think that contrary to what people believe, California, Miami and New York don’t run the world, middle America runs the world and middle America said I don’t want my children associated with that, so that was the end of it. It wasn’t really the end of it, but it went more into the underground and went more into the dance music that we have today.

BLADE: What’s your favorite cover of “I Will Survive”? 

GAYNOR: Chantay Savage.

BLADE: Why?

GAYNOR: Because she’s the only one who really made it her own. She really changed it and made it her own and did a good job of it.

BLADE: How did it come about that you sang it with Diana Ross at her concert in New Jersey in 2013?

GAYNOR: A friend of mine asked me to go to the concert with her. I didn’t know that she had it in the back of her mind that was she using me to try to meet Diana Ross, but that’s what she did. She had called the management of the theater, I don’t know which now, but she got us really great seats using my name and then they came and got us — I don’t know if she asked for me to meet her or how it went, but that’s how we got backstage. They came and got us from our seats just before the show was over and then Diana Ross invited me onstage, which I never expected. I just thought we were standing there, she was going to come back and say hi, my friend’s gonna get her autograph and we’ll be on our way. But she did invite me on stage and I was very flattered and I thought it was really gracious of her to do that and we had a good time. The audience was ecstatic.

BLADE: Her ‘90s cover was just sort of a modest hit but nothing huge yet she’s been closing all her concerts with it for the last several years. Why do you think she keeps doing that when she had so many big hits of her own that would work in that slot in her show? Any theory on that?

GAYNOR: Well I don’t really need a theory on it because I have the truth of it. My brother was her chauffeur and bodyguard for 15 years and he told me that she said she always wished she’d recorded that song. She just liked it and she’s adopted it.

BLADE: Do you ever feel like maybe she’s hoping casual fans will forget it wasn’t she who had the big hit with it in the ‘70s or that she just likes it?

GAYNOR: I think she just does it because she likes it. She thinks it’s a great song.

BLADE: Was it ever challenging for you to reconcile your Christian faith with being open on gay issues or to gay fans?

GAYNOR? No.

BLADE: Did gays and straights mix more in the disco clubs back in the ‘70s or do you recall?

GAYNOR: Well, we all know that there are gay clubs. At my concerts it was always mixed. It was never just all gay or all straight. It was always mixed.

BLADE: Did gays embrace “I Will Survive” right away or that something that grew over the years?

GAYNOR: I honestly don’t know. When they came to the concerts, as I said, it was always mixed. I don’t really separate my fans into categories and see who’s liking what. My fans are just my fans and they like me and whatever I sing, whatever it is. Some, of course, there are certain songs that certain individuals like more than others because they relate to them more than others, but I don’t think any particular group related more to “I Will Survive” more than any other group because it’s a song about human problems, human trauma.

BLADE: But “I Will Survive” is sort of the ultimate shorthand for gay anthem. It’s been voted the top gay anthem of all time by various publications. Did that come about more after the AIDS years perhaps?

GAYNOR: I really don’t know.

BLADE: You’re a native of Newark, New Jersey, but you were obviously already famous and traveling often when Whitney Houston was coming up. Did you know she and Cissy in Newark when Whitney was growing up?

GAYNOR: I knew (Cissy) as an artist I admired and went to see, but I didn’t know her personally. I met Whitney, you know, after she became famous and we had a mutual admiration for one another. She told me on a number of occasions how inspiring I was to her and how she would pull out my song whenever she was feeling down. She looked up to me and admired me and thanked me for being a positive influence in her life.

BLADE: What’s your favorite hymn or gospel song?

GAYNOR: One that was originally called “I Will Survive” but I recorded it and changed the title so people wouldn’t think it was the same song. Now it’s called “He Gave Me Life.”

BLADE: Have you kept all your career mementos? Do you have clippings and gowns and all that?

GAYNOR: Some, yeah. I’ve kept some clippings and gowns but most of my gowns I’ve given away to friends who are in the music business. That’s primarily what I’ve done. If I’m not using something, I’d rather see someone use it.

BLADE: About how much of the year do you travel?

GAYNOR: Now I’m not traveling as much. I’ve slowed down on purpose. It used to be that I was rarely home for more than two weeks at a time but I was rarely gone for more than two weeks at a time, too. Now it’s more like I’m going out maybe once a month, twice a month. Maybe two or three shows a month.

BLADE: You had other hits but “I Will Survive” has become so much more than just a hit record. Some singers feel it’s a blessing and a curse to be so heavily identified with one song. How do you see it?

GAYNOR: I used to see it as a double-edged sword because I recorded so many other songs that in my opinion are great songs, but I’ve come to understand that this song is the core of my God-given purpose and it’s fine, I’m very pleased for it and I’m very happy for it. I just really believe that God said, you know, I want you to have this, I want you to do this with it, I want you to use it to uplift, encourage and empower people with this song and I am very happy and honored for this purpose. I’m very honored for the opportunity and a kind of responsibility to do that for people and it’s wonderful when people come to me and tell me that this song has encouraged them. And the wonderful thing about it is they don’t just say this song did this for me, they say you did this for me. So it adds meaning and purpose to my life and it’s still very, very encouraging and uplifting for me.

Gloria Gaynor, gay news, Washington Blade

Gloria Gaynor (Photo courtesy LOC) 

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Jussie Smollett asserts innocence while promoting new film

‘I know what happened and soon you all will too’

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Jussie Smollett’s case remains on appeal. His new film is out later this month. (Photo by Starfrenzy/Bigstock)

Jussie Smollett, the actor and musician who was convicted of lying to the police about being the victim of a homophobic and racist hate crime that he staged in 2019, attended a screening of his latest film “The Lost Holliday” in a packed auditorium of the Martin Luther King Jr. Memorial Library on Aug. 28. 

In an interview with the Washington Blade that took place before the screening, he continued to assert his innocence and responded to concerns within the LGBTQ community that his case has discouraged real victims from reporting hate crimes. 

The former “Empire” star wrote, produced, and directed “The Lost Holliday,” his second feature film to direct following 2021’s “B-Boy Blues.” Produced through Smollett’s company, SuperMassive Movies, he stars in the film alongside Vivica A. Fox, who also served as a producer and attended the library screening with other cast members.

In the film, Smollett plays Jason Holliday, a man grappling with the sudden death of his husband Damien (Jabari Redd). Things are complicated when Damien’s estranged mother, Cassandra Marshall (Fox), arrives in Los Angeles from Detroit for the funeral, unaware of Damien’s marriage to Jason or of their adopted daughter. Initially, Jason and Cassandra clash — Cassandra’s subtle homophobia and Jason’s lingering resentment over her treatment of Damien fuel their tension –– but they begin to bond as they navigate their grief together. 

Smollett, Fox, Redd, and Brittany S. Hall, who plays Jason’s sister Cheyenne, discussed the film in an interview with the Washington Blade. Highlighting the wide representation of queer identities in the film and among the cast, they stressed that the story is fundamentally about family and love.

“What we really want people to get from this movie is love,” Smollett said. “It’s beneficial for people to see other people that are not like themselves, living the life that they can identify with. Because somehow, what it does is that it opens up the world a little bit.”

Smollett drew from personal experiences with familial estrangement and grief during the making of the film, which delves into themes of parenthood, reconciliation, and the complexities of family relationships.

“I grew up with a father who was not necessarily the most accepting of gay people, and I grew up with a mother who was rather the opposite. I had a safe space in my home to go to, but I also had a not-so-safe space in my home, which was my father,” he said.

“The moment that he actually heard the words that his son was gay, as disconnected and estranged as we were, he instantly changed. He called me, after not speaking to him for years, and apologized for how difficult it must have been all of those years of me growing up. And then a couple years later, he passed away.”

Smollett began working on “The Lost Holliday” eight years ago, with Fox in mind for the role of Cassandra from the outset. He said that he had started collaborating on the project with one of the biggest producers in Hollywood when “‘2019’ happened.”

In January 2019, Smollett told Chicago police that he had been physically attacked in a homophobic and racist hate crime. He initially received an outpouring of support, in particular from the LGBTQ and Black communities. However, police soon charged him with filing a false police report, alleging that he had staged the attack. 

After prosecutors controversially dismissed the initial charges in exchange for community service and the forfeiture of his $10,000 bond, Smollett was recharged with the same offenses in 2020. Meanwhile, his character in “Empire” was written out of the show. 

In 2021, a Cook County jury found him guilty on five of the six charges of disorderly conduct for lying to police, and he was sentenced to 150 days in jail and 30 months of probation, along with a $120,000 restitution payment to the city of Chicago for the overtime costs incurred by police investigating his initial hate crime claim.

LGBTQ people are nine times more likely than non-LGBTQ people to be victims of violent hate crimes, according to a study by the Williams Institute at UCLA School of Law. Upon Smollett’s conviction, some in the LGBTQ community felt that the case would discredit victims of hate crimes and make it more difficult to report future such crimes. 

Smollett seemed to acknowledge these concerns, but denied that he staged the attack. 

“I know what happened and soon you all will too,” he told the Blade. “If someone reported a crime and it wasn’t the truth, that would actually make it more difficult [to report future crimes], but I didn’t. Any belief that they have about the person that I’ve been played out to be, sure, but that person is not me, never has been,” he said. “So I stand with my community. I love my community and I protect and defend my community until I’m bloody in my fist.” 

“And for all the people who, in fact, have been assaulted or attacked and then have been lied upon and made it to seem like they made it up, I’m sorry that you have to constantly prove your trauma, and I wish that it wasn’t that way, and I completely identify with you,” he added.

An Illinois Appellate Court upheld his guilty verdict last year, but Smollett has since appealed to the Illinois Supreme Court, which in March agreed to hear the case. He has served six days in jail so far, as his sentence has been put on hold pending the results of his appeals. 

The screening at the MLK Jr. Library concluded with a conversation between Smollett, Fox, and David J. Johns, CEO and executive director of the National Black Justice Coalition. Smollett discussed his current mindset and his plans for the future, revealing he is working on a third movie and will be releasing new music soon. 

“I’m in a space where life is being kind,” he said. 

“The Lost Holliday” recently secured a distribution deal for a limited release with AMC Theatres and will be out in theaters on Sept. 27. 

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DIK Bar cements its status as LGBTQ institution, prepares to expand

Dupont Cantina coming soon to the former Malbec space

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Michael Askarinam and his brother Tony opened Dupont Italian Kitchen nearly 40 years ago. (Washington Blade photo by Michael Key)

Two immigrant brothers who could not return home, Michael and Tony Askarinam, turned instead to making a community space of their own. Nearly 40 years after debuting their casual, gay-friendly restaurant, the (straight) owners of Dupont Italian Kitchen are expanding, reinforcing their status as a center of gay life on 17th Street. By early fall, they plan to debut a casual Mexican restaurant, complete with a spacious patio, tons of tacos, and big margarita energy that will please outdoor diners and karaoke singers upstairs alike.

DIK Bar, as it is affectionately known, still serves fan-favorite lasagna and eggplant parmesan, though no longer for a cool $4.25 from its opening menu. Michael, who moved to the U.S. from Iran to study in 1974, graduated in 1980 – less than a year after the Iranian revolution. Part of a Jewish family, he felt unsafe going back to his homeland with the new regime, and has never returned. Instead, he and his brother, who also fled, opened a restaurant that still sits on the same corner as the day it opened. Though he is not Italian, Michael had plenty of relevant experience: He had worked in Italian restaurants during summers while studying, and another brother owned the now-closed restaurant Spaghetti Garden (where Pitchers stands today). The menu, he admits, pulled heavily from his family influence.

Dupont Italian Kitchen (Washington Blade photo by Michael Key)

Opening on 17th Street in the mid-‘80s, the brothers knew the community vibe. Annie’s, just a block away, was already well known as an LGBTQ-friendly institution. At the time, he says, the street was a bit grittier — not the well-manicured lane it is today. Still, they decided to open a restaurant and Italian Kitchen was born. His brother at Spaghetti Garden suggested adding “Dupont” in front to help ground the location, and DIK came into being. “At the beginning I admit I was a little uncomfortable with the name, having young kids. But it grew on me,” he says. Leaning in, he’s embraced the name.

A few years later, the restaurant expanded vertically: taking over the apartments upstairs to turn it into a bar; a new chef came in who introduced DIK Bar’s popular brunch. But he and his brother never really relinquished the cozy space that he had envisioned. Each pushing 80 years old, they come in nearly daily: cooking, bartending, even washing dishes.

DIK has evolved, but only slightly. Eggplant and chicken parm, lasagna, pizza, pasta, and a $1 garden salad: the opening menu from the ‘80s reads like a genuine old-school Italian joint. Today, you will still find classic gems, though now they are nestled alongside Brussels sprouts and arugula salads.

As longtime patrons know, the restaurant is more than the sum of its pasta parts. “It’s an atmosphere where everybody is welcome. I got that from my mother,” he added, noting that she had experienced discrimination as part of the Jewish minority in Iran. Given this background, it was logical for them to build a space where “you have a place to be who you are and feel comfortable.”

In 2020, as the restaurant’s lease was expiring, he had the opportunity to buy the building, which included adjacent Argentine restaurant Malbec. “The landlord let us know that they felt we deserve to own the building after being here for so long,” says Michael.

It was a blessing; to him, it meant the sustainability of Dupont Italian Kitchen. Earlier this year, when Malbec’s lease expired, they decided against finding another tenant and instead they would make it their own. The two eateries already shared one storage basement, where the Malbec kitchen was located. Saving costs by sharing procurement, staff, and utilities (as well as liquor), they took the leap. “Plus, we can be our own great tenant,” he said with a smile.

The new Dupont Cantina is coming soon. (Washington Blade photo by Michael Key)

The refurbishment thus far has included a new HVAC system and a new bar. The new restaurant allows them access to a more spacious kitchen that can cook up sizzling Mexican favorites with speed and in volume. Customers at upstairs DIK Bar have always requested more bar-style finger food, he says, and tacos are better suited to a drinking atmosphere than fettuccine alfredo or creamy Cajun sausage pasta. Mexican food is also well suited to the patio. He also has a family tie to Mexico: relatives own Johnny Pistolas in Adams Morgan. The rest of the menu is being developed, including shareable small plates and “Mexican pizza.” Drinks will feature tequila, mezcal, and margaritas; and there is a happy hour in the works. “I’m hoping this expansion can help cement our future,” he says.

The opening timeline is early fall.

Looking back on almost 40 years and looking forward with the expansion, he mused that the restaurant still maintains its authenticity and its central role in LGBTQ life in D.C. “I’m really proud of the fact that it caters to this community. We are an institution, we want to continue to be part of this place.”

Michael Askarinam at DIK Bar. (Washington Blade photo by Michael Key)
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Corcoran Street Group: LGBTQ lobbyists fighting for our rights

‘The most pro-LGBTQ+ thing you can do this election is to vote Democrat’

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Brad Howard is founder and president of the Corcoran Street Group

We often hear the term lobbyist associated with negative connotations. Think oil and gas initiatives that often seek to curtail environmental protections to further their industries. Consider “big pharma,” which is often vilified for keeping healthcare costs high. However, there are lobbyists fighting for our rights – not just LGBTQ rights, but human rights as well. Brad Howard, founder and president of the Corcoran Street Group (CSG) is one such out, gay lobbyist advocating for equality and equity. 

To start, Howard shares his definition of a lobbyist, which transcends the stereotype that the term originates with politicos literally waiting in D.C. hotel lobbies hoping to hobnob with politicians to foster their interests, often with cash in hand.

“Understanding how government works can be incredibly difficult, even to those on the inside,” he shared. “Lobbying is a constitutionally protected right explicitly guaranteed in the First Amendment – the right to petition our government. At its most basic level, lobbying is essentially contacting a public official to express your opinion or ask them to take a certain action. So, if you have ever emailed or called your city council rep or Member of Congress – or even tagged them on social media – you lobbied.”

Howard, who came to Washington from a conservative background in Arkansas, had a journey from working with Republican leaders and causes to being more libertarian before eventually joining with the Blue Dog Democrats. This is quite a change for a young man who founded a teenage GOP group in high school, chaired the college Republicans group at Hendrix University, and became vice chair of Arkansas College Republicans. 

So, how did a nice conservative Christian Republican whose parents voted for Ross Perot instead of Bill Clinton from the Bible Belt end up as a gay lobbyist? 

“I was subconsciously rejecting any attempt to live my life the way someone told me to … a Libertarian streak if you will,” Howard said. “I was always pro-choice and pro-marriage equality as I didn’t want the government anywhere near me. Throughout all of this, I was starting to understand that I was gay and what that meant for my future in politics, it was bleak. Then the Bush-Cheney campaign in 2004 started pushing constitutional amendments banning gay marriage in states across the country to drive evangelical turnout. That ran counter to my politics – to the basic principle of promoting individual liberty. So I left the party then and graduated college as an independent in 2006 with the goal of moving to Washington as quickly as possible.”

By 2007 he was living in Washington, D.C., interning for Simon Rosenberg’s New Democrat Network, and pursuing a master’s from American University. Coming out for Howard happened on the first day he entered college, quite a “daunting and scary” task summed up by him as: “I have blue eyes. I love playing cards. I’m a terrible, but very confident karaoke singer. Oh, by the way, I’m gay.”

The “it’s part of me, but not my whole identity,” is often expressed by those on the – shall we say – cusp of coming out. He cites a Foundry United Methodist pastor’s message as impetus for coming out as a defining part of his identity. 

“That seed of shame you feel for being gay – that was not planted there by God; it was planted there by the church, and I’m sorry,” here he’s referring to a sermon by Pastor Ginger Gaines-Cerelli. “I can’t describe what it [felt] like to be 33 years old and have your world completely upended like that. It wasn’t just the statement, which answered a question that had long haunted me; it was also the apology. I didn’t even know that I needed an apology, but I did, and it worked.” 

Before starting CSG, he worked at a bipartisan lobbyist group and was mentored by former Chief of Senate Staff Bob Van Heuvelen. Howard describes his mentor’s approach to lobbying as guided by a strong moral compass, and seeing people as people, not transactions. 

The way it should be: Since corporations are not people.

Howard also sits on the board of directors for Q Street, as treasurer. Q Street is an LGBTQ lobbyist organization. Yesenia Henninger, the out queer president of Q Street since January of this year – and board member for five years – explains in further detail what her group does to foster queer rights. 

“Q Street is the nonprofit, nonpartisan, professional association of LGBTQ lobbyists and public policy advocates. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ+ lobbyists on K Street,” District lingo for queer lobbyists, “and our colleagues and allies on Capitol Hill. Q Street has more than 3,000 recipients of our monthly newsletter, hundreds of attendees at our receptions, and our monthly luncheons have featured speakers such as Members of Congress, campaign managers, activists, plaintiffs in the most important LGBTQ+ Supreme Court cases of our time, and the Secretary of the Army. Q Street hosts nearly 25 receptions, lunches, and professional development events every year. Our goal is to provide the best networking opportunities and professional development trainings so our members continue to grow within the ranks of their field.”

According to Henninger there has been a growing population of queer lobbyists since the Obama years. Marriage equality, an impetus for Howard to perhaps “come out politically” equally spurred their growth. After Obama, this presence fought to maintain rights gained. This is amazing growth considering at one time people working for our equity did so in an almost secretive fashion. 

An aside here, Sean Strub the founder of POZ Magazine, wrote a powerful book in 2014 called “Body Counts: A Memoir of Politics, Sex, AIDS and Survival,” which chronicles advocacy in D.C. in the years after Stonewall.

The majority of these K Street lobbyists are in their 30s and 40s. Although Henninger shares there are more junior and more senior-ranking lobbyists in terms of age or career. 

What do they do? Is it office-to-event, sleep, repeat? Henninger explained that a queer lobbyist’s lifestyle varies depending on the issue area they focus on. Her organization has lobbyists working in policy as well as members who focus on energy and transportation issues, and topics all across the spectrum.

“The lobbyists and advocates whose roles require them to engage in political activity may also have different lifestyles than those that do not. They likely have fundraisers (sometimes one, sometimes multiple) that they attend after work with Members of Congress or other politicians. However, we also have many public policy advocate members who spend their day talking to Members of Congress, or administration officials, trying to achieve their policy goals that do not have any fundraiser-related obligations. Q Street hopes to provide a great space for our members to network with one another and unite their social and professional experiences in the district.”

We are all aware what is at stake in the upcoming presidential election in what can only sadly be described as a deeply divided nation. What role will LGBTQ lobbyists play, I asked Brad Howard.  

“If you vote third party, if you leave the race blank, or if you stay home, you are helping to elect Donald Trump,” he said. “You are not punishing Joe Biden, you are punishing the millions of Americans, the millions of aspiring Americans who face deportation, millions of women who depend on access to reproductive health, and so many transgender young people who need protection – all of these people will be punished in a Trump presidency. And, Joe Biden is going to need a Democratic Congress – or we’ll need a Democratic Congress to stop Donald Trump. So to me, the most pro-LGBTQ+ thing you can do this election is to vote Democrat…because the choices have never been clearer.”

Visit Corcoran Street Group and Q Street to learn more about their work.

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