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Long-dormant Revolution blazes in Prince tribute concert

April Fillmore show manages to honor late legend without trying to replace him

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Revolution concert review, gay news, Washington Blade

A newly reunited Revolution pay homage to late mastermind Prince on a current tour. (Photo courtesy Fillmore Silver Spring)

The Revolution contributed to some of the most important recordings of the last four decades, appearing on Prince albums like “1999,” “Purple Rain,” “Around the World in a Day” and “Parade.” “Purple Rain” made them more famous than most backing bands.

The young, no-nonsense and blazingly talented guitarist Wendy Melvoin was one of the few who would stand up to Prince (in “Purple Rain” and in real life). Her partner Lisa Coleman is a gifted pianist, songwriter and vocalist, someone who helped bring dimensions of color to Prince’s music that otherwise would never has existed. Bobby Z., Mark Brown and Matt Fink all made important contributions as members of the Revolution.

Though disbanded by Prince amidst tension following a 1986 tour, they’ve now reunited and are touring. On April 27th, they played the Fillmore in Silver Spring.

Prince was a peerless performer. He was a dynamo like no other, dancing, singing and knocking out blistering guitar solos or wildly intricate piano with equal proficiency. Nobody will ever compare to Prince and the Revolution doesn’t try. In his live performances, Prince would often run through his hits in abbreviated versions or as part of medleys, and sometimes he would go off on long funk jams. He was not the type to choose a set list of 25 songs, play them in full and change it up from night to night to keep the audiences surprised. But the Revolution did exactly that. Their 22-song set covered all of the albums on which they were featured, focusing mainly on the hits but throwing in a couple deep cuts as well. Throughout the night the band paid respect to the music, treating it with reverence and bringing it to electrifying life before a wildly enthusiastic crowd.

Most of the lead vocals were handled by Melvoin and bassist Mark Brown, both of whom did their former boss justice. Vocalist Stokley Williams of Mint Condition guested throughout much of the show, generally performing lead on the more funk-oriented tracks like “Kiss,” “Erotic City,” “Uptown” and “Let’s Work.” Williams faced a difficult task. Obviously replacing Prince is impossible, and he didn’t try. He kept the audience singing along, dancing and leading the crowd in arm-waving and cheers, but he didn’t go too far over the top or showboat. He allowed the attention to be on the Revolution but still delivered the dynamic vocals the songs required.

The band opened with their iconic dialogue on the hard-edged funk/rock classic “Computer Blue,” and delivered scalding takes on “1999,” “D.M.S.R.,” “Controversy,” “Let’s Go Crazy” and “Delirious.” The more pop-oriented songs were all crowd-pleasers, and the whole room sang along with “Take Me With U,” “Paisley Park,” “Mountains” and “Raspberry Beret.”

“When Doves Cry” was absolutely blazing from start to finish, Melvoin nailing the opening snarls of guitar and the searing solo midway through, and keyboardist Matt Fink deftly managing those slithery lines of synth near the end. Most of the night was a party, but one somber moment came when the rest of the band left and Wendy Melvoin, after a short and emotional speech about Prince, and Lisa Coleman together performed “Sometimes it Snows in April,” alone on the stage. The room was silent as a seance, apart from the hushed voices singing along. It was a shared moment of connection, of loss and love. Wendy & Lisa recorded the original with Prince in one take, and his absence from that stage was felt to the bones by everyone in that room.

The main set of course closed with “Purple Rain” and it was hard not to feel Prince’s presence smiling down as Wendy nailed his famous solo and the crowd waved their arms in the air and sang along with his great epic. Then just like in the film, after the dramatic title song the band walks off stage, only to return to the sound of wild applause. Then, bam! Pure funk amped to the highest wattage with the one-two closing punch of “I Would Die 4 U” and “Baby I’m a Star,” which sent the crowd into a frenzy of dancing and the pure love and celebration of Prince and his music.

The Revolution
 
Fillmore, Silver Spring
 
April 27, 2017
 
SET LIST
 
1. Computer Blue
2. America
3. Mountains
4. Automatic
5. Take Me With U
6. Uptown
7. D.M.S.R.
8. Our Destiny/Roadhouse Garden
9. Raspberry Beret
10. Erotic City
11. Let’s Work
12. 1999
13. Paisley Park
14. Controversy
15. Sometimes it Snows in April
16. Let’s Go Crazy
17. Delirious
18. Kiss
19. When Doves Cry
20. Purple Rain
ENCORE
21. I Would Die 4 U
22. Baby I’m a Star

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Music & Concerts

DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami

Pool party celebrates most charismatic personalities, creative artists in adult entertainment

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DJ Chanel Santini (Photo courtesy of Miss Lainie PR)

Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.

Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.

“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade. 

“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.

While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.” 

Santini loves how DJ-ing brings people together. 

“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”

 Santini describes DJs as the “modern rock stars” in today’s world. 

“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.

Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.

“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.” 

Santini acknowledged they felt respected more when dressed as a woman.

“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”

Recently, Santini has been embracing their feminine side more.

“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.” 

And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

DJ Chanel Santini / Photo courtesy of Miss Lainie PR

Santini is already working on big plans for the future.

“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”

Santini plans to go “all out” for this show. 

“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”

Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.

“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”

Santini acknowledged that, in the recent past, it was a struggle.

“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”

In addition to being a DJ/artist, Santini is starting college next semester. 

“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”

Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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Washington chorale kicks off Christmas with vibrant program

‘Thine Own Sweet Light’ concerts planned

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(Photo by orson/Bigstock)

The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).

The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites. 

For more details, visit the Washington Master Chorale website.

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