Arts & Entertainment
Give it to me ‘Straight’
Notions of human sexuality came in Victorian era
‘Straight: The Surprisingly Short History of Heterosexuality’
By Hanne Blank
Beacon
$26.95
228 pages
For most of your life, people have been making decisions without you.
When you were born, for instance, they decided whether you were a boy or a girl (based on obvious visual clues). Because of that, they hung a gender-specific moniker on you, dressed you in pink or blue, cuddled you more or less and gave you certain toys accordingly.
Consequently, people presumed your sexuality before you were able to confirm or deny it. But contemporary notions of sexuality and gender identity — which seem so entrenched to us here in the early throes of the 21st century — are actually a rather recent phenomenon, as explained in the new book “Straight: The Surprisingly Short History of Heterosexuality” by Hanne Blank.
For most of human history, people were just people, un-pigeonholed. There were no heterosexuals prior to about 150 years ago, nor were there homosexuals. Love existed, of course, as did various sexual desires and behaviors, but terms and categories describing humans themselves did not.
In 1868, a Victorian-era writer coined the word heterosexual and there we are. Those Victorians, says Blank, were a randy bunch who loved to be titillated so we shouldn’t be too surprised at their prurient interests, especially that which concerned the maintenance of “manly” virtues and the defining of “deviant” behavior of the lower class.
Those “degenerates” were the ones who needed to be weeded out.
Suddenly, what others were doing in the bedroom became a big deal. Serious names for every sexual activity, as well as judgments for them, were topics of hushed conversation and extreme care had to be taken to remain on the good side of gossip. Anything other than “normal” sexual relationships were considered immoral, though it was extremely common for same-sex couples to share a bed and nobody gave it a thought.
Freud weighed in with his ideas. Other “scientists” followed suit, and by the 1950s, “heterosexuals were everywhere,” many ushered into marriage because it was expected of them. After all, wedded bliss was the only respectable allowance for having sex, and sex was only for procreation.
And then came The Pill.
But all this history begs a modern question: because we know now that there are more than two categories of human sexuality on the spectrum, does anyone’s sexual identity really matter to anybody but that individual? Who cares anymore?
Blank says that, of course, it depends on who asks.
“Straight” is, well, it’s pretty straight, and probably not the kind of book you’d pick up on a lark, although author Hanne Blank does occasionally employ a sense of the absurd in her accounting of the history of heterosexuality and everything it wasn’t.
For casual, time-starved readers, though, that might not be enough. What Blank says runs somewhat deep and semi-philosophical, with solidly based research and biographical examples. These things are tempered by Blank’s sharp-as-an-ax wit, but that doesn’t lessen the fact that this book begs to be pondered.
Still, if you’ve ever wondered how we got to this point in our bedrooms, you really can’t miss it. If you’re heterosexual (or know one), reading “Straight” is a good decision.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
Comings & Goings
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D.C. Council gives first approval to amended PrEP insurance bill
4th Circuit dismisses lawsuit against Montgomery County schools’ pronoun policy
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Virginia5 days agoHashmi speaks at Equality Virginia Lobby Day
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District of Columbia5 days ago
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District of Columbia4 days ago
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Maryland5 days ago
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