a&e features
Drag drama
Courtney Act joins Ladies of Town this weekend for guest appearance

‘RuPaul’s Drag Race’ season six runner-up Courtney Act says the show kicked her career into high gear. (Photo by Magnus Hastings; courtesy Project Publicity)
Meet & Greet & Seat tickets available for $20 gives you admission, access to a meet-and-greet at 9 p.m. and a chance to get seats for the show before the doors open to the general public. But to get seats, you must arrive before 10.
Regular cover is $8 from 10-11 p.m. and $12 after
Drag show starts at 10:30 p.m. downstairs
Music upstairs by CTRL
Town Danceboutique is always a prime spot for “RuPaul’s Drag Race” alumni and the tradition continues.
Last week season six champion Bianca Del Rio started a new monthly comedy cabaret show there and on Saturday night, the regular Saturday night drag troupe welcomes guest star Courtney Act, who came in second this year. As Courtney, Aussie Shane Jenek, 32, delighted “Drag Race” fans with his obvious singing and stage talent and a female look that was eerily convincing. We caught up with him this week by phone from Los Angeles. His comments have been slightly edited for length.
WASHINGTON BLADE: Will you be doing the “Boys Like Me” show at Town or something else?
COURTNEY ACT: No. This is just going to be sort of the regular Saturday night at Town with special guest Courtney Act. I did “Boys Like Me” in New York and would definitely like to tour it, but not this time.
BLADE: Did you enjoy Capital Pride and Town when you were here in June?
ACT: I did. Capital Pride, can I say, was I think my favorite Pride I did in America this year. It was absolutely epic and then we performed after at Town and that was epic too. The crowd there was amazing.
BLADE: What was the big delay on the main stage at Pride? I know you were on pretty early but things seemed to be running hours behind and it was dark by the time Bianca went on. What was going on backstage?
ACT: Well, Darienne went on and then I went on and then I think Rita Ora came out. There was some confusion in the lineup because she had to leave early so she ended up going earlier in the day and that bumped everybody else later I believe. Adore and Bianca ended up going on at the end.
BLADE: Did you bring a strategy for “Drag Race” per se or were you just there to bring your A game overall?
ACT: I just brought my A game. I’m a huge fan of the show. I love watching it and I just thought, “How do I want the world to see me?” … When I found out I might be on the show, I called everybody around the world that I’d ever worked with where I’d had a good costume and tracked down, like the wings and, you know, all these difference pieces and also had some things made and put it all together with my friends and business partners. Vanity from Wigs by Vanity flew over from Australia — this is before I was even confirmed, while they were still doing the background check — I took a chance on a happy ending and Vanity flew over and we both styled wigs for a whole week. So I just got everything ready just in case so yeah, I definitely brought my A game.
BLADE: Were you exhausted by the end?
ACT: No, I had a great time. There was no television, no mobile phones, no internet, no social media … not every day to you get to wake up and do all of those things at such a high standard so it was actually kind of amazing. And every week was different. It wasn’t like we were doing some production show eight times a week. We were doing a musical one week, an interview challenge the next. Each week was different.
BLADE: Who was your favorite celebrity guest judge?
ACT: Well I did love Khloe Kardashian. I didn’t know much about her but she kind of won my heart. And then since the show, Chaz Bono and I have become very good friends and it was a great gift getting to meet him on the show and becoming friends.
BLADE: What was your take on the “Female or She-Male” segment controversy?
ACT: I thought it was probably a little ill thought out. I don’t think it was intentionally meant to be offensive but I guess the thing about transphobia, homophobia, any kind of phobia, is that it often stems from ignorance not from intentionally trying to put someone down. I think if they were to do it again, they probably wouldn’t include the word she-male. But it sort of came at a time where we’re seeing a new revolution with gender in society. We had the women’s liberation in the ‘60s and ‘70s and now it’s like the trans revolution where you have inspiring trans people like Chaz Bono, Laverne Cox, Janet Mock … coming to light and it’s kind of the first time we’ve had inspirational trans people in pop culture. I think the she-male controversy kind of sparked a lot of conversation and I think a lot of changes and conversations began because of that so, you know, in some ways it was a good thing.
BLADE: But accusing RuPaul of being transphobic? Isn’t that a little ridiculous?
ACT: Well no, obviously that’s ridiculous. Sometimes people can get too caught up in the heresy, like, “Oh my God, this person said this,” and it’s like, well, yeah, there are some very loud people saying things that just don’t make any sense but I think you have to use your better judgement and say, “Yeah, you know what — even though she-male wasn’t the smartest thing, is RuPaul transphobic? No. Is World of Wonder out to, you know, put down trans people? No, of course not. So I think the controversy can get extremely unbalanced and I think when the issue arrives, it’s about doing things objectively and having a balance on both sides. I think RuPaul kind of got embroiled in the controversy because he addressed, you know, the right wing if you will, of trans activists rather than focusing on the solution. I can’t remember the statistic for sure off hand but something like one in six, one in eight, trans people will end up being murdered. That’s a statistic that’s dumbfounding. And you also see the state of homelessness and all sorts of other social issues that affect trans people much more than cisgender people and that’s the real conversation that needs to come out that whole debate. How can we improve the lives of trans people? How can we see them as equal and how can we move forward?
BLADE: You’ve said what ended up on the show was only about 10 percent of your overall persona and that things were taken out of context and such. I’m sure that’s true to an extent but you had to know they were going to take the bitchiest exchanges and play those up, right?
ACT: You know they’re going to sensationalize things. They’re making a reality TV show, not a documentary. I think that’s obvious but what I didn’t anticipate — I thought those things may be heightened, but I thought they would still be honest. There was obviously some creative license taken but I guess my expectation was that when it came to the outcome of my whole experience on the show, I am almost anti- a lot of the things that Courtney came to represent. So to see myself portrayed as the mean girl or someone who was mean to Joslyn, it kind of goes against everything I stand for as a person. That was challenging for me personally to watch. I love Joslyn and we’re friends and there was no real drama between us. That was maybe a 10-minute period where we discussed how she was feeling hurt by what the judges said and then it was compounded by what I said. But that all happened in one episode for like 10 minutes but then there were all these other occurrences built into the show where I was being depicted as being rude to Joslyn and it just wasn’t like that.
BLADE: Do you and Bianca, Adore and Darienne (the season six finalists) get to see each other often or do many shows together?
ACT: Not as often as we’d like but we maintain a very active iMessage thread and everyday we’re messaging one another. We’re always in different parts of the world, so there’s always somebody awake and participating and we’re always thinking, “When is our next gig together, we really need to hang out again.” We had the best afternoon hanging out at Capital Pride.
BLADE: How much of what you do now is tied in with the Logo juggernaut if any?
ACT: None of these are official Logo or World of Wonder gigs but they’re obviously all because we were on the show and people know who we are.
BLADE: What are your thoughts on the current Facebook controversy with the real names policy?
ACT: I’ve always had a fan page and a boy page so it didn’t affect me personally but I do understand the argument. But I think Justin Bond made a good argument on Huffington Post that there are people in places around the world who need to have a fake name to protect their identity because either their family, their society, their country, their religion doesn’t accept who they are. I think the thing that’s different about drag queens is we’re talking about the algorithm picking up fake names, not somebody in the Middle East who’s trying to maintain an online identity because that’s their only outreach to the outside world. For drag queens who have a public persona, I think a fan page makes more sense but I think for people who have a personal page in their name, I don’t see why that shouldn’t be possible too. I think there can be an opportunity for people to register with Facebook privately their real details and then have a profile in a performance name.
BLADE: You always have the hottest guys on your single covers and promo photos. Who are these people and where do you find them?
ACT: There’s a “Mean Gays” of West Hollywood. … The boys in my “Mean Gays” video are just go go boys and friends in West Hollywood.
BLADE: Do you sing differently as Shane versus as Courtney?
ACT: Yeah, she sings higher. I usually sing about one tone below a natural female sort of key. Then as a boy, it’s in a lower key. It’s fun on the Atlantis gay cruises I can do Courtney’s show “Boys Like Me” one night, then do a boy cabaret show on a different night in the smaller room.
BLADE: You were well established before “Drag Race.” Did that just kick everything into high gear for you? What has the effect been like?
ACT: It’s been epic since “Drag Race.” I was known in Australia and had a bit of a following around the world but yes, “Drag Race” just — I was just in Europe doing a two-week tour and in Berlin, this venue was packed with people all screaming and singing along to “Mean Gays” and it was amazing because not only were all these people there, “Drag Race” isn’t even shown on television there so they’d all had to commit a crime and illegally downloaded the show just to know who I am. In America, you know, we’re sort of accustomed to seeing the fandom of the “Drag Race” girls, but it’s really taking the world by storm. We’re in America, in Europe, in Australia, in Canada — drag queens are taking over the world.

Aussie native Courtney Act, 32, started doing drag in 2000 and came to the U.S. in 2010. (Photo by Mathu Andersen; courtesy Project Publicity)
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
a&e features
D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
a&e features
‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show
Emotional January episode highlighted 40-year love affair with partner
Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”
In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home.
Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.
“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”
Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.
“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states.
“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.
Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?
Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”
Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?
Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’
And so, they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no idea.
Blade: What was your reaction when you saw the home renovation?
Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.
Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?
Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.
And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.
Blade: Did your appearance on the show change your life and your relationship with your sister?
Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.
And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.
Blade: Can you tell a little about when it came about and how you met your partner?
Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.
Blade: And when was that?
Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’ She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’
And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.
Blade: So, your partner’s name was Diane?
Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.
Blade: And how many years were you together?
Diggs: Forty. Forty years together
Blade: And where were you living with her most of the time?
Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.
Blade: Can you tell me a little about what you were doing career wise during those years?
Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.
Blade: Around when was this, in the 1980a or 1990s?
Diggs: Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.
Blade: When was it that she passed away?
Diggs: In 2020. I found her on the kitchen floor.
Blade: How did your family and your extended family react to your relationship with Diane?
Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter.
I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.
Blade: Can you tell a little about your family?
Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.
Blade: So then how did your family react to you and Jo being on “Queer Eye”?
Diggs: Most of my family really had no problem with it.
Blade: Were you out to them?
Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.
But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.
So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.
Blade: What are some of the things you like to do these days?
Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.
Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?
Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.
Blade: What are your thoughts on being on the last season of “Queer Eye?”
Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it.
Blade: Can you say how you and Jo appearing on the show impacted your life?
Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.
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