Arts & Entertainment
New Hulu series ‘The Bisexual’ is smart, sexy and funny
‘Cameron Post’ filmmaker finds inspiration in tale of lesbian ready to explore
Maxine Peake (left) as Sadie and Desiree Akhavan as Leila in ‘The Bisexual.’ (Photo by Tereza Cervenova; courtesy Hulu)
After she’s slept with a man for the first time, Leila ruefully observes, “I thought sex with a man would be different, but it’s not.” Then she adds, “but with guys, there’s clean-up.”
This exchange is just one of the highlights of “The Bisexual,” a great new six-episode series premiering today on Hulu. The series is an insightful comedy of sexual manners that is smart, sexy and quite funny.
Leila is played by gifted filmmaker Desiree Akhavan (“The Miseducation of Cameron Post,” “Appropriate Behavior”) who also co-wrote (with Cecilia Frugiuele) and directed the series. Leila is a native New Yorker who’s living in London with Sadie (Maxine Peake), her long-term business and romantic partner.
As the series opens, it’s clear their relationship is starting to fray. Sadie’s thinking about marriage and children; Leila is not. Leila decides they should take a break in their personal relationship even though they will still work together. As Leila says when she awkwardly tries to reassure their staff that everything will be all right, “Mommy and Daddy still love you.”
With the help of her best friend Daniz (the delightfully deadpan Saskia Chana), Leila moves in with Gabe (Brian Gleeson), a neurotic author and professor with problems of his own. His sort-of girlfriend Francesca (Michélle Guillot) is also one of his students and she’s rather ambivalent about their relationship, noting “you don’t fuck the way you write.”
When Leila tells Gabe that she’s interested in sleeping with men (something she could never admit to her lesbian friends), the two form an awkward partnership. Leila introduces Gabe to London’s queer scene and reluctantly tries to help him decipher his complicated relationship with Francesca. Gabe becomes Leila’s wingman and takes her to straight bars while helping her keep her new sexual adventures a secret from Sadie and their circle of friends.
The scripts by Akhavan and Frugiuele are simply superb. The writing sparkles effortlessly; the dialogue is crisp, lively and witty while always feeling very naturalistic. They create a cast of fascinating well-rounded characters with interesting quirks and flaws. Each character is presented with deep compassion and complex emotional issues are handled with an appealingly light touch.
Akhavan’s work as a director is also assured and nuanced. The pacing is brisk and the sex scenes are well-choreographed. She has a playful touch with the material and a solid collaboration with camera operator Ilana Garrard and music supervisor Amy Ashworth.
That sense of fun also extends Akhavan’s partnership with title designer Charlotte Retief. In each episode, the words “The Bisexual” show up in a different place. Spotting the title becomes a fun game like spotting one of Alfred Hitchcock’s cameos or one of the “Ninas” in an Al Hirschfeld illustration.
Writer/director/actor Akhavan proves she’s a legitimate triple threat with her sensitive portrayal of Leila. Akhavan boldly embaces every aspect of Leila’s changing and often prickly personality. She deftly captures the character’s vulnerability as well as her frequent insensitivity. When she brutally dumps one of the men she’s been seeing, he calls her “an emotional intimacy whore;” his assessment is not entirely off-base, even if it doesn’t describe the entirety of Leila’s big heart.
The rest of the cast is equally strong. Peake brings a steely sense of elegance to Sadie and Gleeson imbues Gabe with a level of dysfunction that is frequntly appealing and occasionally annoying. The supporting cast create vivid characters with quick brushstrokes.
“The Bisexual” does an outstanding job of representing a segment of the LGBT community that is too often ignored. Akhavan and company capture Leila’s second coming-out process with great finesse. They sensitively track her journey from a woman who rejects bisexuality and sexual fluidity to a woman who begins to express her authentic self. Her journey is both moving and amusing.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
Let love and compassion guide our response to Joe Biden’s cancer diagnosis
D.C. Black Pride 2025: Events, parties, and empowerment
Cuban lawmakers to consider simplifying process for trans people to change IDs
Frank Kameny’s legacy lives on
