Arts & Entertainment

Grammy noms 2018: Brandi Carlile, Janelle Monáe and more LGBT artists

More women were nominated than ever before this year

Published

7 years ago

December 7, 2018

Mariah Cooper

Janelle Monáe, gay news, Washington Blade

Janelle Monáe’s album ‘Dirty Computer.’ (Photo courtesy Atlantic)

The Recording Academy announced the nominees for the 61st Grammy Awards on Friday with women and LGBT artists dominating the list.

Out Americana singer Brandi Carlile received six nominations including for Album (“By The Way, I Forgive You”) and Record of the Year (“The Joke”). This makes her the most nominated woman at the Grammys this year. Carlile is up against pansexual artist Janelle Monáe’s “Dirty Computer” which was also nominated for Album of the Year.

Monáe’s music video for“Pynk” was also nominated for Best Music Video.

Queer artist St. Vincent was nominated for Best Alternative Album (“Masseduction”) and Best Rock Song.

Transgender representation was included among the nominees. Songwriter Teddy Geiger was nominated for co-writing “In My Blood” by Shawn Mendes. Transgender musician Sophie’s album “Oil of Every Pearl’s Un-Insides” was nominated for Best Dance/Electronic Album.

Other notable mentions include the “Call Me By Your Name” soundtrack which was nominated for Best Compilation Soundtrack for Visual Media. Sufjan Stevens’ song “Mystery of Love” from the soundtrack was nominated for Best Song Written For Visual Media.

The nominations kept on rolling in for “A Star is Born,” which received three nominations for the song “Shallow,” performed by Lady Gaga and Bradley Cooper, including for Record of the Year.

Kendrick Lamar earned the most recognition with eight nominations for his work on the “Black Panther” soundtrack.

Overall, this year’ s Grammy’s saw more women getting nominated as the categories expanded its lists from five to eight nominees.

The Grammys air on Feb. 10 at 8 p.m. on CBS. For a complete list of nominees, visit here.

Record of the Year

“I Like It” — Cardi B, Bad Bunny & J Balvin
“The Joke” — Brandi Carlile
“This Is America” — Childish Gambino
“God’s Plan” — Drake
“Shallow” — Lady Gaga & Bradley Cooper
“All the Stars” — Kendrick Lamar & SZA
“Rockstar” — Post Malone featuring 21 Savage
“The Middle” — Zedd, Maren Morris & Grey

Album of the Year
“Invasion Of Privacy” — Cardi B
“By The Way, I Forgive You” — Brandi Carlile
“Scorpion” — Drake
“H.E.R.” — H.E.R.
“Beerbongs & Bentleys” — Post Malone
“Dirty Computer” — Janelle Monáe
“Golden Hour” — Kacey Musgraves
“Black Panther: The Album”— Various artists

Song of the Year
“All The Stars” — Kendrick Duckworth, Solána Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith (Kendrick Lamar & SZA)
“Boo’d Up” — Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane (Ella Mai)
“God’s Plan” — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters (Drake)
“In My Blood” — Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton (Shawn Mendes)
“The Joke” — Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth (Brandi Carlile)
“The Middle” — Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski (Zedd, Maren Morris & Grey)
“Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt (Lady Gaga & Bradley Cooper)
“This Is America” — Donald Glover & Ludwig Goransson (Childish Gambino)

Best New Artist

Chloe x Halle
Luke Combs
Greta Van Fleet
H.E.R.
Dua Lipa
Margo Price
Bebe Rexha
Jorja Smith

Best Pop Solo Performance
“Colors” — Beck
“Havana (Live)” — Camila Cabello
“God Is A Woman” — Ariana Grande
“Joanne (Where Do You Think You’re Goin’?)” — Lady Gaga
“Better Now” — Post Malone

Best Pop Vocal Album
“Camila” — Camila Cabello
“Meaning Of Life” — Kelly Clarkson
“Sweetener” — Ariana Grande
“Shawn Mendes” — Shawn Mendes
“Beautiful Trauma” — P!nk
“Reputation” — Taylor Swift

Best Dance Recording
“Northern Soul” — Above & Beyond featuring Richard Bedford
“Ultimatum” — Disclosure featuring Fatoumata Diawara
“Losing It” — Fisher
“Electricity” — Silk City & Dua Lipa featuring Diplo & Mark Ronson
“Ghost Voices” — Virtual Self

Best Rock Song
“Black Smoke Rising” — Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel Robert Wagner, songwriters (Greta Van Fleet)
“Jumpsuit” — Tyler Joseph, songwriter (Twenty One Pilots)
“MANTRA” — Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon) “Masseduction” — Jack Antonoff & Annie Clark, songwriters (St. Vincent)
“Rats” — Tom Dalgety & A Ghoul Writer, songwriters (Ghost)

Best Rock Album
“Rainier Fog”— Alice in Chains
“M A N I A”— Fall Out Boy
“Prequelle“ — Ghost
“From the Fires” — Greta Van Fleet
“Pacific Daydream” —Weezer

Best Urban Contemporary Album
“Everything Is Love” — The Carters
“The Kids Are Alright” — Chloe x Halle
“Chris Dave And The Drumhedz” — Chris Dave And The Drumhedz
“War & Leisure” — Miguel
“Ventriloquism” — Meshell Ndegeocello

Best Rap Album
“Invasion Of Privacy” — Cardi B
“Swimming” — Mac Miller
“Victory Lap” — Nipsey Hussle
“Daytona” — Pusha T
“Astroworld” — Travis Scott

Best Country Album
“Unapologetically” — Kelsea Ballerini
“Port Saint Joe” — Brothers Osborne
“Girl Going Nowhere”— Ashley McBride
“Golden Hour” — Kacey Musgraves
“From A Room: Volume 2″— Chris Stapleton

Best Jazz Vocal Album

“My Mood Is You” — Freddy Cole
“The Questions” — Kurt Elling
“The Subject Tonight Is Love” — Kate McGarry with Keith Ganz & Gary Versace
“If You Really Want” — Raul Midón with The Metropole Orkest, conducted by Vince Mendoza
“The Window” — Cécile McLorin Salvant

Best Gospel Album
“One Nation Under God” — Jekalyn Carr
“Hiding Place” — Tori Kelly
“Make Room” — Jonathan McReynolds
“The Other Side” — The Walls Group
“A Great Work” — Brian Courtney Wilson

Best Latin Pop Album
“Prometo” — Pablo Alboran
“Sincera” — Claudia Brant Musas
“(Un Homenaje al Folclore Latinoamericano en Manos de los Macorinos), Vol. 2” — Natalia Lafourcade
“2:00 AM” — Raquel Sofía
“Vives” — Carlos Vives

Best Americana Album
“By The Way, I Forgive You” — Brandi Carlile
“Things Have Changed” — Bettye LaVette
“The Tree Of Forgiveness” — John Prine
“The Lonely, The Lonesome & The Gone” — Lee Ann Womack
“One Drop Of Truth” — The Wood Brothers

Best Comedy Album
“Annihilation” — Patton Oswalt
“Equanimity & The Bird Revelation” — Dave Chappelle
“Noble Ape” — Jim Gaffigan
“Standup for Drummers” — Fred Armisen
“Tamborine” — Chris Rock

Best Song Written For Visual Media

“All The Stars” — Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith (Kendrick Lamar & SZA), “Black Panther”
“Mystery Of Love” — Sufjan Stevens (Sufjan Stevens), “Call Me By Your Name”
“Remember Me” — Kristen Anderson-Lopez & Robert Lopez (Miguel, featuring Natalia Lafourcade), “Coco”
“Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt (Lady Gaga & Bradley Cooper), “A Star Is Born”
“This Is Me” — Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble), “The Greatest Showman”

Producer Of The Year, Non-Classical
Boi-1da
Larry Klein
Linda Perry
Kanye West
Pharrell Williams

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Calendar: Dec. 7-13, 2018

FUND LGBTQ JOURNALISM

Movies

‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

Published

1 day ago

January 8, 2026

Susan Hornik

Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert.

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.”

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Published

2 days ago

January 7, 2026

Staff reports

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

Photos

PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

Published

3 days ago

January 6, 2026

Michael Key

The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)