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SPRING ARTS 2018 EVENTS: D.C. jamboree LGBT potpourri

Standup acts, D.C.-based LGBT group events, benefits, ‘Ask Rayceen’ and more

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The Victory Fund’s National Champagne Brunch is Sunday, April 7. (Washington Blade photo by Wyatt Reid Westlund)

Many upcoming events don’t fit in our regular spring arts categories. Here’s the catch all arranged chronologically. 

Haters Roast: the Shady Tour 2019” with “RuPaul’s Drag Race” alums is Friday, March 8 at Warner Theatre (513 13th St., N.W.). It’s sold out. 

MIM Entertainment presents VAMP: an Exclusive Event for Her on Saturday, March 9 at 10 p.m. at XX+ Crostino (1926 9th St., N.W.). Tickets are $10 at eventbee.com

Ladies of LURe’s BARE Military Appreciation Night is Saturday, March 9 at 10 p.m. at Cobalt (1639 R St., N.W.). Admission is $7 before midnight or $10 after. Details on Facebook

The Imperial Court of Washington presents Royal Mardi Gras Monte Carlo Casino Night on Saturday, March 9 at 8 p.m. at The Sphinx on K (1315 K St., N.W.). Its Imperial Crown Prince and Princess Ball is Saturday, March 23. A Little Bit Country Easter Show is Sunday, April 21 at 8 p.m. at Freddie’s (555 23rd St., Arlington, Va.). Awwooo Fest is Saturday, May 11 at 4 p.m. at the Eagle (3701 Benning Rd. N.E.). Event prices vary. Details at imperialcourtdc.org

Family Pride Weekend celebrates the opening of “Rise Up” is March 9-10 at The Newseum (555 Pennsylvania Ave., N.W.). Look for the event on Facebook for details. 

Night OUT at the Wizards is Wednesday, March 13 at 7 p.m. at Capital One Arena (601 F St., N.W.). Tickets are $45. Details at teamdc.org

Michelle Wolf plays The D.C. Improv Comedy Club (1140 Connecticut Ave., N.W.) March 14-17. Tickets are almost sold out for the entire run. Details at dcimprov-com

Dappho presents Sunday Sessions: an (LGBT) Open Mic Night at XX+ Crostino (1926 9th St., N.W.) on Sunday, March 17 at 7 p.m. Tickets are $8 at eventbrite.com

The National Cherry Blossom Festival runs with many events March 21-April 14. Details at nationalcherryblossomfestival.org. 

GLOE (GLBT Outreach & Engagement at the Edlavitch D.C.-JCC) will host Pride of Purim: GLOE Masquerade Party Saturday, March 23 at 7 p.m. at Mission Dupont (1606 20th St., N.W.). Its 12th annual National Rainbow Seder is Sunday, April 14 at 5:45 p.m. at HRC Headquarters (1640 Rhode Island Ave., N.W.). Details at thejdc.convio.net

The fifth annual Code Red V: Stigma Can’t Stop, an HIV benefit “with a fetishistic twist,” is Saturday, March 30 at 9 p.m. at the D.C. Eagle (3701 Benning Rd., N.E.). Tickets are $15-20. Link is at the event’s Facebook page. 

DCATS’ Trans Visibility Community Festival is Saturday, March 30 at 1 p.m. at Spaces (1140 3rd St., N.E.) with open mic, raffle, film screenings and art. Details at transvisibilityfestival.com

The Ask Rayceen Show” continues throughout spring with installments March 6 (season premiere), April 3 (mini ball) and May 1 (community forum) at 7 p.m. at HRC Equality Center (1640 Rhode Island Ave., N.W.). They’re free. Look for the event on Facebook for details. 

Queer-helmed Church Night has its fifth anniversary event on Friday, April 5 at 9 p.m. at the Black Cat (1811 14th St., N.W.). Look for the event on Facebook for details.

Capital Area Gay & Lesbian Chamber of Commerce usually holds its annual LGBT Mega Networking mixer in early April but members say they’re “on a delayed schedule” this year in search of a new venue since Town closed. An announcement is expected soon.  

BENT,” a new LGBT dance party is Saturday, April 6 at 11:30 p.m. at the 9:30 Club (815 V St., N.W.). Tickets are $15 at ticketfly.com

Distrkt C Golden with DJ Paulo is Saturday, April 6 at 10 p.m. at Karma D.C. (2221 Adams Place N.E.). Tickets are $40 at distrktc.com

The Victory Fund’s National Champagne Brunch is Sunday, April 7 at 11 a.m. at J.W. Marriott (1331 Pennsylvania Ave., N.W.). No ticket prices available at victoryfund.org as of this writing. 

The National Association of Gay & Lesbian Real Estate Professionals has its LGBT Housing Policy Summit April 10-11 at HRC Headquarters (1640 Rhode Island Ave., N.W.). Details at naglrep.com.

Pretty Boi Drag presents #OpenKingNight on Thursday, April 11 at 8 p.m. at Bier Baron Tavern (1523 22nd St., N.W.). Tickets are $10. Details on Facebook

Equality Virginia’s 15th annual Commonwealth Dinner is Saturday, April 13 at the Greater Richmond Convention Center. Details at equalityvirginia.org.

CAMP Rehoboth Women’s Fest is April 11-14 in Delaware. Details at camprehoboth.com.

The Cherry Fund presents Cherrypop Weekend April 11-15 at various locations. Tickets are $20-289 at eventbrite.com

GLSEN’s National Day of Silence is Friday, April 12. Details at dayofsilence.org

The Team D.C. Night of Champions Awards Dinner is Saturday, April 13 at Omni Shoreham Hotel (2500 Calvert St., N.W.) at 6 p.m. Tickets are $125 at eventbrite.com

Food & Friends’ Dining Out for Life is Thursday, April 14. Find participating restaurants at diningoutforlife.com. 

GLAA usually has its Distinguished Service Awards and 48th anniversary the third week in April but no details have been announced yet. 

Trans Issues are not Trans Issues” with Ava Pipitone, a discussion event, is Tuesday, April 16 at noon at Impact Hub Baltimore (10 E. North Ave., Baltimore). It’s free and open to the public. Look for the event on Facebook for details. 

Awesome Con is April 26-28 at 801 Mt. Vernon Pl., N.W. Pride Alley returns. Tickets are available in many packages at showclix.com

Bill and Hill join up for “An Evening With the Clintons” on Saturday, April 27 at 7:30 p.m. at DAR Constitution Hall (1776 D St., N.W.). Tickets are $99-250 at Ticketmaster

We the People and Us Helping Us are joining forces for a month-long series of events in the region devoted to “May Is? All About Trans: 31 Days Celebrating, Being, Living & Loving Transgender People” including a trans summit, trans awards dinner, mini ball for youth and more. Look for the group on Facebook for details. 

Randy Rainbow plays Warner Theatre (513 13th St., N.W.) on Friday, May 3. Tickets are $35.50-45 through eventticketscenter.com

Rainbow Families has its 2018 Family Conference & Gathering on Saturday, May 4 at 9 a.m. at Georgetown Day High School (4200 Davenport St., N.W.). Details at rainbowfamilies.org

Gay Day at the Zoo is Sunday, May 5 from 9 a.m.-4 p.m. at Smithsonian National Zoo (3001 Conncticut Ave., N.W.). Details at thedccenter.org

AC2: an Intimate Evening with Anderson Cooper and Andy Cohen” is Saturday, May 11 at the Hippodrome (12 N. Eutaw St.). Tickets are $93.50-137.50 at Ticketmaster

CopCaks for a Cause 9 is Sunday, May 12 at 3 p.m. at UPROAR Lounge (639 Florida Ave., N.W.) for COPS (Concerns of Police Survivors) and the LGBT Fallen Heroes Fund. Tickets are $25 (wine/soda) or $40 (dessert, wine, soda and T-shirt). Details at Facebook

The 35th annual Helen Hayes Awards for Washington theater is Monday, May 13 at The Anthem (901 Wharf St., S.W.). Details at theatrewashington.org.  

Whitman-Walker Health’s Going the Extra Mile benefit is Wednesday, May 15 at City Winery (1350 Okie St., N.E.). Details at whitman-walker.org.

Capital Trans Pride is May 17-19. Details at capitalpride.org.

API Pride (Asian/Pacific Islanders) is also May 17-19. No further details available. Check later at capitalpride.org for more. 

D.C. Black Pride is, as always, Memorial Day Weekend and runs May 24-27. This year’s theme is Our Truths in Harmony. Details at dcblackpride.org. Omega Entertainment runs events concurrently with Black Pride. Details at omegapartydc.com

St. Thomas Episcopal Church consecrates its new building on Thursday, May 30 at 7 p.m.1517 18th St., N.W. with Bishop Mariann Budde, and Bishop Gene Robinson. Look for the event on Facebook for details. 

Women’s Spoken Word FULL-STORE is Monday, June 3 at 7:30 p.m. at Busboys and Poets (location not specified). Check later at capitalpride.org for details. 

The AIDS Walk & Run Baltimore is Sunday, June 9 (a month later this year) at 7 a.m. Details at chasebrexton.org

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Television

ICYMI: ‘Overcompensating’ a surprisingly sweet queer treat

A sweet, savvy show about breaking free to embrace your true self

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Holmes, Benito Skinner and Wally Baram in ‘Overcompensating.’ (Photo courtesy of MGM Amazon)

Pride month 2025 is now behind us, and while it’s safe to say that this year’s celebrations had a darker edge than usual, it’s also true that they came with a particularly rich bounty of new queer movies and shows to entertain us – so many, in fact, that even if we are facing a lull until the fall another harvest of fresh content, there are still plenty of titles – which, for whatever reason, were off your radar – for you to catch up on in the meantime.

One of the most notable of these –  the bingeworthy series “Overcompensating” (now streaming on Amazon Prime) – will most definitely have been ON the radar for the plentiful fans of creator and star Benito Skinner, the actor/comedian who rose to viral fame through his content on platforms like Instagram, YouTube, and TikTok. For anyone else, it might have easily slipped through the cracks.

Created and written by Skinner as a loosely autobiographical “college comedy,” it aims for the kind of raucous, explicitly sexed-up tone one expects from the genre as it centers on Benny (Skinner), newly arrived as a freshman at prestigious Yates University. A former football jock and “golden boy” at his midwestern high school, he’s the picture of idealized youthful masculinity; he’s also deep in the closet, struggling to keep his sexuality hidden and maintain his macho front under the intense scrutiny of the college’s social scene – and under the resentful eye of his older sister Grace (Mary Beth Barone), who has already secured her own place at the top of the pecking order.

In the first episode, Benny’s difficulties are eased when he meets Carmen (Wally Baram), another freshman trying to navigate the politics of college life; a gamer from a home marred by tragedy, she’s an outsider who feels like she’s putting on an act, too, and they click – giving him the convenient “cover” of female companionship while providing them both with much-needed support and encouragement. He’s also befriended by a handsome film major from England (Rish Shah), who has already caught his eye, stirring other kinds of feelings and possibly even reciprocating them. Meanwhile, he’s being courted by the school’s “exclusive secret society” – headed by his sister’s aggressively “alpha” boyfriend Pete (Adam DiMarco) – and trying to stay interested in his studies, despite a growing realization that a career in business doesn’t actually appeal to him all that much.

That’s a lot to juggle for anybody, even an overachiever like Benny – whose “lucky” life so far has largely been the result of playing a role he is finding harder and harder to maintain. As the series goes on through its eight-episode arc, it becomes clear that he’s not the only one who is “keeping up appearances,” and he, along with the other confused and damaged young people in his orbit, begins the painful (but often hilarious) process of evolution that is required in order to become truly oneself.

Directed toward appealing to a younger demographic, “Overcompensating” is the kind of show that requires a few episodes worth of invested time to make an impression that feels like substance. Full of the bawdy farcical antics that go hand in hand with stories about hormonally charged college kids, it’s not above leaning into the formulas and tropes that have always driven these kinds of comedies. At first, while its broadly comedic strokes and frequently explicit sexual hijinks might elicit plenty of chuckles, the show might easily feel tiresome for more mature audiences; there’s a nostalgic fun to it, made even more appealing, somehow, by the “political incorrectness” of its frequently sexist and homophobic humor, but for a while things may feel like an unnecessary attempt to reinvent “Animal House” for the Gen Z crowd.

By the time the season reaches its halfway point, however, things have started to get real. The antics of these horny almost-adults take on a more pointed absurdity, informed by the increasingly tangled web of defensive deceit they weave among themselves – and, as things draw toward a cliffhanger climax, the consequences of maintaining it – until it achieves a sense of empathy toward them all. There’s a wisdom that smacks of lived authenticity underlying the whole affair, transforming it from the “sexploitative” teen comedy of its surface into something deeper. To be sure, things stay expectedly wacky, and the soap-operatic melodrama of its twists and reversals continue to maintain the show’s “mature YA” appeal; but beneath those trappings, by the end of the season a truer identity has begun to emerge, just as its characters have begun to find their own levels of self-actualization for themselves.

As creator, primary writer, and star, it’s obviously Skinner who deserves much of the credit. While it might be tempting, early on, to dismiss the show as an “ego project,” the internet-spawned sensation proves his talents quickly enough to get past such judgy suspicions, delivering a pitch-perfect blend of sauciness and sensitivity that extends its appeal toward both ends of the taste spectrum; just as crucially, he brings the same aforementioned “lived authenticity” to his winning performance – after all, he’s essentially playing himself in a fictionalized version of his own life – while also making sure that equal time (and compassion) is afforded all the other characters around him, each of whom are pushing at the boundaries of their own respective “closets,” too. It’s unavoidable to notice that – like most of his co-stars – he’s plainly a decade too old to be playing a college student; but by the time we reach that crucial halfway turning point, we’ve become too engaged by him to care.

The show is full of excellent performances, in fact. Relative newcomers Baram and Barone offer layers of complex nuance, while the more familiar DiMarco (“White Lotus”) is close to heartbreaking as the toxic BMOC clinging to the illusion of power as his life begins unraveling around him. Other standouts include the mononymic actress Holmes as Carmen’s “wild child” roommate, solidly likable turns as Benny’s parents from mature veterans Connie Britten and Kyle MacLachlan (whose presence, along with stylish elements in several key scenes, hints at an homage-ish nod to the late David Lynch), and podcaster Owen Thiele as an openly gay fellow student who has Benny “clocked” from the moment they meet. Finally, Lukas Gage makes a deep impression as a former high school teammate at the heart of Benny’s most haunting memory.

There’s no official word yet on whether “Overcompensating” will be renewed for a second season, despite the multiple loose ends left dangling at the end of its first; it has proven to be popular, and Skinner’s large fanbase makes it likely that the story will continue. Even if it doesn’t, the place of uncertainty in which it has left its characters rings true enough to serve as a satisfying endpoint.

As for us, we hope that won’t happen. For all its sophomoric humor, generic plot twists, and purposefully gratuitous sexual titillation, it’s one of the sweetest, kindest, and most savvy shows we’ve seen about breaking free from conformity to embrace your true self – and that’s a message that applies whether you’re queer, straight, or anywhere in between.

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Photos

PHOTOS: Independence Day Weekend in Rehoboth

Wicked Green Pool Party, fireworks among festivities

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A fireworks show was held in Rehoboth Beach, Del. on Saturday, July 5. (Washington Blade photo by Daniel Truitt)

Vacationers and residents alike enjoyed Independence Day Weekend activities in Rehoboth Beach, Del. The Wicked Green Pool Party drew hundreds to the CAMP Rehoboth fundraiser on Saturday. That evening, revelers went to the rooftops to watch the fireworks display.

(Washington Blade photos by Daniel Truitt)

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Music & Concerts

Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July

The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.

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Beyoncé performs on July 7. (Washington Blade photo by Joe Reberkenny)

Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.

The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.

Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.

The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:

“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”

Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.

The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.

One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.

A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.

It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.

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