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Pink Martini’s Lauderdale on life, music and his V Day show at the Kennedy Center

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Thomas Lauderdale, Pink Martini, gay news, Washington Blade
Thomas Lauderdale, Pink Martini, gay news, Washington Blade

Thomas Lauderdale, founder and frontman for Pink Martini. (Photo by Autumn de Wilde)

Pink Martini
Thursday
8 p.m.
Kennedy Center Concert Hall
$30-$90
wpas.org
202-785-9727

Thomas Lauderdale, the gay founder and band director of Pink Martini, called just a few minutes after waking up one day last week from his home in Portland, where he lives in a house he says is haunted with his partner of eight years, Philip Iosca. Pink Martini returns to Washington next week for a Washington Performing Arts Society concert on Valentine’s Day at the Kennedy Center. Comments edited for length — Lauderdale is a big talker.

BLADE: Is it a good morning in Portland?

LAUDERDALE: Yes, I love it here. It’s sort of like the Pittsburgh of the west. And the guys are really cute here, more so than the girls. It seems like most cities either have cuter guys or cuter girls. Here it’s the guys.

BLADE: Pink Martini has performed with so many orchestras all over the world, yet your music is not straight-up classical at all. Are the players ever snobby about it or do they mostly just have fun with it?

LAUDERDALE: They’re really game for it. I think classical musicians who were snobby are becoming less so all the time. They have to be. Nobody’s going to hear them. Their audiences are dwindling all across America. … Most young people are watching “American Idol.” It’s just not a viable option to just play the traditional repertoire. … Orchestras all over the country are in the quandary of how to generate new audiences.

BLADE: So are the lines blurring between pop/rock and classical?

LAUDERDALE: Yes, they have to. … That was one of the reasons behind creating the band — I wanted to appeal to people outside their traditional dividing lines so it would connect with people who are really conservative, really liberal and everybody in between. This international styl with kind of an old fashioned pop feel, I felt it would be inspiriting and fun and a place where people could find commonality. And that’s kind of come true.

BLADE: Whatever happened to the Del Rubio Triplets (the group Pink Martini was formed to open for in 1994)? Surely they must be dead by now?

LAUDERDALE: Yes, sadly they are all dead. I think Millie, the oldest one by a few minutes, died about two summers ago. They were complicated — very Catholic, very anti-immigrant, yet so pro-gay and really Southern California. It was dizzying.

BLADE: Your stuff has this pre-classic rock era feel. Do you watch “Mad Men”?

LAUDERDALE: No. I don’t have a TV.

BLADE: You must feel some sense of identity with the pre-Vietnam era. Your music isn’t just that, but there’s kind of a Steve and Eydie vibe to some of it, right?

LAUDERDALE: Yeah, that sort of era between World War II and up to about 1964. It seems one of the goals of that era was building things that were beautiful and were built to last. You find refrigerators built in the ‘50s that are still working just fine. Later we saw, I think, a darker side to capitalism but I think it would have been nice if some of those trappings of that era had survived into the political liberation post-’64.

BLADE: On paper, it sounds so unlikely that a band like Pink Martini would make it. Do you feel you stumbled on something missing in the zeitgeist that there was a hunger for or does the cream always manage to rise with the truly talented in the end?

LAUDERDALE: Well, I don’t know. I think working on that first album, we were just trying to figure out a way to make it fun and accessible and not negative. It definitely helped that we were all from Oregon. This band would not have made it if we’d all lived in New York or San Francisco where everything is just so expensive and you have to be in five bands or something crazy just to make the rent. Here you can get by on very little, so you actually have time to think and just be.

BLADE: How many are in the band currently?

LAUDERDALE? Anywhere from eight to 14 depending. We’ll probably have about 10 in D.C. And we’ll maybe hire a string section.

BLADE: Can you tell us anything about the show?

LAUDERDALE: I haven’t thought that far ahead. It’s for Valentine’s Day so we might do something kind of romantic-ish.

BLADE: How gay is the band besides you?

LAUDERDALE: Well Ari Shapiro has been doing stuff with us and we’re both totally gay. And Timothy (Nishimoto). There are a few others who might be gay for pay. I think they could be tricked into it.

BLADE: You grew up in church. Were you aware at all of a mid-century trend where even the Lawrence Welk-era stuff was starting to be reflected in the gospel music of the time? There’d be stuff in the hymnals that even had waltz accompaniments.

LAUDERDALE: Well we had the red hymnal and the blue songbook where you had the newer stuff. That’s where you found the artsier, ‘70s stuff. You know, my Dad was the first openly gay minister in the Brethren church. He tends to like these cheesy inclusive modern hymns which I think are just cheesy and awful. When I go back to visit, I’m always pulling out these gloom and doom hymns — you know, we’re all going to burn — from, like, the 1880s. The melodies are just better, more beautiful. And I always win because I’m at the piano.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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