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Kroell prepares to bare it all for Playgirl

Gay model coming to Baltimore for ‘Hunks in Trunks’ fundraiser

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After competing on Bravo’s “Make Me a Supermodel,” contestant Ronnie Kroell made the move from Chicago to New York City where he continues to model and to pursue a career in acting. He also contributes to philanthropic ventures for several causes. Kroell recently agreed to appear nude in the June 2010 issue of Playgirl. Kroell will be in Baltimore on Thursday, May 20 for the all-male swimsuit fashion show, Hunks in Trunks.

The Washington Blade talked with Ronnie about his life in New York City, his philanthropic work, posing for Playgirl and more.

Washington Blade: Since you competed on “Make Me a Supermodel” you have moved to New York City, what has life been like for you after the move?

Ronnie Kroell: You could say it’s a dream come true. Following “Make Me a Supermodel,” which I can’t believe was over two years ago, I went through a scary time because I moved from Chicago to New York to follow “the dream” and not really knowing what I was getting myself into and I didn’t have any safety nets to catch me if I fell.

Coming to New York City was one of the best decisions I think I’ve ever made in my career. I love the city and all it has to offer and I take it one day at a time. I’m working hard at my passion, which is primarily the fashion industry and modeling but also expanding into the acting arena and being a humanitarian. I’m trying to get as involved as possible with the charities I think need the most help and that I feel are the closest to my heart.

Blade: You participated in Fashion Week in New York in February. Can you give a few details of your experience?

Kroell: There is nothing more thrilling than fashion week in New York. I love to be under the tents in Bryant Park, although this was the last year to be held in Bryant Park. The entire event is being moved to Lincoln Center for September’s Fashion Week. I especially love seeing designers like Malan Breton, Christian Siriano and other designers that are really making names for themselves. I feel really close with Malan because he and I shared in the same experience because we were part of the Bravo TV family. As passionate as he is as a designer and having that incredible opportunity to be on Bravo’s “Project Runway,” there are a lot of challenges to overcome from being on a reality show like that to then become a legitimate designer and be taken seriously.

I was also able to participate in Naomi Campbell’s Relief for Haiti event, which was so much fun. You really won’t find a community that is more dedicated and more passionate about getting involved when such major disasters happen or when there is a need to help other humans American or otherwise. The fashion community is really tight knit and comes together in such a huge way and raises awareness and the money it takes to help.

Blade: Which charities have you been focused on lately?

Kroell: Right now I’m working with a charity out of Africa called Womankind. What they do is try and protect women’s rights and are trying to prevent female genital mutilation in Africa. My business partner is a member of the board of this not-for-profit and we are hosting a charity event here in New York City on June 7 at La Palm to benefit Womankind. I’ve also been really involved with GLAAD, HRC, and the ACLU in various ways.

Blade: Speaking of GLAAD, you recently attended the GLAAD Media Awards. Describe your experience at the event.

Kroell: The GLAAD Media Awards were phenomenal! It’s incredible the work that GLAAD is doing and I know they just transitioned to their new president, Jarrett Barrios. GLAAD is working so hard and really revamped their image in the community and they’re really a watchdog and are increasingly so. They make sure the LGBT community is fairly represented in media and that the people that are doing a great job are rewarded for their contributions.

It was just so fun to meet people like Sigourney Weaver, Joy Behar and Cynthia Nixon. They are the most humble people who are in positions to really bring home the message of equality and take the stance that we are all human beings first and that hopefully one day we can get beyond the labels of sexual orientation. It’s inspiring to me because I have nowhere near the career that some of these people have so I’m learning from them, they’re my role models. Having the chance to be in the same room with them, listen to their stories, and hear about the work they’re doing inspires me to continue to do the things that I love to do.

Blade: You’re going to be in Baltimore on May 20 for the “Hunks in Trunks” fashion show, which benefits Equality Maryland. How will you be participating in the show?

Kroell: I got involved with Hunks in Trunks last year thanks to my friend Ted Hart who is one of the lead organizers of the event each year. I was really impressed with the level of dedication that his organization has for the community and I remembered what a great event it was to be a part of last year. So when Ted asked me to be a part of it this year as basically a master of ceremonies I couldn’t say no. It’s a great time with a great group of people that gather together to raise money for worthy causes.

Blade: Aside from modeling you are also pursuing a career in acting; can we expect to see you in any forthcoming movies?

Kroell: Well, I’m being considered for a few independent films right now that are in the works. I have become very involved with the off-Broadway productions in New York. I’ve done a few readings at the Manhattan Theater Source but I’m really excited to say that my boyfriend has been cast in an off-Broadway summer stock production of “Equus” in the East Hamptons this summer with Alec Baldwin. They are currently in rehearsals for that so I’m really looking forward to attending the opening night of “Equus” which will be June 11 of this year.

Blade: “Equus” is a great segue to the next question — can we talk about your appearance in the upcoming Playgirl? What led you to bare it all for Playgirl?

Kroell: [Laughs] Well, it’s kind of a funny story. We received an e-mail out of the blue from the Playgirl camp basically feeling me out to see if I would be interested in doing a Playgirl pictorial. At the time, upon initial contact, it wasn’t really something I saw myself doing. It took me about three months to get to ‘yes’ as a decision. I’m really happy and it was really a fun experience for me because Playgirl immediately saw upon meeting me the artistic vision that I had and what I really wanted to do. The Playgirl people allowed me to share creative control in the process, which allowed me to bring in a high-fashion photographer, and a full fashion team. So on May 15 on Playgirl.com the first 15-20 photos will be released then the actual print edition will come out June 15. It was quite a fun time, we shot at the Grace Hotel in New York City and it was all high fashion. There are a lot of surprises and I feel it will take Playgirl to a whole new level.

Blade: Had you done any nude modeling previously?

Kroell: Nothing other than something for my book and to build my portfolio and nothing really that was seen in any major way by the public. Doing this photo shoot was definitely taking a lot of risks in a lot of people’s eyes. The fashion community is definitely open and willing to see nude females in the industry but Tom Ford says it best that the fashion community and Americans at large are afraid of male nudity. For me, this was an art project. It was a way of taking a calculated risk, have fun, and making the statement that I’m dropping my labels for Playgirl because at the end of the day we all have the same human body; we’re all just as vulnerable as the next person. There is something really beautiful about the human body when it’s at its most vulnerable, natural state. As Americans, we view sex, sexuality, and the nude body as something scary and perhaps dirty but for me it’s the exact opposite. My body is my work and my art form so I’m really excited to see people’s reactions and hopefully they will see the perspective and angle I used with this project. I hope people appreciate the pictures for what they are and that is as an art project.

Blade: You mentioned that you sided with leading fashion designer Tom Ford regarding his stance on male nudity in fashion photography. Do you feel that such industry heavyweights as Tom Ford will start a change in trends?

Kroell: I talked to my business partner and to my circle of friends and the reason, we concluded, why male nudity doesn’t receive such a warm welcome is because it is still such a heterosexual, male normative society. The people in charge, those that make the decisions, are the people that want to see female nudity and have no problems with exploiting females in the industry. I think because of this, it is an uphill battle. Although if you look throughout the course of history, like at the ancient Roman and Greek times via the sculptures created or Michelangelo’s David there was no issue with male nudity; both female and male were held in the highest regard. I think there is still a distance to go on the subject but with people like Tom Ford speaking out, I felt like I had the opportunity to continue with the statements he made and just say ‘It’s OK’ because the human body is beautiful and something to be appreciated and not looked at like something that is dirty. I’m excited to see where this project will lend itself into conversation because, more than anything, I like to start conversations.

Blade: Taking on a project like this could definitely be considered, as you said, a ‘calculated risk’. Are you afraid of the potential negative backlash?

Kroell: Anything is possible but I’m an artist and throughout the course of history artists have had their ups and downs and taken risks that could lead to failure. Later in life I don’t want to look back and think ‘what if?’ This was just a really exciting art project for me and just one of many I currently have going on.

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Real Estate

D.C.’s housing reality: Cautious optimism meets landlord strain

Cost of living remains a major problem

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(Photo by sparky2000/Bigstock)

Washington has long prided itself on stability. Anchored by the federal government and buoyed by a highly educated workforce, the District has historically weathered economic uncertainty better than most cities.

But beneath that stability, cracks have been showing since January 2025.

I was having a conversation with a prospective client the other day and offered him a candid assessment of the District’s economic outlook. Simply put, structural challenges have been shaping the city’s future, a new mayoral election, and more that blends cautious optimism with clear concern about the changes ahead.

For one, the long-term shift toward remote and hybrid work continues to reshape the city in ways many people still underestimate. There has been a change in the rhythm of downtown D.C., reduced daytime foot traffic for local businesses, and created uncertainty for commercial real estate owners and the neighborhoods that depended on those workers every day.

At the same time, the cost of living in the District continues to rise at a pace that many residents are struggling to absorb. Even residents with strong incomes are becoming more cautious about spending and relocation decisions.

Landlords are feeling those pressures as well. Many smaller housing providers are operating in an environment where expenses continue to rise faster than revenue while the regulatory environment has grown increasingly complex. For some rental owners, especially those with older buildings or only a few rental units, the math is making it harder to cover costs, much less generate passive income. 

There is also growing concern about the District government’s own financial outlook. Significant budget pressures and spending cuts are being had in a more serious way than many Washingtonians are used to hearing. As uncertainty in federal employment affects local tax revenue and consumer confidence, how will the city fund services, infrastructure, housing programs, and public safety priorities in the years ahead? 

At the same time, consumer confidence feels noticeably down than it did even a few years ago. People are taking longer to make decisions, whether that means signing a lease, purchasing a home, renovating a property, or expanding a business. That hesitation creates a slower-moving marketplace where caution often replaces momentum. 

Despite all this, Washington has proven remarkably resilient over time. The city continues to attract talented professionals, international investment, universities, healthcare institutions, and industries tied to government, law, technology, and public policy. Neighborhoods continue to evolve, and demand for well-managed rental housing remains strong in the core areas of the city.

Unlike other major cities driven by private industry, federal employment and contracting are two of the main pillars of Washington’s economy. That reliance has long insulated the region from deep recessions. But it also creates vulnerability when federal activity slows.

D.C.’s economy is far more interconnected and interdependent than many people fully appreciate. Between significant federal layoffs, the District’s high unemployment rate, and broader economic uncertainty, there are a number of warning signs that property owners should be paying close attention to. When federal hiring slows or contracts tighten, the impact extends well beyond government workers themselves. It affects restaurants, retail, housing, and countless other sectors tied to the District’s economic activity. 

Brookings Institution has documented how job losses in higher-income sectors can disproportionately impact urban economies—precisely because those workers drive local spending.

Research from the Urban Institute supports this view, noting that federal workforce disruptions can quickly ripple through the region’s economy. For landlords and renters alike, those ripples are already being felt.  Renters see many more properties on the market which gives them leverage on negotiating discounts in rent or special incentives.  Housing providers, already squeezed by the reality of a weak economy and strong regulations face lowering rents and income.

For years, affordability has been one of D.C.’s most persistent challenges. Much of that pressure has been driven by strong job growth and sustained demand for housing at a pace that new housing inventory has struggled to match. That imbalance has steadily pushed rents and home prices higher, leaving many residents financially stretched.

Recent multifamily housing data suggests the market is already beginning to adjust. Developers delivered more than 15,000 apartment units across the Washington metropolitan area over the past year, and several industry reports have noted that elevated supply levels, combined with slower demand growth, have contributed to softer occupancy levels and downward pressure on rents in portions of the region. CoStar, CBRE, and Northmarq have all reported rising vacancy rates across segments of the D.C. multifamily market as newly delivered Class A inventory continues entering the pipeline at a time when hiring growth has moderated and federal workforce uncertainty has increased. 

At the same time, several economists and housing analysts have cautioned that the District’s affordability challenges are deeply structural and unlikely to disappear quickly. The Joint Center for Housing Studies of Harvard University has repeatedly identified Washington among the nation’s more cost-burdened metropolitan areas, particularly for renters, while Zillow data continues to show housing costs consuming a substantial percentage of household income for many residents.

From my own perspective as a property manager working directly in the market every day, I believe we are beginning to see the early stages of a market recalibration rather than a collapse. Anecdotally, there appears to be more competition among larger apartment buildings than there was several years ago, particularly in neighborhoods where substantial new inventory has recently delivered. That does not necessarily mean dramatic rent declines are coming, but it does suggest that the imbalance between supply and demand may be moderating somewhat after years of sustained upward pressure on pricing.

Even if prices soften, affordability will remain a long-term challenge.

Regulation and the Realities of Tenant Turnover

The same rental owner I spoke with pointed to regulatory hurdles as a major source of hesitation to continue renting out his property, given past bad experiences with tenants and excessive costs to prepare the rental for a new tenant.  

For many small property owners, the cumulative weight of regulation, maintenance costs, and market uncertainty is becoming harder to bear. Clients of mine have described feeling overwhelmed, not just financially, but emotionally. What was once a source of pride has, in some cases, become a source of stress.

We’re seeing more small landlords sell their rental homes, questioning whether it’s worth staying in the market. That’s a significant shift from even five or ten years ago. The National Multifamily Housing Council has noted that regulatory complexity often disproportionately impacts smaller landlords, who lack the resources of larger firms.

Some are choosing to sell. Others are simply trying to hold on. The result is the same – less rental housing for DC residents.

A Shift From Pride to Disillusionment

Perhaps the most striking theme is the emotional shift described by the property owner. For some, owning property in D.C., once a milestone achievement, has become a source of disillusionment. They cited financial losses, regulatory frustration, and a growing sense of political alienation.

There are also broader concerns about:

  • The decline of small multifamily ownership 
  • Rising foreclosures in certain segments 
  • Increased consolidation by larger institutional landlords 

If small landlords continue to exit the market, it changes the entire housing ecosystem. You lose diversity in housing options, and that can have long-term consequences for affordability.  It also robs families of having homes large enough to live in.

Politics and Policy: A System at a Standstill?

The political environment has obviously been a key factor shaping the city’s housing future. Following the 2026 elections, a lack of significant leadership change may result in continued policy stagnation.

Without meaningful policy shifts, we’re likely to see more of the same:  continued and increasing pressure on landlords and not enough study and focus on policies to increase housing supply by first stopping those property owners fleeing the District’s extreme tenant friendliness. The D.C. City Council remains central to these decisions, with advocacy groups continuing to push for expanded tenant protections. The importance of balance cannot be understated: ensuring protections for renters while maintaining a viable environment for housing providers.  

Taken together, these dynamics point to a housing system at a crossroads.

D.C. must find a way to balance:

  • Tenant protections 
  • Housing affordability 
  • Landlord sustainability 
  • Long-term investment in housing supply 

What’s Next?

D.C. isn’t going anywhere. The question is how it adapts. If we can find the right balance, there’s a path forward, but it’s going to take time and thoughtful policy decisions. For landlords, that path will require adaptability and engagement. For renters, it may mean gradual rather than immediate relief. For policymakers, it presents a clear challenge: create a system that works for everyone.

Scott Bloom is owner and senior property manager of Columbia Property Management. Contact him via ColumbiaPM.com.

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Real Estate

Introducing Next-Generation Assisted Living & Memory Support.

Now Available in Tysons: Kokua at The Mather

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We have good news for those seeking assisted living or memory support for a loved one: a fresh, hospitality-driven approach to care is now available in the heart of Tysons, Virginia. Kokua at The Mather opened in fall 2025 and provides residents with collaborative care as well as everyday possibilities for creativity, purpose, and connection. 

For a limited time, Kokua is welcoming new residents with exclusive move-in incentives. 

“Kokua is a Hawaiian word meaning ‘To extend help to others without expecting anything in return,’” explains Brandon Davidson, Administrator. “If you’re seeking support for a loved one, Kokua is worth a closer look. We take an individualized approach to care, with evidence-based practices provided by a dedicated, interdisciplinary team.” 

LIMITED-TIME OPPORTUNITY

“At Kokua, we focus on the individual. We blend care with our research-driven approach to deliver personalized wellness tailored to residents’ needs and preferences,” says Davidson. 

Residents enjoy the freedom to choose from enriching programs, meaningful social opportunities with experiences such as sensory walks, meditation, acupuncture, Reiki, songwriting workshops, poetry readings, Sensory Symphony Swim, and more.

Assisted Living in Ādar

Ādar means “respect”, and Kokua delivers. Comfortable residential living is combined with caring assisted living services, enabling residents to remain as independent as possible. Each one-bedroom apartment home (ranging in size up to nearly 900 square feet) offers generous space and thoughtful design, complemented by assistance with daily living tasks and emergency response systems for peace of mind. 

Memory Support in Miran

Miran means “peaceful”—another pillar in the Kokua way of life. Private suites are designed for those with mild to moderate Alzheimer’s disease, dementia, or similar cognitive conditions. “Our person-centered approach embraces individual strengths and needs, with an interdisciplinary team that includes a staff member in attendance 24 hours a day to assist with event reminders and activities of daily living,” says Davidson. “Residents have access to a variety of opportunities to connect, express, and explore their potential through social events, wellness programs, creative arts, and more.”

Kokua offers the next generation of care in these areas, with a commitment to highly personalized service. 

INSPIRED AMENITIES & BOUTIQUE SERVICE

Nestled in a lively urban neighborhood, Kokua incorporates biophilic design that brings the outside in to enhance health and wellbeing. 

Throughout Kokua, residents enjoy a collection of thoughtfully designed spaces and top-shelf hospitality in an upscale community. Beautifully appointed gathering spaces create flexible opportunities for wellness, connection, and everyday enjoyment. A spacious outdoor terrace, demonstration kitchens, art and music studios, and more are used for an array of programs and are available to residents and their visitors. Multiple restaurants offer chef-prepared cuisine with flexible, open-hour service.

“Here at Kokua, we’re offering the next generation of care in Ādar and Miran, and it’s available to the public for a limited time,” says Davidson. Now is an ideal time to explore the personalized care and quiet luxury that Kokua at The Mather has to offer.

For more information, download a brochure at www.themathertysons.com/kokua. To schedule a visit or for additional details, contact Kokua at [email protected] or (571) 282.3650.

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Autos

A magical Mercedes

S-Class continues to define what luxury really means

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Mercedes S-Class

At my stage of life — “somewhere between 40 and death,” as the iconic line goes in the musical “Mame” — I want some pampering. A lot of pampering. 

Luckily, for anyone who constantly craves a soothing spa, steam room or sauna, there’s the completely updated Mercedes S-Class. This flagship sedan is now so full of glitz, glamour, and gee-whiz gadgetry, it gives new meaning to the term “auto erotica.” 

Does this make the S-Class a “gay” ride? For me, any vehicle that pushes my buttons like this one is a Kinsey 6.

MERCEDES S-CLASS

$122,000 (est.)

MPG: 21 city/31 highway

0 to 60 mph: 4.3 seconds

Trunk space: 19 cu. ft. 

PROS: Exceptional comfort. Ultra-quiet cabin. Cutting-edge safety.

CONS: Price climbs fast. Tech learning curve. Sportier competitors.    

The S-Class continues to define what luxury really means, with a bolder silhouette, larger grille, and striking, next-gen LED headlights. There’s also an optional illuminated Mercedes star on the hood. Overall, nearly 2,700 parts are new or improved, so more than 50 percent of this vehicle has been updated. An extreme makeover, to be sure. 

At the same time, this latest S-Class leans harder into intelligence and electrification than ever before. Under the hood, a range of turbocharged inline-six and V8 engines — paired with mild-hybrid systems — deliver power in a way that seems almost edited for smoothness. Braking is solid and strong, too, but never abrupt. All the engineering is fine-tuned and intentional.

Yes, the top-of-the line S580 version is more expensive, almost $140,000. But it’s also blisteringly fast, zipping from 0 to 60 mph in just 3.9 seconds. That’s as lickety-split swift as a Lamborghini Revuelto supercar, which has a starting MSRP of $610,000 and can easily exceed — yowza! — $800,000.

Colors? There are 150 to choose from for the exterior and 400 for the interior. You can even customize the illuminated door sills, interior stitching and wheel accents.

And the ride quality? Sublime. Adaptive air suspension reads the road constantly, leveling out imperfections before they even register. Rear-axle steering enhances maneuverability, making this full-sized sedan feel surprisingly nimble in tight spaces. On the highway, the S-Class simply glides like a private yacht on the calmest of seas — extremely quiet, composed and completely unbothered.

Whenever you slide inside, the cabin immediately sets the tone. A massive OLED digital display — the same high-def technology used for cinematic viewing and gaming monitors — anchors the dashboard, running the latest MBUX infotainment interface. Highly customizable, this software allows for advanced voice commands that feel natural, not forced. And an augmented-reality navigation system takes your route and overlays it onto live camera feeds. It’s intuitive — mostly, as there is a learning curve for all this cutting-edge gear. Overall, though, such amenities make older setups feel like dial-up internet. 

A Burmester surround-sound stereo is available in 3D or 4D, with up to 31 speakers, 1,690 watts and tactile transducers in the seats that vibrate and pulse with the music. Those seats are, of course, extremely comfortable. And the seatbelts? These are now heated. 

Let’s not forget the latest cabin air-filtration system, which can remove ultra-fine particles to deliver air quality that rivals medical environments. Clean air, yes, but even this seems like a special treat. It’s like being swaddled in couture, not ready-to-wear. 

And lastly, there’s the rear-seat area, which — to be honest — is where the S-Class really shines. Executive packages offer multi-contour reclining seats with rapid heating and ventilating, heated armrests and massage functions. You can opt for a footrest, which ups the glam factor to give you a calf massage. Dual 13.1-inch display screens come with their own remote controls. There’s also a video-conferencing feature, to help transform the rear cabin into a fully connected mobile office. For me, it feels less “back seat” and more “private lounge.” 

Even in fiction, high-tech luxury carries weight. Tony Stark helped cement the idea that state-of-the art vehicles can be aspirational, not just practical. The magical S-Class fits right into that narrative — minus the flying suit (for now).

Mercedes S-Class interior
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