Arts & Entertainment
Leading LGBTQ photo competition calls for submissions
Calling all photographers! Here’s your chance to enter your work in a juried photography exhibition and competition conceived to discover a new LGBTQ visual culture for the 21st century.
Slated to debut in Los Angeles at the end of January, “Round Hole Square Peg 4” is the fourth installment of a biennial queer photography exhibition that is the only queer presentation at any major art fair. It will open at Photo LA – California’s longest running international photographic art fair, where it made its first appearance in 2013 – from January 30-February 2, 2020. From there, through the support of the City of West Hollywood, it will move to the city’s gallery for a four-week run.
This year’s edition will place special focus on photography exploring themes of transgender awareness, people of color and underrepresented minorities. It will be curated by Director Phil Tarley, who is a fellow of the American Film Institute, a member of the Photographic Arts Council, and writes a critical photography blog or Fabrik Magazine.
According to the press release:
“As Stonewall 50 passes, LGBTQ persecution intensifies in Trump’s America. Art exhibitions enable LGBTQ photographers to voice their activism, proclaim their visibility and create a new wave of queer art and soul. Having a strong presence in front of a large audience helps the LGBTQ community defy and resist negative stereotypes.”
Tarley says, “The world is changing for LGBTQ people. In 2019, dark Trumpian clouds are forming and threatening to roll back hard-won civil rights. The religious right is ramping up its homophobic and transphobic attacks. By showing positive, sincere images that reflect our true queer lives, we can stay visible in a world that wants us to disappear,” Tarley, .
Participating artist Stuart Sandford comments that his work is innately queer. “The queerness of my work, other than simply being produced by a self-identifying gay man, comes from the intention to question the prevailing norm,” he says. “The taboo, the (gay) male gaze on the (gay) male body in an unbridled manner, something once lost and now reclaimed. But will this, or any art, help save us in 2020? No, of course not, the artist’s role is to ask questions and provoke debate.”
RHSP Competition Judge Paul Bridgewater adds, “Queer identity is not simply a sexual one. Queer artists have a perspective and an experience to contribute to society that is wholly our own and it’s a rich and worldly one. Having been marginalized and alienated for so long has helped us develop a unique view of self-worth, self-image, spirituality, and companionship. We can look at the world and mirror it back to the human condition with insight, style, glamour, and fun.”
Curated by director Phil Tarley and associate curator Ruben Esparza, “Round Hole Square Peg 4” will be judged by a panel of five prominent jurors and the director of Photo LA.
Photographers are invited to enter the competition now through the“Round Hole Square Peg 4” website.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)
Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
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