Arts & Entertainment
Desperate housewife
Crumbling façade is setting for familial character study
Christine Lahti as Carly and Anthony Bowden as her gay son Chad in ‘Pride in the Falls of Autrey Mill.’ (Photo by Margot Schulman; courtesy Signature Theatre)
‘Pride in the Falls of Autrey Mill’
Through Dec. 8
Signature Theatre
4200 Campbell Avenue, Arlington
703-573-SEAT
Fat is bad.
Lower paying professions suck.
And gay is worst of all.
These are the cardinal and frequently spoken rules of Carly, the uptight matriarch in Paul Downs Colaizzo’s terrific new play “Pride in the Falls of Autrey Mills.”
Now premiering at Signature Theatre, the young playwright’s latest effort staged by out director Michael Kahn, exposes the underbelly of the American suburban dream, showing exactly what it is that makes a privileged yet essentially miserable family tick.
The Falls of Autrey Mill is a neighborhood — a grandly named nouveau riche enclave in an unnamed southern city. Colaizzo imagines a place rife with leafy cul-de-sacs where quietly desperate lives unfold behind Roman-columned facades. It’s here that casually bigoted Carly (stage and screen veteran Christine Lahti) perseveres to distance herself from her tacky working class roots, striving to be today’s June Cleaver with the picture-perfect family. But as her two sons Tommy and Chad (played by Christopher McFarland and Anthony Bowden, respectively) move into adulthood and her mostly absent husband Louie (Wayne Duvall) tires of keeping up with the Jones and looks for satisfaction elsewhere, Carly loses the grip on the illusion she’s worked so hard to create, and the results are chaotic.
“Pride” takes place over several days preceding a visit from a photographer who’s scheduled to snap the family’s portrait for the community newsletter. Carly has won best flower garden in the pricey hood and the triumph must be chronicled. It’s a big deal for Carly, but her family isn’t cooperating. Home from college, Chad announces to his mother that he’s gay and has a boyfriend. The older son Tommy tells her that he’s forgoing law school to manage a Chuck E. Cheese type restaurant, a job that he finds personally fulfilling. And her husband is showing signs of wanting to leave home altogether. The play is about how Carly and the family process these revelations.
Like their shoddily made but well-appointed home (compliments of scenic designer James Noone), Carly’s family is also falling apart behind its impressive exterior. She may appear all sugary sweetness and light, but just below the surface she’s tough as nails. Further down she’s extremely vulnerable. Darkly handsome Bowden’s Chad comes off impatient and angry, ostensibly irritated by his parents’ inability to accept his sexuality. But he too isn’t exactly what he seems. Beneath his brusque shell lies a needy, love-deprived, mixed-up adolescent.
McFarland is endearingly funny as the overweight and forever hungry Tommy, who awkwardly walks about foraging for food with his hands bound in big white mitten-like bandages (the result of freakish household accidents). He wears his heart on his sleeve. He’s eager to connect with his parents, but he’s also careful to protect himself from their harsh judgment. And Duvall is perfect as the good ‘ol boy Louie stuck in a stale marriage.
From the moment the lights come up, you know exactly who Carly is. Lahti has taken the time to create a character not only with words but also her body and movements. She wrings the material for all its humor and pathos. It’s a commanding performance and a pleasure to watch.
But unlike so many icy WASP perfectionists (like the one Mary Tyler Moore played in the film “Ordinary People” for instance), Carly‘s heart isn’t entirely frozen. There might be hope for this family yet.
Following up “Torch Song” at Studio Theatre, “Pride” is director Kahn’s second local (and excellent) effort this season outside of his usual domain, the Shakespeare Theatre Company. Though very different, both plays explore family and being gay.
Last season at Signature, playwright Colaizzo garnered big attention with “Really Really,” his resoundingly praised take on complacent young adults living in New York. With “Pride” he further cements his reputation. Frequently funny, but also upsetting and at a couple points heartrendingly poignant, “Pride” proves a fully satisfying theatrical experience.
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
Mr. Henry’s Victorian Pub will host a gala celebrating its 60th anniversary on Saturday, Aug. 29 at 7 p.m.
There will be signature cocktails, beer and wine; plentiful throwback hors d’oeuvres, three live bands and a cocktail attire red carpet.
Tickets start at $50 and can be purchased at mrhenrysdc.com.
Friday, August 7
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Balston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Saturday, August 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC LGBTQ+ Community Center will host “RA Xtra: Manhood” at 1:30 p.m. “MANHOOD” follows Dallas entrepreneur Bill Moore as he attempts to make penis enlargement as commonplace as Botox. Along the way, an OnlyFans star and a father of five put their bodies—and their insecurities—on the line. Blending dark humor with unexpected empathy, MANHOOD examines shame, addiction, and the fragile myths of American masculinity. More details are available on the DC LGBTQ+ Community Center’s website.
Sunday, August 9
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen at this unforgettable Drag Brunch. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, August 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, August 11
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Wednesday, August 12
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, August 13
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.
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