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Lizzo makes $50K donation to Marsha P. Johnson Institute

Singer is vocal LGBTQ ally

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Lizzo at the 65th Grammy Awards (Screenshot from the Grammy Awards)

When Lizzo sings “If I’m shinin,’ everybody gonna shine,ā€ in her hit song, “Juice,” she means it. Proof of that came this week on Instagram when the LGBTQ ally announced the first winner of her annual Juneteenth Giveback Campaign is the Marsha P. Johnson Institute, a national nonprofit based in Richmond, Calif., dedicated to the protection and defense of Black transgender people. 

And she did so in song: ā€œOn the first day of Juneteenth, Lizzo gave to me,ā€ she sang in her video, posted Tuesday, as she revealed her $50,000 gift to MPJI.

ā€œThatā€™s right, we know who Marsha P. Johnson is. We know what Marsha P. Johnson has done for the LGBTQ, emphasis on that ā€˜T,ā€™ Q community,ā€ said Lizzo to her 13.5 million followers. ā€œThank you so much to the people at the Marsha P. Johnson Institute. You deserve this, and I hope this helps you so much as you help protect our Black trans family.ā€ 

ā€œWhat the Marsha P. Johnson Institute does is protects and defends the rights of Black transgender people. They do this by organizing community, advocating for the people, and creating an intentional healing community, developing transformative leadership and promoting collective power,ā€ she said. 

ā€œWe are overjoyed for the shoutout from Lizzo today, the generosity of her sharing her platform and the recognition of MPJI and its work,ā€ said Elle Moxley, MPJIā€™s executive director. ā€œThe resources from this campaign will ensure the protection and defense of Black transgender people continue at a time where it is so vitally needed. We are so grateful for the support of Lizzo and her fans.ā€

As one of Time Magazineā€™s Persons of the Year for 2019 and a 2023 Grammy winner, Lizzo is more than a pop star but an inspiration to millions of fans for her body-positive attitude, her self-confidence on stage and in her videos, her empowering music and her activism. Sheā€™s also the founder of her own clothing line, Yitty. In 2021, she made headlines when she publicly corrected a paparazzo for using ā€œshe/herā€ pronouns and misgendering Demi Levato.

As part of her campaign, now in its 4th year, Lizzo recognizes Black-led grassroots organizations and businesses and encourages her fans to join her in supporting each of the five organizations she highlights this week. Fans who take action by donating are  entered into a drawing for an all-expenses paid trip to see her perform at Fuji Rock in Japan later this year. 

This weekā€™s other nonprofits receiving gifts are: Black Girls Smile, Sphinx Music, the University of Houston and Save Our Sisters United.

Find out more about Lizzoā€™s 4th annual Juneteenth Giveback Campaign by clicking here.

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Celebrity News

John Waters released from hospital after car accident

Crash took place in Baltimore County

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John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

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More than 1 million people attend Madonna concert in Rio

Free event took place on Copacabana Beach on Saturday

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Madonna performs on Rio de Janeiro's Copacabana Beach on May 4, 2024. (Screen capture via Reuters YouTube)

An estimated 1.6 million people on Saturday attended Madonna’s free concert on Rio de Janeiro’s Copacabana Beach.

The concert, which was the last one as part of Madonna’s Celebration Tour, included a tribute to people lost to AIDS.

Bob the Drag Queen introduced Madonna before the concert began. Pabllo Vittar, a Brazilian drag queen and singer, and Anitta, a bisexual pop star who was born in Rio’s HonĆ³rio Gurgel neighborhood, also joined Madonna on stage.

Congresswoman Erika Hilton, a Black travesti and former sex worker, and Rio Municipal Councilwoman MĆ“nica BenĆ­cio, the widow of Marielle Franco, a bisexual Rio Municipal Councilwoman who was assassinated in 2018, are among those who attended the concert.

“Madonna showed that we fight important fights for the human rights of Black (people), young (people), women and LGBTQIA+ people, and against all injustice, discrimination, and violence,” saidĀ AssociaƧao Nacional de Travestis e Transexuais (National Association ofĀ TravestisĀ and Transsexuals), a Brazilian trans rights group known by the acronym ANTRA, on itsĀ X account.Ā “What they call identitarianism’ is our subversion to the retrograde and conservative tackiness that plagues the country.”

The Associated Press reported the concert was Madonna’s biggest ever.

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HRC releases ā€˜Queer Renaissance Syllabusā€™

BeyoncĆ©ā€™s hit album inspired curriculum

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BeyoncƩ performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that BeyoncĆ©ā€™s ā€œRenaissanceā€ album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on BeyoncĆ©’s Billboard 200-topping dance album, “Renaissance.”

BeyoncĆ©’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like ā€œBreak My Soulā€ and ā€œCuff It,ā€ the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of BeyoncĆ©’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRCā€™s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes BeyoncĆ©’s tribute to Oā€™Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to ā€œRenaissanceā€ songs at a gas station. HRC also includes a statement that condemns hate crimes.

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