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Oft banned gay author’s new kids’ book a fun treat

‘Monster Mac and Cheese Party’ brimming with humor, color

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(Book cover courtesy Little, Brown Books)

It’s the hottest party ever! A green, one-eyed, three-toothed fuzzy monster has invited a sea monster, a bat, a witch, and other guests to bring and eat mac and cheese. The witch favors “glow-in-the-dark mac with snakes and furballs.” The bat enjoys “mac ‘n’ bugs.” 

Whether you’re eight or 80, wouldn’t you like to crash this gathering?

Thanks to bestselling, award-winning, gay children’s book author and artist Todd Parr, we can all join in the fun.

“The Monster Mac and Cheese Party” (Little, Brown Books for Young Readers), Todd’s newest book, replete with his signature, eye-catching art, is a celebration of hanging out and scarfing down your fave food with your friends (monsters and human). The picture book written for 4-8 year-olds, is a fun-read for mac-and-cheese-and-monster-aficionados of any age. Except, perhaps, for those who’ve called for Parr’s books to be banned.

Parr, author of “It’s Okay to Be Different,” “The Family Book” and other much-loved as well as often-banned children’s books, is known for fostering values of kindness and inclusivity in his work. Not through preaching or boring messaging. But through bold images — art brimming with humor and bright colors. There are few words. But the words Parr uses are just what kids would say.

Take “The Family Book” which features Parr’s bright-hued illustrations. “Some families are big, some families are small,” Parr, who was born in 1962, writes in “The Family Book,” published in 2003, “… some families have two moms and two dads.”

You might think this message of inclusivity wouldn’t have caused a ruckus. But you’d be wrong. “The Family Book” was one of the most banned picture books of the 2021-2022 school year, according to Pen America.

“Every time a book is banned, we’re denied our right to learn freely,” the American Civil Liberties Union said in a statement accompanying a video of actor Randall Park reading “The Family Book” on Father’s Day on You Tube.

“My goal in the book was to make every kid feel that no matter what kind of family they have, that their family is special,” Parr, who lives in Southern California with his adopted pit bulls, said in an interview with the Blade.

Parr knew some people might not like “The Family Book” and that it might be banned. “It didn’t matter to me,” he said, “One page [that mentions two moms or two dads being parents] generates a lot of hate.”

“Like drag queens reading stories to kids,” Parr added, “it’s a free-for-all on social media.”

Parr wrote the mac-and-cheese book because after the pandemic, kids “needed a break,” he said.    

After COVID, “we didn’t want to think about the feelings we’ve experienced,” Parr said, “we just wanted to feel good again.”

His publisher had asked him to do a Halloween book, and mac and cheese is one of Parr’s favorite things. The book contains kid-friendly recipes for “Todd Mac” and “Vegan Mac”.

“Thick black lines and neon colors make for a zany tale,” “Kirkus” said of “The Monster Mac and Cheese Party, ” “perfect for group read-alouds. Parr keeps the laughs coming fast and furious.”

Parr has written and illustrated more than 60 children’s books. His work has been translated into 20 languages. More than 6.3 million copies of his books have been sold.

Parr is the co-creator with Gerry Renert of SupperTime Entertainment of the Daytime Emmy-nominated animated TV series “ToddWorld.” Several short films for “Sesame Street” were based on Parr’s work.

Parr gets what it’s like to feel different, hurt or sad, Juanita Giles wrote in “When In Doubt Pretend To Be Todd Parr,” an essay for NPR. “Todd Parr knows my son’s long hair makes him different,” Giles wrote, “Todd Parr knows our best friends moved away and our dog died.”

Growing up gay in  a small town in Wyoming, Parr had no inkling that he’d be so successful,  acclaimed and loved.

“I never had a moment where I told everybody ‘I’m gay,’” Parr said, “It was a matter of fact and no one really questioned it.”

But things weren’t easy. Parr wasn’t sure himself. “I had girlfriends,” he said, “I felt guilty that I had feelings [of liking boys] but I did.”

In school, people called Parr a “faggot” before he knew what it meant. “I felt very different like I was on another planet,” he said.

Growing up, being gay wasn’t Parr’s only challenge. “I had to repeat second grade,” he said, “because I couldn’t read.”

“They thought I was lazy,” Parr added.

Years later, Parr learned that he had dyslexia and attention deficit hyperactivity disorder (ADHD). People didn’t know what these disabilities were when he was in school.

“My grandpa on my Dad’s side was talented,” Parr said, “and my grandma on my Mom’s side was talented and creative.”

In the second grade, Parr focused on drawing. He won an art contest but his parents didn’t believe that he’d drawn the picture. “They thought I traced it,” Parr said.

Parr felt that he had to get out of his home town. “There was energy calling me,” he said, “there was a bigger world out there. I knew, one day, I would leave Wyoming.”

Parr became a flight attendant for United for 15 years. “That job – traveling around the world – gave me confidence,” Parr said.

Parr traveled to new cities. He went back to art with a new sense of confidence. With role models like Keith Haring, the renowned American gay artist. “Haring showed you that art can be whimsical,” Parr said, “that you could use bright colors.” 

Parr lived in San Francisco. He began to have some success with his art. His work was displayed in one of Wolf Gang Puck’s restaurants.

But Parr was still borrowing money and flying for United. “I was spinning my wheels,” he said.

He decided to perform a magic show (that he did for kids) in Las Vegas. There, he met his agent – a married couple who understood his work. They got him a literary agent. “It freed me up to do creative things,” Parr said.

One day, Parr was showing his work at a show in New York. “I don’t like to read,” Parr said when he was asked if he’d thought about writing children’s books.

Parr signed with Little Brown for Young Readers when he realized he was on to something. He could write books for kids with his arts with messages (but without characters).

For a time, Parr felt apologetic about his dyslexia. “I’m not qualified to be up there [because of his struggles in school],” he said when he was asked to give a keynote speech.

But after talking with his editor about his fears, Parr wondered: why shouldn’t he own his dyslexia? Why not be honest and talk about it?

“It opened a path for me,” Parr said.

Parr’s website is toddparr.com.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

‘Mean Boys’ raises questions of life, death, and belonging

New memoir wanders but enjoy the whiplash

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(Boom cover image courtesy of Bloomsbury)

‘Mean Boys: A Personal History’
By Geoffrey Mak
c.2024, Bloomsbury 
$28.99/267 pages

It’s how a pleasant conversation is fed, with give and take, back and forth, wandering casually and naturally, a bit of one subject easing into the next with no preamble. It’s communication you can enjoy, like what you’ll find inside “Mean Boys” by Geoffrey Mak.

Sometimes, a conversation ends up exactly where it started.

Take, for instance, Shakespeare’s “King Lear,” which leads Mak to think about his life and his inability to “cull the appropriate narratives out of nonsense.” Part of that problem, he says, was that his living arrangements weren’t consistent. He sometimes “never really knew where I was living,” whether it was Berlin or California, in a studio or high-end accommodations. The parties, the jokes, the internet consumption were as varied as the homes and sometimes, “it didn’t really matter.” Sometimes, you have to accept things and just “move on.”

When he was 12 years old, Mak’s father left his corporate job, saying that he was “called by God” to become a minister. It created a lot of resentment for Mak, for the lack of respect his father got, and because his parents were “passionately anti-gay.” He moved as far away from home as he could, and he blocked all communication with his parents for years, until he realized that “By hating my father, I ended up hating myself, too.”

And then there was club life which, in Mak’s descriptions, doesn’t sound much different in Berghain (Germany) as it is in New York. He says he “threw myself into night life,” in New York Houses, in places that gave “a skinny Chinese kid from the suburbs… rules I still live by,” on random dance floors, and in Pornceptual. Eventually this, drugs, work, politics, pandemic, basically everything and life in general led to a mental crisis, and Mak sought help.

“I don’t know why I’m telling you all this,” Mak says at one point. “Sometimes life was bad, and sometimes it wasn’t, and sometimes it just was.”

Though there are times when this book feels like having a heart-to-heart with an interesting new acquaintance, “Mean Boys” can make you squirm. For sure, it’s not a beach read or something you’ll breeze through in a weekend.

No, author Geoffrey Mak jumps from one random topic to another with enough frequency to make you pay close to attention to his words, lest you miss something. That won’t leave you whiplashed; instead, you’re pulled into the often-dissipated melee just enough to feel almost involved with it – but with a distinct sense that you’re being held at arms’ length, too. That some stories have no definitive timeline or geographical stamp – making it hard to find solid ground – also adds to the slight loss of equilibrium here, like walking on slippery river rocks.

Surprisingly, that’s not entirely unpleasant but readers will want to know that the ending in “Mean Boys” could leave their heads swirling with a dozen thoughts on life, belonging, and death. If you like depth in your memoirs, you’ll like that — and this.

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Books

New book offers observations on race, beauty, love

‘How to Live Free in a Dangerous World’ is a journey of discovery

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(Book cover image courtesy of Tiny Reparations Books)

‘How to Live Free in a Dangerous World: A Decolonial Memoir’
By Shayla Lawson
c.2024, Tiny Reparations Books
$29/320 pages

Do you really need three pairs of shoes?

The answer is probably yes: you can’t dance in hikers, you can’t shop in stilettos, you can’t hike in clogs. So what else do you overpack on this long-awaited trip? Extra shorts, extra tees, you can’t have enough things to wear. And in the new book “How to Live Free in a Dangerous World” by Shayla Lawson, you’ll need to bring your curiosity.

Minneapolis has always been one of their favorite cities, perhaps because Shayla Lawson was at one of Prince’s first concerts. They weren’t born yet; they were there in their mother’s womb and it was the first of many concerts.

In all their travels, Lawson has noticed that “being a Black American” has its benefits. People in other countries seem to hold Black Americans in higher esteem than do people in America. Still, there’s racism – for instance, their husband’s family celebrates Christmas in blackface.

Yes, Lawson was married to a Dutch man they met in Harlem. “Not Haarlem,” Lawson is quick to point out, and after the wedding, they became a housewife, learned the language of their husband, and fell in love with his grandmother. Alas, he cheated on them and the marriage didn’t last. He gave them a dog, which loved them more than the man ever did.

They’ve been to Spain, and saw a tagline in which a dark-skinned Earth Mother was created. Said Lawson, “I find it ironic, to be ordained a deity when it’s been a … journey to be treated like a person.”

They’ve fallen in love with “middle-American drag: it’s the glitteriest because our mothers are the prettiest.” They changed their pronouns after a struggle “to define my identity,” pointing out that in many languages, pronouns are “genderless.” They looked upon Frida Kahlo in Mexico, and thought about their own disability. And they wish you a good trip, wherever you’re going.

“No matter where you are,” says Lawson, “may you always be certain who you are. And when you are, get everything you deserve.”

Crack open the front cover of “How to Live Free in a Dangerous World” and you might wonder what the heck you just got yourself into. The first chapter is artsy, painted with watercolors, and difficult to peg. Stick around, though. It gets better.

Past that opening, author Shayna Lawson takes readers on a not-so-little trip, both world-wide and with observant eyes – although it seems, at times, that the former is secondary to that which Lawson sees. Readers won’t mind that so much; the observations on race, beauty, love, the attitudes of others toward America, and finding one’s best life are really what takes the wheel in this memoir anyhow. Reading this book, therefore, is not so much a vacation as it is a journey of discovery and joy.

Just be willing to keep reading, that’s all you need to know to get the most out of this book. Stick around and “How to Live Free in a Dangerous World” is what to pack.

The Blade may receive commissions from qualifying purchases made via this post.

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Story of paralysis and survival features queer characters

‘Unswerving: A Novel’ opens your eyes and makes you think

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(Book cover image courtesy of University of Wisconsin Press)

‘Unswerving: A Novel’ 
By Barbara Ridley
c.2024, University of Wisconsin Press
$19.95 / 227 pages

It happened in a heartbeat.

A split-second, a half a breath, that’s all it took. It was so quick, so sharp-edged that you can almost draw a line between before and after, between then and now. Will anything ever be the same again? Perhaps, but maybe not. As in the new book “Unswerving” by Barbara Ridley, things change, and so might you.

She could remember lines, hypnotizing yellow ones spaced on a road, and her partner, Les, asleep in the seat beside her. It was all so hazy. Everything Tave Greenwich could recall before she woke up in a hospital bed felt like a dream.

It was as though she’d lost a month of her life.

“Life,” if you even wanted to call it that, which she didn’t. Tave’s hands resembled claws bent at the wrist. Before the accident, she was a talented softball catcher but now she could barely get her arms to raise above her shoulders. She could hear her stomach gurgle, but she couldn’t feel it. Paralyzed from the chest down, Tave had to have help with even the most basic care.

She was told that she could learn some skills again, if she worked hard. She was told that she’d leave rehab some day soon. What nobody told her was how Les, Leslie, her partner, girlfriend, love, was doing after the accident.

Physical therapist Beth Farringdon was reminded time and again not to get over-involved with her patients, but she saw something in Tave that she couldn’t ignore. Beth was on the board of directors of a group that sponsored sporting events for disabled athletes; she knew people who could serve as role models for Tave, and she knew that all this could ease Tave’s adjustment into her new life. It was probably not entirely in her job description, but Beth couldn’t stop thinking of ways to help Tave who, at 23, was practically a baby.

She could, for instance, take Tave on outings or help find Les – even though it made Beth’s own girlfriend, Katy, jealous.

So, here’s a little something to know before you start reading “Unswerving”: author Barbara Ridley is a former nurse-practitioner who used to care for patients with spinal cord injuries. That should give readers a comfortable sense of satisfaction, knowing that her experiences give this novel an authenticity that feels right and rings true, no faking.

But that’s not the only appeal of this book: while there are a few minor things that might have readers shaking their heads (HIPAA, anyone?), Ridley’s characters are mostly lifelike and mostly likable. Even the nasties are well done and the mysterious character that’s there-not-there boosts the appeal. Put everyone together, twist a little bit to the left, give them some plotlines that can’t ruined by early guessing, and you’ve got a quick-read novel that you can enjoy and feel good about sharing.

And share you will because this is a book that may also open a few eyes and make readers think. Start “Unswerving” and you’ll (heart) it.

The Blade may receive commissions from qualifying purchases made via this post.

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