Connect with us

Celebrity News

Why Wayne Brady coming out as pansexual is a big deal

‘Let’s Make A Deal’ host spoke exclusively with People magazine

Published

on

Wayne Brady (YouTube screenshot of People magazine)

Someday it won’t matter when a celebrity comes out as LGBTQ, but until that day comes, when every orientation and identity is embraced, accepted and respected equally, this is how it goes: Wayne Brady told TikTok and Instagram followers that he is pansexual, and People magazine told the world. 

“I am pansexual,” he told the magazine’s Jason Sheeler in an exclusive interview. “Bisexual — with an open mind!” Brady added. 

Sheeler explained to People readers that this means he is “attracted to persons regardless of their sex or gender.” In its wide-ranging media guide, GLAAD defines “pansexual” as “an adjective used to describe a person who has the capacity to form enduring physical, romantic, and/ or emotional attractions to any person, regardless of gender identity. This is one of several terms under the bi+ umbrella.” 

As the most mainstream television personality to come out so far, Brady is a standout among other pan celebrities, including Miley Cyrus, Demi Lovato, Janelle Monáe, Cara Delevingne, Asia Kate Dillion, Jazz Jennings and JoJo Siwa. 

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

A post shared by Wayne Brady (@mrbradybaby)

@tubbynugget

Surely I’ll be functional after another nap…SURELY 🥹 Be right back friends!! 🥰

♬ original sound – Tubby Nugget

Brady, 51, shot to stardom in 1998 on “Whose Line Is It Anyway?” the TV show that showcased his enormous talent at improvisation, a program that’s still on the air with Brady now serving as an executive producer. The Georgia native is also an actor with dozens of credits to his name, in movies, on Broadway and on television, and served as the host of the rebooted “Let’s Make A Deal.” 

The first person Brady came out to was his ex-wife, Mandie Taketa. “I just said, ‘Great.’ As I knew coming out would help him be happier,” she said. 

Taketa is co-parenting a toddler with both Brady and her partner, Jason Fordham. Brady and Taketa, 47, also have a daughter, Maile, 20. The blended family of four are currently filming a reality show for Hulu, according to the magazine. 

“I love all people equally, and now that includes myself,” said Brady. That’s a turnaround from a bitter time more than 20 years ago, when the actor had a falling out with a writer on “The Chappelle Show.” It was over a joke that Brady insisted as recently as 2021 offended him mostly because it wasn’t funny: “White people love Wayne Brady because he makes Bryant Gumbel look like Malcolm X,” the late Paul Mooney said on Dave Chappelle’s sketch comedy show. 

Brady was later invited to appear on the show in a hilarious and memorable sketch that portrayed him in an entirely different light.

For People magazine, Brady wrote his own coming out story, which appears below in full: 

“I’m pansexual.

In doing my research, both with myself and just with the world, I couldn’t say if I was bisexual, because I had to really see what that was, especially because I really have not gotten a chance to act on anything. So, I came to pansexual because — and I know that I’m completely messing up the dictionary meaning — but to me, pan means being able to be attracted to anyone who identifies as gay, straight, bi, transsexual or nonbinary. Being able to be attracted across the board. And, I think, at least for me for right now, that is the proper place. I took pan to mean that not only can I be attracted to any of these people or types physically, but I could be attracted to the person that is there.

 People think they really know me. That has its advantages and disadvantages. 

Like with any blessing, I’m like, “How cool.” It’s cool that people like me, especially doing a show, like Let’s Make a Deal, or when various companies or networks think, “I want Wayne Brady to host this,” what a blessing! What a blessing to be in people’s homes every day and connect with them. I love that piece of it. But there are days that I’m not a fan of it. Because, really, I’m an actor. I don’t want to lead personality-first. 

There’s a reason why I live in a canyon in Malibu and not in the middle of Hollywood. I’m an introvert. Shy. I always have been. I had a very thick stutter at one point during my childhood, growing up in Orlando, brought on by anxiety and bullying and stress. I couldn’t communicate the way that I wanted to until I started acting, singing and performing.

As characters. I was Tigger and Goofy and a Toy Soldier in the Disney Christmas parade. I loved that because you see the work. You don’t necessarily see me. I love bringing joy, which is why I love being a character: If I can do that as a character, so maybe the character is Wayne Brady. There’s a lot of therapy that I’m doing right now. I wish I didn’t care what people think of me, but the fact of the matter is, I do care. It’s a weird dichotomy, going from a screaming audience to sitting in a house, just chilling all by yourself.

Robin Williams’ death in 2014 really impacted me — and set me on my path to self-discovery. 

After Robin’s death, I got involved in certain groups, like Glenn Close’s group, Bring Change to Mind, being very vocal about mental health. And not just the buzzword of mental health, but really what do I have to do to function in this big world and still be okay with yourself and more importantly, to love yourself so that you don’t hurt yourself? Not even just physically hurting yourself, but not taking care of yourself because you are depressed and frightened and weighed down.

Once I opened that door to myself though, I had to start learning about myself, and I had to start owning up to things that maybe I’d either repressed, suppressed, or just didn’t wanna deal with. I’ve done a lot of work on a lot of other things until now, one of the last things on that checklist was, what’s one of the last things that you need to be really happy and to be truly, authentically yourself? I gave joy at work. But the pity is then I come home, and I don’t have that joy. I have joy because I love my daughter and I love my family. I love being a dad more than chocolate ice cream. But that can’t be my only joy. I have to love myself. And that’s when I realized that I had a problem because if I can spend everything on stage and on camera but then I come home and there is a love deficit, what is going on? That was my rock bottom. 

I was never suicidal, but I have empathy for those who face those thoughts. 

I understand it now. I got to a point where I thought, ‘I’m not here, then whatever this pain is, whatever this loneliness is, this soul-crushing loneliness, I could stop it. I could be absolutely pain-free of whatever this is inside of me.’ And when I felt that, I went, ‘Oh, s–t. Okay. let’s get to the bottom of it. Let’s do it now.’ 

I did all the therapy I could do. I was treated for love addiction. It’s a part of my journey. I had to start examining why I was looking for myself and happiness in a slew of people. If I marry this person, then everything will be fine. If I date this person, everything will be fine. I’ll be good. I’ll be fixed. That is obviously a problem. And so, in doing that work, I now know absolutely that love addiction is borne of trauma. I can’t feel any shame around that, just like I wouldn’t shame somebody if they said they were addicted to meth or cocaine. That’s a sickness.

What am I looking for in these people that I can’t find in myself? And then leaving a wake of people and never being satisfied and then going back to being lonely. Fast forward to recently asking myself the question: ‘Wayne, um, are you gay?’ And the answer was no because despite having been in all of these unsuccessful relationships and now dealing with what I know can be diagnosed as love addiction, I started to go, ‘Okay, I’m feeling something, but I just don’t know how to get there.’ And then I felt like a fraud.

I’ve been attracted to men at times in my life. But I have never dated a man.

Let’s be really honest: I’ve also been attracted to certain men in my life, but I’ve always pushed that aside because of how I was raised, and because I live in today’s world, and it’s scary as s–t. What’s the fastest way to hurt another man? I’m gonna call you out of your name. I’m gonna call you gay. I’m gonna emasculate you. I’m gonna use the F-word. I learned that very early from the people around me, they’re like, ‘Oh, so those are bad things? Yeah. You, you don’t wanna be that.’ 

So, what does it mean if I feel something? I don’t think I’m gay, but what if I feel something for another [man] … That’s still gay. I was already bullied about a bunch of other s–t. I didn’t wanna add a top hat on top of that suit.

I’ve dealt with the shame.

A shame cake, just eating it every single day — and then worried about … people finding out. I’ve always had a wonderful community of friends who are in the LGBTQ+ community, people that I’ve grown up with in shows, gays and lesbians, and, later in life, my trans relatives and my niece. I’ve always had that community, but I’ve always felt like a sham because I wasn’t being forthcoming with myself. I could speak out about Black issues because I can’t hide that. And you can play at being an ally, but until the day that you can truly say, ‘This is who I am, and I wanna stand next to you,’ that’s not … I always wanted that day to come.

I’ve told myself in the past, also, nobody needs to know my personal business. The world can absolutely go without knowing that Wayne identifies as pan. But that gave me license to still live in the shadows and to be secretive. What does that feel like to actually not be shameful, to not feel like, ‘Oh, I can’t be part of this conversation because I’m lying?’ I had to break that behavior. 

I’m now trying to be the most Wayne Brady I can be. 

I don’t know about most, actually. I’m still coming together. But If I’m healthy, then I can go onstage at Let’s Make A Deal and be the best Wayne Brady that everybody wants and expects. I can be the best dad that Maile needs. I can be the best friend to Mandie, the best son to my mother, and one day, the best partner to someone, because I’m doing this for me. Not dating yet though! [Laughs] I am single, but it’s not about being with someone right now. I’ve got some work to do still. Then, Wayne as a single, open-minded pansexual can make a decision and be free and open to other people.”

Follow Wayne Brady on Instagram at @mrbradybaby and on TikTok at @waynebrady

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Celebrity News

John Waters released from hospital after car accident

Crash took place in Baltimore County

Published

on

John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

Continue Reading

Celebrity News

More than 1 million people attend Madonna concert in Rio

Free event took place on Copacabana Beach on Saturday

Published

on

Madonna performs on Rio de Janeiro's Copacabana Beach on May 4, 2024. (Screen capture via Reuters YouTube)

An estimated 1.6 million people on Saturday attended Madonna’s free concert on Rio de Janeiro’s Copacabana Beach.

The concert, which was the last one as part of Madonna’s Celebration Tour, included a tribute to people lost to AIDS.

Bob the Drag Queen introduced Madonna before the concert began. Pabllo Vittar, a Brazilian drag queen and singer, and Anitta, a bisexual pop star who was born in Rio’s Honório Gurgel neighborhood, also joined Madonna on stage.

Congresswoman Erika Hilton, a Black travesti and former sex worker, and Rio Municipal Councilwoman Mônica Benício, the widow of Marielle Franco, a bisexual Rio Municipal Councilwoman who was assassinated in 2018, are among those who attended the concert.

“Madonna showed that we fight important fights for the human rights of Black (people), young (people), women and LGBTQIA+ people, and against all injustice, discrimination, and violence,” said Associaçao Nacional de Travestis e Transexuais (National Association of Travestis and Transsexuals), a Brazilian trans rights group known by the acronym ANTRA, on its X account. “What they call identitarianism’ is our subversion to the retrograde and conservative tackiness that plagues the country.”

The Associated Press reported the concert was Madonna’s biggest ever.

Continue Reading

Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

Published

on

Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular