Over 700 people attended Family Equality’s annual spring fundraising gala, “Night at the Pier,” at Pier Sixty in New York City on Monday, May 13. There were performances by Shoshana Bean, Sky Lakota Lynch, Josh Strobl and Deborah Cox. Honorees included Ken Ohashi of Brooks Brothers and civil rights litigator Roberta Kaplan. Family Equality President and CEO Jaymes Black as well as writer/activist Chasten Buttigeig spoke at the event.

(Photos by Eugene Gologursky/Getty Images for Family Equality; used with permission)

DC Brau, D.C.’s original craft brewery, reveals the design of its 7th annual Pride Pils can and announces the celebratory Pride Pils launch event. In support of The Blade Foundation and SMYAL, DC Brau partnered with Right Proper Brewing Company and Red Bear Brewing Co. and local artist Chord Bezerra of District Co-Op to design this year’s can. 

The can design will be showcased at Right Proper Brewing Company (624 T St., N.W.) in Shaw on Wednesday, May 29, from 5-8 p.m. Guests will be the first to enjoy the newly minted 2024 Pride Pils can. The event is free but guests can RSVP HERE.

The art, designed by Bezerra, was created to show pride in the 202. D.C. Pride started in 1975 as a small LGBTQ block party. This one-day event grew into a major festival, reflecting the community’s fight for visibility and  equality. Today, Capital Pride stands as a vibrant testament to the LGBTQ rights movement in the nation’s capital. In addition to the design being featured on DC Brau’s 2024 Pride Pils can, supporters can purchase ‘Hail To The Queen’ merchandise, including T-shirts, sweatshirts, stickers, and more from District Co-Op.

Since launching Pride Pils in 2017, DC Brau has donated more than $55,000 to The Blade Foundation and SMYAL, selling more than 97,500 Pride Pils cans.

About DC Brau: DC Brau Brewery was founded in 2011 and is Washington D.C.’s leading craft brewery, producing a variety of high-quality beers that are distributed locally and throughout the Mid-Atlantic region. DC Brau’s commitment to quality and innovation has earned it numerous accolades, including multiple gold medals at domestic and international beer festivals. For additional information, please visit www.dcbrau.com.

About Red Bear Brewing: Red Bear Brewing Co is an LGBT owned West Coast style brew pub located in the NoMa neighborhood of Washington DC. Red Bear strives to promote diversity to the craft brewing community across the board with our inclusive taproom, company culture and delicious beer, beverage and food offerings. www.redbear.beer.

About Right Proper Brewing Co: For more information visit www.rightproperbrewing.com

About The Washington Blade: The Washington Blade was founded in 1969 and is known as the “newspaper of record” for the LGBTQ community both locally and nationally. For more information, visit washingtonblade.com and follow on Facebook (@WashingtonBlade) & Twitter/Instagram (@WashBlade).

About District CoOp: District CoOp is a collection of artists celebrating design, diversity and the culture of D.C. We’re all about supporting and empowering local artists and creating a brand for the people by the people. All designs are available in both men’s and women’s and as a tank or crew. Follow us on Instagram (@District_CoOp) or Facebook (@DistrictCoOp).

About SMYAL: SMYAL (Supporting and Mentoring Youth Advocates and Leaders) supports and empowers lesbian, gay, bisexual, transgender, and questioning (LGBTQ) youth in the Washington, DC, metropolitan region. Through youth leadership, SMYAL creates opportunities for LGBTQ youth to build self-confidence, develop critical life skills, and engage their peers and community through service and advocacy. Committed to social change, SMYAL builds, sustains, and advocates for programs, policies, and services that LGBTQ youth need as they grow into adulthood. To learn more, visit SMYAL.org

‘Mean Boys: A Personal History’
By Geoffrey Mak
c.2024, Bloomsbury 
$28.99/267 pages

It’s how a pleasant conversation is fed, with give and take, back and forth, wandering casually and naturally, a bit of one subject easing into the next with no preamble. It’s communication you can enjoy, like what you’ll find inside “Mean Boys” by Geoffrey Mak.

Sometimes, a conversation ends up exactly where it started.

Take, for instance, Shakespeare’s “King Lear,” which leads Mak to think about his life and his inability to “cull the appropriate narratives out of nonsense.” Part of that problem, he says, was that his living arrangements weren’t consistent. He sometimes “never really knew where I was living,” whether it was Berlin or California, in a studio or high-end accommodations. The parties, the jokes, the internet consumption were as varied as the homes and sometimes, “it didn’t really matter.” Sometimes, you have to accept things and just “move on.”

When he was 12 years old, Mak’s father left his corporate job, saying that he was “called by God” to become a minister. It created a lot of resentment for Mak, for the lack of respect his father got, and because his parents were “passionately anti-gay.” He moved as far away from home as he could, and he blocked all communication with his parents for years, until he realized that “By hating my father, I ended up hating myself, too.”

And then there was club life which, in Mak’s descriptions, doesn’t sound much different in Berghain (Germany) as it is in New York. He says he “threw myself into night life,” in New York Houses, in places that gave “a skinny Chinese kid from the suburbs… rules I still live by,” on random dance floors, and in Pornceptual. Eventually this, drugs, work, politics, pandemic, basically everything and life in general led to a mental crisis, and Mak sought help.

“I don’t know why I’m telling you all this,” Mak says at one point. “Sometimes life was bad, and sometimes it wasn’t, and sometimes it just was.”

Though there are times when this book feels like having a heart-to-heart with an interesting new acquaintance, “Mean Boys” can make you squirm. For sure, it’s not a beach read or something you’ll breeze through in a weekend.

No, author Geoffrey Mak jumps from one random topic to another with enough frequency to make you pay close to attention to his words, lest you miss something. That won’t leave you whiplashed; instead, you’re pulled into the often-dissipated melee just enough to feel almost involved with it – but with a distinct sense that you’re being held at arms’ length, too. That some stories have no definitive timeline or geographical stamp – making it hard to find solid ground – also adds to the slight loss of equilibrium here, like walking on slippery river rocks.

Surprisingly, that’s not entirely unpleasant but readers will want to know that the ending in “Mean Boys” could leave their heads swirling with a dozen thoughts on life, belonging, and death. If you like depth in your memoirs, you’ll like that — and this.

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