Arts & Entertainment
Local queer students receive national awards for art, writing
Work explored race, sexuality, gender and heartbreak
The fifth picture in the photo essay “Anything But Simple” shows a school hallway with gray lockers lit up by sunlight shining through ceiling-length windows and two bodies tightly embracing. One, with large hairy arms, holds the other, draped in a maroon hoodie with a sign that says “faggot” stuck to its back.
The photo essay, curated by Spencer Strebe, was part of a legion of portfolios honored by the Scholastic Art & Writing Awards for their poignant and intelligent exploration of young identity. Strebe, 18, received a silver medal with distinction for his work that explored the rugged terrain that is navigating queer relationships as a teenager fresh into understanding their sexuality. He was a student at Yorktown High School in Arlington, Va., and will attend Virginia Commonwealth University in the fall to study art.
“I wasn’t out as gay dating my first boyfriend,” read his artist statement. “The frustration of keeping their love secret…led the guy in the gray hoodie [to] out his partner as gay in a desperate effort to make their love known. This is more of a thought, a want, rather than an action done.”
Like many his age, the COVID-19 pandemic inspired Strebe to pursue a hobby to stave off boredom. He began by taking photos of his friends, documentary-style, which then evolved into in-depth projects for his high school photography classes.
Although he said he quit more photography classes than he took, the desire to continue using the medium as a form of expression persisted. And, when he was required by one of his classes to submit for a Scholastic award, he heeded.
Strebe described “Anything But Simple” as a “breakup portfolio” that followed a ceramics tradition of using clay to make secret keeper jars. Because he hadn’t come out yet while creating the photo essay, taking the photos felt like molding a pot into which he’d whisper.
“Heartbreak is having a lot of love with no place to put it,” he said.
This kind of raw expression is what Scholastic Art & Writing Awards has championed for 100 years now.
The organization, which adjudicates submissions blindly, awards skill, originality, and the emergence of personal voice. Past recipients of the award include poet Amanda Gorman and artists Andy Warhol and Richard Avedon. Avedon, who received the award in 1941, described the honor as a defining moment of his life.
“Teenagers are incredible young people. They’re not adults but they’re also not children,” said Christopher Wisniewski, executive director for Alliance for Young Artists and Writers. “[This] is a time when [they] feel raw and start to express this in their art and writing.”
For Taiwo Adebowale, 17, her gold medal-winning poetry was a fierce effort to affirm her Black immigrant and queer identities. Adebowale, who goes by she/they pronouns, was a student at George Washington Carver Center for Arts and Technology in Towson, Md., and will study English and advertising at Howard University in the fall.
“I do not exist. I am not fiction. I am not walking delirium. I’m not even considered a person. I’m Something,” read her essay “subspaces.” “Something, that according to all laws of nature, shouldn’t exist. Something that goes into spaces, softening our tones, crouching down, telling security guards and mothers ‘do not be afraid’ like we’re angels at Christ’s second coming.”
Adebowale, who is also the first Scholastic award winner at her school in six years, draws inspiration from Black queer authors like Akwaeke Emezi, whose work highlights life’s absurdities through mysticism and surrealism. Thus, for her submission, she wanted to embrace the concept of beauty as taboo.
“Beauty is one of the things I find integral to myself as a person,” she said. “I don’t feel beauty can exist without embracing yourself as a whole.”
In embracing her wholeness, Adebowale harked to a lesson from her poetry teacher about writing about the things that make one uncomfortable.
In “My Fault, Doctor,” written to mimic a doctor’s note, Adebowale wrote about the annoyance her nameless character had with a doctor who asked about the character’s sexuality.
“My fault, Doctor. I swallow up the fact I like a girl. Fact beats wings in my stomach,” read the poem. “Fact tries to crawl up with the acid reflux. Fact infests my throat and nests as a knot. Don’t be alarmed by that. I chose to kiss the girl at church, behind my family’s back, with the knot.”
All in all, this uninhibited opining about societal ills is what Scholastic Arts and Writing lauds. Wisniewski believes the award validates budding artists’ and writers’ work, and more importantly, their humanity.
“Creativity should be a universal value,” he said.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)
Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.
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