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Unraveling mystery of the Kilbourne Place memorial stones

Three gay men lived in this Mount Pleasant neighborhood before dying of AIDS

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Three gay men are memorialized in stones placed along Kilbourne Place in Mount Pleasant. (Blade photo by Michael Key)

Walking down Kilbourne Place is like stepping into another world. The quiet street lined with row homes is a far cry from the hustle and bustle of Mount Pleasant Street. Mount Pleasant is a village within a city with a thriving El Salvadoran population, long-term residents, and newcomers such as myself. On any given day, Purple Patch is serving up sizzling plates of Sisig and the 43 bus is whizzing its way on its journey to the Kennedy Center. On Kilbourne Place, the sound of sizzling pork and the loud hum of the Metrobus can be heard. Within this little slice of serenity, there are three men that I’ve become acquainted with: Robert Rockerhousen, Jakob Efsen and Charles Winney.

On Aug. 18, 2022, my dear friend Courtney decided that it was a good idea to take a walk around the neighborhood after a long day’s work. As we took a right on Lamont Street to walk up Kilbourne, I decided to slow my pace and lag behind. When I caught up to Courtney, she was standing in front of 1755 Kilbourne Place staring at a patch of grass.

I looked down at what caught her eye. It was a headstone with the name Robert Rockershousen and the years 1959-1998 etched onto it. We both sat there and scratched our heads at this find. Without exchanging words, I stepped a couple of paces to the left and found Jakob Efsen and Charles Winney’s headstones. Courtney and I reconvened back at Robert’s stone and we started to exchange ideas about what these headstones could be.

My first thought was that these were trees planted as a memorial but Courtney reminded me that there were no trees. We said that these could be stones for beloved family pets but the names sounded too human. Getting caught up in trying to find out why headstones would be in this quiet neighborhood, we forgot the years that were etched into them. We both settled on the stones being a memorial for slaves since an enslaved burial ground was found not too far away in Adams Morgan. Now that the mosquitoes were biting at every inch of exposed skin, we settled on this rationale and walked away. Before leaving, I decided to snap a picture.

One glass of wine and a few hours later, I pulled out my phone and took a look at the headstone. The enslaved memorial theory was quickly discarded because I saw the year 1998 clear as day. Doing what most people in my age group do when we’re looking for information, I turned to the Internet. I posted on the r/washingtondc subreddit hoping to ask residents if they knew anything about these stones. The commenters on that post were as confused as I was. Knowing that I needed more information, I walked back down the street the following day and took pictures of Jakob and Charles’s stone. It was on this second trip back and actually paying attention to the stones that a thought started to form.

The author became fascinated by several memorial stones on Kilbourne Place and decided to investigate. (Washington Blade photo by Michael Key)

All three of the stones were in honor of men who passed away in the mid-to-late 1990s who were all under 50 years of age. I decided to take another shot at the Internet and back on the r/washingtondc subreddit I made a post soliciting the help of elders in the area’s LGBTQ community. As I was waiting for comments to roll in, I was anxiously checking my phone and refreshing the feed hoping that someone somewhere had answers. No one could say who, what, or when the stones were placed on Kilbourne Place but a few provided some valuable insight on the neighborhood and a few told me to check the Washington Blade’s obituary section with my library card. That night, I spent hours going through each issue in the 1998 archives until I landed on the Nov. 13, 1998 issue. There in black and white was Robert and his cause of death was listed as complications from AIDS.

I went back into the archives and started scrolling through 1996 until I got to July 26, 1996 where I found Charles. In black and white was the cause of death due to complications of AIDS. It took a while for me to find Jakob’s obituary but it was found through the NAMES Project AIDS Memorial Quilt. Even though his cause of death wasn’t explicitly listed as complications from AIDS on his obituary, I knew what that 3×6 panel represented. Here before me were three men who were gay and died from AIDS. At first, my looking into these headstones was something to satiate my curiosity. I was still relatively new to Mount Pleasant and I wanted to know every little thing about the place I now call home. I did not know that this undertaking would become deeply personal for me.

I didn’t fully embrace and accept myself until I turned 25. Growing up, I had conflicting feelings about my sexuality and identity. As young as elementary school I knew I had an attraction to girls and I preferred to present more masculine. Among my friend group, I preferred to be called Tee because Tiana never sounded right to my ears. It wasn’t until adolescence that I also realized I had an attraction to boys. Throughout my adolescent and early adult life, I had visible relationships with men and closeted relationships with women. It was already programmed that there was a “wrongness” within me. I was mocked for my tomboyish appearance. I couldn’t maintain friendships with other girls because they would be immediately labeled as dykes. In college, the dean of my sorority indicated that she would feel “uncomfortable” changing in front of me, implying that there is something inherently predatory about my sexuality.

The closet is where I stayed until June of 2022. Around that time, the walls of the closet started to close in on me and a change needed to happen. I chopped off all of my hair, threw away my feminine clothing, and became Tee again. While this newfound freedom was liberating, there was also a deep sense of regret. When I went to Pride that year I saw a beautiful and vibrant community. A community that I knew nothing about and was afraid of my whole life. Stumbling upon Robert, Charles, and Jake’s headstones as a newly out queer person allowed me an opportunity to learn about a community that I deprived myself of in favor of trying to be “normal.”

I immediately got to work researching everything I could about the men. No longer was finding out the person or entity that placed the headstones an important part of my research. The most important thing was telling the stories of these three men and the lives that they led. Jakob was the first of the three that I started researching. There was already quite a bit of information on him due to his quilt panel. On his panel, there was a pair of cowboy boots and three flags. The cowboy boots represented his love for square dancing. He was a proud member of DC Lambda Squares, which is the area’s LGBTQ square dancing group. DC Lambda Squares members made Jakob’s panel. The three flags represented places that were deeply personal to him. Denmark represents the place he was born. Sweden represents the nationality of his parents, and South Korea represents where Jake served and lived during his time in the PeaceCorps.

(Washington Blade photo by Michael Key)

Jakob Efsen was born on Feb. 5, 1946 in Denmark. At some point in his childhood, he and his family relocated to Middletown Township, N.J., where he stayed until adulthood. Upon completion of university, he volunteered for the PeaceCorps where he served as a tuberculosis control volunteer in South Korea. In doing research about Jakob, I found a Facebook group of PeaceCorps volunteers who served in Korea. One of his friends, Neil Landreville with whom I had the pleasure speaking, was in K group 13 with Jakob between 1970-1972.

On June 23, 2023, I had the pleasure of speaking with Neil. Neil is now 77 years old and a retired HIV nurse living in New York City. He has a certain youthfulness and brightness to his voice that immediately endears you to him. We stayed on the phone for more than an hour talking about what he knew about Jake and trading stories of our careers in healthcare. Neil met Jake in San Jose where they were roommates for three days before PeaceCorps training in Hawaii. Neil first noticed that Jake was very tall and had an enthusiasm for life. He expressed that the people who knew Jake were immediately taken in by his generosity.

In the weeks they had to learn Korean and how to administer care to people with tuberculosis, Neil fondly remembers how Jake liked to take photos of flowers. Jake went on to become staff for PeaceCorps following the completion of his volunteer term. Being so inspired by the work he did in Korea, Jake came to the DMV area and worked as a tuberculosis case manager in Prince George’s County. Neil expressed that the same reason he worked in the Bronx during the height of the AIDS epidemic is the same reason Jake took on the job in Prince George’s County — he wanted to work directly with the people.

Another fascinating bit about Jake is that he liked to write letters to the editor in response to stories he read in the local newspaper. He was very vocal about his feelings on former Mayor Marion Barry during his drug scandal. He was also vocal about road safety and I have to believe he was passionate about it because he liked to ride his bicycle throughout the neighborhood. Another piece that spoke to me that I remembered when speaking to Neil is one from the Aug. 14, 1987 edition of The Washington Times. The piece was titled “AIDS: The Situation That the U.S. Faces.”

Six years into the AIDS epidemic, the crisis was being ignored by the government. Then-President Ronald Reagan did not mention the word AIDS publicly for years until after his Hollywood friend Rock Hudson came out as gay and revealed that he was living with AIDS. The government was so adamant about not mentioning AIDS that the topic was met with laughter and homophobic remarks in a 1982 press conference in which former Press Secretary Larry Speakes asked reporter Lester Kinsolving if he had AIDS. It wasn’t until the late 1980s when the AIDS death toll was nearing hundreds of thousands did the government expand funding for research and drug development.

In that time of governmental neglect, misinformation, and homophobia, Jake posed a challenge in his piece. He stated, “If Mr. Sobaran thinks the heterosexual population of this nation is safe from the AIDS infection, I suggest he study the incidence of genital herpes in the United States.” In talking with Neil, it was discovered that Jakob already knew he was HIV positive as early as 1990. Neil recounted a visit to D.C. to Jakob’s home where he stayed with his partner. He recalls Jake mentioning that he was taking Bactrim as a prophylactic for PCP (pneumocystis pneumonia). Even though Jake was living with HIV, he continued to work as a tuberculosis case manager all the way up until a couple of weeks before his passing.

Hearing that detail about Jake impressed and also flustered me. Tuberculosis is one of the many opportunistic infections for people living with compromised immune systems. I asked Neil if he was worried about Jake working such a job in his condition and he responded with “that was Jake.” Jakob died on June 5, 1995 with his long-term partner Bradford Jewett by his side. Neil went to the subsequent funeral service where he noticed that it was attended by a majority of his D.C. friends. Still not having any information on Charles and Robert and knowing that they were neighbors, I asked Neil if it would be OK if I sent him photos of Charles and Robert to see if he remembers them at Jake’s service. Unfortunately, he did not recall seeing them there.

Feeling at peace with what I found out about Jake, I started to look into Charles. Charles Winney was born on March 2, 1956 in Saratoga Springs, N.Y., where he lived until moving to Baltimore to attend Johns Hopkins University in 1974 to study to be a pharmacist. It’s unclear how far he made it at Hopkins because he eventually went to the Howard University School of Pharmacy to continue his studies. In looking into Charles’s background, I wanted to find a better photo other than the black and white one used for his obituary. I scoured The Bison (Howard University’s yearbook) looking for any indication of Charles but he wasn’t in there. I continued searching for anything that could lead me to a photo of Charles and a Google search of his name led to a resume.

(Washington Blade photo by Michael Key)

The resume was for a pharmaceutical researcher based out of Kansas. In the section where he listed the people he mentored, Charles was one of his interns in the summer of 1986 and he was listed as a senior. I went back to the 1986 and 1987 issue of The Bison looking for a photo of him and again, there was no photo. It is unclear whether Charles completed his studies at Howard but he worked for the pharmacy at George Washington University Hospital before working at Fidia Pharmaceuticals before retiring on disability in 1993. Charles also worked in the healthcare industry. Unfortunately, not much is known about Charles at this point. I reached out for information to various people but none have yet to respond. Charles passed away on July 11, 1996, with his partner Larry Martin by his side.

While waiting for more information on Charles and Robert, I began to ponder a little bit more about Charles because just like me, he lived at the intersection of Blackness and queerness. That intersection was something that I had to reconcile within myself. In my community, it’s not uncommon to hear someone mention that homosexuality isn’t “African” or that homosexuality is an “agenda” being pushed by the white mainstream media to destroy the Black family structure. The thought that I struggled with through all these years was that by accepting my queerness, I too would be trading in my Blackness. The Black community is a community that had to build itself from the ground up. Through forced migration, we lost most of our native tongue, culture, and history. Some of those have been retained and passed down, which is evident in our music or cultural practices (i.e. jumping the broom at weddings) but it has been blended with the language, culture, and customs by the same people who kidnapped us from Africa.

Christianity was used as a way to instill subservience in slaves. Slave masters and captors frequently quoted Ephesians 6:5 to justify their complicity in bondage to human beings. “Slaves, obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey Christ,” the verse said. The Black church has become a pillar of the community and incubated the Civil Rights Movement. The Black church is also the same institution that uses Leviticus 20:13 to shun their very own. “If a man lieth with mankind as he lieth with a woman, both of them have committed an abomination,” the verse says.

Even though the Black church is currently experiencing drops in attendance, not too many Black people are far removed from the influence the church has had on our people and unfortunately, homophobia has been one of its influences.

With this history in perspective, in certain parts of the Black community, queerness is viewed as giving into white supremacy where males are seen as giving up their masculinity for a more subservient, feminine position. The women are viewed as wanting to become men in order to escape gender-based oppression and only in finding the “right man,” will the woman return to her “natural” position. Being a Black gay man in the 70s, 80s, and 90s, I wonder how Charles navigated these social issues. For Charles to have been out and in a long-term relationship during those times is a testament to his bravery.

In the process of digging through public records trying to find Charles, an unexpected call came in. Neil forwarded my request for information on Jake to a fellow PeaceCorps friend, Susan Pawlowsky. While she did not know Jake, she does have a love for genealogy. I asked her if she could use her skills to help me find information on Charles and Robert. She agreed and in the information that she sent, she sent the information for Robert’s mother. Acting on faith, I penned a letter and dropped it in the mail to Mrs. Rockerhousen.

On July 1, 2023, I had the pleasure of speaking with Arleen Rockerhousen. I expected to answer questions about my motivations in wanting to know information about her but I was met with a surprisingly sweet and pleasant voice. I told her to tell me what Robert was like and the type of child that he was.

Robert Rockerhousen was born on Aug. 17, 1959 in Michigan. Mrs. Rockerhousen explained that he had a good group of friends growing up but she would often find Robert in his room studying maps. Robert had wanderlust and had wanted to see the world from an early age. This passion for travel was ignited even further when he got a job at a local AAA office in high school where he again was surrounded by maps. After high school, Robert went to the University of Michigan Ann Arbor where he had an internship with Victoria University in Toronto. He graduated with a bachelor’s degree in 1981. Upon completion of his undergraduate studies, Robert took whatever money he had and traveled around Europe until his money ran out.

(Washington Blade photo by Michael Key)

When Robert came back to the states, he worked for American Express Travel Related Services until he eventually landed a job at the World Bank as a tariff specialist in Washington, D.C. Mrs. Rockerhousen was familiar with his group of friends in D.C. I found it quite funny when she mentioned that one of his friends was a cartographer due to his love of maps when he was younger. She also mentioned that she was familiar with Larry and Charles. In her recollection of events, she stated that the property on 1755 Kilbourne Place was not Robert’s primary residence. She stated that it was co-owned by him and his longtime friend John Koran. In a brief exchange with Mr. Koran, it was mentioned that he and Robert did indeed own and live on the property until Robert fell ill and eventually sold it to live with his partner Luis in the Shaw neighborhood.

Mrs. Rockerhousen mentioned that Robert, Charles, and Larry were very close and they enjoyed her cooking whenever she would come over. She mentioned that their favorite dish was her German lasagna. She isn’t quite sure how Robert, Charles, and Larry became friends but she remembers them very fondly. While listening to her reminisce about her son, I did not want to talk about HIV. I grew up in a post antiretroviral world due to being born in late 1996. I never knew a time when HIV was more than just a chronic manageable condition. In researching the AIDS epidemic to gain perspective on the times in which Robert, Charles, and Jake lived, just seeing footage and pictures was more than gutting in and of itself. I could not imagine being a parent and having to witness your child die before their time.

When the topic of HIV came up in regards to her son, Mrs. Rockerhousen spoke with poise and clarity. She mentioned that one of her biggest regrets when it came to Robert was that he couldn’t feel he could come out to her and their family. It wasn’t until Robert fell ill that he came out to them. Nevertheless, Mrs. Rockerhousen was very supportive of Robert and showed up when he needed her. On Nov. 6, 1998, Robert passed away at the age of 39 with his partner Luis Schunk by his side. Mrs. Rockerhousen mentioned that Charles’s partner Larry Martin held a wake for him inside of his house. I tried reaching out to Larry in order to find out more information on Charles, Robert, and if there was any connection to Jake but as of now there has been no response.

I still don’t know who placed those stones on Kilbourne Place and maybe I will never know. At first, I felt like Nancy Drew trying to unravel this mystery but when the lives of these three men unfolded in front of me, the mystery had to take a backseat. In front of me were three men who lived dynamic lives in spite of the AIDS epidemic. Robert, Charles, and Jake lived in their truths in a time when living in your truth could be met with scorn. Living in your truth meant having to witness the government neglect you as a virus was overtaking your community. Living in your truth meant watching friends and loved ones die but still finding community within each other.

When Mrs. Rockerhousen mentioned Larry having Robert’s wake in his own home, that touched me in a way that I could not imagine. It showed the love between friends and between members of a community. That is what these stones represent. Whoever placed these stones on this quiet stretch of street in the middle of Mount Pleasant loved Robert, Charles, and Jake enough to remember them where they felt the most comfortable. They were remembered in a place where they could be free without the prying eyes of the public. They were remembered at home, where the heart truly lives.

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Marc Shaiman reflects on musical success stories

In new memoir, Broadway composer talks ‘Fidler,’ ‘Wiz,’ and stalking Bette Midler

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Marc Shaiman (Photo by Robert Trachtenberg)

If you haven’t heard the name Marc Shaiman, you’ve most likely heard his music or lyrics in one of your favorite Broadway shows or movies released in the past 50 years. From composing the Broadway scores for Hairspray and Catch Me if You Can to most recently working on Only Murders in the Building, Hocus Pocus 2, and Mary Poppins Returns, the openly queer artist has had a versatile career — one that keeps him just an Oscar away from EGOT status.

The one thing the award-winning composer, lyricist, and writer credits with launching his successful career? Showing up, time and time again. Eventually, he lucked out in finding himself at the right place at the right time, meeting industry figures like Rob Reiner, Billy Crystal, and Bette Midler, who were immediately impressed with his musical instincts on the piano.

“Put my picture under the dictionary definition for being in the right place at the right time,” Shaiman says. “What I often try to say to students is, ‘Show up. Say yes to everything.’ Because you never know who is in the back of the theater that you had no idea was going to be there. Or even when you audition and don’t get the part. My book is an endless example of dreams coming true, and a lot of these came true just because I showed up. I raised my hand. I had the chutzpah!”

Recalling one example from his memoir, titled Never Mind the Happy: Showbiz Stories from a Sore Winner ( just hit bookshelves on Jan. 27), Shaiman says he heard Midler was only hiring Los Angeles-based artists for her world tour. At the young age of 20, the New York-based Shaiman took a chance and bought the cheapest flight he could find from JFK. Once landing in L.A., he called up Midler and simply asked: “Where’s rehearsal?”

“Would I do that nowadays? I don’t know,” Shaiman admits. “But when you’re young and you’re fearless … I was just obsessed, I guess you could say. Maybe I was a stalker! Luckily, I was a stalker who had the goods to be able to co-create with her and live up to my wanting to be around.”

On the occasion of Never Mind the Happy’s official release, the Bladehad the opportunity to chat with Shaiman about his decades-spanning career. He recalls the sexual freedom of his community theater days, the first time he heard someone gleefully yell profanities during a late screening of The Rocky Horror Picture Show, and why the late Rob Reiner was instrumental to both his career and his lasting marriage to Louis Mirabal. This interview has been edited and condensed.

BLADE: Naturally, a good place to start would be your book, “Never Mind the Happy.” What prompted you to want to tell the story of your life at this point in your career?

SHAIMAN: I had a couple of years where, if there was an anniversary of a movie or a Broadway show I co-created, I’d write about it online. People were always saying to me, “Oh my God, you should write a book!” But I see them say that to everybody. Someone says, “Oh, today my kitten knocked over the tea kettle.” “You should write a book with these hysterical stories.” So I just took it with a grain of salt when people would say that to me. But then I was listening to Julia Louis-Dreyfus’ podcast, and Jane Fonda was on talking about her memoir — not that I’m comparing myself to a career like Jane Fonda’s — but she felt it was time to take a life review. That really stuck in my head. At the time, I was sulking or moping about something that had not gone as well as I wished. And I guess I kind of thought, “Let me look back at all these things that I have done.” Because I have done a lot. I’m just weeks short of my 50th year in show business, despite how youthful I look! I just sat down and started writing before anyone asked, as far as an actual publisher.

I started writing as a way to try to remind myself of the joyous, wonderful things that have happened, and for me not to always be so caught up on what didn’t go right. I’ve been telling some of these stories over the years, and it was really fun to sit down and not just be at a dinner party telling a story. There’s something about the written word and really figuring out the best way to tell the story and how to get across a certain person’s voice. I really enjoyed the writing. It was the editing that was the hard part!

BLADE: You recall experiences that made you fall in love with the world of theater and music, from the days you would skip class to go see a show or work in regional productions. What was it like returning to those early memories?

SHAIMAN: Wonderful. My few years of doing community theater included productions that were all kids, and many productions with adults, where I was this freaky little 12-year-old who could play show business piano beyond my years. It was just bizarre! Every time a director would introduce me to another cast of adults, they’d be like, “Are you kidding?” I’d go to the piano, and I would sightread the overture to Funny Girl, and everybody said, “Oh, OK!” Those were just joyous, wonderful years, making the kind of friends that are literally still my friends. You’re discovering musical theatre, you’re discovering new friends who have the same likes and dreams, and discovering sex. Oh my god! I lost my virginity at the opening night of Jesus Christ Superstar, so I’m all for community theater!

BLADE: What do you recall from your early experiences watching Broadway shows? Did that open everything up for you?

SHAIMAN: I don’t remember seeing Fiddler on the Roof when I was a kid, but I remember being really enthralled with this one woman’s picture in the souvenir folio — the smile on her face as she’s looking up in the pictures or looking to her father for approval. I always remember zooming in on her and being fascinated by this woman’s face: turns out it was Bette Midler. So my love for Bette Midler began even before I heard her solo records.

Pippin and The Wiz were the first Broadway musicals I saw as a young teenager who had started working in community theater and really wanted to be a part of it. I still remember Pippin with Ben Vereen and all those hands. At the time, I thought getting a seat in the front row was really cool — I’ve learned since that it only hurts your neck, but I remember sitting in the front row at The Wiz as Stephanie Mills sang Home. Oh my god, I can still see it right now. And then I saw Bette Midler in concert, finally, after idolizing her and being a crazed fan who did nothing but listen to her records, dreaming that someday I’d get to play for her. And it all came true even before I turned 18 years old. I just happened to be in the right place at the right time, and met one of her backup singers and became their musical director. I was brought to a Bette Midler rehearsal. I still hadn’t even turned 18, she heard me play and said, “Stick around.” And I’ve stuck around close to 55 years! She’s going to interview me in L.A. at the Academy Museum. Would I have ever thought that Bette Midler would say yes to sitting with me, interviewing me about my life and career?

BLADE: That’s amazing. Has she had a chance to read the book yet?

SHAIMAN: She read it. We just talked yesterday, and she wants to ask the right questions at the event. And she even said to me, “Marc, I wasn’t even aware of all that you’ve done.” We’ve been great friends for all these years, but sometimes months or almost years go by where you’re not completely in touch.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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