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Unraveling mystery of the Kilbourne Place memorial stones

Three gay men lived in this Mount Pleasant neighborhood before dying of AIDS

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Three gay men are memorialized in stones placed along Kilbourne Place in Mount Pleasant. (Blade photo by Michael Key)

Walking down Kilbourne Place is like stepping into another world. The quiet street lined with row homes is a far cry from the hustle and bustle of Mount Pleasant Street. Mount Pleasant is a village within a city with a thriving El Salvadoran population, long-term residents, and newcomers such as myself. On any given day, Purple Patch is serving up sizzling plates of Sisig and the 43 bus is whizzing its way on its journey to the Kennedy Center. On Kilbourne Place, the sound of sizzling pork and the loud hum of the Metrobus can be heard. Within this little slice of serenity, there are three men that I’ve become acquainted with: Robert Rockerhousen, Jakob Efsen and Charles Winney.

On Aug. 18, 2022, my dear friend Courtney decided that it was a good idea to take a walk around the neighborhood after a long day’s work. As we took a right on Lamont Street to walk up Kilbourne, I decided to slow my pace and lag behind. When I caught up to Courtney, she was standing in front of 1755 Kilbourne Place staring at a patch of grass.

I looked down at what caught her eye. It was a headstone with the name Robert Rockershousen and the years 1959-1998 etched onto it. We both sat there and scratched our heads at this find. Without exchanging words, I stepped a couple of paces to the left and found Jakob Efsen and Charles Winney’s headstones. Courtney and I reconvened back at Robert’s stone and we started to exchange ideas about what these headstones could be.

My first thought was that these were trees planted as a memorial but Courtney reminded me that there were no trees. We said that these could be stones for beloved family pets but the names sounded too human. Getting caught up in trying to find out why headstones would be in this quiet neighborhood, we forgot the years that were etched into them. We both settled on the stones being a memorial for slaves since an enslaved burial ground was found not too far away in Adams Morgan. Now that the mosquitoes were biting at every inch of exposed skin, we settled on this rationale and walked away. Before leaving, I decided to snap a picture.

One glass of wine and a few hours later, I pulled out my phone and took a look at the headstone. The enslaved memorial theory was quickly discarded because I saw the year 1998 clear as day. Doing what most people in my age group do when we’re looking for information, I turned to the Internet. I posted on the r/washingtondc subreddit hoping to ask residents if they knew anything about these stones. The commenters on that post were as confused as I was. Knowing that I needed more information, I walked back down the street the following day and took pictures of Jakob and Charles’s stone. It was on this second trip back and actually paying attention to the stones that a thought started to form.

The author became fascinated by several memorial stones on Kilbourne Place and decided to investigate. (Washington Blade photo by Michael Key)

All three of the stones were in honor of men who passed away in the mid-to-late 1990s who were all under 50 years of age. I decided to take another shot at the Internet and back on the r/washingtondc subreddit I made a post soliciting the help of elders in the area’s LGBTQ community. As I was waiting for comments to roll in, I was anxiously checking my phone and refreshing the feed hoping that someone somewhere had answers. No one could say who, what, or when the stones were placed on Kilbourne Place but a few provided some valuable insight on the neighborhood and a few told me to check the Washington Blade’s obituary section with my library card. That night, I spent hours going through each issue in the 1998 archives until I landed on the Nov. 13, 1998 issue. There in black and white was Robert and his cause of death was listed as complications from AIDS.

I went back into the archives and started scrolling through 1996 until I got to July 26, 1996 where I found Charles. In black and white was the cause of death due to complications of AIDS. It took a while for me to find Jakob’s obituary but it was found through the NAMES Project AIDS Memorial Quilt. Even though his cause of death wasn’t explicitly listed as complications from AIDS on his obituary, I knew what that 3×6 panel represented. Here before me were three men who were gay and died from AIDS. At first, my looking into these headstones was something to satiate my curiosity. I was still relatively new to Mount Pleasant and I wanted to know every little thing about the place I now call home. I did not know that this undertaking would become deeply personal for me.

I didn’t fully embrace and accept myself until I turned 25. Growing up, I had conflicting feelings about my sexuality and identity. As young as elementary school I knew I had an attraction to girls and I preferred to present more masculine. Among my friend group, I preferred to be called Tee because Tiana never sounded right to my ears. It wasn’t until adolescence that I also realized I had an attraction to boys. Throughout my adolescent and early adult life, I had visible relationships with men and closeted relationships with women. It was already programmed that there was a “wrongness” within me. I was mocked for my tomboyish appearance. I couldn’t maintain friendships with other girls because they would be immediately labeled as dykes. In college, the dean of my sorority indicated that she would feel “uncomfortable” changing in front of me, implying that there is something inherently predatory about my sexuality.

The closet is where I stayed until June of 2022. Around that time, the walls of the closet started to close in on me and a change needed to happen. I chopped off all of my hair, threw away my feminine clothing, and became Tee again. While this newfound freedom was liberating, there was also a deep sense of regret. When I went to Pride that year I saw a beautiful and vibrant community. A community that I knew nothing about and was afraid of my whole life. Stumbling upon Robert, Charles, and Jake’s headstones as a newly out queer person allowed me an opportunity to learn about a community that I deprived myself of in favor of trying to be “normal.”

I immediately got to work researching everything I could about the men. No longer was finding out the person or entity that placed the headstones an important part of my research. The most important thing was telling the stories of these three men and the lives that they led. Jakob was the first of the three that I started researching. There was already quite a bit of information on him due to his quilt panel. On his panel, there was a pair of cowboy boots and three flags. The cowboy boots represented his love for square dancing. He was a proud member of DC Lambda Squares, which is the area’s LGBTQ square dancing group. DC Lambda Squares members made Jakob’s panel. The three flags represented places that were deeply personal to him. Denmark represents the place he was born. Sweden represents the nationality of his parents, and South Korea represents where Jake served and lived during his time in the PeaceCorps.

(Washington Blade photo by Michael Key)

Jakob Efsen was born on Feb. 5, 1946 in Denmark. At some point in his childhood, he and his family relocated to Middletown Township, N.J., where he stayed until adulthood. Upon completion of university, he volunteered for the PeaceCorps where he served as a tuberculosis control volunteer in South Korea. In doing research about Jakob, I found a Facebook group of PeaceCorps volunteers who served in Korea. One of his friends, Neil Landreville with whom I had the pleasure speaking, was in K group 13 with Jakob between 1970-1972.

On June 23, 2023, I had the pleasure of speaking with Neil. Neil is now 77 years old and a retired HIV nurse living in New York City. He has a certain youthfulness and brightness to his voice that immediately endears you to him. We stayed on the phone for more than an hour talking about what he knew about Jake and trading stories of our careers in healthcare. Neil met Jake in San Jose where they were roommates for three days before PeaceCorps training in Hawaii. Neil first noticed that Jake was very tall and had an enthusiasm for life. He expressed that the people who knew Jake were immediately taken in by his generosity.

In the weeks they had to learn Korean and how to administer care to people with tuberculosis, Neil fondly remembers how Jake liked to take photos of flowers. Jake went on to become staff for PeaceCorps following the completion of his volunteer term. Being so inspired by the work he did in Korea, Jake came to the DMV area and worked as a tuberculosis case manager in Prince George’s County. Neil expressed that the same reason he worked in the Bronx during the height of the AIDS epidemic is the same reason Jake took on the job in Prince George’s County — he wanted to work directly with the people.

Another fascinating bit about Jake is that he liked to write letters to the editor in response to stories he read in the local newspaper. He was very vocal about his feelings on former Mayor Marion Barry during his drug scandal. He was also vocal about road safety and I have to believe he was passionate about it because he liked to ride his bicycle throughout the neighborhood. Another piece that spoke to me that I remembered when speaking to Neil is one from the Aug. 14, 1987 edition of The Washington Times. The piece was titled “AIDS: The Situation That the U.S. Faces.”

Six years into the AIDS epidemic, the crisis was being ignored by the government. Then-President Ronald Reagan did not mention the word AIDS publicly for years until after his Hollywood friend Rock Hudson came out as gay and revealed that he was living with AIDS. The government was so adamant about not mentioning AIDS that the topic was met with laughter and homophobic remarks in a 1982 press conference in which former Press Secretary Larry Speakes asked reporter Lester Kinsolving if he had AIDS. It wasn’t until the late 1980s when the AIDS death toll was nearing hundreds of thousands did the government expand funding for research and drug development.

In that time of governmental neglect, misinformation, and homophobia, Jake posed a challenge in his piece. He stated, “If Mr. Sobaran thinks the heterosexual population of this nation is safe from the AIDS infection, I suggest he study the incidence of genital herpes in the United States.” In talking with Neil, it was discovered that Jakob already knew he was HIV positive as early as 1990. Neil recounted a visit to D.C. to Jakob’s home where he stayed with his partner. He recalls Jake mentioning that he was taking Bactrim as a prophylactic for PCP (pneumocystis pneumonia). Even though Jake was living with HIV, he continued to work as a tuberculosis case manager all the way up until a couple of weeks before his passing.

Hearing that detail about Jake impressed and also flustered me. Tuberculosis is one of the many opportunistic infections for people living with compromised immune systems. I asked Neil if he was worried about Jake working such a job in his condition and he responded with “that was Jake.” Jakob died on June 5, 1995 with his long-term partner Bradford Jewett by his side. Neil went to the subsequent funeral service where he noticed that it was attended by a majority of his D.C. friends. Still not having any information on Charles and Robert and knowing that they were neighbors, I asked Neil if it would be OK if I sent him photos of Charles and Robert to see if he remembers them at Jake’s service. Unfortunately, he did not recall seeing them there.

Feeling at peace with what I found out about Jake, I started to look into Charles. Charles Winney was born on March 2, 1956 in Saratoga Springs, N.Y., where he lived until moving to Baltimore to attend Johns Hopkins University in 1974 to study to be a pharmacist. It’s unclear how far he made it at Hopkins because he eventually went to the Howard University School of Pharmacy to continue his studies. In looking into Charles’s background, I wanted to find a better photo other than the black and white one used for his obituary. I scoured The Bison (Howard University’s yearbook) looking for any indication of Charles but he wasn’t in there. I continued searching for anything that could lead me to a photo of Charles and a Google search of his name led to a resume.

(Washington Blade photo by Michael Key)

The resume was for a pharmaceutical researcher based out of Kansas. In the section where he listed the people he mentored, Charles was one of his interns in the summer of 1986 and he was listed as a senior. I went back to the 1986 and 1987 issue of The Bison looking for a photo of him and again, there was no photo. It is unclear whether Charles completed his studies at Howard but he worked for the pharmacy at George Washington University Hospital before working at Fidia Pharmaceuticals before retiring on disability in 1993. Charles also worked in the healthcare industry. Unfortunately, not much is known about Charles at this point. I reached out for information to various people but none have yet to respond. Charles passed away on July 11, 1996, with his partner Larry Martin by his side.

While waiting for more information on Charles and Robert, I began to ponder a little bit more about Charles because just like me, he lived at the intersection of Blackness and queerness. That intersection was something that I had to reconcile within myself. In my community, it’s not uncommon to hear someone mention that homosexuality isn’t “African” or that homosexuality is an “agenda” being pushed by the white mainstream media to destroy the Black family structure. The thought that I struggled with through all these years was that by accepting my queerness, I too would be trading in my Blackness. The Black community is a community that had to build itself from the ground up. Through forced migration, we lost most of our native tongue, culture, and history. Some of those have been retained and passed down, which is evident in our music or cultural practices (i.e. jumping the broom at weddings) but it has been blended with the language, culture, and customs by the same people who kidnapped us from Africa.

Christianity was used as a way to instill subservience in slaves. Slave masters and captors frequently quoted Ephesians 6:5 to justify their complicity in bondage to human beings. “Slaves, obey your earthly masters with respect and fear, and with sincerity of heart, just as you would obey Christ,” the verse said. The Black church has become a pillar of the community and incubated the Civil Rights Movement. The Black church is also the same institution that uses Leviticus 20:13 to shun their very own. “If a man lieth with mankind as he lieth with a woman, both of them have committed an abomination,” the verse says.

Even though the Black church is currently experiencing drops in attendance, not too many Black people are far removed from the influence the church has had on our people and unfortunately, homophobia has been one of its influences.

With this history in perspective, in certain parts of the Black community, queerness is viewed as giving into white supremacy where males are seen as giving up their masculinity for a more subservient, feminine position. The women are viewed as wanting to become men in order to escape gender-based oppression and only in finding the “right man,” will the woman return to her “natural” position. Being a Black gay man in the 70s, 80s, and 90s, I wonder how Charles navigated these social issues. For Charles to have been out and in a long-term relationship during those times is a testament to his bravery.

In the process of digging through public records trying to find Charles, an unexpected call came in. Neil forwarded my request for information on Jake to a fellow PeaceCorps friend, Susan Pawlowsky. While she did not know Jake, she does have a love for genealogy. I asked her if she could use her skills to help me find information on Charles and Robert. She agreed and in the information that she sent, she sent the information for Robert’s mother. Acting on faith, I penned a letter and dropped it in the mail to Mrs. Rockerhousen.

On July 1, 2023, I had the pleasure of speaking with Arleen Rockerhousen. I expected to answer questions about my motivations in wanting to know information about her but I was met with a surprisingly sweet and pleasant voice. I told her to tell me what Robert was like and the type of child that he was.

Robert Rockerhousen was born on Aug. 17, 1959 in Michigan. Mrs. Rockerhousen explained that he had a good group of friends growing up but she would often find Robert in his room studying maps. Robert had wanderlust and had wanted to see the world from an early age. This passion for travel was ignited even further when he got a job at a local AAA office in high school where he again was surrounded by maps. After high school, Robert went to the University of Michigan Ann Arbor where he had an internship with Victoria University in Toronto. He graduated with a bachelor’s degree in 1981. Upon completion of his undergraduate studies, Robert took whatever money he had and traveled around Europe until his money ran out.

(Washington Blade photo by Michael Key)

When Robert came back to the states, he worked for American Express Travel Related Services until he eventually landed a job at the World Bank as a tariff specialist in Washington, D.C. Mrs. Rockerhousen was familiar with his group of friends in D.C. I found it quite funny when she mentioned that one of his friends was a cartographer due to his love of maps when he was younger. She also mentioned that she was familiar with Larry and Charles. In her recollection of events, she stated that the property on 1755 Kilbourne Place was not Robert’s primary residence. She stated that it was co-owned by him and his longtime friend John Koran. In a brief exchange with Mr. Koran, it was mentioned that he and Robert did indeed own and live on the property until Robert fell ill and eventually sold it to live with his partner Luis in the Shaw neighborhood.

Mrs. Rockerhousen mentioned that Robert, Charles, and Larry were very close and they enjoyed her cooking whenever she would come over. She mentioned that their favorite dish was her German lasagna. She isn’t quite sure how Robert, Charles, and Larry became friends but she remembers them very fondly. While listening to her reminisce about her son, I did not want to talk about HIV. I grew up in a post antiretroviral world due to being born in late 1996. I never knew a time when HIV was more than just a chronic manageable condition. In researching the AIDS epidemic to gain perspective on the times in which Robert, Charles, and Jake lived, just seeing footage and pictures was more than gutting in and of itself. I could not imagine being a parent and having to witness your child die before their time.

When the topic of HIV came up in regards to her son, Mrs. Rockerhousen spoke with poise and clarity. She mentioned that one of her biggest regrets when it came to Robert was that he couldn’t feel he could come out to her and their family. It wasn’t until Robert fell ill that he came out to them. Nevertheless, Mrs. Rockerhousen was very supportive of Robert and showed up when he needed her. On Nov. 6, 1998, Robert passed away at the age of 39 with his partner Luis Schunk by his side. Mrs. Rockerhousen mentioned that Charles’s partner Larry Martin held a wake for him inside of his house. I tried reaching out to Larry in order to find out more information on Charles, Robert, and if there was any connection to Jake but as of now there has been no response.

I still don’t know who placed those stones on Kilbourne Place and maybe I will never know. At first, I felt like Nancy Drew trying to unravel this mystery but when the lives of these three men unfolded in front of me, the mystery had to take a backseat. In front of me were three men who lived dynamic lives in spite of the AIDS epidemic. Robert, Charles, and Jake lived in their truths in a time when living in your truth could be met with scorn. Living in your truth meant having to witness the government neglect you as a virus was overtaking your community. Living in your truth meant watching friends and loved ones die but still finding community within each other.

When Mrs. Rockerhousen mentioned Larry having Robert’s wake in his own home, that touched me in a way that I could not imagine. It showed the love between friends and between members of a community. That is what these stones represent. Whoever placed these stones on this quiet stretch of street in the middle of Mount Pleasant loved Robert, Charles, and Jake enough to remember them where they felt the most comfortable. They were remembered in a place where they could be free without the prying eyes of the public. They were remembered at home, where the heart truly lives.

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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